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Mat Collishaw

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297:, who wrote; ‘You walk in, and before you is a model of a classical temple, circular, domed, becolumned, around which hundreds of nude figures have been arranged in cryptic poses. What they are doing is unclear. But it seems to be something nasty. Suddenly the lights dip and the temple begins to spin. Faster and faster it goes, until the figures crowded around it jump into action, like drawings in a flipbook, and you have before you a remarkable re-creation of the Massacre of the Innocents, the biblical murder of every newborn boy ordered, at Christmas, by Herod. The sudden burst of unexpected violence is brilliantly paced, brilliantly achieved, in an artwork that is nothing less than a contemporary masterpiece.’ 159: 151: 37: 134: 282:. For me, Collishaw is a good political artist for the same reason he is a good religious artist and a good artist-artist. It is because he believes in the efficacy of images. Not for him the abstract evasion, the minimalist half smile... he wants to punch your imagination in the stomach. He justifies the art of sensation by showing how it can have depth in its oomph.’ 252:
To find out what it is that we are creating when we're making this simulacrum of the world, and how much that is divorcing us from the world or how much it's making us understand the world. It's kind of what we are as human beings that interests me. And for that I can back on so many different fields
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Throughout his 30-year career, Collishaw has contemplated the nature of the human subconscious and explored ways to influence it through various media. Through optical illusions, paintings, projections and moving sculptures, the artist creates works and scenarios that directly and unconsciously
246:. Most of his art pieces contain references to historical themes and classical techniques of portraying nature, characteristic of the culture of a given era. Borrowed images are digitally processed and appear in a new interpretation of the relationship between representation and reality. 330:: "Collishaw has not recreated an historical experience, but has instead constructed an entirely new one. The end product is ultimately Collishaw’s vision and it teems with the reverence he has not only for the wonder of photography, but also for the power of its illusions." 316:; ‘...the fact that he can convert such abstract ideas into works that are elegant and entertaining makes him, uniquely among artists and thinkers so far this century, a cross between an aesthetic philosopher and a magician.’ 259:
In 2021 a zoetrope-inspired large-scale animated work ‘Equinox’ by Mat Collishaw, commissioned by Expo 2020 Dubai as a permanent piece, had been unveiled at the Sustainability Pavilion.
1244: 239:. Behind the richness and visual appeal of each work there is a deep exploration of how we perceive and are influenced by the world today through images, and modern technology. 193:(1988), which is a closeup photo of what appears to be a bullet hole wound in the scalp of a person's head, mounted on 15 light boxes. Collishaw took the original image from a 694: 748: 659: 707: 794: 836: 171:
Collishaw's work uses photography and video. With an early foundation at Goldsmiths College, Collishaw formed part of the legendary movement of
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of interest, from that kind of evolutionary biology which I'm very interested in, to the history of art, and also evolving technologies.
730: 123: 27: 802: 1663: 1658: 1230: 829: 789: 560: 350:, in 1975. Collishaw said it became "the Britart bible", as a source for explicit images of dead bodies for artwork. 678: 1668: 1283: 756: 516: 715: 1673: 822: 267: 1520: 1343: 1290: 1216: 1160: 1085: 979: 790:
Film about 2010 joint exhibition with Tracey Emin and Paula Rego at the Foundling Museum - The Guardian
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engage their viewers. The works encourage us to think about fundamental questions of
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The Physical Impossibility of Death in the Mind of Someone Living
544: 236: 228: 36: 126:(born 6 January 1966) is a contemporary British artist based in 1617: 1202: 216: 127: 782: 275: 386:, Thomas Dane, Jon Thompson, Artimo Foundation Breda, 1997. 185:
in 1988, that launched the YBA, as well as the provocative
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Gabriella Coslovich (15 January 2011). "A revolt in art".
422:, Rachel Campbell-Johnson, Blain|Southern, London, 2013. 392:, Neal Brown, Jason Beard, Other Criteria, London, 2007. 370:'s 50 best dressed British men. Collishaw is married to 679:" Obituary: Professor Austin Gresham histopathologist," 367: 319:
Collishaw's first venture into VR, with his exhibition
412:, Michele Robecchi, Le Bord de l'eau, Brussels, 2013 541: 197:textbook that actually showed a wound caused by an 1640: 460:, Petr Nedoma, Galerie Rudolfinum, Prague, 2018. 668:, 1 July 2007. Retrieved on 12 September 2009. 398:, Nina Miall, Haunch of Venison, London, 2012. 830: 408:, Régis Durand, Julie Gil, Federica Martini, 749:"The Royal Photographic Society Awards 2018" 448:, James Parry, Blain|Southern, London, 2017. 323:in 2017, was reviewed by Laurie Taylor for 837: 823: 585: 428:, Başak Doğa Temür, Arter, Istanbul, 2013. 289:, received widespread acclaim, notably by 162:Mat Collishaw 'All Things Fall', 2014-2017 35: 1182:Everyone I Have Ever Slept With 1963–1995 844: 800: 695:Mat Collishaw: a shock-jock's deliverance 677:For more on the author of this book see: 270:wrote in an interview with the artist in 810:Artist's page at Gary Tatintsian Gallery 586:Januszczak, Waldemar (25 October 2015). 157: 149: 132: 1641: 728: 631: 517:"Mat Collishaw - Contemporary Artists" 434:, Anna Coliva, Valentina Ciarallo and 402:Mat Collishaw: Ou l'horreur délicieuse 818: 708:"50 Best Dressed Men in Britain 2015" 558: 366:family. In 2015, he was named one of 189:show of 1997. His best known work is 729:Calkin, Jessamy (12 February 2023). 634:"It's a Kind of Magic | Frieze" 604: 348:A Colour Atlas of Forensic Pathology 262: 211:and is now in the collection of the 801:Collishaw, Mat (15 December 2014). 242:Artist often refers to the work of 13: 561:"Mat Collishaw: still sensational" 274:of Collishaw's 2013 exhibition at 14: 1685: 774: 660:"Meet the grandfather of Britart" 559:Jones, Jonathan (26 April 2013). 470:2018: Honorary Fellowship of the 714:. 5 January 2015. Archived from 438:, Galleria Borghese, Rome, 2014. 353: 741: 722: 700: 687: 377: 671: 652: 632:Taylor, Laurie (23 May 2017). 625: 598: 579: 552: 535: 509: 484: 1: 478: 333: 1664:English contemporary artists 1659:21st-century English artists 154:Mat Collishaw 'Albion', 2017 142:which was on display in the 7: 697:by Rachel Campbell-Johnston 432:Mat Collishaw: Black Mirror 396:Mat Collishaw: Insecticides 374:with whom he has two sons. 111:Honorary Fellowship of the 41:Collishaw in his 1990 work 10: 1690: 1480:Poju and Anita Zabludowicz 472:Royal Photographic Society 454:, Eşikler, Istanbul, 2018. 113:Royal Photographic Society 1600: 1544: 1488: 1407: 1336: 1300: 1254: 1145: 1094: 1048: 852: 605:Wood, Gaby (6 May 2017). 464: 426:Mat Collishaw: Afterimage 213:Museum of Old and New Art 107: 93: 82: 74: 49: 34: 23: 1364:Karsten Schubert Gallery 567:. The Guardian Newspaper 181:exhibition organized by 89:, Sculpture, Photography 1669:Artists from Nottingham 1420:Janet Wolfson de Botton 1344:Anthony d'Offay Gallery 693:The Times 2 April 2008 205:was first exhibited in 166: 121:Matthew "Mat" Collishaw 1270:East Country Yard Show 1040:Jane and Louise Wilson 885:Jake and Dinos Chapman 795:Interview of Collishaw 588:"In a very dark place" 492:"Matthew COLLISHAW pe" 358:Collishaw was born in 293:writer and art critic 280:Last Meal On Death Row 257: 163: 155: 147: 1674:Young British Artists 1394:Victoria Miro Gallery 846:Young British Artists 362:. He was raised in a 285:Collishaw's artwork, 248: 173:Young British Artists 161: 153: 136: 102:Young British Artists 1389:South London Gallery 1117:Gilbert & George 1066:Michael Craig-Martin 797:(September 2012) at 442:The Centrifugal Soul 364:Dawn Christadelphian 346:, wrote a handbook, 302:The Centrifugal Soul 1531:Sir Nicholas Serota 1511:Andrew Graham-Dixon 1189:For the Love of God 684:, 8 September 2009. 665:The Daily Telegraph 594:. The Sunday Times. 446:Waldemar Januszczak 436:Andrew Graham-Dixon 308:wrote of the work, 295:Waldemar Januszczak 1582:Julian Stallabrass 1102:Art & Language 1020:Sam Taylor-Johnson 805:. British Council. 759:on 4 December 2018 718:on 7 January 2015. 255:" – Mat Collishaw 164: 156: 148: 1636: 1635: 1349:Curtain Road Arts 1086:Richard Wentworth 980:Richard Patterson 870:Christine Borland 523:. Saatchi Gallery 263:Critical response 118: 117: 1681: 1592:Charles Thomson 1562:James Heartfield 1536:Matthew Slotover 1526:Norman Rosenthal 1501:Matthew Collings 1460:François Pinault 1445:Pauline Karpidas 1359:Gagosian Gallery 1323:Norman Rosenthal 1175:Documents Series 1035:Rachel Whiteread 839: 832: 825: 816: 815: 806: 786: 785: 783:Official website 769: 768: 766: 764: 755:. Archived from 745: 739: 738: 726: 720: 719: 704: 698: 691: 685: 675: 669: 658:Goslett, Miles. 656: 650: 649: 647: 645: 629: 623: 622: 620: 618: 602: 596: 595: 583: 577: 576: 574: 572: 556: 550: 549: 539: 533: 532: 530: 528: 513: 507: 506: 504: 502: 488: 291:The Sunday Times 98:Contemporary Art 63: 59: 57: 39: 21: 20: 1689: 1688: 1684: 1683: 1682: 1680: 1679: 1678: 1639: 1638: 1637: 1632: 1613:Frieze Art Fair 1596: 1540: 1484: 1470:Charles Saatchi 1435:Steven A. Cohen 1415:Bernard Arnault 1403: 1379:Saatchi Gallery 1332: 1308:Joshua Compston 1296: 1284:Modern Medicine 1250: 1224:26 October 1993 1217:No Woman No Cry 1141: 1137:Lawrence Weiner 1090: 1044: 1030:Gillian Wearing 1005:Alessandro Raho 985:Simon Patterson 915:Angus Fairhurst 848: 843: 781: 780: 777: 772: 762: 760: 747: 746: 742: 727: 723: 706: 705: 701: 692: 688: 676: 672: 657: 653: 643: 641: 638:Frieze Magazine 630: 626: 616: 614: 613:. 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115: 109: 105: 104: 95: 91: 90: 84: 83:Known for 80: 79: 76: 72: 71: 65: 60:6 January 1966 51: 47: 46: 40: 32: 31: 24: 16:English artist 15: 9: 6: 4: 3: 2: 1686: 1675: 1672: 1670: 1667: 1665: 1662: 1660: 1657: 1655: 1654:Living people 1652: 1650: 1647: 1646: 1644: 1629: 1626: 1624: 1621: 1619: 1616: 1614: 1611: 1609: 1606: 1605: 1603: 1599: 1593: 1590: 1588: 1585: 1583: 1580: 1578: 1575: 1573: 1570: 1568: 1567:Matthew Higgs 1565: 1563: 1560: 1558: 1555: 1553: 1550: 1549: 1547: 1543: 1537: 1534: 1532: 1529: 1527: 1524: 1522: 1521:Stuart Morgan 1519: 1517: 1514: 1512: 1509: 1507: 1504: 1502: 1499: 1497: 1494: 1493: 1491: 1487: 1481: 1478: 1476: 1473: 1471: 1468: 1466: 1465:Miuccia Prada 1463: 1461: 1458: 1456: 1453: 1451: 1448: 1446: 1443: 1441: 1440:Dakis Joannou 1438: 1436: 1433: 1431: 1428: 1426: 1423: 1421: 1418: 1416: 1413: 1412: 1410: 1406: 1400: 1397: 1395: 1392: 1390: 1387: 1385: 1382: 1380: 1377: 1375: 1374:Maureen Paley 1372: 1370: 1367: 1365: 1362: 1360: 1357: 1355: 1352: 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955:Michael Landy 953: 951: 948: 946: 943: 941: 940:Marcus Harvey 938: 936: 933: 931: 928: 926: 923: 921: 918: 916: 913: 911: 908: 906: 903: 901: 900:Ian Davenport 898: 896: 895:Mat Collishaw 893: 891: 888: 886: 883: 881: 878: 876: 873: 871: 868: 866: 863: 861: 858: 857: 855: 851: 847: 840: 835: 833: 828: 826: 821: 820: 817: 811: 808: 804: 799: 796: 793: 791: 788: 784: 779: 778: 758: 754: 750: 744: 736: 735:The Telegraph 732: 725: 717: 713: 709: 703: 696: 690: 683: 680: 674: 667: 666: 661: 655: 639: 635: 628: 612: 611:The Telegraph 608: 601: 593: 589: 582: 566: 562: 555: 547: 546: 538: 522: 518: 512: 497: 493: 487: 483: 473: 469: 468: 459: 456: 453: 450: 447: 443: 440: 437: 433: 430: 427: 424: 421: 417: 416:Mat Collishaw 414: 411: 410:Barbara Polla 407: 403: 400: 397: 394: 391: 390:Mat Collishaw 388: 385: 384:Mat Collishaw 382: 381: 375: 373: 369: 365: 361: 354:Personal life 351: 349: 345: 341: 331: 329: 327: 322: 317: 315: 314:The Telegraph 311: 307: 303: 298: 296: 292: 288: 283: 281: 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Retrieved 486: 457: 451: 441: 431: 425: 415: 406:Paul Ardenne 401: 395: 389: 383: 378:Bibliography 372:Polly Morgan 357: 347: 337: 325: 320: 318: 309: 301: 299: 286: 284: 279: 272:The Guardian 266: 258: 251: 249: 241: 221: 206: 202: 190: 186: 183:Damien Hirst 176: 170: 137: 120: 119: 87:Installation 42: 18: 1649:1966 births 1496:Louisa Buck 1430:Frank Cohen 1354:City Racing 1318:Gregor Muir 1168:Bullet Hole 1132:Andy Warhol 1071:Ian Jeffrey 970:Sarah Lucas 965:Chris Ofili 910:Tracey Emin 905:Tacita Dean 875:Glenn Brown 763:10 December 753:www.rps.org 644:24 February 617:23 February 571:22 February 521:Bullet Hole 420:Sue Hubbard 340:pathologist 244:old masters 203:Bullet Hole 191:Bullet Hole 146:exhibition. 139:Bullet Hole 75:Nationality 1643:Categories 1516:Sarah Kent 1408:Collectors 1399:White Cube 1263:Brilliant! 1161:Break Down 1122:Jeff Koons 1095:Influences 1025:Gavin Turk 995:Marc Quinn 920:Nick Fudge 865:Henry Bond 501:25 October 479:References 452:Thresholds 360:Nottingham 334:Influences 321:Thresholds 225:psychology 67:Nottingham 56:1966-01-06 1623:Post-YBAs 1587:Stuckists 1572:David Lee 1545:Opponents 1489:Advocates 1425:Eli Broad 1337:Galleries 1291:Sensation 1000:Fiona Rae 950:Gary Hume 682:The Times 592:The Times 306:Gaby Wood 233:sociology 195:pathology 187:Sensation 124:Hon. 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Index

Hon. FRPS

Nottingham
Installation
Contemporary Art
Young British Artists
Royal Photographic Society
Hon. FRPS
London

Bullet Hole
Freeze


Young British Artists
Freeze
Damien Hirst
pathology
ice pick
Freeze
Museum of Old and New Art
Hobart
psychology
history
sociology
science
old masters
Jonathan Jones
The Guardian
Arter

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