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189:) plays music appropriate to each episode, synchronized with the puppets' action. Offstage reciters tell the story in a sort of heightened speech. The puppet figures are made from perforated cow or buffalo hide, each weighing about three or four kilograms. The biggest puppet is one which characterizes a place, weighing around five to seven kilograms.
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Performances are traditionally held in open spaces such as a lawn or village dirt space. A white cloth screen about 16 metres (52 ft) long and 6 metres (20 ft) high, with a decorated border, is stretched across the stage. Behind the screen, a bonfire is lit to project the puppets' shadows
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109:, a southern city where the tradition has long been popular) features much smaller puppets. Both are particularly popular in
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means "leather" ("leather puppet" in this case), and in common usage refers to a dance-drama shadow puppet show.
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Transmitting the
Ramayana Epic from India to Southeast Asia and the West through Shadow Puppetry and Visual Art
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Irving Chan
Johnson (1998), "Review: Shadows of Life: Nang Talung, Thai Popular Shadow Theatre". Sven Broman,
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183:(electric lights are often used instead now). During the show, a Thai instrumental ensemble (usually a
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in
Thailand). The art form's traditions originated around the beginning of the 15th century.
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360:"The Role of Shadow Puppetry in the Development of Phatthalung Province, Thailand"
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period and are mentioned in a poem called "Bunnovat
Khamchan", written by the
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201:, a dance-drama art form from Thailand which involves masked pantomime.
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Mahanag sometime around the years 1751 to 1758, at the end of King
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performances were a popular means of entertainment during the
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Invocations to
Nataraja in the Southeast Asian Shadow-Plays
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276:"Nang Yai Puppetry: A Dramatic Art Form of Thailand"
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in Thai records is from 1458, according to
Brandon.
207:can be found throughout Thailand. For example, in
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147:incorporate various episodes of the Indian epic
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175:'s reign. The earliest known mention of
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442:, Journal of the Siam Society (1970)
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346:Journal of Southeast Asian Studies
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471:Cultural history of Thailand
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302:Theatre in Southeast Asia
299:James R. Brandon (2009).
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358:Lian Lim, Siew (2013).
326:Thai Shadow Puppet Show
38:drama player and puppet
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136:Thailand shadow puppet
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117:came to Thailand via
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456:Puppetry in Thailand
76:are made of painted
461:Culture of Thailand
278:, Michael Meschke,
257:Karagöz and Hacivat
331:2017-11-07 at the
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466:Shadow play
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195:influenced
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102:nang talung
87:and music.
66:shadow play
450:Categories
263:References
217:Ratchaburi
57:pronounced
18:Nang drama
373:27 August
198:that khon
173:Boromakot
107:Pattalung
68:found in
329:Archived
231:See also
213:nang yai
205:Nang yai
193:Nang yai
177:nang yai
165:Ayudhaya
161:Nang yai
156:Ramakien
150:Ramayana
141:Nang yai
121:and the
115:nang yai
97:Nang yai
70:Thailand
53:หนังใหญ่
44:Nang yai
78:buffalo
74:Puppets
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247:Wayang
186:piphat
85:chants
363:(PDF)
127:India
125:from
396:ISBN
375:2018
307:ISBN
143:and
119:Java
92:Nang
81:hide
49:Thai
36:nang
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