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Pentachord

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34: 417: 28: 35: 136:, 1224). Performances on the instrument are documented as late as 1783, after which it seems to have fallen out of use. It appears to have been similar to a five-string 458: 281: 17: 171: 163: 374: 252: 210: 487: 451: 274: 492: 193: 218:
McLamore, Alyson. 2004. "'By the Will and Order of Providence': The Wesley Family Concerts, 1779–1787".
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at his first public concert in London, on 5 April 1759, when it was described as "newly invented" (
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Charters, Murray. 1973. "Abel in London". The Musical Times 114, no. 1570 (December): 1224–26.
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praised the pentachord, declaring: "I know not a more fit Instrument to Accompany the Voice" (
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Knape, Walter, Murray R. Charters, and Simon McVeigh. 2001. "Abel: (4) Carl Friedrich Abel".
90: 389: 174:(pbk). Digital paperback reprint, Cambridge and New York: Cambridge University Press, 2006. 8: 359: 298: 231:, second edition, edited by Stanley Sadie and John Tyrrell. London: Macmillan Publishers. 121: 158:. Music in the Twentieth Century 2. Cambridge and New York: Cambridge University Press. 364: 259: 113: 55: 325: 248: 206: 167: 159: 432: 396: 384: 477: 379: 128:). In the dedication to Walpole of his cello sonatas op. 3, the cellist/composer 66:). In other contexts, a pentachord may be any consecutive five-note section of a 428: 129: 117: 67: 471: 310: 189: 79: 424: 369: 315: 106: 51: 294: 290: 137: 102: 94: 59: 27: 332: 98: 109:
pentachords are intervallically identical (CDEFG=GABCD; DEFGA=ABCDE).
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The Twelve-note Music of Anton Webern: Old Forms in a New Language
166:(cloth). Reprinted Cambridge: Cambridge University Press, 2004. 89:
Under the latter definition, a diatonic scale comprises five
183: 125: 247:. Longman Music Series. New York and London: Longman Inc.. 289: 93:
equivalent pentachords rather than seven because the
469: 205:. Oxford and New York: Oxford University Press. 116:, now in disuse, built to the specifications of 229:The New Grove Dictionary of Music and Musicians 186:The New Grove Dictionary of Music and Musicians 452: 275: 220:Royal Musical Association Research Chronicle 459: 445: 282: 268: 201:Latham, Alison (ed.). 2002. "Pentachord". 112:The name "pentachord" was also given to a 217: 178: 141: 133: 26: 62:, regarded as an unordered collection ( 14: 470: 226: 200: 153: 83: 71: 63: 58:, a pentachord is defined as any five 263: 411: 242: 24: 236: 25: 504: 126:Knape, Charters, and McVeigh 2001 415: 227:Roeder, John. 2001. "Set (ii)." 54:may be either of two things. In 196:. London: Macmillan Publishers. 13: 1: 203:The Oxford Companion to Music 147: 431:. You can help Knowledge by 188:, second edition, edited by 7: 10: 509: 410: 306: 120:. It was demonstrated by 222:, no. 37 (2004): 71–220. 154:Bailey, Kathryn. 1991. 18:Pentachord (instrument) 488:Simultaneities (music) 56:pitch-class set theory 43: 91:non-transpositionally 30: 101:pentachords and the 245:Basic Atonal Theory 122:Karl Friedrich Abel 493:Music theory stubs 243:Rahn, John. 1980. 118:Sir Edward Walpole 114:musical instrument 44: 31:C minor 9th chord 483:Pentatonic scales 440: 439: 405: 404: 375:"Ode-to-Napoleon" 172:978-0-521-54796-3 164:978-0-521-39088-0 16:(Redirected from 500: 461: 454: 447: 419: 412: 284: 277: 270: 261: 260: 256: 232: 223: 214: 197: 180: 175: 42: 41: 40: 38: 21: 508: 507: 503: 502: 501: 499: 498: 497: 468: 467: 466: 465: 408: 406: 401: 302: 288: 239: 237:Further reading 150: 78:is a five-note 36: 33: 32: 23: 22: 15: 12: 11: 5: 506: 496: 495: 490: 485: 480: 464: 463: 456: 449: 441: 438: 437: 420: 403: 402: 400: 399: 394: 393: 392: 387: 382: 377: 372: 367: 362: 357: 347: 342: 341: 340: 330: 329: 328: 318: 313: 307: 304: 303: 291:Pitch segments 287: 286: 279: 272: 264: 258: 257: 238: 235: 234: 233: 224: 215: 198: 181: 176: 149: 146: 130:James Cervetto 68:diatonic scale 9: 6: 4: 3: 2: 505: 494: 491: 489: 486: 484: 481: 479: 476: 475: 473: 462: 457: 455: 450: 448: 443: 442: 436: 434: 430: 427:article is a 426: 421: 418: 414: 413: 409: 398: 395: 391: 388: 386: 383: 381: 378: 376: 373: 371: 368: 366: 363: 361: 358: 356: 353: 352: 351: 348: 346: 343: 339: 336: 335: 334: 331: 327: 324: 323: 322: 319: 317: 314: 312: 309: 308: 305: 300: 296: 292: 285: 280: 278: 273: 271: 266: 265: 262: 254: 253:0-582-28117-2 250: 246: 241: 240: 230: 225: 221: 216: 212: 211:0-19-866212-2 208: 204: 199: 195: 191: 190:Stanley Sadie 187: 182: 177: 173: 169: 165: 161: 157: 152: 151: 145: 143: 142:McLamore 2004 139: 135: 134:Charters 1973 131: 127: 123: 119: 115: 110: 108: 104: 100: 96: 92: 87: 85: 81: 77: 73: 69: 65: 61: 60:pitch classes 57: 53: 49: 39: 29: 19: 433:expanding it 425:music theory 422: 407: 355:All-trichord 344: 338:All-interval 244: 228: 219: 202: 194:John Tyrrell 185: 155: 111: 88: 75: 52:music theory 47: 45: 295:cardinality 138:violoncello 84:Bailey 1991 72:Latham 2002 64:Roeder 2001 472:Categories 390:Schoenberg 345:Pentachord 333:Tetrachord 148:References 99:Mixolydian 48:pentachord 397:Aggregate 380:Petrushka 360:Chromatic 350:Hexachord 365:Diatonic 326:Viennese 321:Trichord 86:, 450). 144:, 84). 107:Aeolian 478:Chords 385:Sacher 370:Mystic 251:  209:  170:  162:  103:Dorian 95:Ionian 76:pentad 423:This 311:Monad 80:chord 74:). A 429:stub 316:Dyad 299:list 249:ISBN 207:ISBN 192:and 168:ISBN 160:ISBN 105:and 97:and 37:Play 293:by 50:in 474:: 46:A 460:e 453:t 446:v 435:. 301:) 297:( 283:e 276:t 269:v 255:. 213:. 140:( 82:( 70:( 20:)

Index

Pentachord (instrument)

Play
music theory
pitch-class set theory
pitch classes
Roeder 2001
diatonic scale
Latham 2002
chord
Bailey 1991
non-transpositionally
Ionian
Mixolydian
Dorian
Aeolian
musical instrument
Sir Edward Walpole
Karl Friedrich Abel
Knape, Charters, and McVeigh 2001
James Cervetto
Charters 1973
violoncello
McLamore 2004
ISBN
978-0-521-39088-0
ISBN
978-0-521-54796-3
Stanley Sadie
John Tyrrell

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