277:. After getting the objects, she locks her up in her room and fashions a man with the material and a horse with the leftovers, then spends the next 40 days and nights in deep prayer so both creations gain life. It happens thus, and the princess sends the horse to the stables and the boy to be secluded in a room, under the care and watch of governesses. One day, when the male creation is twelve years old, he uses a leftover chicken bone to crack the glass from his room and see the outside world for the first time. He also sees the horse creation the princess made, and is told the horse, named "Kamer" ('Moon') belongs to him. The boy jumps on Kamer and both ride away from the kingdom. The princess is alerted about the boy's flight, and goes after Miskember (named so after the materials used in his creation). She walks in iron garments and a skirt made of hairs, and with an iron cane. Back to Miskember, he and the horse reach the palace of the Yemeni padishah, and the monarch decides to marry him to his daughter. The princess reaches the Yemeni lands and asks for shelter at the palace kitchen. The Yemeni princess agrees to take her in, if she can make Miskember smile. One day, as soon as Miskember comes back from the hunt, he sights his creatress and smiles at her. The Yemeni princess then places the wanderer in a room just beneath her chambers, where she spends every day and night singing verses of longing and sorrow to make Miskember remember. After a while, the Yemeni princess decides to call off her marriage to Miskember and returns him to his creatress. The pair rides back to the Indian kingdom and find a platoon of her father's soldiers en route. Everyone returns home, and Miskember and the princess celebrate their marriage. The tale was translated to Russian by
345:, a king goes on a pilgrimage. While he is away, his only daughter, princess Sa'ada, ransacks his storage, snatches some pearls and fashions a male statue with them. The princess begins to pray for God to grant life to the statue, and she is joined by 50 maidservants. After some time, their collective prayers are heard, and the statue comes to life, whom the princess takes as her lover. The king learns the princess found a fiancé while he was away, then goes back home to obtain some explanations. The princess points her father to the empty closet, and explains she fashioned a lover out of the pearls. Upon learning the truth, the king approves of his daughter's marriage.
233:("The Boy of Musk"). In this tale, the heroine is a princess who locks herself up in a church for 40 days, with refined flour and spices, and fashions a seven-year-old son for her. A second king's daughter becomes jealous of the boy and wants her for herself, so asks her father to kidnap him. The first princess goes after the child with iron shoes, and passes by the Moon, the Sun and the Wind, who each gives her a nut, an almond nut and a pistachio nut. The nuts produce golden objects (golden chicks, a golden spindle and a golden yarn) which she tries to use to bribe her way to the boy. At the end of the tale, the princess rescues her son and flies back home on a
90:
to him but she cannot wake him. Then she breaks the walnut, which contains a golden hen and her chicks, and she tries and fails again. The hazelnut contains golden carnations, but that day, a tailor, who lives next to the girl who tends to the geese, asks Mr Simigdáli how he can sleep at night what with all the girl's talk. Mr Simigdáli realises something is off so he secretly readies his horse and only pretends to drink the potion; so, when the princess begins to talk to him, he rises and takes her with him on his horse.
262:, both scholars indexed a similar narrative under type TTV 105, "Der Mann aus Wachs" ("The Man of Wax"), with three variants registered until 1953. In this type, the third and youngest princess is still single, and fashions a male figure made of wax; with her prayers, the figure comes to life; later, the man, now human, is taken by another princess to her kingdom, and his creator/lover goes after him; in her quest, she is given precious objects she will use to bribe the princess for three nights with the man.
86:
a walnut and send her on to the Stars. No star has seen him, except for a little star which then takes her to the castle where Mr Simigdáli is prisoner after being given to drink the water of oblivion, and the star gives her a hazelnut. She looks like a beggar and he does not recognize her, so she begs for a job taking care of the geese.
146:
The heroine, creator and lover of the artificial husband, gains exquisite presents from her supernatural helpers, which she will use to bribe the kidnapping queen for a night with her lover. Also, according to Max Lüthi, the heroine cracks open the nuts and almonds she gets from her helpers and finds
107:
Although the tale is classified as the more general type ATU 425, "The Search for the Lost
Husband", the tale pertains to a cycle of stories found in Italy, Greece and Turkey: the heroine, refusing to marry any suitor chosen for her, decides to fashion her own husband out of materials, and prays to a
85:
With the first pair of iron shoes worn out, she comes to the mother of the Moon, who has her wait until the Moon comes, but the Moon can not tell her where Mr Simigdáli has been taken, and sends her on to the Sun, having given her an almond for her to break upon need. The Sun and its mother give her
93:
In the morning, the queen sends for him, but he is not there. She tries to make her own man, but when the figure is done, she curses instead of praying, and the figure rots. The princess and Mr Simigdáli return home and live happily ever after. And, as the Greek saying has it, they lived happily but
89:
Then she breaks the almond and it holds a golden spindle, reel and wheel. The servants tell the queen, who asks what she wants for her; the princess will trade it only for Mr Simigdáli to spend a night with her. The queen agrees but gives Mr Simigdáli a sleeping potion. The princess tries to talk
81:
A king's daughter refuses all her suitors. She takes almonds, sugar, and groats—or semolina—and makes the figure of a man from them. Then she prays for forty days, and God brings the figure to life. He is called Mr Simigdáli (Mr Groats)—or Master
Semolina if made from that—and is very handsome.
313:
and Indian perfumes. She prays to Allah to give him a soul and animate him, and her prayers are answered. She takes the artificial man to her father and introduces him as Sultan Ambar, her fiancé. A witch princess from another country hears about Sultan Ambar's beauty and kidnaps him after their
283:
304:
tale titled "Султан Анбар" ("Sultan Ambar"): a princess is courted by many men, but she chooses no suitor. Fed up with all the rejected princes and emirs, the king announces he will wed her to the first suitor. The princess, then, decides to build herself a husband, with musk, amber (or
82:
An evil queen hears of him and sends a golden ship to kidnap him. Everyone comes out to see it, and the sailors as instructed- capture Mr Simigdáli. The princess learns how he had been carried off, has three pairs of iron shoes made for herself, and sets out.
946:
314:
wedding. The princess journeys far and wide to find him, and has some adventures on the way there, by helping kings and villages. She is rewarded with a chicken with chicks that eat pearls instead of grains, a dress encrusted with pearls and a
201:
In addition, German scholar Max Lüthi noted that sugar appears to be "the crucial ingredient" in most variants from Greece and Italy, although
Papachristophorou remarks that it is the "most common in all versions" of the story.
166:
and
Michael Merakles, as well as researcher Marilena Papachristophorou, noted that in these tales, the hero is named after the materials with which he was created: herbs, musk, amber, cinnamon and sugar.
1417:
273:("The Musk-Amber Prince"), an Indian ruler has a daughter who decides to marry no one. She then asks her father to provide forty camels loaded with musk and forty camels loaded with
138:
indicated the presence of the tale in the Orient, since the numeral has cultural significance for Middle
Eastern cultures (e.g., indicating a period of maturation or purification).
784:
Angelopoulou, Anna; Broskou, Aigle. "ΕΠΕΞΕΡΓΑΣΙΑ ΠΑΡΑΜΥΘΙΑΚΩΝ ΤΥΠΩΝ ΚΑΙ ΠΑΡΑΛΛΑΓΩΝ AT 300-499". Tome B: AT 400-499. Athens, Greece: ΚΕΝΤΡΟ ΝΕΟΕΛΛΗΝΙΚΩΝ ΕΡΕΥΝΩΝ Ε.Ι.Ε. 1999. p. 769.
278:
1715:
2106:
936:"Турецкие народные сказки" . Мoskva: Главная редакция восточной литературы издательства «Наука», 1967. pp. 196-200 (text for tale nr. 30), 464 (source and classification).
1613:
361:
For clarification, in his work Swahn calls type B the one which involves the "three nights". He also grouped stories about "the artificial husband" under type B.
2132:
116:
1250:
156:
949:" . Сост., пер. с араб., вступит, ст. и примеч. В. А. Яременко. Moskva: Наука, Главная редакция восточной литературы, 1990. pp. 117-124 (Tale nr. 21).
161:
1920:
126:'s study, falls under type 425B: the artificial husband created by the heroine and the exchange of three nuts for three nights with her husband.
2054:
1424:
1852:
887:. Eingeleitet, übers, und bearb. von Walter Puchner. (Raabser Märchen-Reihe, Bd. 9. Wien: Österr. Museum für Volkskunde, 1992. pp. 145-146.
1680:
1231:
1857:
2013:
1004:
237:. Merakles noted that the tale was unusual in that the heroine creates a child, instead of a lover, which happens in other variants.
1862:
1925:
1660:
1598:
1523:
756:
475:
442:
404:
70:
2192:
2080:
2044:
2023:
1650:
1548:
960:
1915:
1910:
1700:
962:
La
Jrefiyye palestina: literatura, mujer y maravilla: el cuento maravilloso palestino de tradición oral, estudio y textos
111:
It could be considered, therefore, a subtype specific to Italy. The type is also considered a Greek-Turkish oikotype of
57:. There are about forty known Greek variants on the fairy tale of baking a figure and having it brought to life. It is
2197:
2167:
322:. The princess uses the three items as bribes to buy three nights in her husband's bed in the witch princess's castle.
1695:
1112:
970:
892:
721:
534:
2003:
1815:
1783:
1690:
678:
Weightman, Simon (2016). "Literary Form in the 'Mathnawī' of Mawlānā Rūmī: The
Question of Rhetorical Structure".
1528:
926:(in Turkish). Vol. I. Budapest: Magyar Tudományos Akadémia. pp. 150-153 (Turkish text for tale nr. 32).
62:
17:
577:
Cardigos, Isabel (2006). "Review of
Sommeils et Veilles dans le Conte Merveilleux Grec. FF Communications 279".
2101:
1993:
1603:
1225:
1173:
1165:
997:
1998:
1685:
1655:
1410:
1831:
1710:
1482:
1307:
1138:
215:
According to
Marilena Papachristophorou and Georgios Megas, 42 variants exist "in all regions of Greece".
1736:
1593:
1583:
1553:
921:
2187:
2064:
2049:
1983:
1665:
1608:
870:
491:
Bettridge, William Edwin; Utley, Francis Lee (1971). "New Light on the Origin of the
Griselda Story".
2148:
1578:
1513:
1331:
990:
965:(in Spanish). El Colegio de México, Centro de Estudios de Asia y Africa. p. 358 (tale nr. 10).
1930:
1836:
1508:
1093:
1946:
1889:
1543:
1518:
1503:
1389:
982:
121:
1962:
1905:
1675:
1629:
1568:
1533:
1347:
1323:
1014:
624:
508:
66:
1257:
2202:
1767:
1731:
1487:
1434:
1402:
1208:
1130:
259:
8:
1741:
1538:
1339:
1039:
906:
614:
1746:
1573:
1289:
1181:
695:
602:
594:
500:
2018:
1988:
1634:
1563:
1069:
1061:
966:
888:
799:
752:
717:
647:
610:
606:
530:
471:
448:
438:
400:
751:(in German). Selbstverlag des Österreichischen Museums für Volkskunde. p. 146.
229:
Greek professor Michael Merakles translated a Greek tale into German with the title
2122:
1639:
1449:
1315:
1146:
687:
586:
559:
297:
266:
255:
2096:
1762:
1373:
512:
219:
714:
Scheherazade's Sisters: Trickster Heroines and Their Stories in World Literature
628:
527:
Scheherazade's Sisters: Trickster Heroines and Their Stories in World Literature
1978:
1558:
1378:
58:
691:
651:
452:
147:
beautiful dresses that depict the skies (or heavens), the earth and the seas.
2181:
2039:
1085:
1024:
803:
563:
2127:
2008:
1788:
1189:
617:
234:
170:
According to Papachristophorou, the more common names for the hero include
1705:
590:
38:
1644:
1472:
1355:
1275:
1044:
135:
699:
598:
504:
2166:
indicates a previous tale type extant until 2004. "AaTh" refers to the
2059:
1588:
1077:
310:
274:
42:
621:
331:
306:
182:, after the materials used to build the husband (in the latter two,
1670:
433:
Manna, Anthony L; Mitakidou, Christodoula; Potter, Giselle (1997).
195:
288:
with the title "Девушка и Мискембер" ("The Girl and Miskember").
1012:
1383:
34:
423:, p 60, University of Chicago Press, Chicago and London, 1970
319:
187:
2107:
The Tale of the Queen Who Sought a Drink From a Certain Well
1716:
The Padisah's Youngest Daughter and Her Donkey-Skull Husband
1432:
1019:
550:
Angelopoúlou, Ánna (1988). "Muscambre, fils de l'inceste".
301:
183:
65:, in an unusual variation, involving motifs similar to
2133:
The Hedgehog, the Merchant, the King and the Poor Man
833:. Bloomington: Indiana University Press, 1970. p. 92.
737:. Bloomington: Indiana University Press, 1970. p. 94.
668:. Bloomington: Indiana University Press, 1984. p. 12.
385:. Bloomington: Indiana University Press, 1970. p. 87.
859:. Helsinki: Suomalainen Tiedeakatemia, 2002. p. 105.
846:. Helsinki: Suomalainen Tiedeakatemia, 2002. p. 109.
820:. Helsinki: Suomalainen Tiedeakatemia, 2002. p. 105.
775:. Helsinki: Suomalainen Tiedeakatemia, 2002. p. 105.
432:
545:
543:
857:Sommeils et veilles dans le conte merveilleux grec
844:Sommeils et veilles dans le conte merveilleux grec
818:Sommeils et veilles dans le conte merveilleux grec
773:Sommeils et veilles dans le conte merveilleux grec
296:Russian professor V. A. Yaremenko translated into
874:. Jena Didierichs Verlag, 1919. pp. 224-232, 338.
2179:
540:
341:("The Tale of Lü'lü"), translated to Spanish as
2170:pre-2004; "ATU" refers to the system post-2004.
1921:The Man and the Girl at the Underground Mansion
490:
468:Once Upon a Time: On the Nature of Fairy Tales
397:Once Upon a Time: On the Nature of Fairy Tales
1853:The Story of Princess Zeineb and King Leopard
1418:
998:
831:Once Upon a Time: On the Nature of Fairy Tale
735:Once Upon a Time: On the Nature of Fairy Tale
666:The fairytale as art form and portrait of man
383:Once Upon a Time: On the Nature of Fairy Tale
141:
45:, collected by Irene Naumann-Mavrogordato in
1681:The Tale of the Woodcutter and his Daughters
549:
470:. F. Ungar Publishing Company. p. 166.
399:. F. Ungar Publishing Company. p. 165.
134:Lüthi remarked that the reference to number
265:In a Turkish tale collected by Turkologist
254:("Turkish Folktale Catalogue"), devised by
1425:
1411:
1005:
991:
958:
904:Eberhard, Wolfram; Boratav, Pertev Nailî.
47:Es war einmal: Neugriechische Volksmärchen
677:
150:
910:. Wiesbaden: Steiner, 1953. pp. 125-126.
746:
576:
493:Texas Studies in Literature and Language
435:Mr. Semolina-Semolinus: a Greek folktale
190:), although the tale is better known as
49:. Georgios A. Megas collected a variant
959:Carrascosa, Montserrat Rabadán (2003).
793:
222:translated a Greek tale into German as
14:
2180:
1406:
986:
919:
641:
465:
394:
2081:The Dead Prince and the Talking Doll
2045:The Dragon-Prince and the Stepmother
1549:East of the Sun and West of the Moon
437:. Atheneum Books for Young Readers.
1911:The Little Girl Sold with the Pears
1701:The Story of the Abandoned Princess
24:
1661:Tulisa, the Wood-Cutter's Daughter
1614:About the astonishing husband Horu
1524:The Three Daughters of King O'Hara
923:Oszmán-török Népköltési Gyűjtemény
63:the search for the lost bridegroom
25:
2214:
1113:Pygmalion, ou La Statue de Chypre
318:bird made of diamond and eyes of
2004:The Feather of Finist the Falcon
885:Studien zum griechischen Märchen
749:Studien zum griechischen Märchen
716:. Greenwood Press. pp. 128-129.
1529:The White Hound of the Mountain
952:
939:
930:
913:
898:
877:
862:
849:
836:
823:
810:
798:. Clarendon Press. p. 61.
787:
778:
765:
740:
727:
706:
671:
658:
635:
355:
1226:Pygmalion and the Image series
1174:Galatea, or Pygmalion Reversed
1166:Pygmalion; or, The Statue Fair
747:Meraklēs, Michalēs G. (1992).
570:
519:
484:
459:
426:
413:
388:
375:
279:Nina A. Tsvetinovich-Gryunberg
13:
1:
1686:Yasmin and the Serpent Prince
1656:The Horse-Devil and the Witch
907:Typen türkischer Volksmärchen
855:Papachristophorou, Marilena.
842:Papachristophorou, Marilena.
816:Papachristophorou, Marilena.
771:Papachristophorou, Marilena.
368:
252:Typen türkischer Volksmärchen
108:deity for him to come alive.
1711:The Snake-Prince Sleepy-Head
1478:Master Semolina/Mr Simigdáli
646:. CWK Gleerup. p. 295.
644:The tale of Cupid and Psyche
348:
325:
102:
7:
2193:Fiction about shapeshifting
2102:The Well of the World's End
1737:The Singing, Springing Lark
1594:Again, The Snake Bridegroom
1554:Prince Hat Under the Ground
529:. Greenwood Press. p. 128.
205:
97:
76:
41:'s translation) is a Greek
10:
2219:
2168:Aarne–Thompson–Uther Index
2065:The Story of the Hamadryad
2055:Dragon-Child and Sun-Child
2050:The Girl with Two Husbands
1832:Eglė the Queen of Serpents
1666:Khastakhumar and Bibinagar
1609:The Tale of the Little Dog
642:Swahn, Jan Öjvind (1955).
142:The gifts from the helpers
2198:Witchcraft in fairy tales
2161:
2149:The Old Woman in the Wood
2141:
2115:
2089:
2073:
2032:
1971:
1955:
1939:
1898:
1882:
1875:
1845:
1824:
1808:
1801:
1776:
1755:
1724:
1622:
1514:The Daughter of the Skies
1496:
1465:
1458:
1442:
1366:
1299:
1267:
1242:
1218:
1200:
1157:
1122:
1104:
1053:
1032:
692:10.1163/25898566-00701006
245:
210:
129:
1931:The Tale About Baba-Yaga
1837:The Lake Beetle as Groom
1509:The Brown Bear of Norway
712:Jurich, Marilyn (1998).
525:Jurich, Marilyn (1998).
113:The Disenchanted Husband
33:("The Gentleman Made of
1890:Snow-White and Rose-Red
1544:White-Bear-King-Valemon
947:Сказки и предания Ирака
564:10.3406/hom.1988.368934
291:
240:
226:("The Man of Sugar").
94:we lived even more so!
1579:Sigurd, the King's Son
1519:The Tale of the Hoodie
1504:Black Bull of Norroway
920:Kúnos, Ignácz (1887).
883:Merakles, Michales G.
871:Neugriechische Märchen
796:Modern Greek folktales
794:Dawkins, R. M (1953).
151:The hero's ingredients
115:, which, according to
1963:The Hut in the Forest
1676:The Son of the Ogress
1630:Graciosa and Percinet
1569:Whitebear Whittington
1534:The Sprig of Rosemary
1308:Pygmalion and Galatea
1232:Pygmalion and Galatea
1139:Pygmalion and Galatea
591:10.1353/mat.2006.0005
2024:The Falcon Pipiristi
1858:María, manos blancas
1732:Beauty and the Beast
1435:Animal as Bridegroom
271:Miszk-amber királyfi
260:Pertev Naili Boratav
2014:The Fan of Patience
1926:The Girl as Soldier
1816:The Sleeping Prince
1742:The Small-tooth Dog
1539:The Enchanted Snake
1483:Fairer-than-a-Fairy
1094:Die schöne Galathée
680:Mawlana Rumi Review
579:Marvels & Tales
466:Lüthi, Max (1970).
421:Folktales of Greece
419:Georgios A. Megas,
395:Lüthi, Max (1970).
224:Der Mann aus Zucker
55:Folktales of Greece
1979:The Prince as Bird
1863:Feather O' My Wing
1747:The Scarlet Flower
1574:The Serpent Prince
1332:One Touch of Venus
1290:Fall Out Toy Works
1258:A Mulher Invisível
1182:One Touch of Venus
868:Kretschmer, Paul.
2188:Greek fairy tales
2175:
2174:
2157:
2156:
2019:The Greenish Bird
1994:The Three Sisters
1989:The Canary Prince
1871:
1870:
1797:
1796:
1768:The Donkey's Head
1635:The Green Serpent
1564:The Enchanted Pig
1400:
1399:
1251:If I Had a Hammer
758:978-3-900359-52-2
618:Project MUSE
477:978-0-8044-2565-0
444:978-0-689-81093-0
406:978-0-8044-2565-0
157:Georgios A. Megas
16:(Redirected from
2210:
2123:Hans My Hedgehog
1999:The Green Knight
1880:
1879:
1806:
1805:
1802:Other tale types
1640:The King of Love
1463:
1462:
1450:Cupid and Psyche
1427:
1420:
1413:
1404:
1403:
1316:The Tinted Venus
1007:
1000:
993:
984:
983:
977:
976:
956:
950:
943:
937:
934:
928:
927:
917:
911:
902:
896:
881:
875:
866:
860:
853:
847:
840:
834:
827:
821:
814:
808:
807:
791:
785:
782:
776:
769:
763:
762:
744:
738:
731:
725:
710:
704:
703:
675:
669:
662:
656:
655:
639:
633:
632:
574:
568:
567:
547:
538:
523:
517:
516:
488:
482:
481:
463:
457:
456:
430:
424:
417:
411:
410:
392:
386:
379:
362:
359:
287:
256:Wolfram Eberhard
231:Die Moschusknabe
218:German linguist
165:
125:
117:Jan-Öjvind Swahn
27:Greek fairy tale
21:
2218:
2217:
2213:
2212:
2211:
2209:
2208:
2207:
2178:
2177:
2176:
2171:
2153:
2137:
2111:
2097:The Frog Prince
2085:
2069:
2028:
1967:
1951:
1935:
1916:La Fada Morgana
1894:
1867:
1841:
1820:
1793:
1772:
1763:The Golden Crab
1751:
1720:
1691:The Little Crab
1651:The Golden Root
1618:
1599:Prince Crawfish
1492:
1459:Main tale types
1454:
1438:
1431:
1401:
1396:
1390:Comic Potential
1374:96189 Pygmalion
1362:
1295:
1263:
1238:
1214:
1196:
1153:
1118:
1100:
1097:(1863 operetta)
1049:
1028:
1011:
981:
980:
973:
957:
953:
944:
940:
935:
931:
918:
914:
903:
899:
882:
878:
867:
863:
854:
850:
841:
837:
828:
824:
815:
811:
792:
788:
783:
779:
770:
766:
759:
745:
741:
732:
728:
711:
707:
676:
672:
663:
659:
640:
636:
575:
571:
548:
541:
524:
520:
489:
485:
478:
464:
460:
445:
431:
427:
418:
414:
407:
393:
389:
380:
376:
371:
366:
365:
360:
356:
351:
328:
294:
281:
248:
243:
220:Paul Kretschmer
213:
208:
159:
153:
144:
132:
119:
105:
100:
79:
51:Master Semolina
28:
23:
22:
18:Master Semolina
15:
12:
11:
5:
2216:
2206:
2205:
2200:
2195:
2190:
2173:
2172:
2162:
2159:
2158:
2155:
2154:
2152:
2151:
2145:
2143:
2139:
2138:
2136:
2135:
2130:
2125:
2119:
2117:
2113:
2112:
2110:
2109:
2104:
2099:
2093:
2091:
2087:
2086:
2084:
2083:
2077:
2075:
2071:
2070:
2068:
2067:
2062:
2057:
2052:
2047:
2042:
2036:
2034:
2030:
2029:
2027:
2026:
2021:
2016:
2011:
2006:
2001:
1996:
1991:
1986:
1981:
1975:
1973:
1969:
1968:
1966:
1965:
1959:
1957:
1953:
1952:
1950:
1949:
1943:
1941:
1937:
1936:
1934:
1933:
1928:
1923:
1918:
1913:
1908:
1902:
1900:
1896:
1895:
1893:
1892:
1886:
1884:
1877:
1873:
1872:
1869:
1868:
1866:
1865:
1860:
1855:
1849:
1847:
1843:
1842:
1840:
1839:
1834:
1828:
1826:
1822:
1821:
1819:
1818:
1812:
1810:
1803:
1799:
1798:
1795:
1794:
1792:
1791:
1786:
1780:
1778:
1774:
1773:
1771:
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1765:
1759:
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1753:
1752:
1750:
1749:
1744:
1739:
1734:
1728:
1726:
1722:
1721:
1719:
1718:
1713:
1708:
1703:
1698:
1693:
1688:
1683:
1678:
1673:
1668:
1663:
1658:
1653:
1648:
1647:(Ulv Kongesøn)
1642:
1637:
1632:
1626:
1624:
1620:
1619:
1617:
1616:
1611:
1606:
1601:
1596:
1591:
1586:
1584:The White Wolf
1581:
1576:
1571:
1566:
1561:
1559:The Iron Stove
1556:
1551:
1546:
1541:
1536:
1531:
1526:
1521:
1516:
1511:
1506:
1500:
1498:
1494:
1493:
1491:
1490:
1485:
1480:
1475:
1469:
1467:
1460:
1456:
1455:
1453:
1452:
1446:
1444:
1443:Literary tales
1440:
1439:
1430:
1429:
1422:
1415:
1407:
1398:
1397:
1395:
1394:
1386:
1381:
1379:Agalmatophilia
1376:
1370:
1368:
1364:
1363:
1361:
1360:
1352:
1344:
1336:
1328:
1320:
1312:
1303:
1301:
1297:
1296:
1294:
1293:
1286:
1279:
1271:
1269:
1265:
1264:
1262:
1261:
1254:
1246:
1244:
1240:
1239:
1237:
1236:
1228:
1222:
1220:
1216:
1215:
1213:
1212:
1204:
1202:
1198:
1197:
1195:
1194:
1186:
1178:
1170:
1161:
1159:
1155:
1154:
1152:
1151:
1143:
1135:
1126:
1124:
1120:
1119:
1117:
1116:
1108:
1106:
1102:
1101:
1099:
1098:
1090:
1082:
1074:
1066:
1057:
1055:
1051:
1050:
1048:
1047:
1042:
1036:
1034:
1030:
1029:
1010:
1009:
1002:
995:
987:
979:
978:
971:
951:
938:
929:
912:
897:
876:
861:
848:
835:
822:
809:
786:
777:
764:
757:
739:
726:
705:
670:
657:
634:
585:(1): 109–117.
569:
558:(105): 49–63.
539:
518:
499:(2): 153–208.
483:
476:
458:
443:
425:
412:
405:
387:
373:
372:
370:
367:
364:
363:
353:
352:
350:
347:
327:
324:
293:
290:
247:
244:
242:
239:
212:
209:
207:
204:
152:
149:
143:
140:
131:
128:
104:
101:
99:
96:
78:
75:
59:Aarne-Thompson
26:
9:
6:
4:
3:
2:
2215:
2204:
2201:
2199:
2196:
2194:
2191:
2189:
2186:
2185:
2183:
2169:
2165:
2160:
2150:
2147:
2146:
2144:
2140:
2134:
2131:
2129:
2126:
2124:
2121:
2120:
2118:
2114:
2108:
2105:
2103:
2100:
2098:
2095:
2094:
2092:
2088:
2082:
2079:
2078:
2076:
2072:
2066:
2063:
2061:
2058:
2056:
2053:
2051:
2048:
2046:
2043:
2041:
2040:King Lindworm
2038:
2037:
2035:
2031:
2025:
2022:
2020:
2017:
2015:
2012:
2010:
2007:
2005:
2002:
2000:
1997:
1995:
1992:
1990:
1987:
1985:
1984:The Blue Bird
1982:
1980:
1977:
1976:
1974:
1970:
1964:
1961:
1960:
1958:
1954:
1948:
1945:
1944:
1942:
1938:
1932:
1929:
1927:
1924:
1922:
1919:
1917:
1914:
1912:
1909:
1907:
1904:
1903:
1901:
1897:
1891:
1888:
1887:
1885:
1881:
1878:
1876:Related tales
1874:
1864:
1861:
1859:
1856:
1854:
1851:
1850:
1848:
1844:
1838:
1835:
1833:
1830:
1829:
1827:
1823:
1817:
1814:
1813:
1811:
1807:
1804:
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1790:
1787:
1785:
1782:
1781:
1779:
1775:
1769:
1766:
1764:
1761:
1760:
1758:
1754:
1748:
1745:
1743:
1740:
1738:
1735:
1733:
1730:
1729:
1727:
1723:
1717:
1714:
1712:
1709:
1707:
1704:
1702:
1699:
1697:
1694:
1692:
1689:
1687:
1684:
1682:
1679:
1677:
1674:
1672:
1669:
1667:
1664:
1662:
1659:
1657:
1654:
1652:
1649:
1646:
1643:
1641:
1638:
1636:
1633:
1631:
1628:
1627:
1625:
1621:
1615:
1612:
1610:
1607:
1605:
1602:
1600:
1597:
1595:
1592:
1590:
1587:
1585:
1582:
1580:
1577:
1575:
1572:
1570:
1567:
1565:
1562:
1560:
1557:
1555:
1552:
1550:
1547:
1545:
1542:
1540:
1537:
1535:
1532:
1530:
1527:
1525:
1522:
1520:
1517:
1515:
1512:
1510:
1507:
1505:
1502:
1501:
1499:
1495:
1489:
1486:
1484:
1481:
1479:
1476:
1474:
1471:
1470:
1468:
1464:
1461:
1457:
1451:
1448:
1447:
1445:
1441:
1436:
1428:
1423:
1421:
1416:
1414:
1409:
1408:
1405:
1392:
1391:
1387:
1385:
1382:
1380:
1377:
1375:
1372:
1371:
1369:
1365:
1358:
1357:
1353:
1350:
1349:
1345:
1342:
1341:
1337:
1334:
1333:
1329:
1326:
1325:
1321:
1318:
1317:
1313:
1310:
1309:
1305:
1304:
1302:
1298:
1292:
1291:
1287:
1285:
1284:
1280:
1278:
1277:
1273:
1272:
1270:
1266:
1260:
1259:
1255:
1252:
1248:
1247:
1245:
1241:
1234:
1233:
1229:
1227:
1224:
1223:
1221:
1217:
1211:
1210:
1206:
1205:
1203:
1199:
1192:
1191:
1187:
1184:
1183:
1179:
1176:
1175:
1171:
1168:
1167:
1163:
1162:
1160:
1156:
1149:
1148:
1144:
1141:
1140:
1136:
1133:
1132:
1128:
1127:
1125:
1121:
1115:
1114:
1110:
1109:
1107:
1103:
1096:
1095:
1091:
1088:
1087:
1086:Il Pigmalione
1083:
1080:
1079:
1075:
1072:
1071:
1067:
1064:
1063:
1059:
1058:
1056:
1052:
1046:
1043:
1041:
1038:
1037:
1035:
1031:
1027:
1026:
1025:Metamorphoses
1021:
1017:
1016:
1008:
1003:
1001:
996:
994:
989:
988:
985:
974:
972:9789681210830
968:
964:
963:
955:
948:
942:
933:
925:
924:
916:
909:
908:
901:
894:
893:3-900359-52-0
890:
886:
880:
873:
872:
865:
858:
852:
845:
839:
832:
826:
819:
813:
805:
801:
797:
790:
781:
774:
768:
760:
754:
750:
743:
736:
730:
723:
722:9780313297243
719:
715:
709:
701:
697:
693:
689:
685:
681:
674:
667:
661:
653:
649:
645:
638:
630:
626:
623:
619:
616:
612:
608:
604:
600:
596:
592:
588:
584:
580:
573:
565:
561:
557:
553:
546:
544:
536:
535:9780313297243
532:
528:
522:
514:
510:
506:
502:
498:
494:
487:
479:
473:
469:
462:
454:
450:
446:
440:
436:
429:
422:
416:
408:
402:
398:
391:
384:
378:
374:
358:
354:
346:
344:
340:
336:
333:
323:
321:
317:
312:
308:
303:
299:
289:
285:
280:
276:
272:
268:
263:
261:
257:
253:
238:
236:
232:
227:
225:
221:
216:
203:
199:
197:
193:
192:Simigdalenios
189:
185:
181:
177:
173:
168:
163:
158:
148:
139:
137:
127:
123:
118:
114:
109:
95:
91:
87:
83:
74:
72:
68:
64:
60:
56:
52:
48:
44:
40:
36:
32:
19:
2163:
2128:The Pig King
2009:Prince Sobur
1789:Filek-Zelebi
1696:Pájaro Verde
1477:
1388:
1354:
1346:
1340:My Fair Lady
1338:
1330:
1322:
1314:
1306:
1288:
1283:Mr Simigdáli
1282:
1281:
1274:
1256:
1230:
1207:
1190:My Fair Lady
1188:
1180:
1172:
1164:
1145:
1137:
1129:
1111:
1092:
1084:
1076:
1068:
1060:
1023:
1013:
961:
954:
941:
932:
922:
915:
905:
900:
884:
879:
869:
864:
856:
851:
843:
838:
830:
829:Luthi, Max.
825:
817:
812:
795:
789:
780:
772:
767:
748:
742:
734:
733:Luthi, Max.
729:
713:
708:
683:
679:
673:
665:
664:Lüthi, Max.
660:
643:
637:
582:
578:
572:
555:
551:
526:
521:
496:
492:
486:
467:
461:
434:
428:
420:
415:
396:
390:
382:
381:Luthi, Max.
377:
357:
342:
339:ḥikāya Lü'lü
338:
334:
329:
315:
295:
270:
264:
251:
249:
235:magic carpet
230:
228:
223:
217:
214:
200:
191:
179:
175:
171:
169:
155:Folklorists
154:
145:
133:
112:
110:
106:
92:
88:
84:
80:
54:
50:
46:
31:Mr Simigdáli
30:
29:
2203:ATU 400-459
1784:The Padlock
1645:Prince Wolf
1473:Pintosmalto
1356:Ruby Sparks
1276:Pintosmalto
1045:Propoetides
332:Palestinian
282: [
269:and titled
267:Ignác Kúnos
176:Moscambaris
160: [
120: [
2182:Categories
2060:Champavati
1947:The Donkey
1589:Trandafiru
1268:Literature
1243:Television
1201:Video game
1078:Pimmalione
1033:Characters
652:1203727037
615:A147667163
513:1305356697
453:1023799736
369:References
311:rose water
275:gray amber
172:Sucrepétri
61:type 425,
43:fairy tale
1846:AaTh 425N
1809:AaTh 425G
1706:Grünkappe
1604:King Crin
1348:Mannequin
1324:Pygmalion
1147:Pygmalion
1131:Pygmalion
1070:Pygmalion
1062:Pigmalion
1015:Pygmalion
804:578808321
629:230775959
607:162384207
349:Footnotes
326:Palestine
307:ambergris
194:("Man of
180:Muscambre
103:Tale type
67:Pygmalion
39:Max Lüthi
2074:AaTh 437
1906:Prunella
1899:AaTh 428
1825:ATU 425M
1777:ATU 425E
1756:ATU 425D
1725:ATU 425C
1671:Habrmani
1623:ATU 425B
1497:ATU 425A
1235:(Gérôme)
700:45236373
625:ProQuest
599:41388781
509:ProQuest
505:40754145
335:Jrefiyye
206:Variants
196:Semolina
98:Analysis
77:Synopsis
2142:ATU 442
2116:ATU 441
2090:ATU 440
2033:ATU 433
1972:ATU 432
1956:ATU 431
1940:ATU 430
1883:ATU 426
1488:The Ram
1466:ATU 425
1367:Related
1209:Galatea
1158:Musical
1040:Galatea
686:: 148.
552:L'Homme
337:titled
298:Russian
250:In the
71:Galatea
2164:Notes:
1393:(1998)
1384:Gynoid
1359:(2012)
1351:(1987)
1343:(1964)
1335:(1948)
1327:(1938)
1319:(1921)
1311:(1898)
1193:(1956)
1185:(1943)
1177:(1883)
1169:(1872)
1150:(1912)
1142:(1871)
1134:(1762)
1105:Ballet
1089:(1816)
1081:(1809)
1073:(1779)
1065:(1748)
969:
891:
802:
755:
720:
698:
650:
627:
622:199572
620:
613:
605:
597:
533:
511:
503:
474:
451:
441:
403:
246:Turkey
211:Greece
130:Motifs
37:", in
35:Groats
1054:Opera
1018:from
696:JSTOR
603:S2CID
595:JSTOR
501:JSTOR
343:Lü'lü
330:In a
320:agate
302:Iraqi
286:]
188:amber
164:]
136:forty
124:]
1300:Film
1123:Play
1020:Ovid
967:ISBN
889:ISBN
800:OCLC
753:ISBN
718:ISBN
648:OCLC
611:Gale
531:ISBN
472:ISBN
449:OCLC
439:ISBN
401:ISBN
316:saad
292:Iraq
258:and
241:Asia
198:").
186:and
184:musk
69:and
1219:Art
1022:'s
688:doi
587:doi
560:doi
309:),
300:an
178:or
53:in
2184::
694:.
682:.
609:.
601:.
593:.
583:20
581:.
556:28
554:.
542:^
507:.
497:13
495:.
447:.
284:ru
174:,
162:el
122:sv
73:.
1437:"
1433:"
1426:e
1419:t
1412:v
1253:"
1249:"
1006:e
999:t
992:v
975:.
945:"
895:.
806:.
761:.
724:.
702:.
690::
684:7
654:.
631:.
589::
566:.
562::
537:.
515:.
480:.
455:.
409:.
20:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.