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In 1902 Benois and 'Mir
Iskusstva' established a publishing house. They created postcards with reproductions of art masterpieces, 'educational' postcards with short commentaries and pictures from different fields of science (geography, zoology, etc.). However, the demand was rather low. Only the
330:
and Saint
Petersburg), 1903, 1906 (Saint Petersburg). The sixth exhibition was seen as a Diaghilev's attempt to prevent the separation from the Moscow members of the group who organized a separate "Exhibition of 36 artists" (1901) and later "The Union of Russian Artists" group (from 1903). The
300:. The theoretical declarations of the art movements were stated in Diaghilev's articles "Difficult Questions", "Our Imaginary Degradation", "Permanent Struggle", "In Search of Beauty", and "The Fundamentals of Artistic Appreciation" published in the N1/2 and N3/4 of the new journal.
221:
and the artistic movement it inspired and embodied, which was a major influence on the
Russians who helped revolutionize European art during the first decade of the 20th century. The magazine had limited circulation outside Russia.
338:
did not exist as a separate artistic group. Its place was inherited by the Union of
Russian Artists which continued officially until 1910 and unofficially until 1924. The Union included painters (
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The group organized numerous exhibitions: 1911, 1912, 1913, 1915, 1916, 1917, 1918, 1921, 1922 Saint-Petersburg, Moscow). The last exhibition of
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painters demonstrated that the group had become an exhibition organization rather than an art movement. In 1917 the chairman of the group became
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scenery and landscapes were sold in large runs, by 1909 the publishing house started printing books. They published guide-books on
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In its "classical period" (1898-1904) the art group organized six exhibitions: 1899 (International), 1900, 1901 (At the
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promoted understanding and conservation of the art of previous epochs, particularly traditional
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and playful appealed to them more than the serious and emotional. Their favorite city was
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Art
Periodical Culture in Late Imperial Russia (1898-1917). Print Modernism in Transition
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to full-scale oil paintings. Seeking to bring art into every house, they often designed
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before them, Benois and his friends were disgusted with anti-aesthetic nature of modern
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The artistic group was founded in
November 1898 by a group of students that included
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1016:[The Publishing project of the artists of the "World of Art" association].
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292:(the Chief Editor). They aimed at assailing artistic standards of the obsolescent
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From Petipa to
Balanchine: classical revival and the modernization of ballet
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269:. The starting moments for the new artistic group was organization of the
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925:"On the History of the Establishing of 'Mir Iskusstva' in St Petersburg"
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759:"Quiet Revolutionaries: The 'Mir Iskusstva' Movement and Russian Design"
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2015:
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Early 20th-century
Russian art movement with magazine of the same name
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attracted many illustrious painters from Russia and abroad, notably
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school and promoting artistic individualism and other principles of
229:(i.e., members of the movement) also participated in productions of
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949:"Aestheticism and decadence in articles of journal "World of art""
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became the new chairman. The group admitted new members including
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612:(1912). Apart from three founding fathers, active members of the
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Journal of Saint-Petersburg State
University of Culture and Arts
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In 1910 Benois published a critical article in the magazine
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was probably the single artist whom they admired the most.
1013:Издательский проект художников объединения "Мир искусства"
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452:(Moscow-Leningrad, organized in 1925) artistic movements.
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60:. Unsourced material may be challenged and removed.
1037:The Mir Iskusstva Group and Russian Art 1898-1912
2040:
432:in 1927. Some members of the group entered the
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512:Such Revivalist projects were treated by the
486:Russian artists under the banner of fighting
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970:
935:. Saint Petersburg State University: 203–215
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660:with illustrations by Benois and many more.
867:. Cambridge University Press. p. 121.
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1241:
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1051:
1001:: CS1 maint: location missing publisher (
563:selected it as the place of their burial.
2049:1898 establishments in the Russian Empire
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981:] (in Russian). Moscow. p. 238.
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271:Exhibition of Russian and Finnish Artists
120:Learn how and when to remove this message
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284:The magazine was co-founded in 1899 in
14:
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833:
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1236:
1046:
971:Ilyina, T. V.; Fomina, M. S. (2018).
860:
797:
590:with their ground-breaking decor for
570:preferred the light, airy effects of
288:by Alexandre Benois, Léon Bakst, and
208:
1018:Chelyabinsk State University Journal
851:
493:Like the Romantics before them, the
417:. The same year most members of the
389:about the Union of Russian Artists.
58:adding citations to reliable sources
29:
303:
24:
1074:Russian art and literary movements
919:(Boston & Leiden: Brill, 2016)
586:. Bakst and Benois revolutionized
409:. Some said that the inclusion of
25:
2070:
146:(1916-1920). From left to right:
974:История отечественного искусства
729:
715:
701:
687:
673:
628:. Exhibitions organized by the
438:(Moscow, organized in 1924) and
275:Stieglitz Museum of Applied Arts
34:
467:The Tale of the Golden Cockerel
464:Ivan Bilibin's illustration to
45:needs additional citations for
864:A History of Russian Symbolism
750:
482:and sought to consolidate all
13:
1:
909:
743:
523:. They were fascinated with
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7:
326:, Saint Petersburg), 1902 (
10:
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2001:Situationist International
1100:Second Russian Avant-Garde
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656:, an exquisite edition of
225:From 1909, several of the
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1819:
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1598:
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1471:
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1039:(New York: Garland, 1977)
1010:Mazokhina, N. A. (2009).
947:Yakovleva, A. S. (2017).
810:. Routledge. p. 66.
763:Journal of Design History
374:), and scenic designers (
200:
1012:
923:Melnik, Natalya (2015).
888:Ilyina & Fomina 2018
757:Winestein, Anna (2008).
331:magazine ended in 1904.
324:Imperial Academy of Arts
210:[ˈmʲirɪˈskustvə]
164:Anna Ostroumova-Lebedeva
1511:Experimental literature
609:L'après-midi d'un faune
1777:Second Viennese School
1408:Neue Slowenische Kunst
1279:Abstract expressionism
519:, in a spirit of self-
471:
455:
319:
190:
2059:Russian art movements
1884:Theatre of the Absurd
1807:Twelve-tone technique
1686:Electroacoustic music
1192:Russian postmodernism
979:National Arts History
861:Pyman, Avril (1994).
501:and the 18th-century
463:
356:Sergei Lednev-Schukin
311:
137:
1869:Postdramatic theatre
1854:Experimental theatre
1391:Multidimensional art
1207:Soviet nonconformism
804:Scholl, Tim (1994).
695:Mstislav Dobuzhinsky
669:Representative works
618:Mstislav Dobuzhinsky
352:Zinaida Serebriakova
188:Mstislav Dobuzhinsky
54:improve this article
1371:Lyrical Abstraction
1095:Russian avant-garde
658:The Bronze Horseman
421:entered the group.
411:Russian avant-garde
286:St. Petersburg
176:Kuzma Petrov-Vodkin
1984:Postmodernist film
1889:Theatre of Cruelty
1772:Rock in Opposition
1713:Free improvisation
1356:Post-Impressionism
1289:Art & Language
902:, p. 163-167.
848:, p. 150-152.
775:10.1093/jdh/epn035
566:As for media, the
555:, so much so that
480:industrial society
472:
344:Konstantin Korovin
320:
317:Maria Yakunchikova
191:
2054:Russian symbolism
2036:
2035:
2026:Russian symbolism
2011:Socialist realism
1849:Experimental film
1815:
1814:
1521:Hungry generation
1496:Conceptual poetry
1351:Neo-Impressionism
1230:
1229:
1202:Socialist realism
1197:Russian symbolism
1169:New Peasant Poets
1085:Abramtsevo Colony
988:978-5-534-07319-5
915:Hanna Chuchvaha,
652:, St Petersburg,
588:theatrical design
474:Like the English
428:was organized in
358:), illustrators (
237:company based in
130:
129:
122:
104:
16:(Redirected from
2066:
1930:Russian Futurism
1874:Remodernist film
1792:Stochastic music
1747:Musique concrète
1725:Microtonal music
1703:Experimental pop
1696:Industrial music
1691:Electronic music
1596:
1595:
1418:Nouveau réalisme
1326:Grosvenor School
1257:
1250:
1243:
1234:
1233:
1212:Stroganov School
1149:Lieutenant Prose
1122:Russian Futurism
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795:
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737:Konstantin Somov
733:
719:
709:Alexandre Benois
705:
691:
677:
654:Hermitage Museum
638:Mikhail Nesterov
626:Konstantin Somov
451:
419:Jack of Diamonds
395:Nicholas Roerich
376:Nicholas Roerich
370:), restorators (
364:Konstantin Somov
304:Classical period
290:Sergei Diaghilev
279:Saint-Petersburg
259:Dmitry Filosofov
255:Konstantin Somov
251:Alexandre Benois
231:Sergei Diaghilev
217:) was a Russian
212:
207:
203:
202:
184:Konstantin Somov
168:Alexandre Benois
152:Nicholas Roerich
138:"Members of the
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38:
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21:
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1893:
1879:Structural film
1821:
1811:
1666:Aleatoric music
1654:
1585:
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1428:Performance art
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1035:Janet Kennedy,
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723:Eugene Lanceray
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683:
678:
666:
507:Antoine Watteau
476:Pre-Raphaelites
458:
445:
407:Martiros Saryan
403:Vladimir Tatlin
393:was recreated.
368:Dmitry Mitrohin
348:Boris Kustodiev
306:
247:
205:
201:«Мир искусства»
180:Nikolay Milioti
156:Eugene Lanceray
144:Boris Kustodiev
126:
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69:"Mir iskusstva"
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2018:
2013:
2008:
2006:Social realism
2003:
1998:
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1991:Late modernism
1988:
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1966:
1964:Neo-minimalism
1961:
1959:Postminimalism
1956:
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1937:
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1917:
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1905:Constructivism
1901:
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1864:Poetic realism
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1859:Modernist film
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1797:Textural music
1794:
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1787:Spectral music
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1752:New Complexity
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1541:Neoavanguardia
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1536:Language poets
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1528:
1523:
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1491:Asemic writing
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1486:Angry Penguins
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1299:Constructivism
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1164:Natural School
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1112:Constructivism
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1024:(172): 163–167
1020:(in Russian).
1007:
987:
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955:(in Russian).
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931:(in Russian).
920:
911:
908:
905:
904:
900:Mazokhina 2009
892:
890:, p. 238.
880:
873:
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846:Yakovleva 2017
838:
836:, p. 205.
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769:(4): 315–333.
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634:Mikhail Vrubel
622:Eugene Lansere
547:. Everything
537:puppet theater
457:
454:
380:Serge Sudeikin
340:Valentin Serov
334:In 1904–1910,
315:cover 1899 by
305:
302:
267:Eugene Lansere
246:
243:
235:Ballets Russes
198:(Russian:
172:Heorhiy Narbut
142:Movement", by
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1979:Postmodernism
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1935:Cubo-Futurism
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1742:Music theatre
1740:
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1730:Minimal music
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1576:Visual poetry
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1551:Nouveau roman
1549:
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43:This article
41:
37:
32:
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18:Mir Iskusstva
1844:Epic theatre
1681:Atonal music
1516:Flarf poetry
1506:Ego-Futurism
1385:
1304:Proto-Cubism
1158:
1132:Ego-Futurism
1036:
1026:. Retrieved
1021:
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606:(1911), and
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415:Ivan Bilibin
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160:Ivan Bilibin
140:World of Art
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110:October 2016
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52:Please help
47:verification
44:
1996:Primitivism
1822:and theatre
1762:Noise music
1735:Drone music
1566:Slam poetry
1453:Suprematism
1438:Process art
1366:Incoherents
1361:Color Field
1336:Divisionism
1284:Art Nouveau
1264:Avant-garde
1217:Suprematism
1154:Metarealism
834:Melnik 2015
545:fairy-tales
529:marionettes
446: [
372:Igor Grabar
298:Art Nouveau
148:Igor Grabar
2043:Categories
2016:Surrealism
1954:Minimalism
1829:Cinéma pur
1474:and poetry
1472:Literature
1381:Minimalism
1272:Visual art
1178:Paris Note
1028:2020-12-08
963:2020-12-08
939:2020-12-08
910:Literature
874:0521241987
817:0415092221
744:References
681:Léon Bakst
572:watercolor
561:Stravinsky
517:humorously
488:Positivism
435:Zhar-Tsvet
263:Léon Bakst
245:Foundation
80:newspapers
2021:Symbolism
1949:Modernism
1782:Serialism
1767:Post-rock
1708:Free jazz
1616:Free funk
1571:Ultraísmo
1526:Imaginism
1501:Cyberpunk
1463:Vorticism
1266:movements
1144:Imaginism
997:cite book
783:0952-4649
616:included
603:Petrushka
593:Cléopâtre
580:interiors
557:Diaghilev
549:grotesque
441:Four Arts
1969:Neo-Dada
1944:Lettrism
1925:Futurism
1839:Drop Art
1834:Dogme 95
1802:Totalism
1720:Futurism
1671:Ars nova
1599:By style
1546:Neoteric
1448:Rayonism
1401:De Stijl
1376:Mail art
1331:Devětsil
1187:Rayonism
1117:The Five
791:25228603
650:Pavlovsk
600:(1910),
598:Carnaval
596:(1909),
533:carnaval
499:folk art
490:in art.
219:magazine
1898:General
1757:No wave
1531:Imagism
1481:Acmeism
1433:Pop art
1423:Orphism
1341:Fauvism
1319:Bauhaus
664:Gallery
576:gouache
539:, with
531:, with
443:
273:in the
94:scholar
1974:Neoism
1920:Fluxus
1820:Cinema
1659:Others
1561:Oulipo
1556:Oberiu
1443:Purism
1309:Cubism
1174:OBERIU
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640:, and
624:, and
553:Venice
541:dreams
521:parody
503:rococo
405:, and
328:Moscow
265:, and
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1591:Music
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525:masks
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430:Paris
387:Rech'
239:Paris
101:JSTOR
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1643:Punk
1638:Prog
1633:Rock
1621:Yass
1611:Jazz
1606:Funk
1581:Zaum
1137:Zaum
1003:link
983:ISBN
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812:ISBN
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582:and
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