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In the course of her travels, Benois painted the impressionist landscapes of London, Wales, Ireland, and
Scotland. She exhibited her works in the Goupil, Redfern, Beaux-Arts, and other galleries, and is mentioned in multiple journals from the Royal Arts Society. Some of her still lifes were acquired
211:, a journalist and diplomat; On 17 July 1920, Benois married Ustinov, and the two settled in London on 22 December 1920. On April 16, 1921, Peter, their only child was born. In 1935, Jona became a British subject.
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Gore, Paula Hinton; Crisp, Clement (April 1988). "IV. Walter Gore's
Choreographies: A first listing First performance dates only are given. Many of these ballets were later staged for other companies".
63:
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Nadia Benois, born
Nadezhda Leontievna Benois in Saint Petersburg, was the youngest daughter of Leon Benois, a Russian architect. Nadezhda studied to be an artist at
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Despite the praise that was given to Benois' contributions, the performance was withdrawn due to criticism towards the choreographer. Her work on
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have been credited as a key addition to the timelessness of the work. Benois was also credited for her work adding to the qualities which made
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414:(2nd of "Handbook of modern British painting : 1900-1980" Scolar press, 1992, expanded and updated ed.). Aldershot: Ashgate.
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has been criticized, with this criticism stimming from the low budget she was given. In 1948, Benois commented about her work on
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has stated that Benois' work was the inspiration for the choreography of this work. She also designed the stage for the ballet
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Benois was regarded as a figure of leadership in her design career. She was the scenery and costume designer for
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has also praised Benois' design, claiming that the costume which she had designed for her to use was "perfect".
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326:"Three Women Painters" by Nadia Benois, Clare Crossley, Nancy Tennant (Michael Parkin Gallery, 1975)
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486:"Искусство и архитектура русского зарубежья - БЕНУА (в замуж. Устинова) Надежда Леонтьевна"
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stand as a unique experience. In 1938, Benois designed the set and the costumes for
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Foster, Alicia (2004). Tate Women
Artists. London: Tate Publishing. p. 71
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179:(Бенуа); 17 May 1896 – 8 December 1975), better known as
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has been positively regarded as "striking décor". Her contributions to
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Handbook of modern
British painting and printmaking: 1900-1990
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Dance
Research: The Journal of the Society for Dance Research
191:. She was the mother of British actor, writer, and filmmaker
907:"Khadra and Sea Change: Sibelius's music at Sadler's Wells"
317:"Kensington Gardens" (Manchester City Art Gallery, 1937)
624:"The Enigmatic Garden: Antony Tudor's Jardin aux Lilas"
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The Bedbug: Klop
Ustinov: Britain's Most Ingenious Spy
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Later, Benois created costumes and sets for the films
671:""That Englishman abroad": A tribute to Antony Tudor"
439:(1st ed.). Biteback Publishing. pp. 21–42.
303:(1949), both written and directed by her son, Peter.
934:"Robert Helpmann, dancer and choreographer part one"
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756:(1st ed.). University of Illinois Press.
462:Views of Russia & Russian Works on Paper
754:Peggy Glanville-Hicks: Composer and Critic
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971:Walker, Kathrine Sorley (January 1990).
932:Walker, Kathrine Sorley (January 1998).
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869:"Dancing for joy: A memoir, Part Two"
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622:Sawyer, Elizabeth (January 5, 2003).
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816:Sawyer, Elizabeth (March 16, 2005).
564:Journal of the Royal Society of Arts
507:(2974): 867–870. December 29, 1917.
973:"The choreography of Andrée Howard"
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205:St. Petersburg Academy of Fine Arts
16:Russian-British painter (1896–1975)
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1169:20th-century Russian women artists
669:Sawyer, Elizabeth (January 1997).
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1105:"Nadia Benois | Biography | IMDb"
560:"The Birth of the English Ballet"
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867:Kelly, Brigitte (January 1999).
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344:"The Sleeping Princess" (1939)
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368:Dolman, Bernard, ed. (1962).
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207:. On 1 June 1920, Benois met
21:Eastern Slavic naming customs
335:"The Descent of Hebe" (1935)
159:Nadezhda Leontievna Ustinova
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1012:"Remembering Andrée Howard"
558:Haskell, Arnold L. (1939).
389:. Oxford University Press.
167:Надежда Леонтьевна Устинова
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1107:Retrieved on May 14, 2014.
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752:Robinson, Suzanne (2019).
77:Nadezhda Leontievna Benois
19:In this name that follows
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1139:Russian women painters
513:10.1136/bmj.2.2974.867
410:Windsor, Alan (1998).
383:Chilvers, Ian (2017).
350:"Cap Over Mill" (1940)
347:"Lady into Fox" (1939)
838:10.1081/DNC-200048962
640:10.1081/DNC-120018852
598:"The Descent of Hebe"
278:The Sleeping Princess
779:"A Century in Brief"
338:"Dark Elegies"(1937)
1074:1958Natur.181S1506.
602:www.antonytudor.org
464:. Sphinx Fine Art.
435:Day, Peter (2015).
246:The Descent of Hebe
330:Design Productions
260:. Benois' work in
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783:The Hudson Review
570:(4517): 784–806.
471:978-1-907200-05-2
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104:(1975-12-08)
48:Nadia Benois
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28:
1129:1975 deaths
1124:1896 births
944:(1): 1–72.
832:(1): 1–27.
297:(1948) and
240:Design work
185:Leon Benois
87:17 May 1896
33:family name
1118:Categories
818:"NOTES ON
421:1859284272
355:References
294:Vice Versa
83:1896-05-17
29:Leontievna
25:patronymic
1092:0028-0836
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656:192158608
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576:0035-9114
529:220237215
521:0959-8138
312:Paintings
236:in 1936.
146:Relatives
112:, England
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584:41359367
274:La Péri.
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