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as a subject, transforming his ukiyo-e derived paintings into a darker realm. In 1989 during a trip to
Australia, he realized that the general public as well as some medical practitioners did not fully understand the impact the virus could have on the Australian populace. He created watercolors based
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in
Hiroshima Prefecture. He studied from 1954–59 at the Kwansei Gakuin University in Kobe, Japan where he received his B.A. in Aesthetics. He moved to the United States in 1961. From 1964 to 1968 he attended and graduated from the Otis Art Institute, now the
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Since the late 1990s, he has been producing large-scale narrative paintings inspired by well-known
Renaissance paintings, rather than by Japanese woodblock prints. These paintings reference modern day social and political issues, such as the
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Teraoka's combines merges traditional Edo-style aesthetics with icons of
American culture. His early work consisted primarily of watercolor paintings and prints that mimicked the flat, bold qualities of
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and fallen priests. This painting also includes a self-portrait in the left upper corner. The series also depicts the institutionalized sexual abuse within the
Catholic Church.
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116:-influenced woodcut prints and paintings in watercolor and oil. He is known for work that merges traditional Edo-style aesthetics with icons of American culture.
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in Los
Angeles, where he received a B.F.A. and M.F.A. He received an honorary doctorate in the fine arts in 2016 from the Otis College of Art and Design.
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woodblock prints. These paintings, done after his arrival in the United States, often featured the collision of the two cultures. Series such as
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characterize themes in the work in this time period. These pieces blended reality with fantasy, humor with commentary, history with the present.
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Chang, Gordon H., Mark Dean
Johnson, Paul J. Karlstrom & Sharon Spain, Asian American Art, a History, 1850-1970, Stanford University Press,
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Teraoka has been the subject of more than 70 solo exhibitions, many of which have traveled extensively, including those organized by the
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was published by the
University of Michigan Press. A comprehensive monograph on the artist was published in 2006 by Chronicle Books.
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Teraoka has received numerous grants, fellowships and awards for his work. He was twice honored by the
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who represent, in
Japanese folklore, divine entities who operate as messengers.
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Masami
Teraoka in the National Gallery of Australia's Kenneth Tyler Collection
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Masami Teraoka: From Tradition to Technology, the Floating World Comes of Age
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Masami Teraoka, From Tradition to Technology, The Floating World Comes of Age
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Terakoa is married to Lynda Hess, and lives in Hawaii. They have a daughter.
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Clark, Catharine; Bing, Alison; Heartney, Eleanor; Hoffman, Kathryn (2006).
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His work is in more than 50 public collections worldwide, including the
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110:(born 1936) is an American contemporary artist. His work includes
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Masami Teraoka: From Tradition to Technology, the Floating World
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in 1998. In 1996, he was featured in a solo exhibition at the
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in 1980; The Contemporary Museum, Honolulu (now known as the
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Teraoka, Masami, lecture given at the Honolulu Museum of Art
432:"Masami Teraoka: Contemporary Issues Through a Ukiyo-e Lens"
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In the 1980s, Teraoka shifted palette and scale to depict
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In 1988 the University of California Press published
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359:Freeman, Samuel, Peter Clothier and Marcia Morse,
239:Arthur M. Sackler Gallery, Smithsonian Institution
377:, New York, Whitney Museum of American Art, 1979.
252:, New York and received two fellowships from the
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999:Conservation and restoration of woodblock prints
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528:. Los Angeles: University of California Press.
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187:on traditional woodblock prints that depicted
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288:; the Asian Art Museum of San Francisco; the
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368:Waves and Plagues, The Art of Masami Teraoka
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556:Stevenson, John; Taeaoka, Masami (1997).
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1075:Japanese emigrants to the United States
370:, San Francisco, Chronicle Books, 1988.
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1090:Otis College of Art and Design alumni
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363:, Santa Monica, Samuel Freeman, 2008.
361:Masami Teraoka: Cloisters' Confession
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316:/GOMA, Brisbane, Australia; the
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124:Teraoka was born in the town of
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1070:People from Onomichi, Hiroshima
290:Smithsonian American Art Museum
254:National Endowment for the Arts
63:National Endowment for the Arts
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227:Whitney Museum of American Art
159:by Masami Teraoka, 2002-2005,
131:Otis College of Art and Design
55:Otis College of Art and Design
44:Onomichi, Hiroshima Prefecture
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396:Collective Visions, 1967-1997
352:Clarke, Joan and Diane Dods,
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320:, Glasgow, Scotland; and the
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690:Bror Julius Olsson Nordfeldt
648:Ella Sophonisba Hergesheimer
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389:Paintings by Masami Teraoka
235:Yale University Art Gallery
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1080:Japanese portrait painters
302:Metropolitan Museum of Art
218:as the twin towers of the
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147:Hawaii State Art Museum
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314:Queensland Art Gallery
294:Honolulu Museum of Art
284:, Sacramento, CA; the
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161:Honolulu Museum of Art
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855:Charles Buckles Falls
624:woodblock printmakers
522:Link, Howard (1988).
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903:Tom Killion (artist)
714:Ferol Sibley Warthen
394:Yoshihara, Lisa A.,
322:Singapore Art Museum
308:, Washington D. C.;
200:September 11 attacks
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849:Janet Doub Erickson
754:Charles W. Bartlett
708:Anna Heyward Taylor
241:and in 1997 at the
233:) in 1988; and the
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660:Edna Boies Hopkins
436:Chapman University
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282:Crocker Art Museum
220:World Trade Center
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1055:Anti-clerical art
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962:Arthur Wesley Dow
945:Margaret Ely Webb
885:Helen West Heller
843:Arthur Wesley Dow
790:Lilian May Miller
387:Teraoka, Masami,
380:Teraoka, Masami,
373:Teraoka, Masami,
366:Link, Howard A.,
245:, San Francisco.
202:and abuse in the
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802:Chiura Obata
772:Daniel Kelly
760:Sarah Brayer
632:Provincetown
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539:. Retrieved
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1045:1936 births
982:(born 1952)
980:Brian Shure
976:(1873–1963)
970:(1885–1975)
964:(1857–1922)
955:Instructors
947:(1877–1965)
941:(born 1952)
939:Brian Shure
935:(1873–1963)
929:(1891–1986)
923:(1956–2013)
921:Holly Meade
917:(1884–1960)
911:(1893–1963)
905:(born 1953)
893:(1868-1919)
887:(1872–1955)
881:(1900–1960)
875:(1889–1957)
869:(1872–1951)
863:(1869–1959)
857:(1874–1960)
851:(born 1924)
845:(1857–1922)
839:(born 1946)
833:(born 1981)
827:(1911–2004)
810:(born 1936)
804:(1885–1975)
798:(born 1947)
792:(1895–1943)
786:(1869–1954)
780:(1931–2003)
774:(born 1947)
768:(1869–1937)
762:(born 1957)
756:(1860–1940)
728:(1887–1966)
722:(1873–1946)
716:(1890–1986)
710:(1879–1956)
704:(1863–1951)
698:(1873–1954)
692:(1878–1955)
686:(1884–1940)
674:(1891–1971)
672:Karl Knaths
668:(1878–1956)
662:(1872–1937)
656:(1903–1984)
654:Mabel Hewit
650:(1873–1943)
644:(1883–1955)
642:Ada Gilmore
541:17 December
475:17 December
441:17 December
310:Tate Modern
276:Collections
268:. In 1997,
1039:Categories
927:Mabel Pugh
891:Helen Hyde
784:Bertha Lum
678:Ethel Mars
336:References
260:Monographs
214:, depicts
622:American
407:Footnotes
120:Education
74:Signature
50:Education
1009:Japonism
747:in Japan
634:Printers
126:Onomichi
1024:Woodcut
1014:Ukiyo-e
990:Related
745:Studied
190:kitsune
169:ukiyo-e
113:Ukiyo-e
92:Website
992:topics
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300:; the
60:Awards
818:Other
192:foxes
137:Works
564:ISBN
543:2022
530:ISBN
503:ISBN
477:2022
443:2022
343:ISBN
184:AIDS
175:and
99:.com
41:1936
38:Born
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