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2098:". This figure depicts a furled brow, fangs, and lolling tongue similar to later images of Narasiṃha, but the idol's robe, simplicity, and stance set it apart. On Narasiṃha's chest under his upper garment appears the suggestion of an amulet, which Stella Kramrisch associated with Visnu's cognizance, the Kaustubha jewel. This upper garment flows over both shoulders; but below Hiranyakasipu, the demon-figure placed horizontally across Narasiṃha's body, a twisted waist-band suggests a separate garment covering the legs. The demon's hair streams behind him, cushioning his head against the man-lion's right knee. He wears a simple single strand of beads. His body seems relaxed, even pliant. His face is calm, with a slight suggestion of a smile. His eyes stare adoringly up at the face of Viṣṇu. There is little tension in this figure's legs or feet, even as Narasiṃha gently disembowels him. His innards spill along his right side. As the
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1698:, hated Vishnu and wanted revenge. He undertook many years of austere penance to gain special powers. Thereafter, Brahma offered Hiranyakashipu a boon. Hiranyakashipu asked, "Grant me that I not die within any residence or outside any residence, during the daytime or at night, nor on the ground or in the sky. Grant me that my death not be brought about by any weapon, nor by any human being or animal. Grant me that I not meet death from any entity, living or nonliving created by you. Grant me, further, that I not be killed by any demigod or demon or by any great snake from the lower planets." Brahma granted him the boon, and Hiranyakashipu gained these powers.
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1220:. Vishnu, cognisant of the asura's boon, creatively assumed a hybrid form that was neither human nor animal as a lion in the name of Narasimha, and Narashima disemboweled and killed Hiranyakashipu and at the junction of day and night, at the threshold of his palace, which was neither inside nor the outside, upon his lap, and with his claws. Narasimha is known primarily as the 'Great Protector' who specifically defends and protects his devotees from evil. The most popular Narasimha myth is the legend of his protection of his devotee Prahlada, and the killing of
2087:), often has been identified as an early depiction of Narasiṃha. Standing cult images of Narasiṃha from the early Gupta period, survive from temples at Tigowa and Eran. These sculptures are two-armed, long maned, frontal, wearing only a lower garment, and with no demon-figure of Hiraṇyakaśipu. Images representing the narrative of Narasiṃha slaying the demon Hiraṇyakaśipu survive from slightly later Gupta-period temples: one at Madhia and one from a temple-doorway now set into the Kūrma-maṭha at Nachna, both dated to the late fifth or early sixth century CE
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central Java. This includes physiognomy of central Java, an exaggerated volume of garment, and some elaboration of the jewelry. This decorative scheme once formulated became, with very little modification, an accepted norm for sculptures throughout the
Central Javanese period (circa 730–930 CE). Despite the iconographic peculiarities, the stylistic antecedents of the Java sculptures can be traced back to Indian carvings as the Chalukya and Pallava images of the 6th–7th centuries CE.
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1740:, the form of Narasimha was chosen. Hiraṇyakashipu could not be killed by human, deva or animal. Narasimha was none of these, as he is a form of Vishnu incarnate as a part-human, part-animal. He came upon Hiraṇyakashipu at twilight (when it is neither day nor night) on the threshold of a courtyard (neither indoors nor out), and put the demon on his thighs (neither earth nor space). Using his sharp fingernails (neither
1486:. They reply they will deal with Namuci, get it all back, if Indra agrees to share his powers, the essence of food and the Soma drink with them. Indra agrees. The gods and the goddess then come up with a creative plan. They pour out "foam of water" as a thunderbolt, which is neither dry nor moist, and the evil Asura Namuci is attacked and killed when it is neither day nor night.
1494:"neither day nor night" in the later Hindu texts is the same as in the Vedic texts. This suggests a link and continuity between the Vedic Namuci legend and the later Narasimha legend in the Puranas. According to Walter Ruben, both versions along with several other legends in ancient and medieval texts reflect the Indian tradition against despots and tyrants who abuse power.
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1705:, who disagreed and rebelled against his father. Prahlada became a devotee of Vishnu. This angered Hiranyakashipu, who tried to kill the boy—but with each attempt, Prahlada was protected by Vishnu's mystical power. When asked, Prahlada refused to acknowledge his father as the supreme lord of the universe and claimed that Vishnu is all-pervading and
1434:(1700-1200 BCE) contains a verse with allusions to a "wild beast, dread, prowling, mountain-roaming", which has been interpreted by some to be the Narasiṃha legend. Another hymn 8.14 alludes to the Namuci legend with "waters' foam you tore off, Indra, the head of Namuci, subduing all contending hosts", but the hymns does not present details.
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The earliest known iconography of
Narasimha is variously dated to between the 2nd and the 4th-century CE, and these have been found in Uttar Pradesh, Madhya Pradesh and Andhra Pradesh. Most images and temples of Narasimha are found in the peninsular region of India, but important ancient and medieval
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in competition for power. Namuci suggests peace to Indra, which the latter accepts. He demands Indra to promise that he will neither try to slay him with his "palm of the hand nor with the fist", neither in day nor in night, neither with "anything that is dry" nor with "anything that is moist". Indra
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The
Narasimha legend was influential by the 5th-century, when various Gupta Empire kings minted coins with his images or sponsored inscriptions that associated the ethos of Narasimha with their own. The kings thus legitimized their rule as someone like Narasimha who fights evil and persecution. Some
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Hiranyakashipu pointed to a nearby pillar and asked if 'his Vishṇu' is in it and said to his son
Prahlada, "O most unfortunate Prahlada, you have always described a supreme being other than me, a supreme being who is above everything, who is the controller of everyone, and who is all-pervading. But
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Narasimha is worshipped across
Telangana and Andhra Pradesh States in numerous forms. Although, it is common that each of the temples contain depictions of Narasimha in more than one form, Ahobilam contains nine temples of Narasimha dedicated to the nine forms of Narasimha. It is also notable that
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According to
Deborah Soifer, the Vedic legend has many parallels with the Narasimha legend, it has the same plot, the same "neither-nor" constraints, and the same creative spirit that allows the good to vanquish the evil. Further, the Sanskrit words and phrasing such as "neither palm nor fist" and
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An image of Narasiṃha, dating to the 9th century, was found on the northern slope of Mount Ijo, at
Prambanan, Indonesia. Images of Trivikrama and Varāha avatāras were also found at Prambanan, Indonesia. Viṣṇu and His avatāra images follow iconographic peculiarities characteristic of the art of
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After Namuci is killed, the gods get all the powers back, but discover that Namuci had drunk the Soma already. The good was thus now mixed with his badness of his blood, which they did not want to drink. So, they extract the good out from the bad. Thus, good returns to the Devas, the bad is
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to defeat
Narasimha. When Narasimha defeated and drove Virabhadra away, Vishnu and Shiva manifested as Gandaberunda as Narasimha and Sharabha. Narasimha as Gandabherunda and Sharabha fought for 18 days. Narasimha as Gandaberunda disemboweled and killed Sharabha on the 18th day, after which
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Hiraṇyakashipu, unable to control his anger, smashed the pillar with his mace, and following a tumultuous sound, Vishṇu in the form of
Narasimha appeared from it and moved to attack Hiraṇyakashipu in defense of Prahlāda. In order to kill Hiraṇyakashipu and not upset the boon given by
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Narasimha is a significant iconic symbol of creative resistance, hope against odds, victory over persecution, and destruction of evil. He is the destructor of not only external evil, but also one's own inner evil of "body, speech, and mind" states
Pratapaditya Pal.
1526:(4.2-3), Brahmāṇḍa Purāṇa(2.5.3-29), Vayu Purāṇa (67.61-66), Brahma-Purāṇa (213.44-79), Viṣṇudharmottara Purāṇa(1.54), Kūrma Purāṇa (1.15.18-72), Matsya Purāṇa(161-163), Padma Purāṇa(Uttara-khaṇḍa 5.42), Śiva Purāṇa (2.5.43 & 3.10-12),
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to destroy the chaos that happened in the universe. After disemboweling and killing Hiranyakashipu, Narasimha's power was wrongly thought to threaten the world by the deities. At the behest of the gods and goddesses, Shiva sent his form of
1762:. According to Soifer, it describes how Prahlada's brothers headed by Anuhrāda and thousands of other demons "were led to the valley of death (yamalayam) by the lion produced from the body of man-lion". The same episode occurs in the
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After the deal is done, Namuci carries away all that nourishes the Devas: the Soma drink, the essence of food and the strength of Indra. The leader of the gods finds himself conflicted and feels bound by his promise. Indra then meets
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Narasimha is always shown with a lion face with clawed fingers fused with a human body. Sometimes he is coming out of a pillar signifying that he is everywhere, in everything, in everyone. Some temples such as at
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The layout of this matha is almost like that of the Parakāla - matha above described. Here too in the central shrine are kept a few bronze images, including that of Lakshmi Narasimha, the presiding deity of that
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Some of the oldest Narasimha terracotta artworks have been dated to about the 2nd century CE, such as those discovered in Kausambi. A nearly complete, exquisitely carved standing Narasimha statue, wearing a
4153: The list of the "ten avatars" varies regionally. Two substitutions involve Balarama, Krishna, and Buddha. Krishna is almost always included; in exceptions, he is considered the source of all avatars.
1243:, and various other Vaishnava traditions of Hinduism. He is celebrated in many regional Hindu temples, texts, performance arts, and festivals such as the Hindu festival of colours of the spring, called
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1532:(1.95-96) and Skanda Purāṇa 7 (2.18.60-130) all contain depictions of the Narasiṃha Avatāra. In all these Puranas, Narasimha is described as the God of Destruction, who does destruction at the time of
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1216:, by any weapon, nor by humans, deities, demons, or animals. Endowed with this boon, he began to wreak chaos and havoc, persecuting all the devotees of Vishnu, including his own son
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the central aspect of Narasimha incarnation is killing the demon Hiranyakasipu, but that image of Narasimha is not commonly worshipped in temples, although it is depicted.
1908:(Maharashtra). Other major temples with notable icons of Narasimha are found in Himachal Pradesh, Madhya Pradesh, Maharashtra, Odisha, Andhra Pradesh, Tamil Nadu and the
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in chapter 12.7.3.v Other references to Narasimha are found in the Vedic texts Vajaseneyi Samhita 10.34, Pancavimsa Brahmana 12.6.8 and Taittiriya Brahmana 1.7.1.6.
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dance-drama performance arts of Tamil Nadu traditionally celebrate the annual Narasimha jayanti festival by performing the story within regional Narasimha temples.
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Narasimha was in rage and seeing this, Brahma sent Prahlada to pacify him. Prahlada sang hymns and the 'Ugra' Narasimha now became peaceful 'Soumya' Narasimha.
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In Andhra Pradesh, a panel dating to third-fourth century CE shows a full theriomorphic squatting lion with two extra human arms behind his shoulders holding
3566:"Narasimha, The Supreme Deity of Andhra Pradesh: Tradition and Innovation in Hinduism- An Examination of the Temple Myths, Folk Stories, and Popular Culture"
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was acquired by the Philadelphia Museum of Art in 1987. It was described by Stella Kramrisch, the former Philadelphia Museum of Art's Indian curator, as "
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where is He? If He is everywhere, then why is He not present before me in this pillar?" Prahlāda then answered, "He was, He is and He will be."
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Hiranyakashipu, once powerful and invincible with the new boon, began to persecute those who were devotees of Vishnu. Hiranyakashipu had a son,
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consists of two words "nara" which means man, and "simha" which means lion, referring to a man-lion avatar of Vishnu. Additionally, the word "
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In South Indian art – sculptures, bronzes and paintings – Viṣṇu's incarnation as Narasiṃha is one of the most chosen themes and amongst
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1254:. Other older known artworks of Narasimha have been found at several sites across Uttar Pradesh and Andhra Pradesh, such as at the
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Deity or Deified King? Reflections on a Unique Vaiṣṇavite Sculpture from Java', Artibus Asiae, Vol. 40, No. 4 (1978), pp. 311–333.
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Narasimha emerging from a pillar and disemboweling Hiranyakashipu (detail), manuscript folio from a Bhagavata Purana, 1760-1770.
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due to which he could not be killed during the day or night, inside or outside the house; neither in the sky nor on land nor in
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describes it, Narasiṃha ripped "apart the mighty Daitya chief as a plaiter of straw mats shreds his reeds". Based on the
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Gandaberunda as Narasimha and Sharabha took their true forms of Vishnu and Shiva and went to their respective heavens of
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Narasimha iconography shows him with a human torso and lower body, with a leonine face and claws, typically with the
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being disemboweled and killed by him in his lap. The asura king was the powerful elder brother of the evil
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One of the earliest representation of Narasimha, dating back to the 4th-century CE, is from Kondamotu in
1920:(Madhya Pradesh), dated to early 5th-century, include Narasimha along with other avatars of Vishnu. The
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to be the God of Destruction; he who destroys the entire universe at the time of the great dissolution (
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3842:, Andhra Pradesh Government Archaeological Series 16, Hyderabad: Government of Andhra Pradesh, 1964.
2106:-style of robe worn by the idol, Michael Meiste altered the date of the image to fourth century CE.
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is the most important shrine to Narasimha in Kerala; the form of Narasimha there is known as
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archaeological site. These have been variously dated between the 2nd and the 4th century CE.
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Narasimha Disemboweling Hiranyakashipu, manuscript folio from a Bhagavata Purana, 1760-1770.
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Mallik, Anupama; Chaudhury, Santanu; Chandru, Vijay; Srinivasan, Sharada (31 March 2018).
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of the coins of the Kushan era show Narasimha-like images, suggesting possible influence.
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tradition. Narasimha is also described as the God of Yoga, in the form of Yoga-Narasimha.
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A number of prayers have been written in dedication to Narasiṃha avatāra. These include:
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Alexander Cunningham, Archaeological Survey of India, Annual Reports IX (1873-75), p.47
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ruins in Karnataka. Some of the oldest surviving Hindu temples, such as those found in
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theatre has included the Narasimha-Hiranyakasipu battle storyline, and adaptations of
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who commands lightning, thunder, rain and rivers, while Namuci is a deceptive demigod
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Narasimha likely has roots in the metaphor-filled Indra-Namuci legend in the Vedas.
3815:"NARASIMHA - Sri Lakshmi Nrusimha Karavalamba Stotram Learning Aid - Agasthiar.Org"
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Narasimha slays Hiranyakashipu, attributed to Mahesh of Chamba court, c. 1725-50.
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Bloomfield, Maurice (1893). "Contributions to the Interpretation of the Veda".
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An image of Narasiṃha supposedly dating to second-third century CE sculpted at
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Meister, Michael W. (1996). "Man and Man-Lion: The Philadelphia Narasimha".
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The Nārāyaṇasvāmi Temple at Mēlkōṭe: An Archaeological and Historical Study
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The Myths of Narasimha and Vamana: Two Avatars in Cosmological Perspective
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TemplePurohit - Your Spiritual Destination | Bhakti, Shraddha Aur Ashirwad
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Religious Traditions at Vijayanagara, as Revealed Through Its Monuments
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The Bhagavata Puraṇa describes that Vishnu, in his previous avatar as
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Farley P. Richmond; Darius L. Swann; Phillip B. Zarrilli (1993).
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Incarnation in Hinduism and Christianity: The Myth of the God-Man
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Fowler, Murray (1942). "The Role of Surā in the Myth of Namuci".
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Farley P. Richmond; Darius L. Swann; Phillip B. Zarrilli (1993).
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archeological sites containing Narasimha icons are also found as
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179, several chapters after its version of the Narasimha advent.
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and demonic forces in which he escapes a powerful weapon called
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The Essence of Shreemad Bhagavatam: A Seven-Day Journey to Love
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Vaiṣṇavism: Its Philosophy, Theology, and Religious Discipline
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Vaiṣṇavism: Its Philosophy, Theology, and Religious Discipline
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Mrityormrityu-narasimha: defeater of death aspect of Narasimha
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ISKCON Jandelsbrunn Simhachalam Temple, Jandelsbrunn, Germany
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Yogānanda-narasiṃha: serene, peaceful Narasimha teaching yoga
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The Religions of India: A Concise Guide to Nine Major Faiths
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The Religions of India: A Concise Guide to Nine Major Faiths
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The Religions of India: A Concise Guide to Nine Major Faiths
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The Kurma Puraṇa describes the preceding battle between the
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Los Angeles County Museum of Art; Pratapaditya Pal (1986).
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Los Angeles County Museum of Art; Pratapaditya Pal (1986).
2618:. Cambridge, Mass.: Harvard University Press. p. 123.
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with Narasimha has been one of the popular performances in
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327:
270:
169:
38:
3085:
3083:
3081:
3079:
3077:
3075:
3073:
3071:
4061:
1748:) as weapons, he disemboweled and killed the demon king.
1437:
A more complete version of the Namuci legend is found in
3507:
Animals in Stone: Indian Mammals Sculptured Through Time
3039:"Eight sacred names of Lord Narsimha to remove the fear"
1724:
In an alternate version of the story, Prahlada answered,
3068:
3009:"Les Vaikuṇṭha gupta de Mathura : Viṣṇu ou Kṛṣṇa?"
2699:
2697:
1640:
his flesh, along with broken pieces of pillar which you
1364:) – the one who has a wide mouth and projecting teeth,
3201:
The Bhagavata Purana: Sacred Text and Living Tradition
2714:
2712:
1638:
You tore him apart with your split claws and scattered
1629:
because of your love for him. You attacked and ruined
3871:, Artibus Asiae, Vol. 56, No. 3/4 (1996), pp. 291–301
3365:
3251:
3186:
Narasiṁha Avatāra, The Half-Man/Half-Lion Incarnation
2895:
2893:
2876:. Motilal Banarsidass. pp. 127 with footnote 1.
2686:. Directorate of Archaeology and Museums. p. 9.
1979:
3204:. Columbia University Press. pp. 21–23, 32–35.
2831:
Narasiṁha Avatar, The Half-Man/Half-Lion Incarnation
2694:
2096:
perhaps the earliest image of Narasiṃha as yet known
1880:
Bhadra-narasimha: another fierce aspect of Narasimha
1625:
man was not disrespectful to his father who deserved
3883:, et al. (1990). The sculpture of Indonesia, p. 145
2709:
1871:
Jvala-narasiṃha: Narasimha emitting flames of wrath
1623:
praises, inflicting on him great sorrow. The young
3712:The Kathakali Complex: Performance & Structure
3677:
3644:
3532:
3173:Fighting against despotes in old Indian literature
2890:
2679:
2648:
2588:Digital Hampi: Preserving Indian Cultural Heritage
2557:
2553:
2551:
2549:
2547:
2545:
2009:The Narasimha legends have been a part of various
1627:disrespect. You embraced Prahalathan’s fine chest
1502:There are references to Narasiṃha in a variety of
3938:Iconography and Symbolism of Pañcamukha Narasimha
3283:sfn error: no target: CITEREFKamil_Zvelebil1973 (
1636:mountain-like chest as drums roared like thunder.
70:Sculpture of Narasimha killing Hiranyakashipu in
4163:
3530:
2802:
1729:He is in pillars, and he is in the smallest twig
3708:
3602:
2771:
2769:
2767:
2765:
2763:
2761:
2759:
2757:
2729:
2727:
2542:
1769:
1694:. The elder brother of Hiranyaksha, demon king
1656:Narasimha is also found in and is the focus of
1570:poetic work and traditionally the fifth of the
1146:, to end religious persecution and calamity on
3742:. Motilal Banarsidass. pp. 140, 172–173.
3451:Just Love: The Essence of Everything, Volume 3
3278:
2966:
2964:
2962:
2796:
2646:
2318:Gunja Narasimha Temple, Tirumakudal Narasipura
1399:
1389:
1379:
1369:
1359:
1349:
1339:
1200:, who had been previously killed by Vishnu as
3964:
3231:. Oxford University Press. pp. 125–126.
3224:
2059:Sri Lakshmi Narasimha Karavalamba Stotram by
1609:burning hatred in his heart and drying up the
1334:in derivative languages. His other names are
1077:
3869:Man and Man-Lion: The Philadelphia Narasiṁha
2775:
2754:
2733:
2724:
2083:emblems. This lion, flanked by five heroes (
1874:Sarvatomukha-narasimha: many-faced Narasimha
1642:split and came out, in your Narasimhan form.
1384:) – the one for whom nails are his weapons,
1174:(monastery) dedicated to him by the name of
3684:. University of California Press. pp.
3539:. University of California Press. pp.
3504:Alexandra Anna Enrica van der Geer (2008).
3447:
3421:Vishwananda, Paramahamsa Sri Swami (2017).
3420:
2959:
2152:. Unsourced material may be challenged and
1598:plagiat within the so-called Sangam texts.
3971:
3957:
3651:. University of California Press. p.
3427:. Bhakti Marga Publications. p. 374.
3318:
3101:
2521:Ramtek Kevala Narasimha temple inscription
1896:, while single face versions are found in
1602:Legend of Narasimha according to Paripāṭal
1452:
1354:) – the one who causes terror by roaring,
1084:
1070:
244:
64:
3739:Indian Theatre: Traditions of Performance
3680:Indian Sculpture: Circa 500 B.C.-A.D. 700
3647:Indian Sculpture: Circa 500 B.C.-A.D. 700
3631:Notae Numismaticae. Zapiski numizmatyczne
3535:Indian Sculpture: Circa 500 B.C.-A.D. 700
3372:. Motilal Banarsidass. pp. 132–134.
3345:. Motilal Banarsidass. pp. 809–858.
3198:Ravi M. Gupta; Kenneth R. Valpey (2013).
2873:Indian Theatre: Traditions of Performance
2230:Sri Kadiri Lakshmi Narasimha Swamy Temple
2172:Learn how and when to remove this message
1854:Krodha or ugra narasiṃha: angry Narasimha
1227:Narasimha is one of the major deities in
3478:Prahlad and Holika: The Narasimha Avatar
3474:
3297:
3139:Journal of the American Oriental Society
3104:Journal of the American Oriental Society
2911:
2564:. Oxford University Press. p. 223.
2070:
1995:
1935:
1823:
1715:
1674:
1411:
1265:
1224:wicked father and demon Hiranyakashipu.
3563:
3338:
3258:. Motilal Banarsidass. pp. 35–38.
3145:(1). American Oriental Society: 36–40.
2970:
2611:
1877:Bhishana-narasimha: ferocious Narasimha
1374:) – the one who killed Hiranyakashipu,
4164:
3908:
3609:. Palgrave Macmillan. pp. 27–28.
3491:
3136:
3110:. American Oriental Society: 143–156.
3089:
3006:
2938:
2899:
2718:
2703:
2655:. Cambridge University Press. p.
45:(Time); The Destroyer of Evil and Fear
3978:
3952:
3454:. BoD – Books on Demand. p. 75.
3391:
3389:
3298:Zvelebil, Kamil (25 September 1974).
2945:. Bloomsbury Publishing. p. 60.
2842:
1634:with great strength, leaping upon his
1607:O Lord with faultless red eyes! With
3510:. BRILL Academic. pp. 404–407.
2450:Lakshmi Narasimha Temple, Dharmapuri
2309:Lakshmi Narasimha Temple, Haranhalli
2291:Lakshmi Narasimha Temple, Bhadravati
2150:adding citations to reliable sources
2117:
1543:
2004:
1851:Guha-narasiṃha: concealed Narasimha
1586:states that the hymns dedicated to
1554:(Dated between 300 BCE to 300 CE) (
16:Man-lion avatar of Hindu god Vishnu
13:
3386:
2999:
2300:Lakshmi Narasimha Temple, Javagala
2196:Lakshmi Narasimha Temple, Ahobilam
2113:
1980:Coins, inscriptions and terracotta
1670:
1394:) – the whose face is of lion and
1291:as a human , Narasimha as a lion,
14:
4208:
3931:
3065:, Ralph T.H. Griffith, Wikisource
3005:For English summary, see page 80
2809:. Penguin Books. pp. 50–53.
2189:
1857:Vira-narasimha: warrior Narasimha
1845:Prahladavarada: blessing Prahlada
1828:Yoga Narasimha, bronze, ca. 1250.
1774:In a story of this incident, the
1646:Paripāṭal, poem 4, Verses 10 - 21
1231:, and his legends are revered in
4060:
3570:Journal of Contemporary Religion
2939:Elgood, Heather (1 April 2000).
2455:
2122:
1344:) – the one who has fiery eyes,
37:God of Protection, Destruction,
3901:
3886:
3874:
3845:
3840:An Early Sculpture of Narasiṁha
3832:
3807:
3781:
3756:
3729:
3702:
3669:
3636:
3623:
3596:
3557:
3524:
3497:
3468:
3448:Vishwananda, Sri Swami (2019).
3441:
3414:
3359:
3332:
3291:
3245:
3228:A Dictionary of Asian Mythology
3218:
3191:
3178:
3165:
3130:
3095:
3056:
3031:
2979:(3/4): 291–301 with footnotes.
2942:Hinduism and the Religious Arts
2932:
2905:
2863:
2836:
2823:
2210:Varaha Lakshmi Narasimha Temple
2066:
1931:
1594:has branded the Paripatal as a
1482:(goddess of knowledge) and the
1443:(7th - 6th century BCE) of the
1418:Ramtek Kevala Narasimha temple.
1320:Nrisimha, Nrisingha, Narasingha
3366:S. M. Srinivasa Chari (1994).
3252:S. M. Srinivasa Chari (1994).
3063:The Rigveda Mandala 1 Hymn 154
2782:. Penguin Books. p. 148.
2740:. Penguin Books. p. 148.
2673:
2640:
2605:
2578:
2471:
2379:Bhubaneshvara Narasimha Temple
1819:
1651:
1:
2536:
2429:Yoga Narasimha Perumal Temple
2413:
2356:
2047:Daśāvatāra Stotra by Jayadeva
1564:the paripatal-metre anthology
1428:The Vishnu hymn 1.154 of the
3342:Sixty Upanishads of the Veda
3304:. Otto Harrassowitz Verlag.
2612:Blurton, T. Richard (1993).
2434:
2397:
2363:Sri Lakshmi Narasimha Temple
2334:Sri Lakshmi Narasimha Temple
2239:
1944:period, 12th -13th century,
1770:Vaishnava and Shaiva stories
1536:or Yuganta and described as
1404:) – king of animals (lion).
1261:
7:
3944:The story of Lord Narasimha
3909:Soifer, Deborah A. (1991).
2680:Rangachar Vasantha (1991).
2651:An Introduction to Hinduism
2561:Handbook of Hindu Mythology
2558:George M. Williams (2008).
2497:
1659:Nrisimha Tapaniya Upanishad
1611:sandal paste on his chest,
1121:
10:
4213:
4177:Mythological human hybrids
3494:, p. 85, K.P.1.15.70.
3481:. SA Krishnan. p. 30.
3007:Schmid, Charlotte (1997).
2347:Kozha Sri Narasimha Temple
2032:
1665:
1497:
21:Narasimha (disambiguation)
18:
4150:
4069:
4058:
3990:
3582:10.1080/13537900802630489
3564:Vemsani, Lavanya (2009).
3531:Pratapaditya Pal (1986).
2803:Nanditha Krishna (2009).
2591:. Springer. p. 183.
2487:
2420:Namakkal Narasimha Temple
2372:
2327:
2041:The Narasiṃha Mahā-Mantra
2013:repertoire. For example,
1782:scriptures say that gods
1559:
1400:
1390:
1380:
1370:
1360:
1350:
1340:
1162:). Hence, he is known as
1104:
211:
201:
193:
175:
161:
139:
125:
103:
92:
82:
63:
55:
35:
30:
3709:Philip Zarrilly (1984).
3603:Daniel E Bassuk (1987).
3475:Krishnan, S. A. (2017).
3326:"Ettuthokai – Paripādal"
2912:Verghese, Anila (1995).
2441:Lakshmi Narasimha Temple
2219:Vedadri Narasimha Temple
2201:Lakshmi Narasimha Temple
2184:
2044:Narasiṃha Praṇāma Prayer
1423:
1416:Narasimha, 5th century,
1407:
3633:, Issue 10, pages 63-85
3025:10.3406/arasi.1997.1401
2918:. Manohar. p. 39.
2849:. Penguin Books India.
2647:Gavin D. Flood (1996).
2478:Narasimha Temple, Nadia
2282:Narasimha Temple, Seebi
2234:Sri Sathya Sai district
1904:(Uttar Pradesh) and in
1453:The Indra-Namuci legend
3401:hariharji.blogspot.com
3339:Deussen, Paul (1997).
3225:David Leeming (2001).
2843:Dalal, Roshen (2010).
2076:
2011:Indian classical dance
2001:
1953:
1829:
1733:
1721:
1680:
1420:
1307:In Sanskrit, the word
1304:
1299:, mid-5th century CE.
1126:), sometimes rendered
4192:Akilattirattu Ammanai
3171:Walter Ruben (1968),
2776:Roshen Dalal (2010).
2734:Roshen Dalal (2010).
2388:Puri Narasimha Temple
2273:Yoga Narasimha Temple
2264:Yoga Narasimha Temple
2246:Guru Narasimha Temple
2074:
2056:Divya Prabandham 2954
2050:Kāmaśikha Aṣṭakam by
1999:
1964:perhaps next only to
1939:
1890:Vaikuntha Chaturmurti
1827:
1726:
1719:
1678:
1415:
1280:Vaikuntha Chaturmurti
1269:
3892:Debjani Paul (1978)
3793:Om Narasimhaya Namah
2404:Sri Narasimha Temple
2146:improve this section
1860:Malola-narasiṃha or
1510:(41 & 3.41-47),
1366:Hiranyakashipudvamsa
1150:, thereby restoring
1114:'man-lion',
19:For other uses, see
4197:Ayyavazhi mythology
4187:Animals in Hinduism
3940:, R. Kalidos (1987)
3867:Michael W. Meiste,
3838:Abdul Waheed Khan,
3795:. 27 September 2012
3281:, pp. 123–124.
3279:Kamil Zvelebil 1973
3043:www.speakingtree.in
1910:Vijayanagara Empire
1440:Shatapatha Brahmana
1324:Narasingh, Narsingh
852:Satyabhinava Tirtha
2806:The Book of Vishnu
2367:Nira Narasimhapura
2077:
2061:Adi Shankaracharya
2002:
1954:
1830:
1722:
1687:, killed the evil
1681:
1421:
1305:
950:Related traditions
867:Satyadhyana Tirtha
862:Satyadharma Tirtha
822:Raghavendra Tirtha
772:Manavala Mamunigal
695:Vaishnava-Sahajiya
4172:Avatars of Vishnu
4159:
4158:
4154:
3749:978-81-208-0981-9
3722:978-81-7017-187-4
3695:978-0-520-05991-7
3662:978-0-520-05991-7
3616:978-1-349-08642-9
3550:978-0-520-05991-7
3517:978-90-04-16819-0
3461:978-3-96343-046-6
3434:978-3-940381-71-2
3379:978-81-208-1098-3
3352:978-81-208-1467-7
3265:978-81-208-1098-3
3238:978-0-19-512053-0
3211:978-0-231-53147-4
3184:Steven J. Rosen,
3092:, pp. 37–39.
2952:978-0-8264-9865-6
2925:978-81-7304-086-3
2883:978-81-208-0981-9
2856:978-0-14-341517-6
2829:Steven J. Rosen,
2816:978-0-14-306762-7
2789:978-0-14-341517-6
2747:978-0-14-341517-6
2666:978-0-521-43878-0
2598:978-981-10-5738-0
2571:978-0-19-533261-2
2516:Narasimha Satakam
2182:
2181:
2174:
2025:. Similarly, the
1894:Khajuraho temples
1862:Lakshmi-Narasimha
1798:as Narasimha and
1617:tortured his son
1580:Sangam literature
1572:Eight Anthologies
1566:) is a classical
1544:Sangam literature
1241:Sadha Vaishnavism
1113:
1094:
1093:
857:Satyabodha Tirtha
847:Satyanatha Tirtha
817:Raghuttama Tirtha
807:Pillai Lokacharya
802:Padmanabha Tirtha
714:Teachers—acharyas
645:Acintyabhedabheda
284:Important deities
221:
220:
189:
188:
166:Narasimha Jayanti
144:Sudarshana Chakra
4204:
4152:
4064:
3973:
3966:
3959:
3950:
3949:
3926:
3896:
3890:
3884:
3878:
3872:
3865:
3852:
3849:
3843:
3836:
3830:
3829:
3827:
3825:
3811:
3805:
3804:
3802:
3800:
3785:
3779:
3778:
3776:
3774:
3760:
3754:
3753:
3733:
3727:
3726:
3706:
3700:
3699:
3683:
3673:
3667:
3666:
3650:
3640:
3634:
3627:
3621:
3620:
3600:
3594:
3593:
3561:
3555:
3554:
3538:
3528:
3522:
3521:
3501:
3495:
3489:
3483:
3482:
3472:
3466:
3465:
3445:
3439:
3438:
3418:
3412:
3411:
3409:
3407:
3393:
3384:
3383:
3363:
3357:
3356:
3336:
3330:
3329:
3322:
3316:
3315:
3301:Tamil Literature
3295:
3289:
3288:
3276:
3270:
3269:
3249:
3243:
3242:
3222:
3216:
3215:
3195:
3189:
3182:
3176:
3169:
3163:
3162:
3134:
3128:
3127:
3099:
3093:
3087:
3066:
3060:
3054:
3053:
3051:
3049:
3035:
3029:
3028:
3003:
2997:
2996:
2968:
2957:
2956:
2936:
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2929:
2909:
2903:
2897:
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2860:
2840:
2834:
2827:
2821:
2820:
2800:
2794:
2793:
2773:
2752:
2751:
2731:
2722:
2716:
2707:
2701:
2692:
2691:
2677:
2671:
2670:
2654:
2644:
2638:
2637:
2609:
2603:
2602:
2582:
2576:
2575:
2555:
2511:Narasimha Purana
2505:Narasinha Avatar
2255:Narasimha Jharni
2177:
2170:
2166:
2163:
2157:
2126:
2118:
2075:Narasiṃha statue
2019:Prahlada Caritam
2005:Performance arts
1922:Thuravoor Temple
1621:for singing your
1561:
1519:Bhagavata Purāṇa
1403:
1402:
1393:
1392:
1383:
1382:
1373:
1372:
1371:हिरण्यकशिपुध्वंस
1363:
1362:
1353:
1352:
1343:
1342:
1130:, is the fourth
1124:
1108:
1106:
1086:
1079:
1072:
951:
715:
660:Ekasarana Dharma
597:
486:
285:
257:
248:
238:
223:
222:
191:
190:
68:
28:
27:
4212:
4211:
4207:
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4203:
4202:
4201:
4162:
4161:
4160:
4155:
4146:
4065:
4056:
3994:
3986:
3977:
3934:
3929:
3923:
3904:
3899:
3891:
3887:
3879:
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3855:
3850:
3846:
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3833:
3823:
3821:
3813:
3812:
3808:
3798:
3796:
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3772:
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3761:
3757:
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3707:
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3696:
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3670:
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3641:
3637:
3628:
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3617:
3601:
3597:
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3529:
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3502:
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3490:
3486:
3473:
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3462:
3446:
3442:
3435:
3419:
3415:
3405:
3403:
3395:
3394:
3387:
3380:
3364:
3360:
3353:
3337:
3333:
3324:
3323:
3319:
3312:
3296:
3292:
3282:
3277:
3273:
3266:
3250:
3246:
3239:
3223:
3219:
3212:
3196:
3192:
3183:
3179:
3170:
3166:
3135:
3131:
3100:
3096:
3088:
3069:
3061:
3057:
3047:
3045:
3037:
3036:
3032:
3013:Arts Asiatiques
3004:
3000:
2985:10.2307/3250120
2969:
2960:
2953:
2937:
2933:
2926:
2910:
2906:
2898:
2891:
2884:
2868:
2864:
2857:
2841:
2837:
2828:
2824:
2817:
2801:
2797:
2790:
2774:
2755:
2748:
2732:
2725:
2717:
2710:
2702:
2695:
2678:
2674:
2667:
2645:
2641:
2626:
2610:
2606:
2599:
2583:
2579:
2572:
2556:
2543:
2539:
2500:
2490:
2474:
2458:
2437:
2416:
2400:
2375:
2359:
2330:
2268:Devarayanadurga
2242:
2192:
2187:
2178:
2167:
2161:
2158:
2143:
2127:
2116:
2114:Notable temples
2069:
2035:
2007:
1982:
1972:in popularity.
1934:
1892:in Kashmir and
1822:
1772:
1673:
1671:Prahlada legend
1668:
1654:
1649:
1644:
1643:
1641:
1639:
1637:
1635:
1630:
1628:
1626:
1624:
1622:
1616:
1610:
1608:
1546:
1500:
1455:
1426:
1410:
1346:Bhairavadambara
1318:He is known as
1264:
1237:Sri Vaishnavism
1090:
1061:
1060:
952:
949:
942:
941:
932:Vadiraja Tirtha
797:Srinivasacharya
717:
713:
705:
704:
607:Vishishtadvaita
598:
595:
588:
587:
539:Divya Prabandha
488:
485:Holy scriptures
484:
476:
475:
286:
283:
276:
275:
258:
255:
236:
154:
150:
146:
96:transliteration
78:
51:
46:
24:
17:
12:
11:
5:
4210:
4200:
4199:
4194:
4189:
4184:
4179:
4174:
4157:
4156:
4151:
4148:
4147:
4145:
4144:
4139:
4134:
4129:
4124:
4119:
4114:
4109:
4104:
4099:
4094:
4089:
4084:
4079:
4073:
4071:
4067:
4066:
4059:
4057:
4055:
4054:
4049:
4044:
4039:
4034:
4029:
4024:
4019:
4014:
4009:
4004:
3998:
3996:
3988:
3987:
3976:
3975:
3968:
3961:
3953:
3947:
3946:
3941:
3933:
3932:External links
3930:
3928:
3927:
3921:
3915:. SUNY Press.
3905:
3903:
3900:
3898:
3897:
3885:
3873:
3853:
3844:
3831:
3806:
3780:
3755:
3748:
3728:
3721:
3701:
3694:
3668:
3661:
3635:
3622:
3615:
3595:
3556:
3549:
3523:
3516:
3496:
3484:
3467:
3460:
3440:
3433:
3413:
3385:
3378:
3358:
3351:
3331:
3328:. 19 May 2022.
3317:
3310:
3290:
3271:
3264:
3244:
3237:
3217:
3210:
3190:
3177:
3164:
3151:10.2307/594098
3129:
3116:10.2307/592353
3094:
3067:
3055:
3030:
2998:
2958:
2951:
2931:
2924:
2904:
2889:
2882:
2862:
2855:
2835:
2822:
2815:
2795:
2788:
2753:
2746:
2723:
2708:
2706:, p. 102.
2693:
2672:
2665:
2639:
2624:
2604:
2597:
2577:
2570:
2540:
2538:
2535:
2534:
2533:
2528:
2523:
2518:
2513:
2508:
2499:
2496:
2495:
2494:
2489:
2486:
2485:
2484:
2473:
2470:
2469:
2468:
2462:Prahlada Ghata
2457:
2454:
2453:
2452:
2447:
2436:
2433:
2432:
2431:
2426:
2415:
2412:
2411:
2410:
2399:
2396:
2395:
2394:
2385:
2374:
2371:
2370:
2369:
2358:
2355:
2354:
2353:
2344:
2329:
2326:
2325:
2324:
2315:
2306:
2297:
2288:
2279:
2270:
2261:
2252:
2241:
2238:
2237:
2236:
2226:
2225:
2216:
2207:
2198:
2191:
2190:Andhra Pradesh
2188:
2186:
2183:
2180:
2179:
2130:
2128:
2121:
2115:
2112:
2068:
2065:
2064:
2063:
2057:
2054:
2052:Vedānta Deśika
2048:
2045:
2042:
2034:
2031:
2027:Bhagavata Mela
2006:
2003:
1981:
1978:
1933:
1930:
1885:
1884:
1881:
1878:
1875:
1872:
1869:
1858:
1855:
1852:
1849:
1846:
1839:Andhra Pradesh
1821:
1818:
1816:respectively.
1771:
1768:
1696:Hiranyakashipu
1672:
1669:
1667:
1664:
1653:
1650:
1605:
1584:Kamil Zvelebil
1545:
1542:
1499:
1496:
1465:leader of the
1454:
1451:
1425:
1422:
1409:
1406:
1297:Art of Mathura
1263:
1260:
1252:Coastal Andhra
1194:Hiranyakashipu
1176:Parakala Matha
1144:Hiranyakashipu
1092:
1091:
1089:
1088:
1081:
1074:
1066:
1063:
1062:
1059:
1058:
1053:
1048:
1043:
1038:
1033:
1028:
1027:
1026:
1016:
1011:
1010:
1009:
999:
994:
989:
984:
979:
974:
969:
964:
959:
953:
948:
947:
944:
943:
940:
939:
934:
929:
924:
919:
914:
909:
907:Vedanta Desika
904:
899:
894:
889:
884:
879:
874:
872:Samarth Ramdas
869:
864:
859:
854:
849:
844:
839:
834:
829:
824:
819:
814:
812:Purandara Dasa
809:
804:
799:
794:
789:
784:
779:
774:
769:
764:
759:
754:
749:
744:
739:
734:
729:
724:
718:
711:
710:
707:
706:
703:
702:
697:
692:
687:
682:
677:
675:Radha Vallabha
672:
667:
662:
656:
655:
649:
648:
630:
620:
610:
599:
594:
593:
590:
589:
586:
585:
580:
575:
570:
565:
560:
554:
553:
547:
546:
541:
536:
531:
524:
517:
510:
505:
500:
495:
489:
482:
481:
478:
477:
474:
473:
468:
463:
458:
452:
451:
447:
446:
441:
436:
431:
426:
421:
415:
414:
408:
407:
402:
397:
392:
387:
382:
377:
372:
367:
365:Guruvayurappan
362:
356:
355:
351:
350:
345:
340:
335:
330:
325:
320:
315:
310:
305:
300:
294:
293:
287:
282:
281:
278:
277:
274:
273:
259:
254:
253:
250:
249:
241:
240:
232:
231:
219:
218:
213:
209:
208:
203:
199:
198:
187:
186:
177:
173:
172:
163:
159:
158:
141:
137:
136:
127:
123:
122:
105:
101:
100:
97:
90:
89:
86:
80:
79:
69:
61:
60:
53:
52:
36:
33:
32:
15:
9:
6:
4:
3:
2:
4209:
4198:
4195:
4193:
4190:
4188:
4185:
4183:
4180:
4178:
4175:
4173:
4170:
4169:
4167:
4149:
4143:
4140:
4138:
4135:
4133:
4130:
4128:
4125:
4123:
4120:
4118:
4115:
4113:
4110:
4108:
4105:
4103:
4100:
4098:
4095:
4093:
4090:
4088:
4087:Nara-Narayana
4085:
4083:
4080:
4078:
4075:
4074:
4072:
4070:Other avatars
4068:
4063:
4053:
4050:
4048:
4045:
4043:
4040:
4038:
4035:
4033:
4030:
4028:
4025:
4023:
4020:
4018:
4015:
4013:
4010:
4008:
4005:
4003:
4000:
3999:
3997:
3995:(for example)
3993:
3989:
3985:
3981:
3974:
3969:
3967:
3962:
3960:
3955:
3954:
3951:
3945:
3942:
3939:
3936:
3935:
3924:
3922:9780791407998
3918:
3914:
3913:
3907:
3906:
3895:
3889:
3882:
3877:
3870:
3864:
3862:
3860:
3858:
3848:
3841:
3835:
3820:
3819:agasthiar.org
3816:
3810:
3794:
3790:
3784:
3769:
3765:
3759:
3751:
3745:
3741:
3740:
3732:
3724:
3718:
3714:
3713:
3705:
3697:
3691:
3687:
3682:
3681:
3672:
3664:
3658:
3654:
3649:
3648:
3639:
3632:
3626:
3618:
3612:
3608:
3607:
3599:
3591:
3587:
3583:
3579:
3575:
3571:
3567:
3560:
3552:
3546:
3542:
3537:
3536:
3527:
3519:
3513:
3509:
3508:
3500:
3493:
3488:
3480:
3479:
3471:
3463:
3457:
3453:
3452:
3444:
3436:
3430:
3426:
3425:
3417:
3402:
3398:
3392:
3390:
3381:
3375:
3371:
3370:
3362:
3354:
3348:
3344:
3343:
3335:
3327:
3321:
3313:
3311:9783447015820
3307:
3303:
3302:
3294:
3286:
3280:
3275:
3267:
3261:
3257:
3256:
3248:
3240:
3234:
3230:
3229:
3221:
3213:
3207:
3203:
3202:
3194:
3187:
3181:
3174:
3168:
3160:
3156:
3152:
3148:
3144:
3140:
3133:
3125:
3121:
3117:
3113:
3109:
3105:
3098:
3091:
3086:
3084:
3082:
3080:
3078:
3076:
3074:
3072:
3064:
3059:
3044:
3040:
3034:
3026:
3022:
3018:
3014:
3010:
3002:
2994:
2990:
2986:
2982:
2978:
2974:
2973:Artibus Asiae
2967:
2965:
2963:
2954:
2948:
2944:
2943:
2935:
2927:
2921:
2917:
2916:
2908:
2901:
2896:
2894:
2885:
2879:
2875:
2874:
2866:
2858:
2852:
2848:
2847:
2839:
2832:
2826:
2818:
2812:
2808:
2807:
2799:
2791:
2785:
2781:
2780:
2772:
2770:
2768:
2766:
2764:
2762:
2760:
2758:
2749:
2743:
2739:
2738:
2730:
2728:
2721:, p. 92.
2720:
2715:
2713:
2705:
2700:
2698:
2690:
2685:
2684:
2676:
2668:
2662:
2658:
2653:
2652:
2643:
2635:
2631:
2627:
2625:0-674-39188-8
2621:
2617:
2616:
2608:
2600:
2594:
2590:
2589:
2581:
2573:
2567:
2563:
2562:
2554:
2552:
2550:
2548:
2546:
2541:
2532:
2529:
2527:
2524:
2522:
2519:
2517:
2514:
2512:
2509:
2507:
2506:
2502:
2501:
2492:
2491:
2483:
2479:
2476:
2475:
2467:
2463:
2460:
2459:
2456:Uttar Pradesh
2451:
2448:
2446:
2442:
2439:
2438:
2430:
2427:
2425:
2421:
2418:
2417:
2409:
2405:
2402:
2401:
2393:
2389:
2386:
2384:
2383:Bhubaneshvara
2380:
2377:
2376:
2368:
2364:
2361:
2360:
2352:
2348:
2345:
2343:
2339:
2335:
2332:
2331:
2323:
2319:
2316:
2314:
2310:
2307:
2305:
2301:
2298:
2296:
2292:
2289:
2287:
2283:
2280:
2278:
2274:
2271:
2269:
2265:
2262:
2260:
2256:
2253:
2251:
2247:
2244:
2243:
2235:
2231:
2228:
2227:
2224:
2220:
2217:
2215:
2211:
2208:
2206:
2202:
2199:
2197:
2194:
2193:
2176:
2173:
2165:
2155:
2151:
2147:
2141:
2140:
2136:
2131:This section
2129:
2125:
2120:
2119:
2111:
2107:
2105:
2101:
2100:Matsya purana
2097:
2093:
2088:
2086:
2082:
2073:
2062:
2058:
2055:
2053:
2049:
2046:
2043:
2040:
2039:
2038:
2030:
2028:
2024:
2020:
2016:
2012:
1998:
1994:
1992:
1986:
1977:
1973:
1971:
1967:
1963:
1958:
1951:
1947:
1943:
1938:
1929:
1927:
1923:
1919:
1915:
1911:
1907:
1903:
1899:
1895:
1891:
1882:
1879:
1876:
1873:
1870:
1867:
1863:
1859:
1856:
1853:
1850:
1847:
1844:
1843:
1842:
1840:
1836:
1826:
1817:
1815:
1811:
1806:
1801:
1797:
1793:
1789:
1785:
1781:
1777:
1767:
1765:
1764:Matsya Purāṇa
1761:
1760:Pashupatastra
1757:
1752:
1749:
1747:
1743:
1739:
1732:
1730:
1725:
1718:
1714:
1710:
1708:
1704:
1699:
1697:
1693:
1690:
1686:
1677:
1663:
1661:
1660:
1648:
1647:
1633:
1620:
1615:the evil king
1614:
1604:
1603:
1599:
1597:
1593:
1589:
1585:
1581:
1577:
1573:
1569:
1565:
1557:
1553:
1552:
1541:
1539:
1535:
1531:
1530:
1525:
1521:
1520:
1515:
1514:
1509:
1505:
1495:
1491:
1487:
1485:
1481:
1475:
1472:
1468:
1464:
1460:
1450:
1448:
1447:
1442:
1441:
1435:
1433:
1432:
1419:
1414:
1405:
1397:
1387:
1377:
1367:
1357:
1347:
1337:
1333:
1329:
1325:
1321:
1316:
1314:
1310:
1302:
1301:Boston Museum
1298:
1294:
1290:
1286:
1282:
1281:
1276:
1272:
1268:
1259:
1257:
1253:
1248:
1246:
1242:
1238:
1234:
1230:
1225:
1223:
1219:
1215:
1211:
1207:
1203:
1199:
1195:
1192:
1187:
1185:
1184:Sri Vaishnava
1181:
1177:
1173:
1169:
1165:
1161:
1157:
1153:
1149:
1145:
1141:
1137:
1133:
1129:
1125:
1123:
1117:
1111:
1102:
1098:
1087:
1082:
1080:
1075:
1073:
1068:
1067:
1065:
1064:
1057:
1054:
1052:
1049:
1047:
1044:
1042:
1039:
1037:
1034:
1032:
1029:
1025:
1022:
1021:
1020:
1017:
1015:
1012:
1008:
1005:
1004:
1003:
1000:
998:
995:
993:
990:
988:
985:
983:
980:
978:
975:
973:
970:
968:
965:
963:
960:
958:
955:
954:
946:
945:
938:
935:
933:
930:
928:
925:
923:
922:Viṭṭhalanātha
920:
918:
915:
913:
910:
908:
905:
903:
900:
898:
895:
893:
890:
888:
885:
883:
880:
878:
875:
873:
870:
868:
865:
863:
860:
858:
855:
853:
850:
848:
845:
843:
840:
838:
835:
833:
830:
828:
825:
823:
820:
818:
815:
813:
810:
808:
805:
803:
800:
798:
795:
793:
790:
788:
785:
783:
780:
778:
775:
773:
770:
768:
765:
763:
760:
758:
755:
753:
750:
748:
745:
743:
740:
738:
735:
733:
730:
728:
725:
723:
720:
719:
716:
709:
708:
701:
698:
696:
693:
691:
688:
686:
683:
681:
678:
676:
673:
671:
668:
666:
663:
661:
658:
657:
654:
651:
650:
646:
642:
638:
634:
631:
628:
624:
621:
618:
614:
611:
608:
604:
601:
600:
592:
591:
584:
581:
579:
576:
574:
571:
569:
566:
564:
561:
559:
556:
555:
552:
549:
548:
545:
542:
540:
537:
535:
532:
530:
529:
525:
523:
522:
518:
516:
515:
514:Bhagavad Gita
511:
509:
506:
504:
501:
499:
496:
494:
491:
490:
487:
480:
479:
472:
469:
467:
464:
462:
459:
457:
454:
453:
449:
448:
445:
442:
440:
437:
435:
432:
430:
427:
425:
422:
420:
417:
416:
413:
410:
409:
406:
403:
401:
400:Venkateshvara
398:
396:
393:
391:
388:
386:
385:Nara-Narayana
383:
381:
378:
376:
373:
371:
368:
366:
363:
361:
358:
357:
353:
352:
349:
346:
344:
341:
339:
336:
334:
331:
329:
326:
324:
321:
319:
316:
314:
311:
309:
306:
304:
301:
299:
296:
295:
292:
289:
288:
280:
279:
272:
268:
264:
261:
260:
256:Supreme deity
252:
251:
247:
243:
242:
239:
234:
233:
229:
225:
224:
217:
214:
210:
207:
204:
200:
196:
192:
185:
181:
178:
174:
171:
167:
164:
160:
157:
153:
149:
145:
142:
138:
135:
134:Kshira Sagara
131:
128:
124:
121:
117:
113:
109:
106:
102:
98:
95:
91:
87:
85:
81:
77:
73:
67:
62:
59:
54:
50:
44:
40:
34:
29:
26:
22:
4077:Four Kumaras
4016:
3911:
3902:Bibliography
3893:
3888:
3876:
3868:
3847:
3839:
3834:
3822:. Retrieved
3818:
3809:
3797:. Retrieved
3792:
3783:
3771:. Retrieved
3767:
3758:
3738:
3731:
3711:
3704:
3679:
3671:
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2144:Please help
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2067:Early images
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2018:
2008:
1990:
1987:
1983:
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1959:
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1932:Significance
1926:Vaṭakanappan
1925:
1906:Ellora Caves
1886:
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1796:Gandaberunda
1790:assumed the
1773:
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1096:
1095:
992:Jagannathism
937:Yamunacharya
882:Swaminarayan
767:Madhvacharya
747:Jiva Goswami
690:Swaminarayan
652:
627:Dvaitadvaita
617:Śuddhādvaita
544:Gita Govinda
526:
519:
512:
312:
25:
4132:Prsnigarbha
4117:Dhanvantari
4027:Parashurama
3992:Dashavatara
3881:Jan Fontein
3492:Soifer 1991
3397:"HariHarji"
3090:Soifer 1991
2900:Soifer 1991
2719:Soifer 1991
2704:Soifer 1991
2472:West Bengal
2214:Simhachalam
2205:Mangalagiri
1940:Narasimha,
1820:Iconography
1707:omnipresent
1692:Hiranyaksha
1652:Other texts
1619:Prahalathan
1524:Agni Purāṇa
1522:(Canto 7),
1516:(1.16-20),
1490:discarded.
1386:Sinhavadana
1336:Agnilochana
1332:Narasinghar
1295:as a boar.
1287:present as
1233:Vaikhanasas
1229:Vaishnavism
1198:Hiranyaksha
1160:Mahapralaya
1156:Vaishnavism
1046:Kabir panth
967:Pancharatra
962:Vaikhanasas
957:Bhagavatism
927:Vyasatirtha
917:Vishnuswami
887:Sripadaraja
727:Chakradhara
665:Mahanubhava
596:Sampradayas
521:Mahabharata
508:Pancharatra
360:Dhanvantari
354:Other forms
291:Dashavatara
237:Vaishnavism
202:Predecessor
195:Dashavatara
108:Vaishnavism
104:Affiliation
58:Dashavatara
4166:Categories
4097:Dattatreya
2537:References
2526:Kangla Sha
2414:Tamil Nadu
2357:Maharastra
2338:Thalasseri
2295:Bhadravati
2250:Shaligrama
1946:Tamil Nadu
1868:, his wife
1805:Virabhadra
1562:, meaning
1222:Prahlada's
1166:(time) or
1128:Narasingha
1051:Dadu panth
1014:Pushtimarg
987:Krishnaism
827:Ram Charan
752:Jñāneśvara
742:Jayatirtha
732:Dadu Dayal
637:Tattvavada
503:Vaikhanasa
498:Upanishads
395:Shrinathji
323:Parasurama
84:Devanagari
56:Member of
47:Avatar of
4182:Lion gods
4137:Hayagriva
4017:Narasimha
3824:8 January
3799:8 January
3773:8 January
3590:143495199
3406:8 January
3048:8 January
3019:: 60–88.
2615:Hindu art
2531:Nongshaba
2435:Telangana
2398:Rajasthan
2240:Karnataka
2162:June 2024
2133:does not
2015:Kathakali
1810:Vaikuntha
1776:Vaishnava
1746:inanimate
1576:Ettutokai
1551:Paripatal
1508:Harivaṃśa
1480:Saraswati
1446:Yajurveda
1401:मृगेन्द्र
1396:Mrigendra
1376:Nakhastra
1351:भैरवडम्बर
1341:अग्निलोचन
1328:Narasimba
1309:Narasimha
1262:Etymology
1122:Narasiṃha
1097:Narasimha
1031:Ramanandi
982:Munitraya
977:Vadakalai
912:Vidyapati
877:Sankardev
832:Ramananda
787:Nathamuni
782:Nammalvar
762:Madhavdev
737:Harivansh
722:Chaitanya
563:Bhagavata
534:Harivamsa
375:Jagannath
370:Hayagriva
313:Narasimha
212:Successor
184:Narasimhi
162:Festivals
152:Kaumodaki
130:Vaikuntha
99:Narasimha
31:Narasimha
4107:Rishabha
4037:Balarama
3789:"Bhakti"
2634:25833896
2498:See also
2424:Namakkal
2351:Kottayam
2277:Melukote
2104:Gandhara
2081:Vaiṣṇava
1962:Avatāras
1835:Ahobilam
1814:Kailasha
1800:Sharabha
1792:avataras
1703:Prahlada
1632:Hiranyan
1613:Hiranyan
1596:Sanskrit
1560:பரிபாடல்
1474:agrees.
1381:नखास्त्र
1275:avataras
1273:and his
1218:Prahlada
1168:Mahakala
1101:Sanskrit
1002:Sahajiya
997:Haridasa
972:Tenkalai
902:Vallabha
897:Tulsidas
837:Ramanuja
792:Nimbarka
777:Namadeva
685:Sant Mat
680:Ramsnehi
568:Naradiya
528:Ramayana
412:Consorts
333:Balarama
228:a series
226:Part of
197:Sequence
116:Mahakala
94:Sanskrit
72:Tirumala
4042:Krishna
3980:Avatars
2993:3250120
2445:Yadadri
2313:Hassana
2223:Vedadri
2154:removed
2139:sources
2092:Mathura
2033:Prayers
1952:Museum.
1948:. from
1902:Mathura
1866:Lakshmi
1864:: with
1756:Purusha
1742:animate
1666:History
1592:Murugan
1534:Pralaya
1504:Purāṇas
1498:Puranas
1484:Ashvins
1463:dharmic
1461:is the
1431:Rigveda
1391:सिंहवदन
1289:Krishna
1256:Mathura
1212:nor in
1182:in the
1134:of the
1112:
1056:Mahanam
1041:Balmiki
1019:Gaudiya
892:Tukaram
842:Ravidas
700:Warkari
670:Pranami
551:Puranas
461:Hanuman
450:Related
444:Alamelu
439:Rukmini
419:Lakshmi
405:Vithoba
338:Krishna
267:Krishna
180:Lakshmi
176:Consort
4122:Mohini
4112:Prithu
4092:Kapila
4082:Narada
4047:Buddha
4022:Vamana
4012:Varaha
4002:Matsya
3984:Vishnu
3919:
3746:
3719:
3692:
3688:–253.
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2373:Odisha
2342:Kannur
2328:Kerala
2322:Mysuru
2304:Hassan
2259:Bidara
2023:Kerala
1991:pancha
1914:Tigawa
1898:Garhwa
1784:Vishnu
1780:Shaiva
1738:Brahma
1685:Varaha
1588:Vishnu
1356:Karala
1313:Singha
1293:Varaha
1285:Vishnu
1271:Vishnu
1214:Patala
1210:Svarga
1206:Brahma
1202:Varaha
1180:Mysuru
1152:dharma
1140:Vishnu
1132:avatar
1105:नरसिंह
1036:Kapadi
1024:ISKCON
653:Others
641:Dvaita
633:Brahma
623:Kumara
573:Garuda
558:Vishnu
471:Shasta
466:Shesha
456:Garuda
390:Prithu
380:Mohini
343:Buddha
318:Vamana
308:Varaha
298:Matsya
263:Vishnu
216:Vamana
206:Varaha
140:Weapon
88:नरसिंह
49:Vishnu
4142:Hamsa
4127:Vyasa
4102:Yajna
4052:Kalki
4007:Kurma
3586:S2CID
3543:–43.
3155:JSTOR
3120:JSTOR
2989:JSTOR
2482:Nadia
2408:Amber
2286:Seebi
2185:India
1970:Kṛṣṇa
1950:LACMA
1942:Chola
1788:Shiva
1689:asura
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1568:Tamil
1556:Tamil
1471:Asura
1467:Devas
1459:Indra
1424:Vedas
1408:Texts
1191:asura
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1148:earth
1136:Hindu
757:Kabir
613:Rudra
578:Padma
493:Vedas
434:Radha
424:Bhumi
348:Kalki
303:Kurma
156:Nails
148:Conch
126:Abode
120:Manyu
76:India
4032:Rama
3917:ISBN
3826:2020
3801:2020
3775:2020
3744:ISBN
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2630:OCLC
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