139:
102:
made him a central figure in musical aesthetics. One preoccupation of his had been the problem of what it means for instrumental music to "express" an emotion. His answer is that common emotions have physical behavioral expression in people that can be understood by appearance and imitated in music;
474:
123:
499:
489:
103:
thus, music cannot express more complex emotions that do not have an obvious behavioral expression. A similar position is developed independently by
127:
519:
504:
494:
484:
514:
429:
88:
479:
409:
Douglas
Dempster. "How Does Debussy's Sea Crash? How Can Jimi's Rocket Red Glare?: Kivy's Account of Representation in Music."
469:
179:
307:
Music, Language, and
Cognition: And Other Essays in the Philosophy of Music, further collected essays of Peter Kivy
509:
464:
348:
95:
454:
344:
217:
The
Seventh Sense: A Study of Francis Hutcheson's Aesthetics, and its Influence in Eighteenth-Century Britain
459:
104:
83:
campus, where he became full professor in 1976, and then in 1978 moved to the university's main campus, in
115:
84:
157:
87:. He taught there for the remainder of his career, except for one year as a visiting professor at
60:
48:
449:
444:
8:
359:
149:
98:. From the late 1970s on, he had been interested mainly in philosophy of music. His book
72:
27:
22:(October 22, 1934 – May 6, 2017) was professor emeritus of musicology and philosophy at
392:
80:
23:
283:
The
Possessor and the Possessed: Handel, Mozart, Beethoven and Idea of Musical Genius
76:
39:
161:
68:
43:
64:
56:
52:
438:
362:, bilingĂĽal edition (English/Spanish, translation by Daniel MartĂn Sáez) at
259:
The Fine Art of
Repetition: And Other Essays in the Philosophy of Music
247:
Music Alone: Philosophical
Reflections on the Purely Musical Experience
313:
Antithetical Arts: On the
Ancient Quarrel Between Literature and Music
205:
Francis
Hutcheson's Inquiry Concerning Beauty, Order, Harmony, Design
94:
His early work was on the 18th-century
British aesthetics, primarily
16:
Professor emeritus of musicology and philosophy at
Rutgers University
411:
Journal of Aesthetics and Art Criticism 52/4 (Autumn 1994): 415-428.
301:
The Performance of Reading: an Essay in the Philosophy of Literature
79:
from 1966–67, He then joined the faculty at Rutgers, first at the
415:
Kelly Dean Jolly. "(Kivy on) The Form-Content Identity Thesis."
265:
Authenticities: Philosophical Reflections on Musical Performance
235:
Osmin's Rage: Philosophical Reflections on Opera, Drama and Text
396:
229:
Sound and Semblance: Reflections on Musical Representation
325:
Sounding Off: Eleven Essays in the Philosophy of Music
475:
Columbia Graduate School of Arts and Sciences alumni
223:
The Corded Shell: Reflections on Musical Expression
436:
319:Once-Told Tales: An Essay in Literary Aesthetics
120:FilosofĂa de la MĂşsica. Respuestas a Peter Kivy
110:Some criticism of Kivy's ideas is available in
271:Philosophies of Arts: An Essay in Differences
241:Sound Sentiment: An Essay on Musical Emotions
160:. There might be a discussion about this on
364:SinfonĂa Virtual. Revista de MĂşsica Clásica
500:21st-century American non-fiction writers
490:20th-century American non-fiction writers
395:, ed. L. Macy (accessed August 3, 2010) (
374:
372:
180:Learn how and when to remove this message
211:Thomas Reid's Lectures on the Fine Arts
89:University of California, Santa Barbara
437:
369:
360:James O. Young: In Memoriam Peter Kivy
71:in 1960, and a PhD in philosophy from
289:Introduction to a Philosophy of Music
132:
59:in philosophy in 1958 also from the
277:New Essays on Musical Understanding
253:Essays on the History of Aesthetics
13:
520:21st-century American male writers
505:21st-century American philosophers
495:20th-century American philosophers
485:20th-century American male writers
403:
14:
531:
515:American male non-fiction writers
423:
295:The Blackwell Guide to Aesthetics
51:in 1956, where he was elected to
137:
112:Music, Philosophy, and Modernity
349:American Society for Aesthetics
122:(2017, published in Spanish by
353:
338:
26:. He studied particularly the
1:
480:University of Michigan alumni
417:British Journal of Aesthetics
391:Naomi Cumming. "Peter Kivy."
385:
75:in 1966. He first taught at
33:
7:
419:48/2 (April 2008): 193-204.
10:
536:
470:Rutgers University faculty
366:, nÂş 32 (2017), pp. 1-3.
331:
192:
510:Yale University alumni
465:American musicologists
61:University of Michigan
49:University of Michigan
455:Philosophers of music
231:(1984, 2nd ed. 1991).
219:(1976, 2nd ed. 2003).
150:confusing or unclear
460:Philosophers of art
397:subscription access
309:(collection, 2007).
158:clarify the article
73:Columbia University
28:philosophy of music
393:Grove Music Online
279:(collection, 2001)
261:(collection, 1993)
124:Daniel MartĂn Sáez
67:in musicology at
24:Rutgers University
190:
189:
182:
96:Francis Hutcheson
527:
379:
376:
367:
357:
351:
342:
237:(1988, 2nd ed.).
185:
178:
174:
171:
165:
141:
140:
133:
100:The Corded Shell
77:Brooklyn College
38:Kivy received a
535:
534:
530:
529:
528:
526:
525:
524:
435:
434:
426:
406:
404:Further reading
388:
383:
382:
377:
370:
358:
354:
343:
339:
334:
199:Speaking of Art
195:
186:
175:
169:
166:
155:
142:
138:
69:Yale University
55:. He earned an
44:summa cum laude
36:
17:
12:
11:
5:
533:
523:
522:
517:
512:
507:
502:
497:
492:
487:
482:
477:
472:
467:
462:
457:
452:
447:
433:
432:
425:
424:External links
422:
421:
420:
413:
405:
402:
401:
400:
387:
384:
381:
380:
368:
352:
336:
335:
333:
330:
329:
328:
322:
316:
310:
304:
298:
292:
286:
280:
274:
268:
262:
256:
250:
244:
238:
232:
226:
220:
214:
208:
202:
194:
191:
188:
187:
145:
143:
136:
128:James O. Young
105:Stephen Davies
53:Phi Beta Kappa
35:
32:
15:
9:
6:
4:
3:
2:
532:
521:
518:
516:
513:
511:
508:
506:
503:
501:
498:
496:
493:
491:
488:
486:
483:
481:
478:
476:
473:
471:
468:
466:
463:
461:
458:
456:
453:
451:
448:
446:
443:
442:
440:
431:
428:
427:
418:
414:
412:
408:
407:
398:
394:
390:
389:
375:
373:
365:
361:
356:
350:
346:
341:
337:
326:
323:
320:
317:
314:
311:
308:
305:
302:
299:
296:
293:
290:
287:
284:
281:
278:
275:
272:
269:
266:
263:
260:
257:
254:
251:
248:
245:
242:
239:
236:
233:
230:
227:
224:
221:
218:
215:
212:
209:
206:
203:
200:
197:
196:
184:
181:
173:
163:
162:the talk page
159:
153:
151:
146:This article
144:
135:
134:
131:
129:
125:
121:
117:
113:
108:
106:
101:
97:
92:
90:
86:
85:New Brunswick
82:
78:
74:
70:
66:
62:
58:
54:
50:
46:
45:
41:
31:
29:
25:
21:
416:
410:
363:
355:
340:
324:
318:
312:
306:
300:
294:
288:
282:
276:
270:
264:
258:
252:
246:
240:
234:
228:
222:
216:
213:(ed., 1973).
210:
207:(ed., 1973).
204:
198:
176:
167:
156:Please help
147:
119:
116:Andrew Bowie
111:
109:
99:
93:
42:
37:
19:
18:
450:2017 deaths
445:1934 births
430:Faculty bio
297:(ed., 2004)
255:(ed., 1992)
170:August 2023
439:Categories
386:References
152:to readers
114:(2007) by
20:Peter Kivy
34:Biography
378:Cumming.
347:at the
345:Tribute
327:(2012).
321:(2011).
315:(2009).
303:(2006).
291:(2002).
285:(2001).
273:(1997).
267:(1995).
249:(1990).
243:(1989).
225:(1980).
201:(1973).
148:may be
47:at the
81:Newark
332:Notes
193:Books
126:) by
63:, an
118:and
65:A.M.
57:M.A.
40:B.A.
441::
399:).
371:^
107:.
91:.
30:.
183:)
177:(
172:)
168:(
164:.
154:.
130:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.