34:
22:
939:
1665:
927:
151:(ms. C, fol 126rv, dated c. 1304) has nine stanzas. Other manuscripts contribute an additional four, for a total of thirteen distinct stanzas. Of these, one (recorded as 4th stanza in ms. Z) is clearly younger than the original composition. On the remaining five stanzas not in ms. A, there is no expert consensus as to whether they should be regarded as Walter's.
1396:
A "third" stanza, preserved only in two manuscripts (among them ms. Z, where it is the fourth out of twelve stanzas, the "final" stanza 9 being in second place), is considered not original to
Walther's composition and rarely printed in editions of the text (given in a footnote in Wilmanns 1886, p.
154:
The nine stanzas in C are numbered C21–C29, the seven stanzas in A are A50–A56. Three stanzas are identical between A and C (C22=A51, C23=A52, C29=A56) and another have only minor differences, such as transposed word order (C21=A50, C25–27 = A53–55). The fourth and eighth
1358:
Frank Carr
Nicholson, "Walther Von Der Vogelweide," in Old German Love Songs: Translated from the Minnesingers of the 12th to 14th Centuries (Chicago: University of Chicago Press, 1907),
1247:
1483:
Meinolf
Schumacher: "Die Konstituierung des „Heiligen Landes“ durch die Literatur. Walthers „Palästinalied“ und die Funktion der europäischen Kreuzzugsdichtung." In
968:
became a sort of staple song for such genres and is now well known to modern audiences due to performances by mainly German bands, including (among others):
118:
1526:
1118:
1128:
1416:
1689:
1668:
1519:
1714:
106:(ms. A, ca. 1270), in seven stanzas. The oldest source for the melody is the so-called Münster fragment (ms. Z, 14th century).
1593:
1496:
1257:
1232:
was introduced in the debate on the interpretation of the melody discovered in 1912. R. Wustmann, "Walthers Palästinalied",
141:
102:
1550:
1512:
1198:
900:
The earliest source for the melody is the Münster fragment (ms. Z), written about a century after
Walther's death. The
33:
1332:
12.3 (April/June 1911), 475–500. Franz Jostes, "Bruchstück einer Münsterschen Minnesängerhandschrift mit Noten",
1455:
117:. The song's conclusion refers to the crusades themselves, asserting that, in view of the claim of Christians,
1709:
122:
1380:
The stanzas here numbered 4, 6a, 8 and 8a are not in ms. A and are considered to be of doubtful authenticity.
75:
1359:
1699:
1557:
1337:
1321:
1535:
1420:
1204:
278:
67:
49:
1314:
Münster, Landesarchiv
Nordrhein-Westfalen / Staatsarchiv, Msc. VII, 51, dated to c. 1330 (related to
914:, which are however insufficient for reconstructing a melody. The stanza is given as an appendix to
641:
1168:
1694:
1316:
1640:
1447:
610:
1298:
Walther's presence in Vienna is recorded for 1217, and again for 1219, after the return of Duke
1719:
759:
698:
604:
131:"All the world is warring here / Our claim is the just one / It is right that He grant it").
1466:
1280:
Husmann, Heinrich (1953). "Das
Prinzip der Silbenzählung im Lied des zentralen Mittelalters".
1645:
1598:
1477:
1299:
690:
295:
1302:
from the crusade. It is not known whether
Walther himself participated in Leopold's crusade.
1704:
1488:
1143:
633:
594:
21:
8:
1650:
978:
145:(ms. A) is the oldest source of the text (dated to the 1270s), giving seven stanzas. The
1499:
957:
719:
1624:
1492:
1451:
1253:
656:
128:
Al diu werlt diu strîtet her / Wir sîn an der rehten ger / Reht ist, daz er uns gewer
1571:
1191:
1049:
1025:
598:
1008:
938:
1386:), 6a and 8a are the ninth and final of twelve stanzas in ms. Z, respectively.
680:
41:
1619:
1172:
902:
743:
710:
662:
1181:'s String Quartet Set's 1st movement takes much of its melody from this song.
1683:
1588:
1504:
1439:
1252:(first ed.). London, England: Fitzroy Dearborn Publishers. p. 977.
147:
97:
26:
1209:
1178:
1108:
1098:
988:
926:
620:
86:
82:
63:
1156:
1078:
78:. It is one of the few songs by Walther for which a melody has survived.
126:
1138:
1068:
1054:
1020:
972:
110:
71:
1614:
1088:
1013:
944:
Close transcription of the melody as recorded in the Münster fragment
728:
114:
1362:. Nicholson's translation corresponds to the seven stanzas of ms. A.
806:
932:
Transcription of the melody in the Münster fragment (Jostes 1912).
1161:
1032:
961:
672:
1320:). Discovered in 1910 as binding of an economic ledger of 1522.
1328:. Raphael Molitor, "Die Lieder des Münsterischen Fragmentes",
998:
911:
795:
1325:
964:
and related musical styles in the late 1980s and 1990s, the
113:
told from the perspective of a pilgrim setting foot in the
1246:
Konzett, Matthias (2000). "Walther von der
Vogelweide".
1154:
is a compilation of 20 performances of the song (2002;
774:
there, where he will have neither pledge nor bailsman.]
125:
to the Holy Land, the
Christian claim is the just one (
1491:, Bielefeld: Aisthesis Verlag, 2007, pp. 11–30
918:(CB 211), which was to be sung in the same melody.
273:
That has come to pass for which I have ever prayed:
1330:Sammelbände der Internationalen Musikgesellschaft
1234:Sammelbände der internationalen musikgesellschaft
1681:
625:Woe to you, heathens, this is an outrage to you!
25:Portrait of Walther von der Vogelweide from the
667:For he was an eternal companion to the Father,
155:stanzas in C (C24, C28) are not recorded in A.
100:(1217–1221). Its oldest attestation is in the
38:Troubadours Singing the Glories of the Crusades
1534:
1520:
677:straighter and smoother than an arrow-shaft,
695:such that no emperor has ever fought better,
906:ms. (c. 1230) contains the first stanza of
705:that he, the Lord, broke from their custody
1527:
1513:
1376:
1374:
1372:
1370:
1368:
766:as he will pass judgement within the hour,
751:and so may the poor man about the violence
501:Shaft so smooth and straight there’s none,
1485:Orientdiskurse in der deutschen Literatur
755:Hail to him there, who has requited here!
265:For the very first I am alive to myself,
1444:Die Gedichte Walthers von der Vogelweide
716:[6a. After this, he remained in the land
242:Lands, the greatest, goodliest, fairest,
44:for the 1877 illustrated edition of the
32:
20:
1365:
1279:
1245:
870:For whom this is not enough, let him go
521:Whom their hands had pierced and slain.
476:Spear, Cross, thorn, your praise it is!
1682:
1167:The Austrian Ensemble for Early Music
860:[More than a hundred thousand miracles
81:The melody has been suggested to be a
1594:Kleine Heidelberger Liederhandschrift
1508:
1450:(14th ed. Christoph Cormeau, 1996,
1310:
1308:
1228:Both titles are modern conventions.
872:to the Jews, who will tell him more.]
799:all say that this is their patrimony.
572:Christians, Jews, and heathens claim.
292:what miracles have come to pass here!
246:O'er them all the crown thou bearest.
228:The holy land, the earth that winneth
142:Kleine Heidelberger Liederhandschrift
103:Kleine Heidelberger Liederhandschrift
66:written in the early 13th century by
849:daran solt ir iuch nicht keren an.]
224:Life's true worth at last beginneth,
1690:Works by Walther von der Vogelweide
1463:Deutsche Classiker des Mittelalters
951:
764:no one's complaint will be delayed,
735:Its name is recognized before God.]
669:and to the Spirit, which no one may
578:All the world strives here, we see;
548:Penance here brings blessing there!
540:Orphan’s wrongs and widowed woman’s
517:Through their guard He broke amain;
509:When He quelled the fiend and ended
428:[8a. Ir enlât iuch niht verdriezen,
425:dort, dâ er pfant noch bürgen hât!]
269:the noble land, and also that earth
13:
1305:
975:(album All die Weil Ich Mag, 1974)
749:and the orphan may file complaint,
511:Such a fight as king ne’er fought,
392:sîn name, der ist vor got erkant.]
331:Dô er sich wolte übr uns erbarmen,
248:Think what wonders here have been!
14:
1731:
1249:Encyclopedia of German Literature
956:With the increased popularity of
885:speak wrongly, as he may well do;
834:zúo den juden, die sagent im mê.]
789:it began here and will end here.]
723:hence, where his Father sent him.
707:and that he was later seen alive,
648:this is a miracle all too great,
638:he, most rich, on us, most poor,
630:As he wanted to take pity on us,
615:so that we thralls might be free;
472:That we thralls might so be free.
380:[6a. Dar nâch was er in dem lande
375:und daz man in sît lebendig sach,
327:wê dir, heiden! daz ist dir zorn!
286:Such fair lands, rich and noble,
271:to which so much honour is given.
193:ez ist geschehen, des ich ie bat,
1664:
1663:
1175:performance of "Palästinalied".
937:
925:
813:so it is just that He grant it.
770:Whosoever here leaves any debt
499:E’er disjoin; the three are one:
470:Here He let them sell Him later,
466:Here He was baptized with water,
358:sleht und ebener danne ein zein,
302:was this not a perfect miracle?
189:daz here lant und ouch die erde,
1409:
1400:
747:when the widow will be avenged,
646:That he was not vexed by this,
478:Heathens, woe! ye rage at this.
421:und swer deheine schult hie lât
335:er vil rîche übr uns vil armen,
325:wol dir, sper, kriuz unde dorn!
300:lord over all the angelic host,
290:you are the honour of them all,
109:The subject of the song is the
96:was written at the time of the
1715:Works about Palestine (region)
1417:"Listen/Anhören altemusik.net"
1390:
1352:
1343:
1292:
1273:
1239:
1222:
883:Very easily will a foolish man
843:nicht erzuernet, waz ich sage.
841:daz ir durch iuwer hochgemüete
822:[Mê dann hundert tûsent wunder
768:so will it be on the Last Day.
725:His Spirit, which may save us,
582:God will grant it rightfully.
580:Yet we hold the rightful plea:
574:God adjudge it where the merit
570:That this land they do inherit
546:All the violence he must bear.
536:Here a day of dreadful summons
515:Sorrow to the Jews it brought;
497:And the Ghost, whom no man may
493:From the grave wherein he lay.
491:Down to hell the Son descended
440:daz huob sich und endet hie].
434:kurzwîlen und iuch wizzen lân,
432:sô wil ich die rede entsliezen
388:den sant er hin wider ze hant.
369:dô vuor er her wider ze lande.
319:dô liez er sich hie verkoufen,
315:Hie liez er sich reine toufen,
254:Was not that a wondrous thing?
250:From a Maid a babe did spring,
244:Many such mine eyes have seen;
232:I have won my lifelong prayer:
208:waz ist wunders hie geschehen!
204:swaz ich der noch hân gesehen,
202:Schoeniu lant, rîch unde hêre,
1:
1215:
881:what I say may not anger you.
837:[Vrowe min, durch iuwer güete
832:swem des niht genuoge, der gê
811:we are pursuing a just claim,
801:God must decide this justly,
772:unrequited, how will he stand
740:In this land he has announced
576:Lieth, in His threefold name!
544:Then the poor man may declare
542:Shall be righted by His hand.
495:Him the Father still attended
474:We had else been lost, I wis.
468:That men might be pure as He.
453:al diu welt, diu strîtet her:
449:got müez ez ze rehte scheiden
445:Kristen, juden und die heiden
419:sô ez ist an dem lesten tage:
409:wol im dort, der hie vergalt!
397:In diz lant hât er gesprochen
382:vierzic tage: dô vuor er dar,
377:den ir hant sluog unde stach.
373:daz er, hêrre, ir huote brach
365:Do er den tiefel dô geschande
354:und der geist, den nieman mac
348:Hinnen vuor der sun ze helle,
236:God in human shape did fare.
185:Nû alrêst lebe ich mir werde,
76:Middle High German literature
879:that by your high-mindedness
866:say more than a child could,
847:misseredet, als er wol kann.
845:Vil lihte daz ein tumber man
703:Then began the Jews' sorrow:
513:Here to earth He reascended.
457:reht ist, daz er uns gewer.
430:dâz ich noch gesprochen hân.
417:wan er wil zestunden rihten.
407:der dâ wirt mit ime gestalt.
371:dô huob sich der juden leit:
367:daz nie keiser baz gestreit,
356:sunder scheiden, êst al ein,
352:des was ie der vater geselle
350:von dem grabe da'r inne lac.
333:hie leit er den grimmen tôt,
252:O'er the angel hosts a king;
214:was daz niht ein wunder gar?
212:hêre über aller engel schar,
210:daz ein magt ein kint gebar,
7:
1558:Ir sult sprechen willekomen
1184:
887:let this not perturb you.]
875:[My lady, by your goodness,
826:dâ von ich niht mê besunder
650:beyond all other miracles.]
617:otherwise we would be lost.
538:He appointed for this land.
503:As to Abraham it was shown.
447:jehent, daz diz ir erbe sî.
415:fristet dâ niemannes klage,
386:sînen geist, der uns bewar,
339:daz in dô des niht verdrôz,
267:since my sinful eye beholds
170:Rhyming English translation
85:of 12th-century troubadour
40:, one of the engravings by
10:
1736:
1536:Walther von der Vogelweide
1474:Walther von der Vogelweide
1205:Medieval German literature
1091:(Dance/electronic), album
785:what wonders God has still
519:Living was He seen again,
455:wir sîn an der rehten ger.
401:dâ diu witwe wirt gerochen
390:heilig ist daz selbe lant:
384:dannen in sîn vater sande.
341:dâst ein wunder alze grôz,
323:anders waeren wir verlorn.
230:Fame for glories manifold.
197:dâ got menischlîchen trat.
195:ich bin komen an die stat,
68:Walther von der Vogelweide
1659:
1633:
1607:
1581:
1542:
895:
830:wan ein teil von unser ê.
828:kan gesagen als ein kint,
820:
783:briefly, and let you know
451:durch die sîne namen drî.
438:mit dem menschen erwege
413:Unser lantraehtere tihten
360:als er Abrahâme erschein.
337:daz wir komen ûz der nôt.
321:daz wir eigen wurden frî.
317:daz der mensche reine sî.
309:
288:as I have seen elsewhere,
234:I am in the country where
226:Now my sinful eyes behold
206:sô bist dûz ir aller êre.
191:der man sô vil êren giht.
181:
175:Close English translation
16:13th century crusade song
1317:Jenaer Liederhandschrift
1063:Kein Evoë – Kein Requiem
856:
824:hie in disem lande sint,
779:that I have spoken more.
587:
462:
436:swaz got wunders noch ie
423:unverebent, wie der stât
405:und der arme den gewalt,
403:und der weise klagen mac
275:I have come to the place
261:
220:
187:sît mîn sündic ouge siht
89:song "Lanquan li jorn".
62:("Palestine Song") is a
1641:Albrecht von Johansdorf
868:only part of our faith.
839:nu vernemet mine clage,
777:[8a. Let it not vex you
733:Holy is this same land:
713:had beaten and pierced.
621:spear, cross, and thorn
343:aller wunder übergnoz.]
134:
127:
50:Joseph François Michaud
46:History of the Crusades
1382:4 and 8 are in ms. C (
1101:(in "Teutates," album
1081:(instrumental), album
1073:I Cover You With Blood
877:now hear my complaint,
862:are here in this land,
794:Christians, Jews, and
781:I will explain my rede
689:Having humiliated the
681:He appeared to Abraham
399:einen angeslîchen tac,
70:, the most celebrated
53:
30:
1710:Medieval compositions
1646:Heinrich von Morungen
1599:Weingarten Manuscript
1152:Palästinalied-Projekt
787:in mind with mankind;
753:that was done to him.
609:There he let himself
36:
24:
1489:Klaus Michael Bogdal
916:Alte clamat Epicurus
864:about which I cannot
123:"heathens" (Muslims)
1651:Reinmar von Hagenau
1349:ed. Lachmann (1843)
1169:Dulamans Vröudenton
803:by his three names.
729:sent back presently
634:suffered grim death
1700:13th-century songs
1472:Wilhelm Wilmanns.
1406:Wilmanns (1886:94)
1282:Die Musikforschung
1061:Finisterra (album
1044:Хиты Средневековья
54:
31:
29:(ms. C, fol. 124r)
1677:
1676:
1497:978-3-89528-555-4
1322:thulb.uni-jena.de
1259:978-1-57958-138-1
1173:reconstructionist
893:
892:
805:All the world is
699:back to this land
277:where God walked
1727:
1667:
1666:
1572:Under der linden
1529:
1522:
1515:
1506:
1505:
1461:Franz Pfeiffer,
1432:
1431:
1429:
1428:
1419:. Archived from
1413:
1407:
1404:
1398:
1394:
1388:
1378:
1363:
1356:
1350:
1347:
1341:
1312:
1303:
1296:
1290:
1289:
1277:
1271:
1270:
1268:
1266:
1243:
1237:
1226:
1192:Under der linden
1050:Mediaeval Baebes
1026:Weckt die Toten!
952:Modern reception
941:
929:
910:(CB 211a) with
720:then he departed
718:for forty days,
673:They are all One
161:
160:
130:
111:Christian gospel
1735:
1734:
1730:
1729:
1728:
1726:
1725:
1724:
1695:Christian songs
1680:
1679:
1678:
1673:
1655:
1629:
1603:
1577:
1538:
1533:
1436:
1435:
1426:
1424:
1415:
1414:
1410:
1405:
1401:
1395:
1391:
1387:
1381:
1379:
1366:
1357:
1353:
1348:
1344:
1313:
1306:
1297:
1293:
1278:
1274:
1264:
1262:
1260:
1244:
1240:
1227:
1223:
1218:
1187:
1093:Schmerzfrequenz
954:
949:
948:
947:
946:
945:
942:
934:
933:
930:
898:
889:
886:
884:
882:
880:
878:
876:
874:
873:
871:
869:
867:
865:
863:
861:
859:
851:
848:
846:
844:
842:
840:
838:
836:
835:
833:
831:
829:
827:
825:
823:
815:
812:
810:
804:
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790:
788:
786:
784:
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778:
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771:
769:
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750:
748:
746:
741:
739:
737:
736:
734:
732:
726:
724:
722:
717:
715:
714:
708:
706:
704:
702:
696:
694:
688:
686:
685:
684:
678:
676:
670:
668:
666:
665:wherein he lay.
660:
655:Thence the Son
654:
652:
651:
649:
647:
645:
642:escape from woe
639:
637:
631:
629:
627:
626:
624:
618:
616:
614:
608:
602:
592:
590:
584:
581:
579:
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571:
569:
567:
566:
565:
564:
563:
562:
561:
560:
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554:
553:
552:
551:
550:
549:
547:
545:
543:
541:
539:
537:
535:
533:
532:
531:
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529:
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526:
525:
524:
523:
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448:
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158:
137:
17:
12:
11:
5:
1733:
1723:
1722:
1717:
1712:
1707:
1702:
1697:
1692:
1675:
1674:
1672:
1671:
1660:
1657:
1656:
1654:
1653:
1648:
1643:
1637:
1635:
1631:
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1627:
1622:
1620:Spruchdichtung
1617:
1611:
1609:
1605:
1604:
1602:
1601:
1596:
1591:
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1579:
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1517:
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1481:
1470:
1459:
1434:
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1399:
1389:
1364:
1351:
1342:
1304:
1291:
1272:
1258:
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1214:
1213:
1212:
1207:
1202:
1195:
1186:
1183:
1149:
1148:
1136:
1133:Medieval Music
1126:
1116:
1106:
1096:
1086:
1076:
1066:
1059:
1047:
1042:Djembe (album
1040:
1030:
1018:
1006:
996:
993:Rumba Argelina
986:
976:
953:
950:
943:
936:
935:
931:
924:
923:
922:
921:
920:
903:Carmina Burana
897:
894:
891:
890:
854:
852:
817:
816:
640:that we might
597:, let himself
585:
460:
306:
305:
259:
218:
178:
177:
172:
167:
136:
133:
87:Jaufre Rudel's
15:
9:
6:
4:
3:
2:
1732:
1721:
1720:Fifth Crusade
1718:
1716:
1713:
1711:
1708:
1706:
1703:
1701:
1698:
1696:
1693:
1691:
1688:
1687:
1685:
1670:
1662:
1661:
1658:
1652:
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1636:
1632:
1626:
1623:
1621:
1618:
1616:
1613:
1612:
1610:
1606:
1600:
1597:
1595:
1592:
1590:
1589:Codex Manesse
1587:
1586:
1584:
1580:
1573:
1569:
1567:
1566:
1565:Palästinalied
1562:
1559:
1555:
1552:
1548:
1547:
1545:
1541:
1537:
1530:
1525:
1523:
1518:
1516:
1511:
1510:
1507:
1501:
1498:
1494:
1490:
1486:
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1479:
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1471:
1468:
1467:151–158
1464:
1460:
1457:
1456:3-11-013608-2
1453:
1449:
1445:
1441:
1440:Karl Lachmann
1438:
1437:
1423:on 2016-03-03
1422:
1418:
1412:
1403:
1393:
1385:
1384:Codex Manesse
1377:
1375:
1373:
1371:
1369:
1361:
1355:
1346:
1339:
1338:348–357
1335:
1331:
1327:
1323:
1319:
1318:
1311:
1309:
1301:
1295:
1287:
1283:
1276:
1261:
1255:
1251:
1250:
1242:
1235:
1231:
1230:Palästinalied
1225:
1221:
1211:
1208:
1206:
1203:
1201:
1200:
1196:
1194:
1193:
1189:
1188:
1182:
1180:
1176:
1174:
1170:
1165:
1163:
1159:
1158:
1157:Palästinalied
1153:
1146:
1145:
1140:
1137:
1134:
1130:
1127:
1124:
1123:Hand of Glory
1120:
1117:
1114:
1110:
1107:
1104:
1100:
1097:
1094:
1090:
1087:
1084:
1083:Gotteskrieger
1080:
1077:
1074:
1070:
1067:
1064:
1060:
1057:
1056:
1051:
1048:
1045:
1041:
1038:
1034:
1031:
1028:
1027:
1022:
1019:
1016:
1015:
1010:
1007:
1004:
1000:
997:
994:
990:
987:
984:
980:
977:
974:
971:
970:
969:
967:
966:Palästinalied
963:
959:
958:Medieval rock
940:
928:
919:
917:
913:
909:
908:Palästinalied
905:
904:
888:
855:
853:
850:
819:
818:
814:
808:
797:
761:
745:
730:
721:
712:
700:
697:he travelled
692:
682:
674:
664:
658:
643:
635:
622:
619:Hail to you,
612:
606:
605:might be pure
600:
596:
586:
583:
461:
458:
308:
307:
303:
297:
280:
279:in human form
260:
257:
219:
216:
180:
179:
176:
173:
171:
168:
166:
165:Original text
163:
162:
159:
156:
152:
150:
149:
148:Codex Manesse
144:
143:
132:
129:
124:
120:
116:
112:
107:
105:
104:
99:
98:Fifth Crusade
95:
94:Palästinalied
90:
88:
84:
79:
77:
73:
69:
65:
61:
60:
59:Palästinalied
51:
47:
43:
39:
35:
28:
27:Codex Manesse
23:
19:
1564:
1563:
1487:, edited by
1484:
1473:
1462:
1443:
1425:. Retrieved
1421:the original
1411:
1402:
1392:
1383:
1354:
1345:
1333:
1329:
1315:
1294:
1285:
1281:
1275:
1263:. Retrieved
1248:
1241:
1236:13, 247–250.
1233:
1229:
1224:
1210:Lyric poetry
1197:
1190:
1179:Lou Harrison
1177:
1166:
1155:
1151:
1150:
1144:Quid Pro Quo
1142:
1132:
1129:Arany Zoltán
1122:
1112:
1109:Luc Arbogast
1102:
1092:
1082:
1072:
1062:
1053:
1043:
1036:
1024:
1012:
1002:
992:
989:Radio Tarifa
982:
979:Corvus Corax
965:
955:
915:
907:
901:
899:
857:
821:
744:terrible day
657:rode to hell
603:so that man
588:
463:
310:
262:
221:
182:
174:
169:
164:
157:
153:
146:
140:
138:
108:
101:
93:
91:
83:contrafactum
80:
64:crusade song
58:
57:
55:
45:
42:Gustave Doré
37:
18:
1705:1220s works
1582:Manuscripts
1478:92–94
1448:14–16
1360:71–73
1336:53 (1912),
1171:recorded a
1079:Heimataerde
983:Congregatio
760:land-judges
599:be baptized
296:a maid bore
1684:Categories
1634:Influences
1427:2010-08-08
1300:Leopold VI
1216:References
1139:In Extremo
1113:Hortus Dei
1069:Unto Ashes
1055:Undrentide
1021:In Extremo
973:Ougenweide
711:their hand
595:being pure
72:lyric poet
1615:Minnesang
1326:mr1314.de
1103:PaganFolk
1089:Eisenfunk
1014:Crusaders
762:are wont,
661:from the
593:Here he,
115:Holy Land
1669:Category
1476:(1886),
1465:(1864),
1446:(1843),
1288:: 17–18.
1185:See also
1119:Wolfmare
1009:Estampie
1003:Qntal II
796:heathens
671:divide:
632:here he
298:a child,
1442:(ed.),
1265:24 July
1162:Discogs
1147:, 2016)
1141:(album
1135:, 2010)
1131:(album
1125:, 2010)
1121:(album
1115:, 2006)
1111:(album
1105:, 2006)
1075:, 2003)
1065:, 2002)
1058:, 2000)
1052:(album
1046:, 1999)
1039:, 1998)
1037:Lenguas
1035:(album
1033:Jaramar
1029:, 1998)
1023:(album
1017:, 1996)
1011:(album
1005:, 1995)
1001:(album
995:, 1993)
991:(album
985:, 1991)
981:(album
962:Neofolk
807:warring
758:as our
611:be sold
1608:Genres
1551:Elegie
1495:
1454:
1256:
1199:Elegie
1095:(2005)
1085:(2005)
912:neumes
896:Melody
858:
693:there,
589:
311:
238:
1625:Leich
1543:Songs
1099:Omnia
999:Qntal
809:here;
709:whom
691:devil
687:6.
663:grave
294:That
1493:ISBN
1452:ISBN
1397:94).
1334:ZfdA
1267:2017
1254:ISBN
1071:(EP
628:[4.
363:6.
263:1.
139:The
135:Text
121:and
119:Jews
92:The
56:The
1500:PDF
1164:).
1160:at
792:9.
727:he
679:as
591:3.
568:9.
534:7.
507:6.
489:5.
464:3.
443:9.
395:7.
346:5.
313:3.
284:2.
240:2.
222:1.
200:2.
183:1.
74:of
48:by
1686::
1458:).
1367:^
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1307:^
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960:,
742:a
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1480:.
1469:.
1430:.
1340:.
1286:6
1269:.
731:.
701:.
683:.
675:,
659:,
644:.
636:,
623:!
607:.
601:,
281:.
52:.
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