Knowledge

Pedro Weingärtner

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189: 204: 237: 222: 155: 17: 172: 124:, Porto Alegre and Rome, traveling very often and being celebrated as one of the most important Brazilian painters of his generation. In Rio Grande do Sul he was a star. In 1920 he was back in Porto Alegre, where the remained until death. His fame declined from 1925 on, facing competition from new painters and changing tastes in local art. 109:. Wrecked by financial issues, he thought of abandoning his studies, but such situation was reverted by supportive friends, including Baron of Itajubá, who got for him a special scholarship from Emperor 188: 203: 236: 439: 429: 414: 300: 221: 434: 424: 379: 139:
tendencies. Major themes in his work were mythological scenes, landscapes and genre paintings focusing mainly immigrants and the
351: 323: 171: 409: 213: 154: 54:, to a family of German immigrants, he began his artistic career as an amateur, helped by his brother Inácio, who was a 444: 248: 67: 281: 163: 106: 75: 419: 384: 311: 271: 404: 399: 8: 135:
approach to Academicism even while such styles were already being severely challenged by
59: 261: 110: 102: 98: 348: 178: 39: 327: 243: 83: 355: 128: 121: 79: 393: 16: 55: 51: 276: 266: 132: 90:, being followed by Weingärtner, who then enrolled in the local Academy. 28: 136: 71: 31: 113:
upon Bouguereau's advice. Then he could further his education in
63: 140: 94: 87: 35: 114: 27:(26 July 1853 – 26 December 1929) was an important 369:. Porto Alegre: Editora Globo, 1971. pp. 196–216. 120:
Thereafter for many years he divided his time between
391: 143:, the folk type of Rio Grande do Sul people. 42:to win international praise for his work. 197:, 1903. Pinacoteca do Estado de São Paulo 15: 392: 230:, 1913. Museu Nacional de Belas Artes 146: 127:He devoted all his efforts to a half- 367:Artes Plásticas no Rio Grande do Sul 68:Grossherzoglich Badische Kunstschule 440:20th-century Brazilian male artists 430:19th-century Brazilian male artists 58:, and possibly also by the painter 13: 415:Brazilian people of German descent 14: 456: 373: 214:Pinacoteca do Estado de São Paulo 182:. Rio Grande do Sul Museum of Art 235: 220: 202: 187: 170: 153: 435:20th-century Brazilian painters 425:19th-century Brazilian painters 249:Rio Grande do Sul Museum of Art 38:, and the first artist born in 341: 316: 305: 294: 1: 287: 282:Painting in Rio Grande do Sul 164:Museu Nacional de Belas Artes 74:. There he became a pupil of 301:Benezit dictionary of Artist 93:In 1882 he left Germany for 45: 7: 410:Brazilian romantic painters 255: 10: 461: 107:William-Adolphe Bouguereau 86:. In 1880 Keller moved to 66:in order to study in the 20:Pedro Weingärtner (1890s) 445:Académie Julian alumni 62:. In 1878 he moved to 21: 19: 324:"saladearte.com.br" 365:Damasceno, Athos. 354:2018-08-31 at the 262:Brazilian painting 147:Selected paintings 103:Tony Robert-Fleury 97:, studying in the 22: 380:pinacoteca.org.br 179:Daphnis and Chloe 40:Rio Grande do Sul 25:Pedro Weingärtner 452: 420:Realist painters 358: 345: 339: 338: 336: 335: 326:. Archived from 320: 314: 312:sites.google.com 309: 303: 298: 244:Tempora mutantur 239: 224: 206: 191: 174: 157: 84:Ernst Hildebrand 76:Ferdinand Keller 60:Delfim da Câmara 460: 459: 455: 454: 453: 451: 450: 449: 390: 389: 376: 362: 361: 356:Wayback Machine 349:bolsadearte.com 346: 342: 333: 331: 322: 321: 317: 310: 306: 299: 295: 290: 258: 251: 240: 231: 225: 216: 207: 198: 192: 183: 175: 166: 158: 149: 99:Académie Julian 48: 12: 11: 5: 458: 448: 447: 442: 437: 432: 427: 422: 417: 412: 407: 402: 388: 387: 382: 375: 374:External links 372: 371: 370: 360: 359: 340: 315: 304: 292: 291: 289: 286: 285: 284: 279: 274: 269: 264: 257: 254: 253: 252: 241: 234: 232: 226: 219: 217: 208: 201: 199: 195:German harvest 193: 186: 184: 176: 169: 167: 159: 152: 148: 145: 122:Rio de Janeiro 80:Theodor Poeckh 47: 44: 9: 6: 4: 3: 2: 457: 446: 443: 441: 438: 436: 433: 431: 428: 426: 423: 421: 418: 416: 413: 411: 408: 406: 403: 401: 398: 397: 395: 386: 383: 381: 378: 377: 368: 364: 363: 357: 353: 350: 344: 330:on 2016-10-10 329: 325: 319: 313: 308: 302: 297: 293: 283: 280: 278: 275: 273: 270: 268: 265: 263: 260: 259: 250: 246: 245: 238: 233: 229: 223: 218: 215: 211: 205: 200: 196: 190: 185: 181: 180: 173: 168: 165: 162: 156: 151: 150: 144: 142: 138: 134: 130: 125: 123: 118: 116: 112: 108: 104: 100: 96: 91: 89: 85: 81: 77: 73: 69: 65: 61: 57: 53: 43: 41: 37: 33: 30: 26: 18: 366: 343: 332:. Retrieved 328:the original 318: 307: 296: 242: 228:Felled Trees 227: 209: 194: 177: 160: 126: 119: 92: 56:lithographer 52:Porto Alegre 49: 24: 23: 405:1929 deaths 400:1853 births 385:masp.art.br 277:Romanticism 267:Academicism 394:Categories 334:2016-10-09 288:References 210:Landscape 161:Too late! 72:Karlsruhe 46:Biography 352:Archived 256:See also 247:, 1898. 212:, 1900. 133:Romantic 111:Pedro II 50:Born in 29:Academic 272:Realism 129:Realist 64:Germany 32:painter 141:gaucho 137:Modern 101:under 95:France 88:Berlin 36:Brazil 347:(es) 131:half- 70:, in 115:Rome 105:and 82:and 34:of 396:: 117:. 78:, 337:.

Index


Academic
painter
Brazil
Rio Grande do Sul
Porto Alegre
lithographer
Delfim da Câmara
Germany
Grossherzoglich Badische Kunstschule
Karlsruhe
Ferdinand Keller
Theodor Poeckh
Ernst Hildebrand
Berlin
France
Académie Julian
Tony Robert-Fleury
William-Adolphe Bouguereau
Pedro II
Rome
Rio de Janeiro
Realist
Romantic
Modern
gaucho
Too late! Museu Nacional de Belas Artes
Museu Nacional de Belas Artes
Daphnis and Chloe. Rio Grande do Sul Museum of Art
Daphnis and Chloe

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