22:
139:
131:
79:
191:
Due to the
Venetian tradition that, when leaving their post, magistrates would leave a religiously themed painting and a portrait in their former office, the Palazzo dei Camerlenghi came to house numerous artworks. Sometimes these paintings expressed social-political notions of civic virtue. These
169:, from whom it takes its name, the Consuls of the Traders and the Supra-Consuls of the Traders. Due to this function, the lower floor was used as a jail for those who defaulted on their debts: the location near the crowded Rialto Bridge served as an admonition for the people passing by.
248:
Kölmel, Nicolai: The Queen in the
Pawnshop: Shaping Civic Virtues in a Painting for the Palazzo dei Camerlenghi in Venice.In: Burghartz et al: Sites of Mediation. Connected Histories of Places, Processes, and Objects in Europe and Beyond, 1450–1650. Brill, Leiden 2016. doi:
188:, divided by false columns and decorated with friezes. There were once polychrome marble and porphyry slabs, now lost. The medallion on the facade once incorporated a painted St Mark's lion.
341:
346:
302:
356:
361:
240:
149:
The palazzo was built in the fifteenth century and finished in 1488. From 1525 to 1528 it was enlarged according to a design by
245:
Hamilton, Paul C. The
Palazzo dei Camerlenghi in Venice. Journal of the Society of Architectural Historians 42 (1983) 258–271.
184:
The three-storey palazzo has a pentagonal floor plan which follows the shoreline of the Grand Canal. It has tall windows with
351:
266:
Hamilton P.C., “The
Palazzo dei Camerlenghi in Venice”, Journal of the Society of Architectural Historians 42 (1983) 258–271.
275:
N. Kölmel: The Queen in the
Pawnshop: Shaping Civic Virtues in a Painting for the Palazzo dei Camerlenghi in Venice. p. 99
65:
43:
293:
N. Kölmel: The Queen in the
Pawnshop: Shaping Civic Virtues in a Painting for the Palazzo dei Camerlenghi in Venice.
36:
173:
193:
197:
241:
Cottrell, Philip: Corporate Colors: Bonifacio and
Tintoretto at the Palazzo Dei Camerlenghi in Venice
30:
284:
P. Cottrell: Corporate Colors: Bonifacio and
Tintoretto at the Palazzo Dei Camerlenghi in Venice
219:
47:
164:
143:
8:
150:
138:
130:
158:
335:
317:
304:
209:
154:
119:
214:
161:. It was the headquarters for several financial magistrates, including the
115:
78:
90:
172:
The palazzo currently houses the regional main offices of the
Italian
82:
Palazzo dei
Camerlenghi, with the Rialto Bridge visible on the left.
185:
111:
106:
93:
97:
101:
196:; some eventually returned to Venice, mostly to the
333:
162:
342:Buildings and structures completed in 1528
66:Learn how and when to remove this message
231:
137:
129:
77:
29:This article includes a list of general
334:
347:Houses completed in the 16th century
15:
357:Palaces on the Grand Canal (Venice)
236:. Newton Compton. pp. 108–109.
153:, who was inspired by the style of
13:
362:Renaissance architecture in Venice
35:it lacks sufficient corresponding
14:
373:
134:Palazzo dei Camerlenghi by night
20:
174:Comptroller and Auditor General
142:Viewed from the terrace of the
287:
278:
269:
260:
179:
1:
253:
352:Palaces in Sestiere San Polo
7:
232:Brusegan, Marcello (2007).
203:
10:
378:
225:
125:
249:10.1163/9789004325760_006
192:were removed during the
318:45.438341°N 12.335823°E
198:Gallerie dell'Accademia
87:Palazzo dei Camerlenghi
50:more precise citations.
220:Palazzo dei Dieci Savi
163:
146:
135:
83:
141:
133:
81:
323:45.438341; 12.335823
234:I palazzi di Venezia
165:Camerlenghi di Comun
144:Fondaco dei Tedeschi
314: /
151:Guglielmo dei Grigi
147:
136:
118:, adjacent to the
84:
194:French occupation
104:, located in the
76:
75:
68:
369:
329:
328:
326:
325:
324:
319:
315:
312:
311:
310:
307:
294:
291:
285:
282:
276:
273:
267:
264:
237:
168:
114:. It faces the
71:
64:
60:
57:
51:
46:this article by
37:inline citations
24:
23:
16:
377:
376:
372:
371:
370:
368:
367:
366:
332:
331:
322:
320:
316:
313:
308:
305:
303:
301:
300:
298:
297:
292:
288:
283:
279:
274:
270:
265:
261:
256:
228:
206:
182:
159:Pietro Lombardo
128:
72:
61:
55:
52:
42:Please help to
41:
25:
21:
12:
11:
5:
375:
365:
364:
359:
354:
349:
344:
296:
295:
286:
277:
268:
258:
257:
255:
252:
251:
250:
246:
243:
238:
227:
224:
223:
222:
217:
212:
205:
202:
181:
178:
127:
124:
74:
73:
56:September 2019
28:
26:
19:
9:
6:
4:
3:
2:
374:
363:
360:
358:
355:
353:
350:
348:
345:
343:
340:
339:
337:
330:
327:
290:
281:
272:
263:
259:
247:
244:
242:
239:
235:
230:
229:
221:
218:
216:
213:
211:
210:Rialto Bridge
208:
207:
201:
199:
195:
189:
187:
177:
175:
170:
167:
166:
160:
156:
155:Mauro Codussi
152:
145:
140:
132:
123:
121:
120:Rialto Bridge
117:
113:
110:(quarter) of
109:
108:
103:
99:
95:
92:
88:
80:
70:
67:
59:
49:
45:
39:
38:
32:
27:
18:
17:
299:
289:
280:
271:
262:
233:
215:Canal Grande
190:
183:
171:
148:
116:Canal Grande
105:
86:
85:
62:
53:
34:
321: /
180:Description
100:, northern
91:Renaissance
48:introducing
336:Categories
309:12°20′09″E
306:45°26′18″N
254:References
31:references
186:centrings
204:See also
112:San Polo
107:sestiere
226:Sources
126:History
94:palazzo
44:improve
98:Venice
33:, but
102:Italy
89:is a
157:and
96:in
338::
200:.
176:.
122:.
69:)
63:(
58:)
54:(
40:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
.jpg)