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242:, did not often adhere to the style and character of head of the Artist they copied, yet they always gave enough to enable us to comprehend the principles of the composition; and we often have well drawn figures to make us some amends for the loss of sentiment in the heads, expression of hands, or local colouring.
103:
was in Venice from 1558, where it has been argued that he substituted for Cort, absent from Venice from 1566 to 1571, as Titian's reproductive engraver - always a difficult and demanding role - although this is controversial, as none of his prints after Titian mention below the image the 15 year
119:
portrait engraver. From this time he made fewer reproductive prints, and concentrated on portraiture of the
Imperial family, often using assistants as not all the later prints show the fine technical quality of his earlier work. He served the Habsburgs in Vienna during the reigns of
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Chiefly an engraver of portraits, which he also painted, his drafting of the human figure is very correct, and he pays particular attention to extremities. He engraved plates entirely with the graving tool. Rota showed
290:
Rota usually signed his plates with his name, sometimes adding the names
Sebenico and Venice, but he sometimes used a monogram consisting of a capital 'M' and a pictogram of a wheel (
514:
A Biographical and
Critical Dictionary of Painters and Engravers, from the revival of the art under Cimabue, and the alleged discovery of engraving by Finiguerra, to the present time
152:
Rota has been described as one of the most significant graphic artists of the second half of the 16th century, though few if any of his prints were original compositions.
716:
Dizionario degli architetti, scultori, pittori, intagliatori in rame ed in pietra, coniatori di medaglie, musaicisti, niellatori, intarsiatori d'ogni età e d'ogni nazione
538:
108:"privilege" granted to Titian by the Senate and referred to on Cort's prints after Titian. He also produced several maps and views of Venice and other cities.
254:, may have been engraved from Deschler's medallion of 1561. Other portraits he engraved include the Emperors Maximilian II and Rudolf II and
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71:. Little is known of Rota's early life or where he trained as an engraver, but most of his documented career was spent working in
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and engraving on the same plates, but in an unusually sensitive manner, exploiting the differences between the two techniques.
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Rota was active until his death in 1583, leaving a small number of plates incomplete, which were completed by his pupil
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An Essay on the
Utility of Collecting the Best Works of the Ancient Engravers of the Italian School
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223:. He added to the fame of Šibenik and of his compatriot Antun Vrančić, called Antonius Verantius.
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128:, the second of whom became Emperor in 1576. Rudolf moved the Habsburg capital from Vienna to
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582:
Copyright in the
Renaissance: Prints and the Privilegio in sixteenth-century Venice and Rome
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In about 1540, Rota appears in Rome, working as a reproductive engraver in the style of
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court in Vienna, where he arrived by 1568, and by 1573 he was established as the
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is now best known from Rota's engraving; he also made engravings after work by
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feeling for material. Like many printmakers of the period, he combined
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From March to April 2003, an exhibition in the Print
Department of the
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191:. His known work includes more than one hundred and seventy
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Bergquist, Stephen A, "Some Early States by
Martino Rota,"
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Treasures — National and
University Library, Zagreb
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online at theeuropeanlibrary.org (accessed 4 March 2008)
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Perhaps with Titian's recommendation, he moved to the
52:–1583) was an artist, now mainly known for his
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online at books.google.co.uk (accessed 4 March 2008)
99:. At some point he left Rome and after a period in
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online at books.google.co.uk, accessed 12 July 2008
179:, whose very important destroyed altarpiece of the
26:, by Rota, dated 1575; Ferdinand was Master of the
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63:Martino Rota was born in about the year 1520 in
750:Italian Etchers of the Renaissance and Baroque
748:Reed, Sue Welsh & Wallace, Richard (eds),
171:He also engraved paintings by masters of the
752:, Museum of Fine Arts, Boston 1989,pp 58–60,
681:Martino Rota (Sebenico 1520 – Vienna 1583),
512:Bryan, Michael, (revised by George Stanley)
693:, in: Grafica Antica catalogo n° 49, p. 36.
95:, and employed by, or collaborating with,
148:, oil on canvas, by Martino Rota c. 1580
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132:in 1583, where Rota died the same year.
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619:at www.canvas.hr, accessed 15 July 2008
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199:on a variety of subjects, including
593:Reed and Wallace, op & page cit
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298:). The monogram is illustrated in
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580:Christopher L. C. E. Witcombe,
246:Rota's portrait of the Emperor
234:...if such men as Martin Rota,
24:Ferdinand I, Holy Roman Emperor
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683:Il riposo dalla Fuga in Egitto
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736:The Print in Italy, 1550-1620
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181:Martyrdom of St. Peter Martyr
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610:Three Engravers from Šibenik
491:Getty Union Artist Name List
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516:(London, H G. Bohn, 1849),
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146:Archduke Ernest of Austria
28:Order of the Golden Fleece
16:Italian artist (1520–1583)
455:Massacre of the Innocents
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219:, and depictions of the
671:may have been intended.
439:Battle of Lepanto, 1571
375:Gustav I Vasa of Sweden
256:King Henry IV of France
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571:Reed & Wallace, 58
562:, and Reed and Wallace
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796:Renaissance engravers
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30:, which he wears here
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646:Cumberland, George,
628:Reed and Wallace, 60
306:of 1830–1833.
211:, illustrations for
791:People from Šibenik
250:(1503–1564),
230:wrote in 1827 that
43:Martin Rota Kolunić
811:History of Šibenik
722:, 1830–1833)
702:Reed & Wallace
689:2015-02-04 at the
669:Cornelis Bloemaert
226:The art collector
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65:Šibenik (Sebenico)
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801:Croatian painters
665:Abraham Bloemaert
294:means 'wheel' in
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272:The Last Judgment
228:George Cumberland
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35:Martino Rota
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786:1583 deaths
310:Exhibitions
263:masterpiece
248:Ferdinand I
173:Renaissance
93:Marcantonio
54:printmaking
50: 1520
39:Martin Rota
775:Categories
729:References
304:Dizionario
193:engravings
126:Rudolph II
286:Signature
213:pamphlets
209:portraits
106:copyright
687:Archived
613:Archived
518:page 662
471:Sebenico
252:pictured
240:Goltzius
197:etchings
162:Venetian
158:Durerian
113:Imperial
101:Florence
69:Dalmatia
58:Dalmatia
663:Either
423:Algiers
330:Gallery
205:vedutes
166:etching
56:, from
37:, also
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652:page 6
320:Zagreb
221:saints
177:Titian
130:Prague
81:Vienna
79:, and
73:Venice
720:Milan
584:2004.
479:Notes
296:Latin
189:Dürer
117:court
754:ISBN
740:ISBN
292:Rota
261:His
236:Cort
201:maps
195:and
187:and
136:Work
124:and
87:Life
77:Rome
41:and
667:or
269:'s
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47:c.
45:(
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