341:, Thomas Epstein and Ilya Bernstein was published by the Northwestern University Press in 2006. Several translations of Kharms's short stories, notebooks, letters, poems and diaries have been published over the years, for instance by George Gibian (Norton Library, 1974), Matvei Yankelevich (Overlook Press, 2007), Anthony Anemone and Peter Scotto (Academic Studies Press, 2013) and most recently Alex Cigale (Northwestern University Press, 2017). Kharms's poems were also translated by
25:
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252:), was a key member of this group. Druskin and his friend Leonid Lipavsky (a children's writer under the name of Leonid Savelyev, and an amateur mathematician and author of philosophical tracts) had known Alexander Vvedensky in high-school, and had become friends with Kharms and Zabolotsky as well. Lipavsky actually wrote down a number of the "conversations."
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In the 1930s, Socialist
Realism and Stalin's purges precluded the formation of any such "leftist" or "radical" public artistic groupings. After about 1931, The OBERIU held no more public performances, and most of those involved showed their writing only to a small circle of friends, though Zabolotsky
222:
gave the OBERIU shelter in his newly created arts institute, letting them rehearse in one of the auditoriums. It is reported that he said to the young "Oberiuty" (as they are called in
Russian): "You are young trouble makers, and I am an old one. Let's see what we can do." Malevich also gifted a book
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Though short-lived, the OBERIU seems to have had lasting effects on
Russian culture. Since the late 1980s a kind of cult fervor has grown in Russia around these long-forgotten writers. And, in fact, the ideas and art of the OBERIU had been influential even in the 1960s and 1970s, in what is called
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This later grouping, which had no public outlet, is generally called the "chinari" (i.e. "the titled ones") group in
Russian literary scholarship, though it is uncertain that they ever formalized a name for the group, nor that they called themselves "chinari" with any consistency. Thus, the names
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Though the group was held together for a while by common interest, some split away. Zabolotsky seems to have had a falling out with
Vvedensky. In the 1930s Kharms and Vvedensky became more closely involved with a group of friends who met semi-regularly for what they called "conversations."
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the "unofficial" art world of the Soviet Union. Some writers and artists of that period would proudly admit the influence of the OBERIU, in others it is clear enough. The OBERIU was seen as something of a missing link from the old
Russian avant-garde to the new one. Poets like
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171:" in the ever-more conservative press of the late 1920s. It was chastised even more in the early 1930s, and many of its associates were arrested. The OBERIU has often been called "the last Soviet avant-garde."
260:"OBERIU" and "chinari" are somewhat interchangeable in the scholarship. The borders between the two groups are (and were) permeable, and the only basic continuity is the presence of Kharms and Vvedensky.
256:, an editor at the children's publishing house which had long employed the young poets of the OBERIU as writers and translators of children's literature, became part of this group by the mid-thirties.
159:, OBERIU became notorious for provocative performances which included circus-like stunts, readings of what was perceived as nonsensical verse, and theatrical presentations, such as Kharms's
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writers, musicians, and artists in the 1920s and 1930s. The group coalesced in the context of the "intense centralization of Soviet
Culture" and the decline of the avant garde culture of
345:. Poems by Kharms (8), Vvedensky (1) and Zabolotsky (6) are included in The Penguin Book of Russian Poetry edited by Robert Chandler, Boris Dralyuk and Irina Mashinski published 2015.
301:" publications circulating in the underground art scene, and their writing reflects that knowledge, though in very different ways for all of them. Leningrad avant garde musical group
167:. The presentations took place in venues ranging from theaters and university auditoriums to dormitories and prisons. The group's actions were derided as "literary
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as lyrical influences. They paid homage to Kharms, Oleynikov by releasing An Album Of Real Art with songs based on their lyrics. Novosibirsk
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Jaccard, Jean-Philippe. 'De la realite au texte: l'absurde chez Daniil Harms', Cahiers du monde russe et sovietique, 27 (1985), 269-312
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of his own ("God Is Not Cast Down") to founder Daniil Kharms with the relevant inscription "Go and stop progress!"
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Poster of the OBERIU poetic event "Three Left Hours", january 1928. Author Daniil Kharms.
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443:. Translated by Maria Carlson and Jane T. Hedges. New York: Columbia University Press.
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Some scholars say that the OBERIU manifesto was penned mostly by the poet
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124:(Russian: ОБЭРИУ - Объединение реального искусства; English: the
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215:), and others, including actors, musicians and filmmakers.
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Complete works of
Alexander Vvedensky online - in Russian
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were certainly familiar with the OBERIU writers through "
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with the help of Kharms. The core of the group included
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An anglophone edition of OBERIU writings translated by
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409:"Polyhymnion > Valentuomini > Links > Poetry"
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went on to become a marginally accepted Soviet poet.
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49:. Unsourced material may be challenged and removed.
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430:Daniil Kharms et la fin de l 'avant-garde russe.
321:cited Vvedensky as an influence for his lyrics.
398:Jean-Phillipe Jaccard's book on Daniil Kharms.
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305:borrows heavily from OBERIU movement citing
441:Dictionary of Russian literature Since 1917
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109:Learn how and when to remove this message
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1205:Futurist Painting: Technical Manifesto
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47:adding citations to reliable sources
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1303:Unique Forms of Continuity in Space
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163:, that foreshadowed the European
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1247:Manifesto of Futurist Musicians
1184:Dynamism of a Human Body: Boxer
34:needs additional citations for
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16:Soviet avant-garde collective
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1191:Dynamism of a Soccer Player
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428:Jaccard, Jean-Philippe.
130:Association for Real Art
1855:Experimental literature
1015:Frances Simpson Stevens
1010:Amadeo de Souza Cardoso
432:Bern: Peter Lang, 1991.
2121:Second Viennese School
1752:Neue Slowenische Kunst
1623:Abstract expressionism
1355:Luisa, Marchesa Casati
1100:Abstract Speed + Sound
1034:Techniques, sub-genres
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2228:Theatre of the Absurd
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2030:Electroacoustic music
1556:Ukrainian avant-garde
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1170:Dynamism of a Cyclist
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2198:Experimental theatre
1735:Multidimensional art
1317:Victory over the Sun
720:Alexander Archipenko
211:), Yury Vladimirov (
132:) was a short-lived
43:improve this article
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1715:Lyrical Abstraction
1539:Russian avant-garde
1360:Gabriele D'Annunzio
1324:Vladimir Mayakovsky
1261:The Poem of the End
1068:Futurist literature
875:Vadim Shershenevich
845:Vladimir Mayakovsky
805:Aleksei Kruchyonykh
745:Alexander Bogomazov
579:Nikolay Diulgheroff
389:. 2009, pp. 21-23.
218:The Russian artist
197:Alexander Vvedensky
157:Alexander Vvedensky
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2233:Theatre of Cruelty
2116:Rock in Opposition
2057:Free improvisation
1700:Post-Impressionism
1633:Art & Language
1000:Jules Schmalzigaug
880:Nadezhda Udaltsova
820:Aristarkh Lentulov
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780:Natalia Goncharova
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335:Matvei Yankelevich
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1348:Associated people
1163:Dynamism of a Car
1114:The Art of Noises
1043:Anti-neutral suit
985:C. R. W. Nevinson
954:Enrico Prampolini
840:Mikhail Matyushin
830:Benedikt Livshits
775:Nina Genke-Meller
770:Aleksandra Ekster
707:Russian Futurists
629:Antonio Sant'Elia
532:Italian Futurists
385:Kharms, Daniil.
275:Alexei Khvostenko
254:Nikolay Oleynikov
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1212:The Knifegrinder
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1005:Mykhaylo Semenko
990:Emilio Pettoruti
929:Fortunato Depero
919:Giuseppe Caselli
835:Kazimir Malevich
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682:Dmitri Kryuchkov
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99:December 2018
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60: –
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54:Find sources:
48:
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38:
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32:This article
30:
26:
21:
20:
2513:
2472:Ego-Futurism
2188:Epic theatre
2025:Atonal music
1899:
1860:Flarf poetry
1850:Ego-Futurism
1648:Proto-Cubism
1543:
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1451:Precisionism
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1107:Antigrazioso
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1098:
1048:Intonarumori
970:Alice Bailly
924:Tullio Crali
825:El Lissitzky
667:Boris Gusman
599:Bruno Munari
487:
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41:Please help
36:verification
33:
2593:Russian art
2557:Suprematism
2494:Metarealism
2340:Primitivism
2166:and theatre
2106:Noise music
2079:Drone music
1910:Slam poetry
1797:Suprematism
1782:Process art
1710:Incoherents
1705:Color Field
1680:Divisionism
1628:Art Nouveau
1608:Avant-garde
1566:Zveno (art)
1529:Primitivism
1524:Pointillism
1507:Divisionism
1466:Suprematism
1446:Panfuturism
1078:Noise music
1020:Mary Swanzy
949:Marisa Mori
896:Aeropittura
692:Rurik Ivnev
594:Marisa Mori
569:Carlo Carrà
482:; essay by
374:Kasack 1988
169:hooliganism
147:Founded in
134:avant-garde
2577:Categories
2518:Paris Note
2360:Surrealism
2298:Minimalism
2173:Cinéma pur
1818:and poetry
1816:Literature
1725:Minimalism
1616:Visual art
1406:Agit-train
800:Ivan Kliun
785:Elena Guro
735:Lilya Brik
609:Ugo Piatti
354:References
325:In English
319:Egor Letov
246:Schoenberg
69:newspapers
2484:Imaginism
2365:Symbolism
2293:Modernism
2126:Serialism
2111:Post-rock
2052:Free jazz
1960:Free funk
1915:Ultraísmo
1870:Imaginism
1845:Cyberpunk
1807:Vorticism
1610:movements
1518:Le Chahut
1476:Vorticism
1121:BÏF§ZF+18
909:"Barbara"
865:Ivan Puni
740:Osip Brik
549:"Barbara"
439:(1988) .
317:musician
315:punk rock
311:Oleynikov
264:Influence
142:Leningrad
2588:Futurism
2527:Rayonism
2457:The Five
2313:Neo-Dada
2288:Lettrism
2269:Futurism
2183:Drop Art
2178:Dogme 95
2146:Totalism
2064:Futurism
2015:Ars nova
1943:By style
1890:Neoteric
1792:Rayonism
1745:De Stijl
1720:Mail art
1675:Devětsil
1485:See also
1471:Supremus
1456:Rayonism
1401:Agitprop
975:Mina Loy
887:(Iliazd)
525:Futurism
299:samizdat
58:"Oberiu"
2242:General
2101:No wave
1875:Imagism
1825:Acmeism
1777:Pop art
1767:Orphism
1685:Fauvism
1663:Bauhaus
1416:Dadaism
1331:Zangezi
1233:Lacerba
1135:Cyclist
467:at the
420:Sources
227:Decline
183:Origins
128:or the
83:scholar
2514:OBERIU
2318:Neoism
2264:Fluxus
2164:Cinema
2003:Others
1905:Oulipo
1900:Oberiu
1787:Purism
1653:Cubism
1502:Cubism
1497:5x5=25
1441:Oberiu
1268:Poesia
939:Fillìa
447:
307:Kharms
303:N.O.M.
250:Webern
122:OBERIU
85:
78:
71:
64:
56:
1992:Metal
1935:Music
1289:Thaïs
90:JSTOR
76:books
2477:Zaum
2254:Dada
1987:Punk
1982:Prog
1977:Rock
1965:Yass
1955:Jazz
1950:Funk
1925:Zaum
1083:Zaum
445:ISBN
309:and
248:and
242:Bach
155:and
149:1927
62:news
1972:Pop
709:and
486:in
151:by
45:by
2579::
362:^
337:,
333:,
293:,
289:,
285:,
281:,
277:,
273:,
244:,
213:ru
209:ru
203:,
199:,
195:,
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545:)
541:(
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503:v
490:.
453:.
411:.
376:.
112:)
106:(
101:)
97:(
87:·
80:·
73:·
66:·
39:.
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