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124:, Porto Alegre and Rome, traveling very often and being celebrated as one of the most important Brazilian painters of his generation. In Rio Grande do Sul he was a star. In 1920 he was back in Porto Alegre, where the remained until death. His fame declined from 1925 on, facing competition from new painters and changing tastes in local art.
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tendencies. Major themes in his work were mythological scenes, landscapes and genre paintings focusing mainly immigrants and the
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27:(26 July 1853 – 26 December 1929) was an important
369:. Porto Alegre: Editora Globo, 1971. pp. 196–216.
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Thereafter for many years he divided his time between
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143:, the folk type of Rio Grande do Sul people.
42:to win international praise for his work.
197:, 1903. Pinacoteca do Estado de São Paulo
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230:, 1913. Museu Nacional de Belas Artes
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127:He devoted all his efforts to a half-
367:Artes Plásticas no Rio Grande do Sul
68:Grossherzoglich Badische Kunstschule
440:20th-century Brazilian male artists
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58:, and possibly also by the painter
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182:. Rio Grande do Sul Museum of Art
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282:Painting in Rio Grande do Sul
164:Museu Nacional de Belas Artes
74:. There he became a pupil of
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93:In 1882 he left Germany for
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410:Brazilian romantic painters
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107:William-Adolphe Bouguereau
86:. In 1880 Keller moved to
66:in order to study in the
20:Pedro Weingärtner (1890s)
445:Académie Julian alumni
62:. In 1878 he moved to
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324:"saladearte.com.br"
365:Damasceno, Athos.
354:2018-08-31 at the
262:Brazilian painting
147:Selected paintings
103:Tony Robert-Fleury
97:, studying in the
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380:pinacoteca.org.br
179:Daphnis and Chloe
40:Rio Grande do Sul
25:Pedro Weingärtner
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326:. Archived from
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385:masp.art.br
277:Romanticism
267:Academicism
394:Categories
334:2016-10-09
288:References
210:Landscape
161:Too late!
72:Karlsruhe
46:Biography
352:Archived
256:See also
247:, 1898.
212:, 1900.
133:Romantic
111:Pedro II
50:Born in
29:Academic
272:Realism
129:Realist
64:Germany
32:painter
141:gaucho
137:Modern
101:under
95:France
88:Berlin
36:Brazil
347:(es)
131:half-
70:, in
115:Rome
105:and
82:and
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