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She soon became restless, travelled continuously, and finally returned to
Florence. De Potter, frustrated at being unable to marry, decided to end the relationship in 1826. The following year, he married Sophie van Weydeveldt (1808–1896), with whom he had four children. Realizing that this would
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in 1823 to attend to his ailing father. In 1824, after his father's death, De Potter moved to
Brussels and invited Malenchini to join him. Their home became a meeting place for expatriate Italians and political refugees. Together with their friend Navez, they organized painting classes. He also
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162:, but their requests coincided with some scandalous trials involving monks and nuns, which made the Curia unusually cautious. To complicate matters, her husband, who supported the request, had problems with the police.
194:. She turned to painting portraits as a way of making up the difference. There was no contact between them until 1854, following the death of his son Eleuthère, when he wrote her an affectionate letter.
59:. In 1796, she married Vincenzo Francesco Malenchini, a painter and musician. Although they soon separated, she retained his name for the rest of her life. In 1807, she entered the
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In 1855, at the age of seventy-six, she was accused of pushing one of her maids out of a window when the maid was caught stealing. She was defended by the noted lawyer,
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In 1820, Matilde was forced to leave Rome and settled in
Florence. The following year, she was named an Honorary Professor at the Accademia. De Potter returned to
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Mario
Battistini, "Livornesi amici di Luigi de Potter: la pittrice Malenchini, Antonio Benci e Pompeo Anichini", in
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150:, with whom she had a long and intense relationship. From 1817 to 1819, they both shared a home with the painter
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239:, Direttore Ersilio Michel, #1, Deputazione Toscana di Storia Patria-sezione di Livorno, Jan-Mar 1937, p. 62.
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leave her in serious financial difficulties, he agreed to give her an annual pension of 1,200 Francs.
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Due to De Potter's political problems, including 18 months in prison for a pamphlet denouncing King
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to study in Rome at the "Pontificia
Accademia romana delle belle arti di San Luca".
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While there, she made the acquaintance of the French
Governor of the
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39:(3 December 1779 – 8 September 1858) was an Italian portrait and
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and exile in
Germany, the pension was unsteady until after the
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259:, #21, Brussels, Paleis der Academiën, 2014, col. 697-709.
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became a prominent advocate for
Belgian independence.
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255:Marijcke Schillings, "Matilde Malenchini", in
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369:19th-century women painters
83:Portrait of Louis de Potter
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301:at Wikimedia Commons
152:François-Joseph Navez
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51:Biography
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45:Academic
28:(c.1815)
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57:Livorno
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37:Meoni
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