Cymbeline - Knowledge

388:

finds both beautiful and familiar. Fidele has noticed Posthumus's ring on Iachimo's finger and demands to know how he obtained it. A remorseful Iachimo confesses about the wager he made, and how he tricked Posthumus into believing he had seduced Imogen. Posthumus then comes forward to confirm Iachimo's story, revealing his identity and acknowledging his wrongfulness in wanting Imogen killed. Ecstatic, Imogen throws herself at Posthumus, who, believing she is a boy, knocks her down. Pisanio then rushes to explain that Fidele is Imogen. Imogen still suspects that Pisanio conspired with the Queen to poison her. Pisanio claims innocence, and Cornelius reveals the potion was harmless. Insisting that his betrayal years ago was a set-up, Belarius makes his own happy confession, revealing Guiderius and Arviragus as Cymbeline's own two long-lost sons. With her brothers restored to the line of inheritance, Imogen is free to marry Posthumus. An elated Cymbeline pardons Belarius and the Roman prisoners, including Lucius and Iachimo. Lucius summons his soothsayer to decipher a prophecy of recent events, which ensures happiness for all. Blaming his manipulative Queen for his refusal to pay earlier, Cymbeline now agrees to pay the tribute to the Roman Emperor as a gesture of peace between Britain and Rome. Everyone is invited to a great feast.

364:

at Milford Haven. Dressing himself in Posthumus's clothes, he decides to go to Wales to kill Posthumus, and then rape, abduct, and marry Imogen. Imogen has now been travelling as Fidele through the Welsh mountains, her health in decline as she comes to a cave. It is the home of Belarius and his "sons" Polydore and Cadwal, whom he raised into great hunters. The two young men are the British princes Guiderius and Arviragus, who are unaware of their own origin. The men discover Fidele, and, instantly captivated by a strange affinity for "him", become fast friends. Outside the cave, Guiderius is met by Cloten, who insults him, leading to a sword fight during which Guiderius beheads Cloten. Meanwhile, Imogen's fragile state worsens and she takes the "poison" as a medicine; when the men re-enter, they find her "dead." They mourn and, after placing Cloten's body beside hers, briefly depart to prepare for the double burial. Imogen awakes to find the headless body, and believes it to be Posthumus because the body is wearing Posthumus's clothes. Lucius' Roman soldiers have just arrived in Britain and, as the army moves through Wales, Lucius discovers the devastated Fidele, who pretends to be a loyal servant grieving his killed master; Lucius, moved by this faithfulness, enlists Fidele as a pageboy.

325:'s vassal king of Britain. Twenty years earlier, Cymbeline's two infant sons, Guiderius and Arvirargus, were kidnapped by an exiled traitor named Belarius. Cymbeline discovers his daughter, Imogen (or Innogen), has secretly married her lover Posthumus Leonatus, a member of Cymbeline's court. The lovers have exchanged jewellery as tokens: Imogen with a bracelet, and Posthumus with a ring. Cymbeline dismisses the marriage and banishes Posthumus since Imogen—as Cymbeline's only remaining child—must produce a fully royal-blooded heir to succeed to the British throne. In the meantime, Cymbeline's Queen is conspiring to have Cloten (her cloddish and arrogant son by an earlier marriage) marry Imogen to secure her bloodline. The Queen is also plotting to murder both Imogen and Cymbeline, procuring what she believes is deadly poison from the court doctor. The doctor, Cornelius, is suspicious and switches the poison for a harmless sleeping potion. The Queen passes the "poison" along to Pisanio, Posthumus and Imogen's loyal servant. Imogen is told it is a medicinal drug. Unable to be with Posthumus, Imogen secludes herself in her chambers, away from Cloten's aggressive advances. 1746: 349: 341:

Posthumus wins, not only must Iachimo pay him but also fight Posthumus in a duel with swords. Iachimo heads to Britain where he attempts to seduce the faithful Imogen, who rejects him. Iachimo then hides in a chest in Imogen's bedchamber and, when the princess falls asleep, steals Posthumus's bracelet from her. He also takes note of the room, as well as the mole on Imogen's partially nude body, to present as false evidence to Posthumus that he seduced his bride. Returning to Italy, Iachimo convinces Posthumus that he has successfully seduced Imogen. In his wrath, Posthumus sends two letters to Britain: one to Imogen, telling her to meet him at

1296:"Globe to Globe" festival. It was translated by Derik Uya Alfred and directed by Joseph Abuk. Connections between the content of the play and South Sudan's own political struggle have been drawn by the production's producers, as well as some scholars. Overall, the production was well received by audiences and critics. Critic Matt Truman gave the production four out of five stars, saying "The world's youngest nation seems delighted to be here and, played with this much heart, even Shakespeare's most rambling romance becomes irresistible." 505: 1921:(1963) by Elizabeth Goudge, the central character, Mary Lindsay, feels struck by lightning when she realises she has fallen in love with Paul Randall, an author and Royal Air Force pilot, blinded in the last days of World War II, and married. "Fear no more the lightning-flash", Mary suddenly thinks, along with the rest of that stanza, ending "All lovers young, all lovers must /Consign to thee, and come to dust", knowing she must hide her love, and recognising that, already fifty, she is growing old (Chapter IX, Part 1, p 164). 329: 6170: 1477:, in 1682. The play changes some names and details, and adds a subplot, typical of the Restoration, in which a virtuous waiting-woman escapes the traps laid by Cloten. D'Urfey also changes Pisanio's character so that he at once believes in Imogen's (Eugenia, in D'Urfey's play) guilt. For his part, D'Urfey's Posthumus is ready to accept that his wife might have been untrue, as she is young and beautiful. Some details of this alteration survived in productions at least until the middle of the century. 6935: 307: 1442: 6816: 376: 40: 8336: 8268: 8319: 8256: 345:, on the Welsh coast; the other to the servant Pisanio, ordering him to murder Imogen at the Haven. However, Pisanio refuses and reveals Posthumus's plot to Imogen. He has Imogen disguise herself as a boy and they continue to Milford Haven to seek employment. He also gives her the Queen's "poison", believing it will alleviate her psychological distress. In the guise of a boy, Imogen assumes the name "Fidele", meaning "faithful". 501:). Both plays concern themselves with a princess who, after disobeying her father in order to marry a lowly lover, is wrongly accused of infidelity and thus ordered to be murdered, before escaping and having her faithfulness proven. Furthermore, both were written for the same theatre company and audience. Some scholars believe this supports a dating of approximately 1609, though it is not clear which play preceded the other. 845: 5674: 6826: 8302: 4667: 1507:; as early as 1896, he had complained about the absurdities of the play to Ellen Terry, then preparing to act Imogen. He called it "stagey trash of the lowest melodramatic order". He later changed his view, saying it was "one of the finest of Shakespeare's later plays", but he remained convinced that it "goes to pieces in the final act". Accordingly, in 368:

these four, yet takes notice of them as they fight bravely and capture the Roman commanders, Lucius and Iachimo, thus winning the day. Posthumus, allowing himself to be captured, as well as Fidele, are imprisoned alongside the true Romans, who all await execution. In jail, Posthumus sleeps, while the ghosts of his dead family appear to complain to

561:: "But if you marched due west from Stratford, looking neither to left nor to right, with the idea of running away to sea in your young head, then Milford Haven is the port you'd reach," a walk of about 165 miles (266 km), about six days' journey, that the young Shakespeare might well have taken, or at least dreamed of taking. 387:

Cornelius arrives at court to announce the Queen's sudden death, and that on her deathbed she unrepentantly confessed to villainous schemes against her husband and his throne. Both troubled and relieved by this news, Cymbeline prepares to execute his prisoners, but pauses when he sees Fidele, whom he

1247:

of New Jersey produced two distinct versions of the play. The 2004 production, directed by Jon Ciccarelli, embraced the fairy tale aspect of the story and produced a colourful version with wicked step-mothers, feisty princesses and a campy Iachimo. The 2014 version, directed by Rachel Alt, went in a

367:

The treacherous Queen is now wasting away due to her son Cloten's disappearance. Meanwhile, the guilt-ridden Posthumus enlists in the Roman forces as they invade Britain. Belarius, Guiderius, Arviragus, and Posthumus all help rescue Cymbeline from the Roman onslaught; the king does not yet recognise

340:

Posthumus must now live in Italy, where he meets Iachimo (or Giacomo), who wagers the prideful Posthumus that he, Iachimo, can seduce Imogen, whom Posthumus has praised for her chastity, and will then bring Posthumus proof of Imogen's adultery. If Iachimo wins, he will get Posthumus's token ring. If

825:

edited a new version of the text. It is recognized as being close to the original Shakespeare, although there are several differences. Changes included the shortening of Imogen's burial scene and the entire fifth act, including the removal of Posthumus's dream. Garrick's text was first performed in

721:

norms, their separation and final reunion leave open non-heterosexual possibilities, initially exposed by Imogen's cross-dressing as Fidele. Miller-Tomlinson points out the falseness of their social significance as a "perfect example" of a public "heterosexual marriage", considering that their

716:

structure; however, critics argue that Imogen's actions contradict these social definitions through her defiance of her father and her cross-dressing. Yet critics including Tracey Miller-Tomlinson have emphasised the ways in which the play upholds patriarchal ideology, including in the final scene,

363:

Back at Cymbeline's court, Cymbeline refuses to pay his British tribute to the Roman ambassador Caius Lucius. Lucius warns Cymbeline of the Roman Emperor's forthcoming wrath, which will be an invasion of Britain by Roman troops. Meanwhile, Cloten learns of the "meeting" between Imogen and Posthumus

748:

allusions and exploration of non-normative gender/sexuality – achieved through separation from traditional society into what Valerie Traub terms "green worlds." Amongst the most obvious and frequently cited examples of this non-normative dimension of the play is the prominence of homoeroticism, as

686:

endorses James I's ideas about national identity, pointing to several characters' conflicted constructions of their geographic identities. For example, although Guiderius and Arviragus are the sons of Cymbeline, a British king raised in Rome, they grew up in a Welsh cave. The brothers lament their

600:

This play has many just sentiments, some natural dialogues, and some pleasing scenes, but they are obtained at the expense of much incongruity. To remark the folly of the fiction, the absurdity of the conduct, the confusion of the names and manners of different times, and the impossibility of the

1041:

presented nearly the entire play, including the long-neglected dream scene (although a golden eagle designed for Jupiter turned out too heavy for the stage machinery and was not used). Hall presented the play as a distant fairy tale, with stylised performances. The production received favourable

5627:

Pino-Saavedra, Yolando, Kurt Ranke, Italo Calvino, J. M. Synge, Violet Paget, Alan Bruford, Peter Christian Asbjørnsen, and Jørgen Moe. "Cymbeline." In Shakespeare and the Folktale: An Anthology of Stories, edited by ARTESE CHARLOTTE, 241-99. PRINCETON; OXFORD: Princeton University Press, 2019.

860:'s company in 1801. Kemble's productions made use of lavish spectacle and scenery; one critic noted that during the bedroom scene, the bed was so large that Iachimo all but needed a ladder to view Imogen in her sleep. Kemble added a dance to Cloten's comic wooing of Imogen. In 1827, his brother 761:

set the tone for the intersection of paternity and hermaphroditism in arguing that Cymbeline's lines, "oh, what am I, / A mother to the birth of three? Ne’er mother / Rejoiced deliverance more", amount a "parthenogenesis fantasy". According to Adelman and Tracey Miller-Tomlinson, in taking sole

449:

first performed in 1582. There are many parallels between the characters of the two plays, including a king's daughter who falls for a man of unknown birth who grew up in the king's court. The subplot of Belarius and the lost princes was inspired by the story of Bomelio, an exiled nobleman in

483:

The Yale edition suggests a collaborator had a hand in the authorship, and some scenes (e.g., Act III scene 7 and Act V scene 2) may strike the reader as particularly un-Shakespearean when compared with others. The play shares notable similarities in language, situation, and plot with

642:

Shaw however would go on to reform his opinion of the play after his rewriting of the ending, yet he remained firmly of the opinion that the final act was disastrous, writing in 1946 that it was "one of the finest of Shakespeare's later plays" but "goes to pieces in the final act."

5677: 947:

in 1896. Terry's performance was widely praised, though Irving was judged an indifferent Iachimo. Like Garrick, Irving removed the dream of Posthumus; he also curtailed Iachimo's remorse and attempted to render Cloten's character consistent. A review in the

419:. Shakespeare based the setting of the play and the character Cymbeline on what he found in Holinshed's chronicles, but the plot and subplots of the play are derived from other sources. The subplot of Posthumus and Iachimo's wager derives from story II.9 of 699:

concludes with a peace forged between Britain and Rome, Iachimo's corruption of Posthumus and metaphorical rape of Imogen may demonstrate fears that Great Britain's political union with other cultures might expose Britons to harmful foreign influences.

694:

scenes ostensibly set in ancient Rome may be anachronistic portrayals of sixteenth-century Italy, which was characterised by contemporary British authors as a place where vice, debauchery, and treachery had supplanted the virtue of ancient Rome. Though

638:"stagey trash of the lowest melodramatic order, in parts abominably written, throughout intellectually vulgar, and, judged in point of thought by modem intellectual standards, vulgar, foolish, offensive, indecent and exasperating beyond all tolerance." 1891:

for the title of best playwright, deciding which of them is to be brought back from the dead in order to improve the world. Shakespeare sings the funeral song of Act IV, Scene 2, when asked about his view of death (the song is titled "Fear No More").

826:

November of that year, starring Garrick himself as Posthumus. Several scholars have indicated that Garrick's Posthumus was much liked. Valerie Wayne notes that Garrick's changes made the play more nationalistic, representing a trend in perception of

546:, which Shakespeare used as a source, mention an Innogen and that Forman's eyewitness account of the April 1611 performance refers to "Innogen" throughout. In spite of these arguments, most editions of the play have continued to use the name Imogen. 762:

credit for the creation of his children Cymbeline acts a hermaphrodite who transforms a maternal function into a patriarchal strategy by regaining control of his male heirs and daughter, Imogen. Imogen's own experience with gender fluidity and

1606:'s production of the play, which opened 16 November the same year, on television. The scenes that comprised the broadcast were pulled exclusively from Acts I and II of the play, and included the 'trunk scene' from Act II Scene 2. In 1956 the 1307:

as Innojaan, Adam Youssefbeygi, Tony Hasnath, Liz Jadav and Robby Khela. The production was set in the souks of Dubai and the Bollywood film industry during the 1990s communal riots and received acclaim from reviewers and academics alike.

1983:

to discover a room in which a candle is burning, which is hung with pictures, all carefully noted by Ambrogiuolo, and to recognise at once a refinement of detail that stirred Shakespeare's imagination and set the poetry flowing from his

681:

The play reinforces the Jacobean idea that Britain is the successor to the civilised virtue of ancient Rome, portraying the parochialism and isolationism of Cloten and the Queen as villainous. Other critics have resisted the idea that

1154:

was Posthumus. In 1987, Bill Alexander directed the play in The Other Place (later transferring to the Pit in London's Barbican Centre) with Harriet Walter playing Imogen, David Bradley as Cymbeline and Nicholas Farrell as Posthumus.

433:. These share similar characters and wager terms, and both feature Iachimo's equivalent hiding in a chest in order to gather proof in Imogen's room. Iachimo's description of Imogen's room as proof of her infidelity derives from 1433:, directed by Esther Jun, reversed the gender of several roles, with Cymbeline portrayed as Queen of Britain by Lucy Peacock and her husband as a Duke, played by Rick Roberts. Innogen was played by Allison Edwards-Crewe. 1213:) used extensive doubling for the play. The cast wore identical costumes even when in disguise, allowing for particular comic effects related to doubling (as when Cloten attempts to disguise himself as Posthumus.) 687:

isolation from society, a quality associated with barbarousness, but Belarius, their adoptive father, retorts that this has spared them from corrupting influences of the supposedly civilised British court.

619:

found it "difficult to resist the conclusion that was getting bored himself. Bored with people, bored with real life, bored with drama, bored, in fact, with everything except poetry and poetical dreams."

1193:

at the Rented Space Theatre Company. Set in India under British rule, the play features Iachimo, played by Rohan Kenworthy, as a British soldier and Imogen, played by Uzma Hameed, as an Indian princess.

1178:

as Imogen. The play was again at Stratford in 2004, directed by David Latham. A large medieval tapestry unified the fairly simple stage design and underscored Latham's fairy-tale inspired direction.

4986:

Matzke, Christine (2013). "Performing the Nation at the London Globe – Notes on a South Sudanese Cymbeline 'We will be like other people in other places'". In Plastow, Jane; Banham, Martin (eds.).

712:. There is some debate as to whether Imogen and Posthumus's marriage is legitimate. Imogen has historically been played and received as an ideal, chaste woman maintaining qualities applauded in a 3756: 2083: 1979:... it's not possible to eliminate the debt to Boccaccio completely. The description of Imogen's bed-chamber, for instance, owes nothing to the English tale, but we have only to glance at the 1266:

In 2011, the Shakespeare Theatre Company of Washington, DC, presented a version of the play that emphasised its fable and folklore elements, set as a tale within a tale, as told to a child.

1018:

was notably minimal, with only a few essential props. She relied instead on a variety of lighting effects to reinforce mood; actors seemed to come out of darkness and return to darkness.

1811:, are at once an elegiac dirge and a profoundly dignified declaration of endurance. The song provides a major organisational motif for the novel. The final couplet also appears in the 5132: 4815: 4666: 2089: 782:– Imogen is not afforded empowerment upon her transformation into Fidele. Instead, Imogen's power is inherited from her father and based upon the prospect of reproduction. 1511:

he rewrote the last act, cutting many of the numerous revelations and expositions, while also making Imogen a much more assertive figure in line with his feminist views.

1495:

wrote an adaptation which was apparently never staged. His version eliminates the brothers altogether as part of a notable enhancement of Posthumus's role in the play.

441:

In both sources, the equivalent to Posthumus's bracelet is stolen jewellery that the wife later recognises while cross-dressed. Shakespeare also drew inspiration for

975:'s production in New York in 1897. The sets and publicity cost $ 40,000, but Mather was judged too emotional and undisciplined to succeed in a fairly cerebral role. 1614:'s theatrical production, which opened 11 September 1956. Like the 1937 program, the 1956 broadcast ran for roughly half an hour and presented several scenes from 968:, was lavish and advertised as historically accurate, though the reviewer for the time complained of such anachronisms as gold crowns and printed books as props. 1501:, who criticized the play perhaps more harshly than he did any of Shakespeare's other works, took aim at what he saw as the defects of the final act in his 1937 749:

seen in Guiderius and Arviragus's semi-sexual fascination with the disguised Imogen/Fidele. In addition to homoerotic and homosocial elements, the subjects of

160:, it deals with the themes of innocence and jealousy. While the precise date of composition remains unknown, the play was certainly produced as early as 1611. 5190: 6470: 2090:

Here begynneth a propre treatyse of a marchauntes wyfe, that afterwarde wente lyke a man and became a grete lorde, and was called Frederyke of Iennen 1560

601:

events in any system of life, were to waste criticism upon unresisting imbecility, upon faults too evident for detection, and too gross for aggravation.

4668:"Here begynneth a propre treatyse of a marchauntes wyfe, that afterwarde wente lyke a man and became a grete lorde, and was called Frederyke of Iennen" 1727: 8271: 3772: 3090: 1182: 690:

Iachimo's invasion of Imogen's bedchamber may reflect concern that Britain was being maligned by Italian influence. According to Peter A. Parolin,

562: 5411: 5112: 6573: 3171: 3065: 674:, who considered himself the "British Augustus." His political manoeuvres to unite Scotland with England and Wales as an empire mirror Augustus' 4946: 1914:, the first four lines of the verse are quoted by the character Ginevra Boynton as she reflects on the life of her deceased mother Mrs Boynton. 1742:, the loyal wife Leonore, disguising herself as a man, takes on the name Fidelio, as a probable reference to Imogen’s cross-dressing as Fidele. 1484:. He cut the Queen, reduced the action to two places (the court and a forest in Wales). The dirge "With fairest flowers..." was set to music by 647:, who found success as an actor in Shaw's plays had similar views, saying that the play shows that Shakespeare was becoming a "wearied artist". 372:

of his grim fate. Jupiter himself appears in thunder and glory to assure the others that destiny will grant happiness to Posthumus and Britain.

7080: 6626: 1723: 1395:

at the Royal Shakespeare Theatre. It was his final production as artistic director, and received largely positive reviews. The cast included

5070: 7134: 5712: 5227: 1400: 520:

The editors of the Oxford and Norton Shakespeare believe the name of Imogen is a misprint for Innogen—they draw several comparisons between

5148: 4823: 3970: 790:

After the 1611 performance mentioned by Simon Forman, there is no record of production until 1634, when the play was revived at court for

4480: 1334:, with Cymbeline as a man of high status who avoids military service. The play was performed outdoors and was accompanied by traditional 8214: 6191: 6128: 6123: 3344: 8259: 1480:

William Hawkins revised the play again in 1759. His was among the last of the heavy revisions designed to bring the play in line with

8386: 6528: 3464: 5523: 4906: 4007: 1643:

adaptation in 1982, ignoring the ancient British period setting in favour of a more timeless and snow-laden atmosphere inspired by

1407: 8406: 5543: 4456: 196:

Belarius – banished lord living under the name Morgan, who abducted King Cymbeline's infant sons in retaliation for his banishment

7439: 6804: 6482: 3117: 7097: 6644: 6543: 1252:. The Queen was a southern belle married to a rancher, with Imogen as a high society girl in love with the cowhand Posthumous. 8396: 8371: 6639: 6071: 5512: 5480: 5372:

Thompson, Ann (2001). "Person and Office: the Case of Imogen, Princess of Britain". In Newey, Vincent; Thompson, Ann (eds.).

5084: 4895: 4796: 4773: 4742: 4648: 4565: 4517: 4445: 4422: 4395: 4021: 3959: 3917: 3894: 3875: 3718: 3634: 3603: 1303:

directed the play for Phizzical Productions with six actors playing multiple parts for a UK national tour. The cast included

1807:

by the two main characters Clarissa and Septimus Smith. The lines, which turn Mrs. Dalloway's thoughts to the trauma of the

8376: 8169: 7429: 6140: 3951: 437:, and Pisanio's reluctance to kill Imogen and his use of her bloody clothes to convince Posthumus of her death derive from 4926: 4582: 3350: 2913: 8290: 6862: 6717: 6220: 6079: 4316: 4479: 3470: 766:

has largely been interpreted through a patriarchal lens. Unlike other Shakespearean agents of onstage gender fluidity –

8361: 8164: 7073: 5563: 1895:"Fear no more the heat of the sun" is the line that Winnie and her husband are trying to remember in Samuel Beckett's 1722:

Prior to operatic adaptations only incidental music was composed. The first operatic adaption seems to be composed by

6829: 6583: 6553: 5705: 3745: 8391: 6621: 6616: 6548: 5181: 4723: 1588: 658:, in my judgment, is partly a Shakespearean self-parody; many of his prior plays and characters are mocked by it." 8366: 6997: 6596: 6591: 6511: 5444: 5207: 3356: 767: 4359: 8235: 7023: 6563: 6335: 6150: 6110: 5257: 1069:

production, in 1962, went in the opposite direction. Working on a set draped with heavy white sheets, director

634:

that rewrites the final act of the play. Shaw commented on the play 1896, in one fiery critique stating it was:

141: 5364: 4263: 2919: 1763: 844: 7066: 6464: 5655: 3710: 2190: 1858: 5463:

Wayne, Valerie (2005). "Cymbeline: Patriotism and Performance". In Dutton, Richard; Howard, Jean E. (eds.).

5281: 3189: 1142:

In 1980, David Jones revived the play for the RSC; the production was in general a disappointment, although

6819: 6686: 6502: 6155: 5803: 5747: 5698: 5061: 4437: 4112: 1159: 986: 950: 865: 8094: 1848:

as "Fear No More the Heat o' the Sun," No. 1 of Five Shakespeare Songs, Op. 23 (1921). It was also set by

538:'s wife (Posthumus being also known as "Leonatus", the Latin form of the Italian name in the other play). 348: 8229: 7529: 6492: 6453: 6440: 6314: 5846: 3971:"South Sudan Theatre Company perform Cymbeline in London – Sudan Tribune: Plural news and views on Sudan" 1237: 1233: 779: 708:

Scholars have emphasised that the play attributes great political significance to Imogen's virginity and

1774:

Perhaps the most famous verses in the play come from the funeral song of Act IV, Scene 2, which begins:

1745: 670:

have prompted critics to interpret the play as Shakespeare voicing support for the political notions of

8401: 8342: 8219: 6660: 6378: 6206: 6145: 6105: 5796: 5775: 5591:

Ziegler, Georgianna (1 March 1990). "My lady's chamber: Female space, female chastity in Shakespeare".

5427: 5390: 5377: 4608: 4557: 4031:

Cunningham, Karen (1994). "Female Fidelities on Trial: Proof in the Howard Attainder and "Cymbeline"".

1640: 1244: 31: 5103: 4839:

Lander, Bonnie (1 July 2008). "Interpreting the Person: Tradition, Conflict, and Cymbeline's Imogen".

3332: 3320: 3308: 3168: 7114: 6976: 6952: 6679: 6674: 6631: 6507: 6305: 4264: 3565: 3428: 3296: 3284: 3272: 3260: 1466: 1373: 1369: 1108: 1066: 1038: 925: 795: 771: 415: 409: 47: 46:

in her bedchamber in Act II, scene ii, when Iachimo witnesses the mole under her breast. Painting by

4295: 3927: 3362: 592:

was one of Shakespeare's more popular plays during the eighteenth century, though critics including

8209: 6538: 6487: 6477: 6458: 6445: 6185: 5817: 1354: 978: 879: 17: 5639: 8308: 7344: 7254: 6855: 6261: 5825: 5325: 4788: 4765: 4698: 4414: 4387: 4013: 3994: 3909: 1652: 1128: 1047: 899: 868:; it featured costumes designed after the descriptions of the ancient British by such writers as 815: 807: 644: 3978: 1135:, this one used a narrator (Cornelius) to signal changes in mood and treatment to the audience. 8153: 7944: 7939: 6691: 6418: 6356: 6276: 6199: 5810: 5789: 5729: 4995: 3946:

Collier, Susan (1998). "Cutting to the Heart of the Matter". In Murray, Gillian Kendall (ed.).

1906: 1664: 1342: 1327: 1293: 1229: 1112: 1104: 944: 570: 549:

Milford Haven is not known to have been used during the period (early 1st century AD) in which

526: 4284: 7984: 7889: 7434: 6783: 6697: 6666: 6568: 6231: 5962: 5872: 5853: 5316: 5306: 5248: 4841: 4689: 3790: 3668: 3595: 3591: 3552: 1971: 1492: 1335: 1093: 1034: 775: 737: 485: 190:

Posthumus Leonatus – Innogen's husband, adopted as an orphan and raised in Cymbeline's family

8099: 8089: 2901: 1603: 810:, with emphasis placed on the spectacle of the production rather than the text of the play. 7894: 7719: 7644: 7519: 7444: 7314: 7289: 7214: 7089: 6840: 6606: 6393: 6371: 5951: 5902: 5881: 5861: 5761: 5738: 5171: 1544: 1503: 1210: 1000: 965: 803: 791: 629: 566: 404: 156: 145: 8267: 4910: 717:

with its panoply of male victors. Whilst Imogen and Posthumus's marriage at first upholds

8: 8381: 8120: 7999: 7699: 7584: 7454: 7449: 7339: 6924: 6871: 6777: 6759: 6558: 6400: 6364: 6297: 6254: 6213: 5782: 5721: 5350: 4583: 4296: 4244: 4243: 4224: 4223: 4204: 4203: 4184: 4183: 4164: 4163: 4144: 4143: 4124: 4123: 4076: 3338: 3326: 3314: 3302: 3290: 3278: 3266: 3248: 3143: 1888: 1882: 1560: 1549: 1539: 1498: 1323: 1232:

in October 2007 in a production directed by Sir Trevor Nunn, and in November 2007 at the

1097: 996: 818:. There is evidence that Cibber put on another performance in 1746, and another in 1758. 624: 558: 282: 110: 7172: 5649: 4075: 3434: 3380: 3118:"Cymbeline review – Shakespeare's knotty romance is a fabulous farewell for Doran *****" 8079: 8019: 7924: 7874: 7609: 7499: 7304: 7106: 6900: 6848: 6771: 6729: 6611: 6349: 6247: 6052: 5501: 5337: 5269: 5076: 5040: 4951: 4880: 4866: 4710: 4621: 4531: 4464: 4064: 4056: 3815: 3693: 3351:

Foreword to 'Cymbeline Refinished' · British Universities Film & Video Council 1951

1684: 1668: 1630: 1576: 1568: 1426: 1331: 1274: 1170:. The latter production, which was marked by much-approved scenic complexity, featured 857: 420: 380: 184: 43: 3021: 1694:, in which Hawke plays Iachimo. The film is set in the context of urban gang warfare. 1030:

Cymbeline. Following Victorian practice, Benthall drastically shortened the last act.

8179: 8141: 8135: 8130: 7994: 7959: 7829: 7779: 7669: 7204: 7158: 7149: 6741: 6059: 5986: 5978: 5667: 5608: 5508: 5476: 5419: 5273: 5165: 5140: 5080: 5054: 5044: 5032: 4891: 4870: 4858: 4802: 4792: 4769: 4748: 4738: 4644: 4571: 4561: 4535: 4523: 4513: 4441: 4418: 4391: 4068: 4048: 4017: 3955: 3913: 3890: 3871: 3807: 3764: 3741: 3714: 3685: 3630: 3609: 3599: 3084: 1897: 1679: 1572: 1481: 1474: 1470: 1458: 1446: 1077: 811: 125: 4584:"Foreword to 'Cymbeline Refinished' · British Universities Film & Video Council" 202:– Cymbeline's son, kidnapped in childhood by Belarius and raised as his son Polydore 8241: 7979: 7954: 7714: 7659: 7634: 7259: 7029: 7005: 6765: 6753: 6747: 6342: 6269: 6169: 6043: 6036: 6028: 6005: 5998: 5971: 5944: 5930: 5600: 5468: 5329: 5261: 5024: 4850: 4702: 4505: 4040: 3799: 3677: 2920:

Cymbeline in Washington, DC at Shakespeare Theatre Company – Lansburgh Theatre 2011

1878: 1690: 1648: 1636: 1611: 1304: 1116: 1081: 1007: 895: 873: 535: 490: 114: 62: 5028: 4816:"Cymbeline (Phizzical) @ Grand Opera House, Belfast, 2013 – Reviewing Shakespeare" 1221: 1139:

disliked the set design, which he called too minimal, but he approved the acting.

1022:

was criticised as too cold and formal for Imogen; Leon Gluckman played Posthumus,

1003:

production to Stratford in 1946, inaugurating the post-war tradition of the play.

504: 328: 208:– Cymbeline's son, kidnapped in childhood by Belarius and raised as his son Cadwal 8125: 8049: 7909: 7899: 7799: 7789: 7784: 7764: 7709: 7654: 7579: 7354: 7041: 6521: 6133: 6021: 5937: 5644: 5356: 4887: 3730: 3578: 3175: 1911: 1808: 1584: 1419: 1396: 1377: 1315: 1270: 1136: 1124: 1070: 1061:

Hall's approach attempted to unify the play's diversity by means of a fairy-tale

1019: 972: 718: 616: 605: 531: 286: 4762:

Blood on the Stage, 1600 to 1800: Milestone Plays of Murder, Mystery, and Mayhem

4265:"Cymbeline in Washington, DC at Shakespeare Theatre Company – Lansburgh Theatre" 3993: 2907: 1441: 834:

would prove popular; it was staged a number of times over the next few decades.

8184: 7989: 7964: 7804: 7679: 7424: 7379: 7349: 7319: 7309: 6014: 5754: 5472: 4967: 4632: 4616: 3847: 1867: 1798: 1768: 1750: 1711: 1703: 1527: 1260: 1217: 1167: 1120: 1074: 1062: 1043: 1015: 960: 861: 763: 671: 593: 7165: 5604: 4752: 4527: 4324: 4096: 2853: 569:, when he invaded England via Milford on 7 August 1485 on his way to deposing 8355: 8014: 7869: 7724: 7514: 7143: 7047: 6964: 6934: 6789: 6735: 6497: 5839: 5612: 5423: 5228:"'Resident Evil's Milla Jovovich Joins Shakespeare Modernization 'Cymbeline'" 5144: 5036: 4862: 4806: 4640: 4406: 4379: 4052: 3826: 3811: 3768: 3737: 3689: 3613: 3544: 3471:

Ethan Hawke To Reunite With 'Hamlet' Director For Modern-Day 'Cymbeline' 2013

3254: 1845: 1803: 1707: 1622: 1535: 1388: 1381: 1256: 1248:

completely opposite direction and placed the action on ranch in the American

1198: 1051: 1027: 1023: 929: 921: 887: 869: 822: 758: 753:

and paternity/maternity also feature prominently in queer interpretations of

750: 741: 723: 574: 539: 425: 369: 342: 39: 5133:"Anachronistic Italy: Cultural Alliances and National Identity in Cymbeline" 4575: 882:

mounted the play several times between 1837 and 1842. At the Theatre Royal,

187:– Cymbeline's daughter by a former queen, later disguised as the page Fidele 8204: 8009: 7879: 7814: 7809: 7684: 7122: 6723: 6425: 6089: 5465:

A Companion to Shakespeare's Works: The Poems, Problem Comedies, Late Plays

5398: 4283: 4044: 3621:

Wells, Stanley; Pitcher, John; Spencer, TJB; Edmondson, Paul, eds. (2005).

3386: 1849: 1699: 1660: 1656: 1592: 1350: 1300: 1206: 1202: 1186: 1175: 1147: 1055: 982: 940: 891: 799: 729: 651: 578: 467: 322: 306: 258: 8325: 5265: 4509: 4481:"Ethan Hawke To Reunite With 'Hamlet' Director For Modern-Day 'Cymbeline'" 4111: 3027: 8224: 8074: 8029: 8004: 7824: 7599: 7479: 7239: 7194: 6516: 6328: 6084: 5832: 4009:

Shakespeare's Princes of Wales: English Identity and the Welsh Connection

3363:

Cymbeline Refinished · British Universities Film & Video Council 1951

1823: 1812: 1675: 1580: 1485: 1415: 1361: 1289: 1281: 1163: 1089: 1085: 1011: 936: 913:. In the late nineteenth century, the play was produced several times in 849: 513: 472: 356: 333: 133: 5015:

Miller-Tomlinson, Tracey (29 April 2015). "Queer History in Cymbeline".

4340: 4060: 3788:

Boling, Ronald J. (1 April 2000). "Anglo-Welsh Relations in Cymbeline".

1216:

There have been some well-received theatrical productions including the

7834: 7639: 7629: 7489: 7484: 7469: 7464: 7269: 7244: 7219: 7199: 7058: 6919: 6892: 6601: 5888: 5341: 4854: 4714: 3819: 3697: 3666:

Bergeron, David M. (1980). "Cymbeline: Shakespeare's Last Roman Play".

3626: 3097: 1943: 1863: 1853: 1380:

in late 2016. The performance featured Bethan Cullinane as Innogen and

1312: 1171: 1151: 1143: 883: 713: 676: 609: 554: 400: 375: 205: 175: 129: 5690: 5661: 4297:"Cymbeline Refinished · British Universities Film & Video Council" 3416: 2805: 2356: 2354: 1080:, to mixed critical reviews. The acting, however, was widely praised. 8199: 8147: 8064: 8059: 7949: 7934: 7919: 7904: 7649: 7624: 7619: 7614: 7564: 7554: 7549: 7544: 7404: 7374: 7369: 7364: 7334: 7274: 7229: 7224: 6914: 6533: 6385: 6321: 5909: 3658: 1695: 1644: 1346: 1050:

played Posthumus, and Robert Harris Cymbeline. Iachimo was played by

910: 332:

Iachimo stealing Imogen's bracelet, Act II Scene ii. Illustration by

314: 199: 5333: 5167:

Macready's Reminiscences and Selections from His Diaries and Letters

4706: 3803: 3681: 1610:

produced a similar television program, this time airing scenes from

557:

noted that it was the closest seaport to Shakespeare's home town of

413:, but which Shakespeare likely found in the 1587 edition of Raphael 8159: 8069: 8024: 7929: 7864: 7859: 7839: 7819: 7774: 7769: 7744: 7739: 7594: 7574: 7534: 7504: 7494: 7459: 7414: 7409: 7399: 7389: 7384: 7299: 7264: 7249: 7234: 7209: 5683: 2865: 2351: 1954: 1667:

play Cymbeline, his Queen, Imogen, and Iachimo, respectively, with

1629:

television, starring Wiktor Sadecki as Cymbeline and Ewa Lassek as

1249: 955: 709: 667: 193:

Cloten – Queen's son by a former husband and step-brother to Imogen

5246:

Potter, Lois (2002). "The 2001 Globe Season: Celts and Greenery".

4966: 3440: 2859: 2422: 2420: 8194: 8189: 8054: 8044: 8034: 7974: 7914: 7854: 7754: 7749: 7734: 7729: 7704: 7694: 7689: 7664: 7604: 7589: 7294: 7279: 6290: 6283: 6115: 5923: 5916: 4882:

Shakespeare Around the Globe: A Guide to Notable Postwar Revivals

4814:

Kleij, Sonja; Mullin, Romano; Williamson, Matt (9 January 2014).

4785:

Archipelagic English: literature, history, and politics 1603–1707

3066:"'Cymbeline: A Folk Tale With Music' by First Folio Theatre ★★★½" 3045: 1739: 838: 802:

production was noted as being "well likte by the kinge." In 1728

745: 553:

is set, and it is not known why Shakespeare used it in the play.

264: 211:

Pisanio – Posthumus's servant, loyal to both Posthumus and Imogen

150: 4947:"THEATER REVIEW; Fairy-Tale Plottings of a British Royal Family" 8174: 8115: 8039: 7969: 7849: 7844: 7794: 7569: 7559: 7509: 7474: 7419: 7394: 7359: 7284: 7189: 5895: 3757:"South Sudan troupe sees new country's struggle in Shakespeare" 2417: 2381: 1626: 991: 577:. It may also reflect English anxiety about the loyalty of the 3339:

Cymbeline · British Universities Film & Video Council 1938

3327:

Cymbeline · British Universities Film & Video Council 2006

3315:

Cymbeline · British Universities Film & Video Council 1996

3303:

Cymbeline · British Universities Film & Video Council 1986

3291:

Cymbeline · British Universities Film & Video Council 1957

3279:

Cymbeline · British Universities Film & Video Council 1951

3267:

Cymbeline · British Universities Film & Video Council 1934

1730:

composed another one, of which scenes were performed in 2009.

666:

Similarities between Cymbeline and historical accounts of the

86: 30:

This article is about Shakespeare's play. For other uses, see

8284: 8084: 7884: 7539: 7524: 7329: 7324: 3435:

Cymbelin · British Universities Film & Video Council 1968

3404: 3392: 3009: 2973: 2095: 1345:

in the Sam Wanamaker Playhouse, a production was directed by

920:

In 1864, as part of the celebrations of Shakespeare's birth,

914: 814:

revived Shakespeare's text in 1744 with a performance at the

6870: 5445:"All the world's a stage as Shakespeare goes to South Sudan" 2591: 2589: 2587: 2341: 2339: 2022: 2020: 2007: 2005: 2003: 1236:. The play was included in the 2013 repertory season of the 336:, designed for an edition of Lamb's Tales, copyrighted 1918. 7759: 7674: 4994: 4245:"Cymbeline · British Universities Film & Video Council" 4225:"Cymbeline · British Universities Film & Video Council" 4205:"Cymbeline · British Universities Film & Video Council" 4185:"Cymbeline – British Universities Film & Video Council" 4165:"Cymbeline – British Universities Film & Video Council" 4145:"Cymbeline – British Universities Film & Video Council" 4125:"Cymbeline · British Universities Film & Video Council" 3103: 1754: 837:

In the late eighteenth century, Cymbeline was performed in

5363: 5208:"Penn Badgley Added To Shakespeare Adaptation 'Cymbeline'" 4077:"Cymbelin · British Universities Film & Video Council" 2811: 2504: 2456: 2324: 2071: 615:

By the early twentieth century, the play had lost favour.

5521: 5314:

Speaight, Robert (1974). "Shakespeare in Britain, 1974".

3512: 3422: 2584: 2535: 2533: 2531: 2336: 2314: 2312: 2251: 2249: 2247: 2220: 2188: 2172: 2170: 2017: 2000: 1607: 1599: 1531: 1519: 1058:

had played Iachimo with Ashcroft at the Old Vic in 1932.

1042:

reviews, both for Hall's conception and, especially, for

650:

Some have argued that the play parodies its own content.

80: 71: 6988: 4687:

Hoeniger, F.D. (Winter 1957). "Two Notes on Cymbeline".

2817: 2687: 2685: 2655: 2616: 2550: 2548: 2297: 2285: 399:

is grounded in the story of the historical British king

174:

Cymbeline – Modelled on the historical King of Britain,

5467:. Vol. 4. Blackwell Publishing. pp. 389–407. 5113:"Theatre Review: Stratford's Cymbeline a solid success" 5102: 3202: 3200: 2985: 2871: 2793: 2781: 2672: 2670: 2643: 2606: 2604: 2572: 2371: 2369: 2232: 2119: 1538:

in 1938. In October 1951 the BBC aired a production of

1277:

that steered into the fairy-tale elements of the text.

989:

in 1923, two years before his influential modern dress

5524:"Comparing scenes from Cymbeline (BBC, 1937 and 1956)" 4502:

Strangers in Blood: Relocating Race in the Renaissance

3948:

Shakespearean Power and Punishment: A Volume of Essays

3827: 3368: 3212: 2961: 2877: 2709: 2528: 2492: 2444: 2432: 2309: 2244: 2167: 2044: 744:. Scholarship on this topic has emphasised the play's 454:

who is later revealed to be the protagonist's father.

5544:"In the beginning: scenes from Cymbeline (BBC, 1937)" 5387:

The Renaissance of Lesbianism in Early Modern England

4813: 4339: 3446: 3236: 3051: 2925: 2908:

Confusion and Deception as a Royal Family Affair 2007

2829: 2769: 2757: 2745: 2682: 2545: 2393: 2107: 2032: 1146:

as Imogen received reviews that rivalled Ashcroft's.

1107:'s 1974 production for the RSC (with assistance from 1084:

as Imogen was often compared favourably to Ashcroft;

242:

Iachimo/Giacomo – a Roman lord and friend of Philario

89: 68: 4988:

African Theatre 12: Shakespeare in and out of Africa

4605:

Women and Romance Fiction in the English Renaissance

3870:. Vol. 8. New York: Columbia University Press. 3705:

Bevington, David; Kastan, David Scott, eds. (2009).

3500: 3488: 3197: 3064:

Tribune, Kerry Reid, Special to the (24 June 2013).

2733: 2721: 2667: 2633: 2631: 2601: 2560: 2366: 2273: 1726:

in 1894, under the title "Dinah"; American composer

612:, however, numbered it among their favourite plays. 581:

and the possibility of future invasions at Milford.

565:

notes its possible symbolism as the landing site of

181:

Queen – Cymbeline's second wife and mother to Cloten

128:

concerning the early historical Celtic British King

83: 77: 5654:– Texts, supplementary materials, and resources at 3476: 3224: 3033: 2997: 2949: 2889: 2697: 2516: 2405: 2261: 2061: 2059: 1422:-themed focus on the play's queer interpretations. 470:, was in April 1611. It was first published in the 74: 65: 5500: 5180: 5053: 4907:"Anton Yelchin and Dakota Johnson Board Cymbeline" 4879: 4620: 4434:Bernard Shaw, Playwright: Aspects of Shavian Drama 3995:"Confusion and Deception as a Royal Family Affair" 3906:William Shakespeare; A Study of Facts and Problems 3729: 3255:British Universities Film & Video Council 2019 2937: 2208: 2155: 1957:(mentioned five times in the play) ended in AD 14. 4315: 3015: 2841: 2628: 1514:There have been a number of radio adaptations of 1220:'s 1998 production in New York City, directed by 254:Caius Lucius – Roman ambassador and later general 8353: 5561: 5541: 5280: 5014: 4722:Irving, Henry; Marshall, Frank A., eds. (1890). 4554:English Ethnicity and Race in Early Modern Drama 3410: 3398: 3387:Cymbeline · Jonathan Silent Film Collection 1913 2426: 2387: 2360: 2143: 2056: 1372:. This version of the play was performed at the 1131:was Cloten. As with contemporary productions of 480:was actually written cannot be precisely dated. 4358: 3828:"British Universities Film & Video Council" 3452: 3028:Cymbeline – The Belgrade Theatre, Coventry 2013 2131: 2077: 1682:, who previously collaborated on the 2000 film 1006:London saw two productions in the 1956 season. 584: 124:) and based on legends that formed part of the 722:private relations turn out to be "homosocial, 542:and Michael Dobson point out that Holinshed's 7074: 6856: 5706: 4409:; Sharpe, Will; Sullivan, Erin, eds. (2015). 4285:"Cymbeline · Jonathan Silent Film Collection" 4081:British Universities Film & Video Council 3887:Narrative and Dramatic Sources of Shakespeare 3868:Narrative and Dramatic Sources of Shakespeare 2191:"So you think you can out-write Shakespeare?" 4551: 4113:"Cymbeline – The Belgrade Theatre, Coventry" 3926: 3518: 3089:: CS1 maint: multiple names: authors list ( 2291: 1408:San Francisco's Free Shakespeare in the Park 1326:in Oak Brook, Illinois. The setting was the 1010:directed the less successful production, at 932:returned to the stage for this performance. 132:. Although it is listed as a tragedy in the 6653: 5403:Shakespeare on the English Stage, 1909–1964 4377: 2026: 2011: 1887:, William Shakespeare is competing against 1822:The last two lines appear to have inspired 1530:in 1934, 1951, 1957, 1986, 1996, and 2006. 8215:Locations associated with Arthurian legend 7081: 7067: 6863: 6849: 5713: 5699: 5498: 5056:Last Periods of Shakespeare, Racine, Ibsen 4925: 4759: 4030: 3754: 2979: 2967: 2883: 2595: 2330: 1534:broadcast a production of the play in the 516:of Shakespeare's plays, published in 1623. 5110: 4542: 4095: 3932:Art Song Preservation Society of New York 3704: 3559: 3374: 2931: 2787: 2622: 2189:thebillshakespeareproject (21 May 2017). 2101: 1463:The Injured Princess, or, the Fatal Wager 971:Similarly lavish but less successful was 830:during that period. Garrick's version of 353:Imogen Discovered in the Cave of Belarius 7088: 5564:"More scenes from Cymbeline (BBC, 1956)" 5371: 5348: 5313: 5300: 4968:"The Marlowe Society Presents Cymbeline" 4782: 4686: 4631: 4615: 3903: 3884: 3865: 3665: 3533: 2799: 2649: 2578: 2539: 2438: 2399: 2279: 2226: 2176: 2125: 2050: 2038: 1744: 1563:directed the first screen adaptation of 1440: 1349:where the role of Innogen was played by 890:production was staged with Mary Warner, 843: 503: 374: 347: 327: 305: 38: 7440:Constantine III (Western Roman Emperor) 5720: 5590: 5409: 5225: 5178: 5163: 5130: 4904: 4602: 4499: 4454: 3968: 3945: 3652: 3506: 3494: 3141: 3063: 3039: 3003: 2955: 2895: 2715: 2510: 2498: 2462: 2450: 2303: 2267: 2255: 2113: 1924: 1625:directed an adaptation of the play for 856:The play entered the Romantic era with 703: 379:Watercolour of Posthumus and Imogen by 14: 8354: 8255: 5581: 5442: 5397: 5245: 5205: 4985: 4877: 4838: 4732: 4721: 4431: 4404: 3787: 3572: 3543: 3482: 3242: 3218: 3115: 2991: 2943: 2860:The Marlowe Society Presents Cymbeline 2835: 2775: 2763: 2751: 2691: 2610: 2554: 2345: 2238: 1826:in "Lines to a Yorkshire Terrier" (in 1733: 1567:in 1913. The film was produced by the 1414:, directed by Maryssa Wanlass, with a 785: 732:has gained traction in scholarship on 447:The Rare Triumphs of Love and Fortune, 291:Sicilius Leonatus – Posthumus's father 7062: 6844: 6465:Complete Works of William Shakespeare 5694: 5489: 5462: 5384: 5093: 4944: 4006:Cull, Marisa R. (19 September 2018). 3727: 3620: 3585: 3206: 2847: 2823: 2739: 2727: 2703: 2676: 2661: 2637: 2566: 2522: 2411: 2375: 2318: 2214: 2065: 1901:as they sit exposed to the elements. 1555: 1518:between the 1930s and the 2000s. The 864:mounted an antiquarian production at 8291: 8170:List of legendary rulers of Cornwall 7430:Constans II (son of Constantine III) 5193:from the original on 12 January 2022 5131:Parolin, Peter A. (1 January 2002). 5096:Shakespeare from Betterton to Irving 5051: 4735:Cymbeline: An Annotated Bibliography 4657: 4455:Dunnett, Roderic (27 January 2014). 4119:. Public Reviews. 18 September 2013. 4005: 3952:Fairleigh Dickinson University Press 3645: 3230: 3179:(program). Accessed August 14, 2023. 2480: 2468: 2161: 2149: 1757:for the song "Hark, hark! the lark." 806:staged the play with his company at 6825: 5582:Yajnik, Ramanlal Kanaiyala (1933). 5068: 4411:The Oxford Companion to Shakespeare 4384:The Oxford Companion to Shakespeare 3052:Kleij, Mullin & Williamson 2014 2137: 1787:Home art gone, and ta'en thy wages: 1465:; this version was produced at the 1162:, the play was directed in 1970 by 661: 403:, which was originally recorded in 239:Philario – Posthumus's host in Rome 24: 8165:List of legendary kings of Britain 6640:Shakespeare's influence on Tolkien 5621: 5182:"Tom Hiddleston: Not just a Romeo" 5111:Ouzounian, Richard (1 June 2012). 5098:. Vol. 2. New York: Scribner. 4660:Shakespeare and His Contemporaries 4623:A Shakespeare Companion, 1550–1950 3845: 3458: 1936: 1797:The first two lines are quoted by 1793:As chimney-sweepers, come to dust. 1717: 1201:in 2001, a cast of six (including 596:took issue with its complex plot: 491:Philaster, or Love Lies a-Bleeding 25: 8418: 5632: 5226:Patten, Dominic (8 August 2013). 5206:Patten, Dominic (7 August 2013). 5179:Patalay, Ajesh (30 August 2008). 4905:Lesnick, Silas (12 August 2013). 4637:A Shakespeare Companion 1564–1964 4556:. Cambridge, U.K.; New York, NY: 4323:. 10 October 2013. Archived from 1778:Fear no more the heat o' the sun, 1263:doubled as Posthumus and Cloten. 1088:was a success as Iachimo, as was 954:compared this trimmed version to 534:named Innogen was supposed to be 462:The first recorded production of 8387:British plays adapted into films 8334: 8317: 8300: 8266: 8254: 6933: 6824: 6815: 6814: 6168: 5672: 5562:Wyver, John (20 November 2011). 5542:Wyver, John (12 November 2011). 5522:Wyver, John (28 December 2011). 5443:Tutton, Mark (12 January 2012). 5365:"Stratford Cymbeline Production" 5164:Pollock, Frederick, ed. (1875). 4909:. ComingSoon.net. Archived from 4725:The Works of William Shakespeare 4627:. New York: Funk & Wagnalls. 3555:, first series. London: Methuen. 3104:Melly Still 2016 Production 2016 1784:Thou thy worldly task hast done, 1761:The 'Song' from Act II, Scene 3 457: 136:, modern critics often classify 61: 6884: 5301:Sedgwick, Eve Kosofsky (1993). 4945:Marks, Peter (17 August 1998). 4728:. London: Scribner and Welford. 4289:Jonathan Silent Film Collection 3755:Bloomekatz, Ari (16 May 2012). 3528: 3182: 3161: 3135: 3109: 3057: 2182: 1840:Like undertakers, come to dust. 1837:Jellicle cats and dogs all must 1834:Pollicle dogs and cats all must 1790:Golden lads and girls all must, 1781:Nor the furious winter's rages; 1491:Nearer the end of the century, 530:, in early editions of which a 8236:Vera historia de morte Arthuri 6645:Works titled after Shakespeare 5507:. Farrar, Straus, and Giroux. 5258:Johns Hopkins University Press 3423:Wyver (BBC 1937 and 1956) 2011 3142:Parsons, Gordon (5 May 2023). 2812:Stratford Cymbeline Production 2195:The Bill / Shakespeare Project 1960: 1436: 964:. The set design, overseen by 13: 1: 6805:Shakespeare and other authors 5656:Internet Shakespeare Editions 5104:"Oregon Shakespeare Festival" 5029:10.1080/17450918.2015.1033450 4996:"Melly Still 2016 Production" 3711:Random House Publishing Group 3560:Nosworthy, J.M., ed. (1955). 1993: 1947: 1904:In the Epilogue of the novel 1872:Shakespeare and All That Jazz 1844:The song was set to music by 1706:plays the role of the Queen; 1273:directed a production at the 495: 429:and the anonymously authored 217:Helen – lady attending Imogen 163: 118: 8397:Plays set in the 1st century 8372:Fiction set in Roman Britain 6943: 6687:Shakespeare Birthplace Trust 5410:Trueman, Matt (4 May 2012). 5069:Nye, Robert (30 July 2012). 5062:Wayne State University Press 4438:University of Missouri Press 3969:Collins, Toby (9 May 2012). 3586:Wayne, Valerie, ed. (2017). 1862:(1942). The text is sung by 1702:plays the orphan Posthumus; 1602:broadcast several scenes of 1449:, who adapted Shakespeare's 924:performed the title role at 736:, building upon the work of 585:Criticism and interpretation 7: 8407:Shakespeare's late romances 8377:British traditional history 8230:Trojan genealogy of Nennius 7530:Eldol, Consul of Gloucester 7024:Shakespeare's late romances 6493:English Renaissance theatre 6336:The Second Maiden's Tragedy 6315:The Merry Devil of Edmonton 5847:The Two Gentlemen of Verona 5682:public domain audiobook at 5628:doi:10.2307/j.ctvg25434.11. 5499:Wilson-Lee, Edward (2016). 5492:Renaissance Drama in Action 5094:Odell, George C.D. (1920). 4552:Floyd-Wilson, Mary (2003). 4543:Findlater, Richard (1983). 4432:Dukore, Bernard F. (1973). 4341:"Cymbeline (TV Movie 1982)" 3885:Bullough, Geoffrey (1975). 3866:Bullough, Geoffrey (1980). 3573:Warren, Roger, ed. (1998). 3116:Lawson, Mark (4 May 2023). 2872:Oregon Shakespeare Festival 1649:contemporary Dutch painters 1618:including the trunk scene. 1469:, presumably by the united 1238:Oregon Shakespeare Festival 1234:Chicago Shakespeare Theatre 214:Cornelius – court physician 27:Play by William Shakespeare 10: 8423: 8220:Treason of the Long Knives 6661:Folger Shakespeare Library 6207:The Phoenix and the Turtle 5797:The Merry Wives of Windsor 5503:Shakespeare in Swahililand 5473:10.1002/9780470996560.ch21 5405:. London: Barrie Rocklith. 5391:Cambridge University Press 5378:Liverpool University Press 5374:Literature and Nationalism 4760:Kabatchnik, Amnon (2017). 4609:Cambridge University Press 4558:Cambridge University Press 3889:. Vol. 7. Routledge. 3594:, third series. New York: 1714:plays the role of Imogen. 1641:BBC Television Shakespeare 1245:Hudson Shakespeare Company 1228:was also performed at the 939:'s last performances with 623:In 1937, Irish playwright 391: 301: 220:Two Lords attending Cloten 106:Cymbeline, King of Britain 32:Cymbeline (disambiguation) 29: 8362:English Renaissance plays 8250: 8108: 8095:Æthelfrith of Northumbria 7182: 7133: 7115:Historia Regum Britanniae 7096: 7016: 6987: 6953:Historia Regum Britanniae 6942: 6931: 6883: 6799: 6710: 6680:Royal Shakespeare Theatre 6675:Royal Shakespeare Company 6582: 6439: 6410: 6239: 6230: 6177: 6166: 6098: 6070: 5961: 5871: 5804:A Midsummer Night's Dream 5748:All's Well That Ends Well 5737: 5728: 5605:10.1080/09502369008582077 5349:Strachey, Lytton (1922). 5089:– via Google Books. 5000:Royal Shakespeare Company 4733:Jacobs, Henry E. (1982). 4547:. London: Elm Tree Books. 4026:– via Google Books. 3566:Aberdeen University Press 3447:Cymbeline (TV Movie 1982) 1738:In Beethoven’s one opera 1688:, re-teamed for the film 1522:broadcast productions of 1467:Theatre Royal, Drury Lane 1374:Royal Shakespeare Theatre 1370:Royal Shakespeare Company 1067:Royal Shakespeare Company 935:The play was also one of 926:Theatre Royal, Drury Lane 410:Historia Regum Britanniae 272:Philharmonus – soothsayer 100:The Tragedie of Cymbeline 48:Wilhelm Ferdinand Souchon 8210:Siege of Exeter (c. 630) 5818:Pericles, Prince of Tyre 5286:the neat-herd's daughter 4766:Rowman & Littlefield 4413:(2nd ed.). Oxford: 3904:Chambers, E. K. (1930). 1973:Cymbeline: Second Series 1966:Nosworthy, J. M. (1955) 1929: 1856:on texts by Shakespeare 1457:The play was adapted by 880:William Charles Macready 297:Posthumus's two brothers 8392:Fiction about uxoricide 7345:Camber (legendary king) 7255:Augustine of Canterbury 5826:The Taming of the Shrew 5385:Traub, Valerie (2002). 5326:Oxford University Press 5072:The Late Mr Shakespeare 4990:. Boydell & Brewer. 4878:Leiter, Samuel (1986). 4789:Oxford University Press 4783:Kerrigan, John (2010). 4699:Oxford University Press 4658:Hart, Jonathan (2011). 4603:Hackett, Helen (2000). 4415:Oxford University Press 4388:Oxford University Press 4360:"Decameron Web | Texts" 4014:Oxford University Press 3910:Oxford University Press 3908:. Vol. 2. Oxford: 3653:Adelman, Janet (1992). 2027:Dobson & Wells 2001 2012:Dobson & Wells 2001 1284:Theatre Company staged 1100:played the title role. 909:was first performed in 900:Edward Loomis Davenport 726:, and hermaphroditic." 645:Harley Granville-Barker 8367:Shakespearean comedies 8154:Gesta Regum Britanniae 7945:Quintus Laberius Durus 7940:Publius Septimius Geta 6977:Holinshed's Chronicles 6508:Lord Chamberlain's Men 6419:The Passionate Pilgrim 6192:comparison to Petrarch 5811:Much Ado About Nothing 5790:The Merchant of Venice 5490:White, Martin (1998). 5282:"Secrets of Cymbeline" 5052:Muir, Kenneth (1961). 4500:Feerick, Jean (2016). 4045:10.1086/rd.25.41917304 3732:Shakespeare's Romances 3728:Bloom, Harold (2000). 3194:Accessed May 28, 2024. 3174:14 August 2023 at the 3016:Cymbeline Reviews 2013 1986: 1907:Appointment with Death 1764:(Hark, hark! the lark) 1758: 1698:takes the title role. 1552:foreword to the play. 1454: 1243:In 2004 and 2014, the 1230:Cambridge Arts Theatre 853: 668:Roman Emperor Augustus 640: 603: 527:Much Ado About Nothing 517: 416:Holinshed's Chronicles 384: 360: 337: 318: 285:– King of the gods in 178:, and father to Imogen 51: 7890:Oswald of Northumbria 7435:Constantine the Great 6872:William Shakespeare's 6698:Shakespeare Institute 6667:Shakespeare Quarterly 6186:Shakespeare's sonnets 5854:The Two Noble Kinsmen 5317:Shakespeare Quarterly 5307:Duke University Press 5266:10.1353/shq.2002.0013 5249:Shakespeare Quarterly 4931:hudsonshakespeare.org 4842:Shakespeare Quarterly 4820:Reviewing Shakespeare 4690:Shakespeare Quarterly 4662:. Palgrave Macmillan. 4510:10.3138/9781442686946 3791:Shakespeare Quarterly 3669:Shakespeare Quarterly 3592:The Arden Shakespeare 3553:The Arden Shakespeare 3411:Wyver (BBC 1956) 2011 3399:Wyver (BBC 1937) 2011 2427:Miller-Tomlinson 2015 2388:Miller-Tomlinson 2015 2361:Miller-Tomlinson 2015 1977: 1953:, while the reign of 1859:Let Us Garlands Bring 1828:Five-Finger Exercises 1748: 1444: 1376:before moving to the 1322:was performed at the 1037:'s production at the 847: 738:Eve Kosofsky Sedgwick 636: 598: 573:and establishing the 507: 486:Beaumont and Fletcher 378: 351: 331: 309: 42: 7895:Oswiu of Northumbria 7720:Julius Asclepiodotus 7645:Gwenddoleu ap Ceidio 7520:Edwin of Northumbria 7445:Constantine (Briton) 7315:Budic II of Brittany 7290:Bledric ap Custennin 7215:Ambrosius Aurelianus 7090:Geoffrey of Monmouth 6554:Spelling of his name 6394:Vortigern and Rowena 6372:Thomas Lord Cromwell 5952:Troilus and Cressida 5882:Antony and Cleopatra 5776:Love's Labour's Lost 5762:The Comedy of Errors 5494:. London: Routledge. 5412:"Cymbeline – review" 5352:Books and Characters 3975:www.sudantribune.com 2104:, pp. xxv–xxvi. 1925:Notes and references 1817:The Last Convertible 1767:was set to music by 1545:Cymbeline Refinished 1509:Cymbeline Refinished 1504:Cymbeline Refinished 1039:Shakespeare Memorial 1014:. The set design by 1001:Maddermarket Theatre 966:Lawrence Alma-Tadema 808:Lincoln's Inn Fields 704:Gender and sexuality 630:Cymbeline Refinished 439:Frederyke of Jennen. 405:Geoffrey of Monmouth 311:Posthumus and Imogen 8121:Battle of Arfderydd 8000:Silvius (mythology) 7700:Ingenius of Britain 7585:Gogmagog (folklore) 7455:Cordelia of Britain 7450:Constantius Chlorus 7340:Cadwallon ap Cadfan 6778:Richard Shakespeare 6760:Gilbert Shakespeare 6692:Shakespeare's Globe 6597:Authorship question 6592:Attribution studies 6559:Stratford-upon-Avon 6401:A Yorkshire Tragedy 6379:Thomas of Woodstock 6365:The Spanish Tragedy 6306:Love's Labour's Won 6298:The London Prodigal 6255:The Birth of Merlin 6214:The Rape of Lucrece 6200:A Lover's Complaint 6080:Quarto publications 5783:Measure for Measure 5722:William Shakespeare 5137:Shakespeare Studies 5077:Allison & Busby 4317:"Cymbeline Reviews" 3655:Suffocating Mothers 2982:, pp. 238–241. 2826:, pp. 124–125. 2664:, pp. 389–407. 2513:, pp. 202–203. 2465:, pp. 202–205. 2363:, pp. 225–240. 2348:, pp. 156–184. 2078:Decameron Web Texts 1889:George Bernard Shaw 1734:Cultural references 1561:Lucius J. Henderson 1540:George Bernard Shaw 1499:George Bernard Shaw 1343:Shakespeare's Globe 1324:First Folio Theatre 1294:Shakespeare's Globe 1115:in the title role, 1096:was Posthumus, and 997:Walter Nugent Monck 985:production for the 786:Performance history 625:George Bernard Shaw 559:Stratford-upon-Avon 445:from a play called 431:Frederyke of Jennen 111:William Shakespeare 8100:Œthelwald of Deira 8090:Æthelberht of Kent 8080:Wulfhere of Mercia 8020:Son of Gorbonianus 7925:Pir of the Britons 7875:Nennius of Britain 7610:Gracianus Municeps 7500:Dunvallo Molmutius 7305:Brutus Greenshield 7107:Prophetiae Merlini 6905:Posthumus Leonatus 6772:Edmund Shakespeare 6730:Hamnet Shakespeare 6627:Screen adaptations 6350:Sir John Oldcastle 6248:Arden of Faversham 5584:The Indian Theatre 5232:Deadline Hollywood 5212:Deadline Hollywood 4952:The New York Times 4855:10.1353/shq.0.0005 4485:Deadline Hollywood 4457:"Cymbeline review" 3999:The New York Times 3928:"Christopher Berg" 3848:"Cymbeline (1983)" 3070:chicagotribune.com 1919:The Scent of Water 1870:on her 1964 album 1759: 1669:Michael Pennington 1604:André van Gyseghem 1591:as Cymbeline, and 1569:Thanhouser Company 1556:Screen adaptations 1455: 1427:Stratford Festival 1280:Also in 2012, the 1275:Stratford Festival 1160:Stratford Festival 1078:alienation effects 858:John Philip Kemble 854: 518: 508:The first page of 421:Giovanni Boccaccio 385: 381:Henry Justice Ford 361: 338: 319: 294:Posthumus's mother 52: 8402:Tragicomedy plays 8282: 8281: 8180:Matter of Britain 8142:Brut y Tywysogion 8136:Battle of Guoloph 8131:Battle of Camlann 7995:Septimius Severus 7960:Regan (King Lear) 7830:Marius of Britain 7780:Lucius of Britain 7670:Hengist and Horsa 7205:Alhfrith of Deira 7159:Brut y Brenhinedd 7056: 7055: 6838: 6837: 6742:Elizabeth Barnard 6706: 6705: 6435: 6434: 6164: 6163: 5862:The Winter's Tale 5668:Project Gutenberg 5586:. Unwin Brothers. 5514:978-0-374-26207-5 5482:978-0-470-99656-0 5288:. 18 October 2013 5086:978-0-7490-1220-5 4913:on 15 August 2013 4897:978-0-313-23756-0 4798:978-0-19-818384-6 4775:978-1-5381-0616-7 4744:978-0-8240-9258-0 4672:eebo.chadwyck.com 4650:978-0-14-053011-7 4567:978-0-521-81056-2 4519:978-1-4426-8694-6 4447:978-0-8262-0146-1 4424:978-0-19-870873-5 4405:Dobson, Michael; 4397:978-0-19-811735-3 4378:Dobson, Michael; 4291:. 1 January 1913. 4269:BroadwayWorld.com 4033:Renaissance Drama 4023:978-0-19-871619-8 3961:978-0-8386-3679-4 3919:978-0-19-811774-2 3896:978-0-231-08897-8 3877:978-0-231-08898-5 3846:Brooke, Michael. 3761:Los Angeles Times 3720:978-0-307-42183-8 3707:The Late Romances 3646:Secondary sources 3636:978-0-14-192162-4 3605:978-1-904271-30-7 2994:, pp. 61–82. 2321:, pp. 81–86. 2306:, pp. 73–90. 2292:Floyd-Wilson 2003 2241:, pp. 33–66. 2229:, pp. 31–41. 1753:, who composed a 1680:Michael Almereyda 1573:Florence La Badie 1482:classical unities 1399:as Cymbeline and 1109:Clifford Williams 1065:. The next major 958:comedies such as 812:Theophilus Cibber 452:The Rare Triumphs 321:Cymbeline is the 251:Spanish Gentleman 157:The Winter's Tale 126:Matter of Britain 97:), also known as 16:(Redirected from 8414: 8347: 8339: 8338: 8337: 8330: 8322: 8321: 8320: 8313: 8305: 8304: 8303: 8293: 8273:Wikisource texts 8270: 8258: 8257: 8242:Walter of Oxford 7980:Rud Hud Hudibras 7955:Redon of Britain 7715:Julius and Aaron 7660:Helena (empress) 7635:Gurguit Barbtruc 7260:Aurelius Conanus 7083: 7076: 7069: 7060: 7059: 6937: 6865: 6858: 6851: 6842: 6841: 6828: 6827: 6818: 6817: 6766:Joan Shakespeare 6748:John Shakespeare 6651: 6650: 6632:Shakespeare and 6343:Sejanus His Fall 6310: 6270:Double Falsehood 6237: 6236: 6221:Venus and Adonis 6172: 5945:Titus Andronicus 5931:Romeo and Juliet 5735: 5734: 5715: 5708: 5701: 5692: 5691: 5676: 5675: 5616: 5593:Textual Practice 5587: 5578: 5576: 5574: 5558: 5556: 5554: 5538: 5536: 5534: 5518: 5506: 5495: 5486: 5459: 5457: 5455: 5439: 5437: 5435: 5430:on 25 April 2019 5426:. Archived from 5406: 5394: 5381: 5368: 5360: 5345: 5310: 5297: 5295: 5293: 5277: 5242: 5240: 5238: 5222: 5220: 5218: 5202: 5200: 5198: 5184: 5175: 5160: 5158: 5156: 5151:on 25 April 2019 5147:. Archived from 5127: 5125: 5123: 5107: 5099: 5090: 5065: 5059: 5048: 5011: 5009: 5007: 4991: 4982: 4980: 4978: 4963: 4961: 4959: 4941: 4939: 4937: 4927:"Long Pond Show" 4922: 4920: 4918: 4901: 4885: 4874: 4835: 4833: 4831: 4822:. Archived from 4810: 4779: 4756: 4729: 4718: 4683: 4681: 4679: 4663: 4654: 4628: 4626: 4612: 4599: 4597: 4595: 4579: 4548: 4545:These Our Actors 4539: 4496: 4494: 4492: 4476: 4474: 4472: 4463:. Archived from 4451: 4428: 4401: 4374: 4372: 4370: 4355: 4353: 4351: 4336: 4334: 4332: 4327:on 22 April 2019 4312: 4310: 4308: 4292: 4280: 4278: 4276: 4260: 4258: 4256: 4240: 4238: 4236: 4220: 4218: 4216: 4200: 4198: 4196: 4180: 4178: 4176: 4160: 4158: 4156: 4140: 4138: 4136: 4120: 4108: 4106: 4104: 4092: 4090: 4088: 4072: 4027: 4002: 3990: 3988: 3986: 3981:on 25 April 2019 3977:. Archived from 3965: 3942: 3940: 3938: 3923: 3900: 3881: 3862: 3860: 3858: 3852:BFI Screenonline 3842: 3840: 3838: 3823: 3784: 3782: 3780: 3775:on 25 April 2019 3771:. Archived from 3751: 3736:. Philadelphia: 3735: 3724: 3701: 3662: 3640: 3617: 3582: 3569: 3556: 3522: 3519:Christopher Berg 3516: 3510: 3504: 3498: 3492: 3486: 3480: 3474: 3468: 3462: 3456: 3450: 3444: 3438: 3432: 3426: 3420: 3414: 3408: 3402: 3396: 3390: 3384: 3378: 3372: 3366: 3360: 3354: 3348: 3342: 3336: 3330: 3324: 3318: 3312: 3306: 3300: 3294: 3288: 3282: 3276: 3270: 3264: 3258: 3252: 3246: 3240: 3234: 3228: 3222: 3216: 3210: 3204: 3195: 3186: 3180: 3165: 3159: 3158: 3156: 3154: 3139: 3133: 3132: 3130: 3128: 3113: 3107: 3101: 3095: 3094: 3088: 3080: 3078: 3076: 3061: 3055: 3049: 3043: 3037: 3031: 3025: 3019: 3013: 3007: 3001: 2995: 2989: 2983: 2977: 2971: 2965: 2959: 2953: 2947: 2941: 2935: 2929: 2923: 2917: 2911: 2905: 2899: 2893: 2887: 2881: 2875: 2869: 2863: 2857: 2851: 2845: 2839: 2833: 2827: 2821: 2815: 2809: 2803: 2797: 2791: 2785: 2779: 2773: 2767: 2761: 2755: 2749: 2743: 2737: 2731: 2725: 2719: 2713: 2707: 2701: 2695: 2689: 2680: 2674: 2665: 2659: 2653: 2647: 2641: 2635: 2626: 2620: 2614: 2608: 2599: 2593: 2582: 2576: 2570: 2564: 2558: 2552: 2543: 2537: 2526: 2520: 2514: 2508: 2502: 2496: 2490: 2484: 2478: 2472: 2466: 2460: 2454: 2448: 2442: 2436: 2430: 2424: 2415: 2409: 2403: 2397: 2391: 2385: 2379: 2373: 2364: 2358: 2349: 2343: 2334: 2333:, pp. 1–31. 2328: 2322: 2316: 2307: 2301: 2295: 2289: 2283: 2277: 2271: 2265: 2259: 2253: 2242: 2236: 2230: 2224: 2218: 2212: 2206: 2205: 2203: 2201: 2186: 2180: 2174: 2165: 2159: 2153: 2147: 2141: 2135: 2129: 2123: 2117: 2111: 2105: 2099: 2093: 2087: 2081: 2075: 2069: 2063: 2054: 2048: 2042: 2036: 2030: 2024: 2015: 2009: 1987: 1964: 1958: 1952: 1949: 1940: 1879:Stephen Sondheim 1728:Christopher Berg 1637:Elijah Moshinsky 1612:Michael Benthall 1425:In 2024, at the 1311:Also in 2013, a 1305:Sophie Khan Levy 1174:as Iachimo, and 1150:played Iachimo; 1123:as Iachimo, and 1117:Tim Pigott-Smith 1103:A decade later, 1082:Vanessa Redgrave 1008:Michael Benthall 896:Anna Cora Mowatt 874:Diodorus Siculus 662:British identity 500: 497: 245:French Gentleman 123: 120: 96: 95: 92: 91: 88: 85: 82: 79: 76: 73: 70: 67: 21: 8422: 8421: 8417: 8416: 8415: 8413: 8412: 8411: 8352: 8351: 8350: 8346:from Wikisource 8340: 8335: 8333: 8323: 8318: 8316: 8306: 8301: 8299: 8296: 8292:sister projects 8289:at Knowledge's 8283: 8278: 8246: 8126:Battle of Badon 8104: 8050:Uther Pendragon 7910:Penda of Mercia 7900:Owain mab Urien 7800:Maelgwn Gwynedd 7790:Lud son of Heli 7785:Lucius Tiberius 7765:Leir of Britain 7710:Jago of Britain 7655:Queen Gwendolen 7580:Goffar the Pict 7355:Capetus Silvius 7178: 7129: 7092: 7087: 7057: 7052: 7042:Deus ex machina 7012: 6983: 6938: 6929: 6879: 6869: 6839: 6834: 6795: 6744:(granddaughter) 6702: 6649: 6578: 6544:Religious views 6522:Curtain Theatre 6443: 6431: 6406: 6357:Sir Thomas More 6303: 6277:Edmund Ironside 6226: 6173: 6160: 6134:Ghost character 6094: 6066: 5957: 5938:Timon of Athens 5867: 5724: 5719: 5673: 5645:Standard Ebooks 5635: 5624: 5622:Further reading 5619: 5572: 5570: 5552: 5550: 5532: 5530: 5515: 5483: 5453: 5451: 5433: 5431: 5357:Harcourt, Brace 5334:10.2307/2868939 5291: 5289: 5236: 5234: 5216: 5214: 5196: 5194: 5187:Telegraph.co.uk 5154: 5152: 5121: 5119: 5087: 5005: 5003: 4976: 4974: 4957: 4955: 4935: 4933: 4916: 4914: 4898: 4888:Greenwood Press 4829: 4827: 4826:on 2 April 2015 4799: 4776: 4745: 4707:10.2307/2867546 4677: 4675: 4651: 4633:Halliday, F. E. 4617:Halliday, F. E. 4593: 4591: 4568: 4520: 4490: 4488: 4470: 4468: 4467:on 2 April 2015 4448: 4425: 4398: 4382:, eds. (2001). 4368: 4366: 4349: 4347: 4330: 4328: 4306: 4304: 4274: 4272: 4254: 4252: 4234: 4232: 4214: 4212: 4194: 4192: 4174: 4172: 4154: 4152: 4134: 4132: 4117:The Reviews Hub 4102: 4100: 4086: 4084: 4024: 3984: 3982: 3962: 3936: 3934: 3920: 3897: 3878: 3856: 3854: 3836: 3834: 3804:10.2307/2902322 3778: 3776: 3748: 3721: 3682:10.2307/2869367 3648: 3643: 3637: 3606: 3579:Clarendon Press 3539: 3531: 3526: 3525: 3517: 3513: 3505: 3501: 3493: 3489: 3481: 3477: 3469: 3465: 3457: 3453: 3445: 3441: 3433: 3429: 3421: 3417: 3409: 3405: 3397: 3393: 3385: 3381: 3373: 3369: 3361: 3357: 3349: 3345: 3337: 3333: 3325: 3321: 3313: 3309: 3301: 3297: 3289: 3285: 3277: 3273: 3265: 3261: 3253: 3249: 3241: 3237: 3229: 3225: 3221:, p. xlii. 3217: 3213: 3205: 3198: 3187: 3183: 3176:Wayback Machine 3166: 3162: 3152: 3150: 3148:morningstar.com 3140: 3136: 3126: 3124: 3114: 3110: 3102: 3098: 3082: 3081: 3074: 3072: 3062: 3058: 3050: 3046: 3038: 3034: 3026: 3022: 3014: 3010: 3002: 2998: 2990: 2986: 2980:Wilson-Lee 2016 2978: 2974: 2968:Bloomekatz 2012 2966: 2962: 2954: 2950: 2942: 2938: 2930: 2926: 2918: 2914: 2906: 2902: 2894: 2890: 2882: 2878: 2870: 2866: 2858: 2854: 2846: 2842: 2834: 2830: 2822: 2818: 2810: 2806: 2798: 2794: 2786: 2782: 2774: 2770: 2762: 2758: 2750: 2746: 2738: 2734: 2726: 2722: 2714: 2710: 2702: 2698: 2690: 2683: 2675: 2668: 2660: 2656: 2648: 2644: 2636: 2629: 2621: 2617: 2609: 2602: 2596:Kabatchnik 2017 2594: 2585: 2577: 2573: 2565: 2561: 2553: 2546: 2538: 2529: 2521: 2517: 2509: 2505: 2497: 2493: 2489:, V. vi.369-71. 2485: 2481: 2473: 2469: 2461: 2457: 2449: 2445: 2437: 2433: 2425: 2418: 2410: 2406: 2398: 2394: 2386: 2382: 2374: 2367: 2359: 2352: 2344: 2337: 2331:Cunningham 1994 2329: 2325: 2317: 2310: 2302: 2298: 2290: 2286: 2278: 2274: 2266: 2262: 2254: 2245: 2237: 2233: 2225: 2221: 2213: 2209: 2199: 2197: 2187: 2183: 2175: 2168: 2160: 2156: 2148: 2144: 2136: 2132: 2124: 2120: 2112: 2108: 2100: 2096: 2088: 2084: 2076: 2072: 2064: 2057: 2049: 2045: 2037: 2033: 2025: 2018: 2010: 2001: 1996: 1991: 1990: 1965: 1961: 1950: 1941: 1937: 1932: 1927: 1912:Agatha Christie 1852:as part of his 1830:). He writes: 1809:First World War 1736: 1720: 1718:Stage adaptions 1710:is Cloten; and 1653:Richard Johnson 1589:William Russell 1585:William Garwood 1558: 1439: 1397:Peter De Jersey 1271:Antoni Cimolino 1166:and in 1987 by 1137:Robert Speaight 1129:Charles Keating 1125:Susan Fleetwood 1071:William Gaskill 1054:, whose father 1048:Richard Johnson 1020:Barbara Jefford 973:Margaret Mather 796:Henrietta Maria 788: 751:hermaphroditism 706: 664: 617:Lytton Strachey 606:William Hazlitt 587: 532:ghost character 498: 488:'s tragicomedy 460: 394: 304: 287:Roman mythology 248:Dutch Gentleman 166: 122: 10–14 AD 121: 115:Ancient Britain 109:, is a play by 64: 60: 35: 28: 23: 22: 15: 12: 11: 5: 8420: 8410: 8409: 8404: 8399: 8394: 8389: 8384: 8379: 8374: 8369: 8364: 8349: 8348: 8331: 8329:from Wikiquote 8314: 8285: 8280: 8279: 8277: 8276: 8264: 8251: 8248: 8247: 8245: 8244: 8239: 8232: 8227: 8222: 8217: 8212: 8207: 8202: 8197: 8192: 8187: 8185:Molmutine Laws 8182: 8177: 8172: 8167: 8162: 8157: 8150: 8145: 8138: 8133: 8128: 8123: 8118: 8112: 8110: 8106: 8105: 8103: 8102: 8097: 8092: 8087: 8082: 8077: 8072: 8067: 8062: 8057: 8052: 8047: 8042: 8037: 8032: 8027: 8022: 8017: 8012: 8007: 8002: 7997: 7992: 7990:Sawyl Penuchel 7987: 7982: 7977: 7972: 7967: 7965:Rhydderch Hael 7962: 7957: 7952: 7947: 7942: 7937: 7932: 7927: 7922: 7917: 7912: 7907: 7902: 7897: 7892: 7887: 7882: 7877: 7872: 7867: 7862: 7857: 7852: 7847: 7842: 7837: 7832: 7827: 7822: 7817: 7812: 7807: 7805:Magnus Maximus 7802: 7797: 7792: 7787: 7782: 7777: 7772: 7767: 7762: 7757: 7752: 7747: 7742: 7737: 7732: 7727: 7722: 7717: 7712: 7707: 7702: 7697: 7692: 7687: 7682: 7680:Humber the Hun 7677: 7672: 7667: 7662: 7657: 7652: 7647: 7642: 7637: 7632: 7627: 7622: 7617: 7612: 7607: 7602: 7597: 7592: 7587: 7582: 7577: 7572: 7567: 7562: 7557: 7552: 7547: 7542: 7537: 7532: 7527: 7522: 7517: 7512: 7507: 7502: 7497: 7492: 7487: 7482: 7477: 7472: 7467: 7462: 7457: 7452: 7447: 7442: 7437: 7432: 7427: 7425:Conan Meriadoc 7422: 7417: 7412: 7407: 7402: 7397: 7392: 7387: 7382: 7380:Cassivellaunus 7377: 7372: 7367: 7362: 7357: 7352: 7350:Cap of Britain 7347: 7342: 7337: 7332: 7327: 7322: 7320:Cadfan ap Iago 7317: 7312: 7310:Brutus of Troy 7307: 7302: 7297: 7292: 7287: 7282: 7277: 7272: 7267: 7262: 7257: 7252: 7247: 7242: 7237: 7232: 7227: 7222: 7217: 7212: 7207: 7202: 7197: 7192: 7186: 7184: 7180: 7179: 7177: 7176: 7169: 7162: 7155: 7147: 7139: 7137: 7131: 7130: 7128: 7127: 7119: 7111: 7102: 7100: 7094: 7093: 7086: 7085: 7078: 7071: 7063: 7054: 7053: 7051: 7050: 7045: 7038: 7026: 7020: 7018: 7014: 7013: 7011: 7010: 7002: 6993: 6991: 6985: 6984: 6982: 6981: 6973: 6961: 6948: 6946: 6940: 6939: 6932: 6930: 6928: 6927: 6922: 6917: 6912: 6909: 6906: 6903: 6898: 6895: 6889: 6887: 6881: 6880: 6868: 6867: 6860: 6853: 6845: 6836: 6835: 6833: 6832: 6822: 6811: 6810: 6807: 6800: 6797: 6796: 6794: 6793: 6787: 6781: 6775: 6769: 6763: 6757: 6751: 6745: 6739: 6733: 6727: 6721: 6714: 6712: 6708: 6707: 6704: 6703: 6701: 6700: 6695: 6689: 6684: 6683: 6682: 6672: 6671: 6670: 6657: 6655: 6648: 6647: 6642: 6637: 6629: 6624: 6619: 6614: 6609: 6604: 6599: 6594: 6588: 6586: 6580: 6579: 6577: 6576: 6571: 6566: 6561: 6556: 6551: 6546: 6541: 6536: 6531: 6526: 6525: 6524: 6519: 6505: 6500: 6495: 6490: 6485: 6483:Collaborations 6480: 6475: 6474: 6473: 6468: 6456: 6450: 6448: 6437: 6436: 6433: 6432: 6430: 6429: 6422: 6414: 6412: 6408: 6407: 6405: 6404: 6397: 6390: 6382: 6375: 6368: 6361: 6353: 6346: 6339: 6332: 6325: 6318: 6311: 6301: 6294: 6287: 6280: 6273: 6266: 6258: 6251: 6243: 6241: 6234: 6228: 6227: 6225: 6224: 6217: 6210: 6203: 6196: 6195: 6194: 6181: 6179: 6175: 6174: 6167: 6165: 6162: 6161: 6159: 6158: 6153: 6148: 6143: 6138: 6137: 6136: 6131: 6126: 6118: 6113: 6108: 6102: 6100: 6096: 6095: 6093: 6092: 6087: 6082: 6076: 6074: 6072:Early editions 6068: 6067: 6065: 6064: 6056: 6049: 6048: 6047: 6040: 6033: 6018: 6011: 6010: 6009: 6002: 5990: 5983: 5975: 5967: 5965: 5959: 5958: 5956: 5955: 5948: 5941: 5934: 5927: 5920: 5913: 5906: 5899: 5892: 5885: 5877: 5875: 5869: 5868: 5866: 5865: 5858: 5850: 5843: 5836: 5829: 5822: 5814: 5807: 5800: 5793: 5786: 5779: 5772: 5765: 5758: 5755:As You Like It 5751: 5743: 5741: 5732: 5726: 5725: 5718: 5717: 5710: 5703: 5695: 5687: 5686: 5670: 5659: 5647: 5634: 5633:External links 5631: 5630: 5629: 5623: 5620: 5618: 5617: 5588: 5579: 5559: 5539: 5519: 5513: 5496: 5487: 5481: 5460: 5440: 5407: 5395: 5382: 5369: 5361: 5346: 5311: 5298: 5278: 5243: 5223: 5203: 5176: 5161: 5128: 5108: 5100: 5091: 5085: 5066: 5049: 5023:(3): 225–240. 5012: 4992: 4983: 4964: 4942: 4923: 4902: 4896: 4875: 4849:(2): 156–184. 4836: 4811: 4797: 4780: 4774: 4757: 4743: 4730: 4719: 4684: 4664: 4655: 4649: 4629: 4613: 4600: 4580: 4566: 4549: 4540: 4518: 4497: 4487:. 31 July 2013 4477: 4452: 4446: 4429: 4423: 4407:Wells, Stanley 4402: 4396: 4380:Wells, Stanley 4375: 4356: 4337: 4313: 4293: 4281: 4261: 4241: 4221: 4201: 4181: 4161: 4141: 4121: 4109: 4093: 4073: 4028: 4022: 4003: 3991: 3966: 3960: 3943: 3924: 3918: 3901: 3895: 3882: 3876: 3863: 3843: 3824: 3785: 3752: 3746: 3725: 3719: 3702: 3663: 3649: 3647: 3644: 3642: 3641: 3635: 3618: 3604: 3583: 3570: 3557: 3547:, ed. (1903). 3545:Dowden, Edward 3540: 3538: 3532: 3530: 3527: 3524: 3523: 3511: 3499: 3487: 3475: 3463: 3451: 3439: 3427: 3415: 3403: 3391: 3379: 3375:Cymbeline 1913 3367: 3355: 3343: 3331: 3319: 3307: 3295: 3283: 3271: 3259: 3247: 3245:, p. 212. 3235: 3233:, p. 170. 3223: 3211: 3209:, p. 262. 3196: 3181: 3160: 3144:"Word Perfect" 3134: 3108: 3096: 3056: 3044: 3032: 3020: 3008: 2996: 2984: 2972: 2960: 2948: 2936: 2932:Ouzounian 2012 2924: 2912: 2900: 2888: 2884:Long Pond Show 2876: 2864: 2852: 2840: 2838:, p. 100. 2828: 2816: 2804: 2802:, p. 391. 2792: 2788:Findlater 1983 2780: 2778:, p. 305. 2768: 2766:, p. 107. 2756: 2754:, p. 105. 2744: 2742:, p. 213. 2732: 2730:, p. 596. 2720: 2718:, p. 526. 2708: 2696: 2694:, p. xli. 2681: 2679:, p. 126. 2666: 2654: 2652:, p. 150. 2642: 2627: 2625:, p. 200. 2623:Bevington 2009 2615: 2600: 2598:, p. 273. 2583: 2581:, p. 352. 2571: 2569:, p. 110. 2559: 2557:, p. 246. 2544: 2527: 2515: 2503: 2501:, p. 202. 2491: 2479: 2467: 2455: 2453:, p. 156. 2443: 2431: 2429:, p. 235. 2416: 2404: 2392: 2390:, p. 226. 2380: 2378:, p. 175. 2365: 2350: 2335: 2323: 2308: 2296: 2284: 2272: 2260: 2258:, p. 188. 2243: 2231: 2219: 2207: 2181: 2166: 2154: 2142: 2130: 2128:, p. 366. 2118: 2106: 2102:Nosworthy 1955 2094: 2082: 2070: 2055: 2053:, p. 133. 2043: 2031: 2029:, p. vii. 2016: 2014:, p. 101. 1998: 1997: 1995: 1992: 1989: 1988: 1959: 1946:is dated from 1934: 1933: 1931: 1928: 1926: 1923: 1877:At the end of 1868:John Dankworth 1842: 1841: 1838: 1835: 1799:Virginia Woolf 1795: 1794: 1791: 1788: 1785: 1782: 1779: 1769:Franz Schubert 1751:Franz Schubert 1749:A portrait of 1735: 1732: 1719: 1716: 1712:Dakota Johnson 1704:Milla Jovovich 1671:as Posthumus. 1665:Robert Lindsay 1595:as the Queen. 1583:as Posthumus, 1557: 1554: 1528:United Kingdom 1475:Duke's Company 1471:King's Company 1459:Thomas d'Urfey 1447:Thomas D'Urfey 1438: 1435: 1406:Also in 2023, 1384:as Cymbeline. 1357:as Posthumus. 1328:American South 1318:adaptation of 1261:Tom Hiddleston 1218:Public Theater 1189:production of 1183:Ajay Chowdhury 1168:Robin Phillips 1121:Ian Richardson 1119:as Posthumus, 1113:Sebastian Shaw 1044:Peggy Ashcroft 1016:Audrey Cruddas 987:Birmingham Rep 961:As You Like It 787: 784: 764:cross-dressing 705: 702: 663: 660: 594:Samuel Johnson 586: 583: 563:Marisa R. Cull 499: 1609–10 476:in 1623. When 466:, as noted by 459: 456: 393: 390: 303: 300: 299: 298: 295: 292: 289: 279: 278: 274: 273: 270: 267: 261: 259:Roman senators 255: 252: 249: 246: 243: 240: 236: 235: 231: 230: 227: 224: 221: 218: 215: 212: 209: 203: 197: 194: 191: 188: 185:Imogen/Innogen 182: 179: 171: 170: 165: 162: 26: 9: 6: 4: 3: 2: 8419: 8408: 8405: 8403: 8400: 8398: 8395: 8393: 8390: 8388: 8385: 8383: 8380: 8378: 8375: 8373: 8370: 8368: 8365: 8363: 8360: 8359: 8357: 8345: 8344: 8332: 8328: 8327: 8315: 8311: 8310: 8298: 8297: 8294: 8288: 8275: 8274: 8269: 8265: 8263: 8262: 8253: 8252: 8249: 8243: 8240: 8238: 8237: 8233: 8231: 8228: 8226: 8223: 8221: 8218: 8216: 8213: 8211: 8208: 8206: 8203: 8201: 8198: 8196: 8193: 8191: 8188: 8186: 8183: 8181: 8178: 8176: 8173: 8171: 8168: 8166: 8163: 8161: 8158: 8156: 8155: 8151: 8149: 8146: 8144: 8143: 8139: 8137: 8134: 8132: 8129: 8127: 8124: 8122: 8119: 8117: 8114: 8113: 8111: 8107: 8101: 8098: 8096: 8093: 8091: 8088: 8086: 8083: 8081: 8078: 8076: 8073: 8071: 8068: 8066: 8063: 8061: 8058: 8056: 8053: 8051: 8048: 8046: 8043: 8041: 8038: 8036: 8033: 8031: 8028: 8026: 8023: 8021: 8018: 8016: 8015:Sisillius III 8013: 8011: 8008: 8006: 8003: 8001: 7998: 7996: 7993: 7991: 7988: 7986: 7983: 7981: 7978: 7976: 7973: 7971: 7968: 7966: 7963: 7961: 7958: 7956: 7953: 7951: 7948: 7946: 7943: 7941: 7938: 7936: 7933: 7931: 7928: 7926: 7923: 7921: 7918: 7916: 7913: 7911: 7908: 7906: 7903: 7901: 7898: 7896: 7893: 7891: 7888: 7886: 7883: 7881: 7878: 7876: 7873: 7871: 7870:Myrddin Wyllt 7868: 7866: 7863: 7861: 7858: 7856: 7853: 7851: 7848: 7846: 7843: 7841: 7838: 7836: 7833: 7831: 7828: 7826: 7823: 7821: 7818: 7816: 7813: 7811: 7808: 7806: 7803: 7801: 7798: 7796: 7793: 7791: 7788: 7786: 7783: 7781: 7778: 7776: 7773: 7771: 7768: 7766: 7763: 7761: 7758: 7756: 7753: 7751: 7748: 7746: 7743: 7741: 7738: 7736: 7733: 7731: 7728: 7726: 7725:Julius Caesar 7723: 7721: 7718: 7716: 7713: 7711: 7708: 7706: 7703: 7701: 7698: 7696: 7693: 7691: 7688: 7686: 7683: 7681: 7678: 7676: 7673: 7671: 7668: 7666: 7663: 7661: 7658: 7656: 7653: 7651: 7648: 7646: 7643: 7641: 7638: 7636: 7633: 7631: 7628: 7626: 7623: 7621: 7618: 7616: 7613: 7611: 7608: 7606: 7603: 7601: 7598: 7596: 7593: 7591: 7588: 7586: 7583: 7581: 7578: 7576: 7573: 7571: 7568: 7566: 7563: 7561: 7558: 7556: 7553: 7551: 7548: 7546: 7543: 7541: 7538: 7536: 7533: 7531: 7528: 7526: 7523: 7521: 7518: 7516: 7515:Edern ap Nudd 7513: 7511: 7508: 7506: 7503: 7501: 7498: 7496: 7493: 7491: 7488: 7486: 7483: 7481: 7478: 7476: 7473: 7471: 7468: 7466: 7463: 7461: 7458: 7456: 7453: 7451: 7448: 7446: 7443: 7441: 7438: 7436: 7433: 7431: 7428: 7426: 7423: 7421: 7418: 7416: 7413: 7411: 7408: 7406: 7403: 7401: 7398: 7396: 7393: 7391: 7388: 7386: 7383: 7381: 7378: 7376: 7373: 7371: 7368: 7366: 7363: 7361: 7358: 7356: 7353: 7351: 7348: 7346: 7343: 7341: 7338: 7336: 7333: 7331: 7328: 7326: 7323: 7321: 7318: 7316: 7313: 7311: 7308: 7306: 7303: 7301: 7298: 7296: 7293: 7291: 7288: 7286: 7283: 7281: 7278: 7276: 7273: 7271: 7268: 7266: 7263: 7261: 7258: 7256: 7253: 7251: 7248: 7246: 7243: 7241: 7238: 7236: 7233: 7231: 7228: 7226: 7223: 7221: 7218: 7216: 7213: 7211: 7208: 7206: 7203: 7201: 7198: 7196: 7193: 7191: 7188: 7187: 7185: 7181: 7175: 7174: 7170: 7168: 7167: 7163: 7161: 7160: 7156: 7154: 7153: 7148: 7146: 7145: 7144:Roman de Brut 7141: 7140: 7138: 7136: 7132: 7125: 7124: 7120: 7117: 7116: 7112: 7109: 7108: 7104: 7103: 7101: 7099: 7095: 7091: 7084: 7079: 7077: 7072: 7070: 7065: 7064: 7061: 7049: 7048:Milford Haven 7046: 7044: 7043: 7039: 7036: 7032: 7031: 7027: 7025: 7022: 7021: 7019: 7015: 7008: 7007: 7003: 7000: 6999: 6995: 6994: 6992: 6990: 6986: 6979: 6978: 6974: 6971: 6967: 6966: 6965:The Decameron 6962: 6959: 6955: 6954: 6950: 6949: 6947: 6945: 6941: 6936: 6926: 6923: 6921: 6918: 6916: 6913: 6910: 6907: 6904: 6902: 6899: 6896: 6894: 6891: 6890: 6888: 6886: 6882: 6878: 6877: 6873: 6866: 6861: 6859: 6854: 6852: 6847: 6846: 6843: 6831: 6823: 6821: 6813: 6812: 6808: 6806: 6802: 6801: 6798: 6791: 6790:Thomas Quiney 6788: 6785: 6782: 6780:(grandfather) 6779: 6776: 6773: 6770: 6767: 6764: 6761: 6758: 6755: 6752: 6749: 6746: 6743: 6740: 6737: 6736:Judith Quiney 6734: 6731: 6728: 6725: 6722: 6719: 6718:Anne Hathaway 6716: 6715: 6713: 6709: 6699: 6696: 6693: 6690: 6688: 6685: 6681: 6678: 6677: 6676: 6673: 6669: 6668: 6664: 6663: 6662: 6659: 6658: 6656: 6652: 6646: 6643: 6641: 6638: 6636: 6635: 6630: 6628: 6625: 6623: 6620: 6618: 6615: 6613: 6610: 6608: 6605: 6603: 6600: 6598: 6595: 6593: 6590: 6589: 6587: 6585: 6581: 6575: 6572: 6570: 6567: 6565: 6562: 6560: 6557: 6555: 6552: 6550: 6547: 6545: 6542: 6540: 6537: 6535: 6532: 6530: 6527: 6523: 6520: 6518: 6515: 6514: 6513: 6509: 6506: 6504: 6501: 6499: 6498:Globe Theatre 6496: 6494: 6491: 6489: 6486: 6484: 6481: 6479: 6476: 6472: 6469: 6467: 6466: 6462: 6461: 6460: 6457: 6455: 6452: 6451: 6449: 6447: 6442: 6438: 6428: 6427: 6423: 6421: 6420: 6416: 6415: 6413: 6409: 6403: 6402: 6398: 6396: 6395: 6391: 6388: 6387: 6383: 6381: 6380: 6376: 6374: 6373: 6369: 6367: 6366: 6362: 6359: 6358: 6354: 6352: 6351: 6347: 6345: 6344: 6340: 6338: 6337: 6333: 6331: 6330: 6326: 6324: 6323: 6319: 6317: 6316: 6312: 6308: 6307: 6302: 6300: 6299: 6295: 6293: 6292: 6288: 6286: 6285: 6281: 6279: 6278: 6274: 6272: 6271: 6267: 6264: 6263: 6259: 6257: 6256: 6252: 6250: 6249: 6245: 6244: 6242: 6238: 6235: 6233: 6229: 6223: 6222: 6218: 6216: 6215: 6211: 6209: 6208: 6204: 6202: 6201: 6197: 6193: 6190: 6189: 6188: 6187: 6183: 6182: 6180: 6176: 6171: 6157: 6154: 6152: 6149: 6147: 6144: 6142: 6139: 6135: 6132: 6130: 6127: 6125: 6122: 6121: 6119: 6117: 6114: 6112: 6111:Late romances 6109: 6107: 6106:Problem plays 6104: 6103: 6101: 6097: 6091: 6088: 6086: 6083: 6081: 6078: 6077: 6075: 6073: 6069: 6062: 6061: 6057: 6055: 6054: 6050: 6046: 6045: 6041: 6039: 6038: 6034: 6031: 6030: 6026: 6025: 6024: 6023: 6019: 6017: 6016: 6012: 6008: 6007: 6003: 6001: 6000: 5996: 5995: 5994: 5991: 5989: 5988: 5984: 5981: 5980: 5976: 5974: 5973: 5969: 5968: 5966: 5964: 5960: 5954: 5953: 5949: 5947: 5946: 5942: 5940: 5939: 5935: 5933: 5932: 5928: 5926: 5925: 5921: 5919: 5918: 5914: 5912: 5911: 5907: 5905: 5904: 5903:Julius Caesar 5900: 5898: 5897: 5893: 5891: 5890: 5886: 5884: 5883: 5879: 5878: 5876: 5874: 5870: 5864: 5863: 5859: 5856: 5855: 5851: 5849: 5848: 5844: 5842: 5841: 5840:Twelfth Night 5837: 5835: 5834: 5830: 5828: 5827: 5823: 5820: 5819: 5815: 5813: 5812: 5808: 5806: 5805: 5801: 5799: 5798: 5794: 5792: 5791: 5787: 5785: 5784: 5780: 5778: 5777: 5773: 5771: 5770: 5766: 5764: 5763: 5759: 5757: 5756: 5752: 5750: 5749: 5745: 5744: 5742: 5740: 5736: 5733: 5731: 5727: 5723: 5716: 5711: 5709: 5704: 5702: 5697: 5696: 5693: 5689: 5685: 5681: 5680: 5671: 5669: 5665: 5664: 5660: 5657: 5653: 5652: 5648: 5646: 5642: 5641: 5637: 5636: 5626: 5625: 5614: 5610: 5606: 5602: 5598: 5594: 5589: 5585: 5580: 5569: 5565: 5560: 5549: 5545: 5540: 5529: 5525: 5520: 5516: 5510: 5505: 5504: 5497: 5493: 5488: 5484: 5478: 5474: 5470: 5466: 5461: 5450: 5446: 5441: 5429: 5425: 5421: 5417: 5413: 5408: 5404: 5400: 5396: 5392: 5389:. Cambridge: 5388: 5383: 5379: 5375: 5370: 5366: 5362: 5358: 5354: 5353: 5347: 5343: 5339: 5335: 5331: 5327: 5323: 5319: 5318: 5312: 5308: 5304: 5299: 5287: 5283: 5279: 5275: 5271: 5267: 5263: 5259: 5255: 5251: 5250: 5244: 5233: 5229: 5224: 5213: 5209: 5204: 5192: 5188: 5183: 5177: 5173: 5169: 5168: 5162: 5150: 5146: 5142: 5138: 5134: 5129: 5118: 5114: 5109: 5105: 5101: 5097: 5092: 5088: 5082: 5078: 5074: 5073: 5067: 5063: 5058: 5057: 5050: 5046: 5042: 5038: 5034: 5030: 5026: 5022: 5018: 5013: 5001: 4997: 4993: 4989: 4984: 4973: 4969: 4965: 4954: 4953: 4948: 4943: 4932: 4928: 4924: 4912: 4908: 4903: 4899: 4893: 4889: 4884: 4883: 4876: 4872: 4868: 4864: 4860: 4856: 4852: 4848: 4844: 4843: 4837: 4825: 4821: 4817: 4812: 4808: 4804: 4800: 4794: 4790: 4786: 4781: 4777: 4771: 4767: 4763: 4758: 4754: 4750: 4746: 4740: 4736: 4731: 4727: 4726: 4720: 4716: 4712: 4708: 4704: 4700: 4696: 4692: 4691: 4685: 4673: 4669: 4665: 4661: 4656: 4652: 4646: 4642: 4641:Penguin Books 4639:. Baltimore: 4638: 4634: 4630: 4625: 4624: 4618: 4614: 4610: 4607:. Cambridge: 4606: 4601: 4589: 4585: 4581: 4577: 4573: 4569: 4563: 4559: 4555: 4550: 4546: 4541: 4537: 4533: 4529: 4525: 4521: 4515: 4511: 4507: 4503: 4498: 4486: 4482: 4478: 4466: 4462: 4458: 4453: 4449: 4443: 4439: 4435: 4430: 4426: 4420: 4416: 4412: 4408: 4403: 4399: 4393: 4389: 4385: 4381: 4376: 4365: 4364:www.brown.edu 4361: 4357: 4346: 4342: 4338: 4326: 4322: 4318: 4314: 4302: 4298: 4294: 4290: 4286: 4282: 4270: 4266: 4262: 4250: 4246: 4242: 4230: 4226: 4222: 4210: 4206: 4202: 4190: 4186: 4182: 4170: 4166: 4162: 4150: 4146: 4142: 4130: 4126: 4122: 4118: 4114: 4110: 4098: 4094: 4082: 4078: 4074: 4070: 4066: 4062: 4058: 4054: 4050: 4046: 4042: 4038: 4034: 4029: 4025: 4019: 4015: 4011: 4010: 4004: 4001:. 4 May 2007. 4000: 3996: 3992: 3980: 3976: 3972: 3967: 3963: 3957: 3953: 3949: 3944: 3933: 3929: 3925: 3921: 3915: 3911: 3907: 3902: 3898: 3892: 3888: 3883: 3879: 3873: 3869: 3864: 3853: 3849: 3844: 3833: 3829: 3825: 3821: 3817: 3813: 3809: 3805: 3801: 3797: 3793: 3792: 3786: 3774: 3770: 3766: 3762: 3758: 3753: 3749: 3747:9780791056578 3743: 3739: 3738:Chelsea House 3734: 3733: 3726: 3722: 3716: 3712: 3708: 3703: 3699: 3695: 3691: 3687: 3683: 3679: 3675: 3671: 3670: 3664: 3660: 3656: 3651: 3650: 3638: 3632: 3628: 3624: 3619: 3615: 3611: 3607: 3601: 3597: 3593: 3589: 3584: 3580: 3576: 3571: 3567: 3563: 3558: 3554: 3550: 3546: 3542: 3541: 3537: 3520: 3515: 3508: 3503: 3496: 3491: 3484: 3479: 3472: 3467: 3460: 3455: 3448: 3443: 3436: 3431: 3424: 3419: 3412: 3407: 3400: 3395: 3388: 3383: 3376: 3371: 3364: 3359: 3352: 3347: 3340: 3335: 3328: 3323: 3316: 3311: 3304: 3299: 3292: 3287: 3280: 3275: 3268: 3263: 3256: 3251: 3244: 3239: 3232: 3227: 3220: 3215: 3208: 3203: 3201: 3193: 3191: 3185: 3178: 3177: 3173: 3170: 3164: 3149: 3145: 3138: 3123: 3119: 3112: 3105: 3100: 3092: 3086: 3071: 3067: 3060: 3053: 3048: 3041: 3036: 3029: 3024: 3017: 3012: 3005: 3000: 2993: 2988: 2981: 2976: 2969: 2964: 2957: 2952: 2945: 2940: 2933: 2928: 2921: 2916: 2909: 2904: 2897: 2892: 2885: 2880: 2873: 2868: 2861: 2856: 2849: 2844: 2837: 2832: 2825: 2820: 2813: 2808: 2801: 2800:Speaight 1974 2796: 2790:, p. 18. 2789: 2784: 2777: 2772: 2765: 2760: 2753: 2748: 2741: 2736: 2729: 2724: 2717: 2712: 2706:, p. 94. 2705: 2700: 2693: 2688: 2686: 2678: 2673: 2671: 2663: 2658: 2651: 2650:Halliday 1952 2646: 2639: 2634: 2632: 2624: 2619: 2613:, p. 80. 2612: 2607: 2605: 2597: 2592: 2590: 2588: 2580: 2579:Chambers 1930 2575: 2568: 2563: 2556: 2551: 2549: 2542:, p. 84. 2541: 2540:Thompson 2001 2536: 2534: 2532: 2525:, p. 92. 2524: 2519: 2512: 2507: 2500: 2495: 2488: 2483: 2476: 2471: 2464: 2459: 2452: 2447: 2441:, p. 86. 2440: 2439:Thompson 2001 2435: 2428: 2423: 2421: 2414:, p. 91. 2413: 2408: 2401: 2400:Sedgwick 1993 2396: 2389: 2384: 2377: 2372: 2370: 2362: 2357: 2355: 2347: 2342: 2340: 2332: 2327: 2320: 2315: 2313: 2305: 2300: 2293: 2288: 2281: 2280:Kerrigan 2010 2276: 2269: 2264: 2257: 2252: 2250: 2248: 2240: 2235: 2228: 2227:Bergeron 1980 2223: 2216: 2211: 2196: 2192: 2185: 2179:, p. 64. 2178: 2177:Strachey 1922 2173: 2171: 2164:, p. 39. 2163: 2158: 2151: 2146: 2139: 2134: 2127: 2126:Halliday 1964 2122: 2116:, p. 39. 2115: 2110: 2103: 2098: 2091: 2086: 2079: 2074: 2067: 2062: 2060: 2052: 2051:Hoeniger 1957 2047: 2041:, p. 11. 2040: 2039:Bullough 1975 2035: 2028: 2023: 2021: 2013: 2008: 2006: 2004: 1999: 1985: 1982: 1976:p.xxiv quote: 1975: 1974: 1969: 1963: 1956: 1945: 1942:The reign of 1939: 1935: 1922: 1920: 1915: 1913: 1909: 1908: 1902: 1900: 1899: 1893: 1890: 1886: 1885: 1880: 1875: 1873: 1869: 1865: 1861: 1860: 1855: 1851: 1847: 1846:Roger Quilter 1839: 1836: 1833: 1832: 1831: 1829: 1825: 1820: 1818: 1814: 1810: 1806: 1805: 1804:Mrs. Dalloway 1800: 1792: 1789: 1786: 1783: 1780: 1777: 1776: 1775: 1772: 1770: 1766: 1765: 1756: 1752: 1747: 1743: 1741: 1731: 1729: 1725: 1715: 1713: 1709: 1708:Anton Yelchin 1705: 1701: 1697: 1693: 1692: 1687: 1686: 1681: 1678:and director 1677: 1672: 1670: 1666: 1662: 1658: 1654: 1650: 1646: 1642: 1639:directed the 1638: 1634: 1632: 1628: 1624: 1623:Jerzy Jarocki 1619: 1617: 1613: 1609: 1605: 1601: 1596: 1594: 1590: 1586: 1582: 1578: 1574: 1570: 1566: 1562: 1553: 1551: 1548:, as well as 1547: 1546: 1541: 1537: 1536:United States 1533: 1529: 1525: 1521: 1517: 1512: 1510: 1506: 1505: 1500: 1496: 1494: 1489: 1487: 1483: 1478: 1476: 1472: 1468: 1464: 1460: 1452: 1448: 1443: 1434: 1432: 1428: 1423: 1421: 1417: 1413: 1409: 1404: 1402: 1398: 1394: 1390: 1389:Gregory Doran 1385: 1383: 1382:Gillian Bevan 1379: 1375: 1371: 1367: 1363: 1358: 1356: 1355:Jonjo O'Neill 1352: 1348: 1344: 1339: 1337: 1333: 1329: 1325: 1321: 1317: 1314: 1309: 1306: 1302: 1297: 1295: 1291: 1287: 1283: 1278: 1276: 1272: 1267: 1264: 1262: 1258: 1257:Cheek by Jowl 1253: 1251: 1246: 1241: 1239: 1235: 1231: 1227: 1223: 1222:Andrei Șerban 1219: 1214: 1212: 1208: 1204: 1200: 1199:Globe Theatre 1195: 1192: 1188: 1184: 1179: 1177: 1173: 1169: 1165: 1161: 1156: 1153: 1149: 1145: 1140: 1138: 1134: 1130: 1126: 1122: 1118: 1114: 1110: 1106: 1101: 1099: 1095: 1094:Patrick Allen 1091: 1087: 1083: 1079: 1076: 1072: 1068: 1064: 1059: 1057: 1053: 1052:Geoffrey Keen 1049: 1045: 1040: 1036: 1033:By contrast, 1031: 1029: 1028:Derek Francis 1026:Iachimo, and 1025: 1024:Derek Godfrey 1021: 1017: 1013: 1009: 1004: 1002: 998: 994: 993: 988: 984: 980: 979:Barry Jackson 976: 974: 969: 967: 963: 962: 957: 953: 952: 946: 942: 938: 933: 931: 930:Helena Faucit 927: 923: 922:Samuel Phelps 918: 916: 912: 908: 903: 901: 897: 893: 889: 885: 881: 877: 875: 871: 870:Julius Caesar 867: 866:Covent Garden 863: 859: 851: 846: 842: 840: 835: 833: 829: 824: 823:David Garrick 819: 817: 813: 809: 805: 801: 797: 793: 783: 781: 777: 773: 769: 765: 760: 759:Janet Adelman 756: 752: 747: 743: 742:Judith Butler 739: 735: 731: 727: 725: 720: 715: 711: 701: 698: 693: 688: 685: 680: 678: 673: 669: 659: 657: 653: 648: 646: 639: 635: 633: 631: 626: 621: 618: 613: 611: 607: 602: 597: 595: 591: 582: 580: 576: 575:Tudor dynasty 572: 568: 564: 560: 556: 552: 547: 545: 541: 540:Stanley Wells 537: 533: 529: 528: 523: 515: 511: 506: 502: 493: 492: 487: 481: 479: 475: 474: 469: 465: 458:Date and text 455: 453: 448: 444: 440: 436: 435:The Decameron 432: 428: 427: 426:The Decameron 422: 418: 417: 412: 411: 406: 402: 398: 389: 382: 377: 373: 371: 365: 358: 354: 350: 346: 344: 343:Milford Haven 335: 330: 326: 324: 316: 312: 308: 296: 293: 290: 288: 284: 281: 280: 276: 275: 271: 269:Roman captain 268: 266: 262: 260: 256: 253: 250: 247: 244: 241: 238: 237: 233: 232: 228: 225: 223:Two Gentlemen 222: 219: 216: 213: 210: 207: 204: 201: 198: 195: 192: 189: 186: 183: 180: 177: 173: 172: 168: 167: 161: 159: 158: 153: 152: 147: 143: 139: 135: 131: 127: 116: 112: 108: 107: 102: 101: 94: 58: 57: 49: 45: 41: 37: 33: 19: 8341: 8324: 8312:from Commons 8307: 8286: 8272: 8260: 8234: 8205:River Malvam 8152: 8140: 8010:Sisillius II 7880:Octa of Kent 7815:Queen Marcia 7810:Mandubracius 7685:Iago ap Beli 7171: 7164: 7157: 7151: 7142: 7135:Translations 7123:Vita Merlini 7121: 7113: 7105: 7040: 7034: 7028: 7004: 6996: 6975: 6969: 6963: 6957: 6951: 6875: 6874: 6792:(son-in-law) 6786:(son-in-law) 6724:Susanna Hall 6665: 6654:Institutions 6633: 6478:Coat of arms 6471:Translations 6463: 6459:Bibliography 6426:To the Queen 6424: 6417: 6399: 6392: 6384: 6377: 6370: 6363: 6355: 6348: 6341: 6334: 6327: 6320: 6313: 6304: 6296: 6289: 6282: 6275: 6268: 6260: 6253: 6246: 6219: 6212: 6205: 6198: 6184: 6146:Performances 6090:Second Folio 6058: 6051: 6042: 6035: 6027: 6020: 6013: 6004: 5997: 5992: 5985: 5977: 5970: 5950: 5943: 5936: 5929: 5922: 5915: 5908: 5901: 5894: 5887: 5880: 5860: 5852: 5845: 5838: 5831: 5824: 5816: 5809: 5802: 5795: 5788: 5781: 5774: 5768: 5767: 5760: 5753: 5746: 5688: 5678: 5662: 5650: 5638: 5599:(1): 73–90. 5596: 5592: 5583: 5571:. Retrieved 5568:Screen Plays 5567: 5551:. Retrieved 5548:SCREEN PLAYS 5547: 5531:. Retrieved 5528:SCREEN PLAYS 5527: 5502: 5491: 5464: 5452:. Retrieved 5448: 5432:. Retrieved 5428:the original 5416:The Guardian 5415: 5402: 5399:Trewin, J.C. 5386: 5373: 5355:. New York: 5351: 5321: 5315: 5302: 5290:. Retrieved 5285: 5253: 5247: 5235:. Retrieved 5231: 5215:. Retrieved 5211: 5195:. Retrieved 5186: 5170:. New York: 5166: 5153:. Retrieved 5149:the original 5136: 5120:. Retrieved 5116: 5095: 5071: 5055: 5020: 5016: 5004:. Retrieved 4999: 4987: 4975:. Retrieved 4971: 4956:. Retrieved 4950: 4934:. Retrieved 4930: 4915:. Retrieved 4911:the original 4886:. New York: 4881: 4846: 4840: 4828:. Retrieved 4824:the original 4819: 4784: 4761: 4734: 4724: 4694: 4688: 4676:. Retrieved 4671: 4659: 4636: 4622: 4604: 4592:. Retrieved 4587: 4553: 4544: 4501: 4489:. Retrieved 4484: 4469:. Retrieved 4465:the original 4460: 4436:. Columbia: 4433: 4410: 4383: 4367:. Retrieved 4363: 4348:. Retrieved 4344: 4329:. Retrieved 4325:the original 4320: 4305:. Retrieved 4300: 4288: 4273:. Retrieved 4268: 4253:. Retrieved 4248: 4233:. Retrieved 4228: 4213:. Retrieved 4208: 4193:. Retrieved 4188: 4173:. Retrieved 4168: 4153:. Retrieved 4148: 4133:. Retrieved 4128: 4116: 4101:. Retrieved 4085:. Retrieved 4080: 4036: 4032: 4008: 3998: 3983:. Retrieved 3979:the original 3974: 3947: 3935:. Retrieved 3931: 3905: 3886: 3867: 3855:. Retrieved 3851: 3835:. Retrieved 3831: 3798:(1): 33–66. 3795: 3789: 3777:. Retrieved 3773:the original 3760: 3731: 3706: 3676:(1): 31–41. 3673: 3667: 3657:. New York: 3654: 3622: 3587: 3574: 3561: 3548: 3535: 3534:Editions of 3529:Bibliography 3514: 3507:Lesnick 2013 3502: 3495:Patten* 2013 3490: 3478: 3466: 3454: 3442: 3430: 3418: 3406: 3394: 3382: 3370: 3358: 3346: 3334: 3322: 3310: 3298: 3286: 3274: 3262: 3250: 3238: 3226: 3214: 3188: 3184: 3167: 3163: 3151:. Retrieved 3147: 3137: 3125:. Retrieved 3122:The Guardian 3121: 3111: 3099: 3073:. Retrieved 3069: 3059: 3047: 3040:Dunnett 2014 3035: 3023: 3011: 3004:Trueman 2012 2999: 2987: 2975: 2963: 2956:Collins 2012 2951: 2939: 2927: 2915: 2903: 2896:Patalay 2008 2891: 2879: 2867: 2855: 2843: 2831: 2819: 2807: 2795: 2783: 2771: 2759: 2747: 2735: 2723: 2716:Pollock 1875 2711: 2699: 2657: 2645: 2618: 2574: 2562: 2518: 2511:Adelman 1992 2506: 2499:Adelman 1992 2494: 2486: 2482: 2474: 2470: 2463:Adelman 1992 2458: 2451:Hackett 2000 2446: 2434: 2407: 2402:, p. 8. 2395: 2383: 2326: 2304:Ziegler 1990 2299: 2287: 2275: 2268:Feerick 2016 2263: 2256:Parolin 2002 2234: 2222: 2217:, p. 2. 2210: 2198:. Retrieved 2194: 2184: 2157: 2145: 2133: 2121: 2114:Collier 1998 2109: 2097: 2085: 2073: 2046: 2034: 1980: 1978: 1972: 1967: 1962: 1951: 10–40 1938: 1918: 1916: 1905: 1903: 1896: 1894: 1883: 1876: 1871: 1866:to music by 1857: 1850:Gerald Finzi 1843: 1827: 1821: 1816: 1802: 1796: 1773: 1762: 1760: 1737: 1724:Edmond Missa 1721: 1700:Penn Badgley 1689: 1683: 1673: 1661:Helen Mirren 1657:Claire Bloom 1635: 1620: 1615: 1598:In 1937 the 1597: 1593:Jean Darnell 1587:as Iachimo, 1571:and starred 1564: 1559: 1543: 1523: 1515: 1513: 1508: 1502: 1497: 1493:Henry Brooke 1490: 1479: 1462: 1456: 1450: 1430: 1424: 1411: 1405: 1392: 1386: 1365: 1359: 1351:Emily Barber 1341:In 2015, at 1340: 1338:folk songs. 1319: 1310: 1301:Samir Bhamra 1298: 1285: 1279: 1268: 1265: 1259:production, 1254: 1242: 1225: 1215: 1211:Richard Hope 1207:Mark Rylance 1203:Abigail Thaw 1196: 1190: 1187:Anglo-Indian 1185:directed an 1180: 1176:Martha Burns 1157: 1148:Ben Kingsley 1141: 1132: 1102: 1060: 1032: 1005: 999:brought his 990: 983:modern dress 977: 970: 959: 949: 941:Henry Irving 934: 919: 906: 904: 892:Fanny Vining 878: 855: 836: 831: 827: 820: 789: 754: 733: 730:Queer theory 728: 719:heterosexual 707: 696: 691: 689: 683: 675: 665: 655: 654:wrote that " 652:Harold Bloom 649: 641: 637: 628: 622: 614: 604: 599: 589: 588: 550: 548: 543: 525: 521: 519: 509: 489: 482: 477: 471: 468:Simon Forman 463: 461: 451: 446: 442: 438: 434: 430: 424: 414: 408: 396: 395: 386: 366: 362: 352: 339: 323:Roman Empire 320: 310: 226:Two Captains 155: 149: 137: 105: 104: 99: 98: 55: 54: 53: 36: 8225:Trinovantum 8075:Vortiporius 8030:Tasciovanus 8005:Sisillius I 7825:Marganus II 7600:Gorbonianus 7480:Saint David 7240:King Arthur 7195:Saint Alban 7173:Merlínússpá 7166:Breta sögur 6989:Adaptations 6830:WikiProject 6517:The Theatre 6503:Handwriting 6329:The Puritan 6120:Characters 6085:First Folio 6053:Richard III 5833:The Tempest 5328:: 389–394. 5117:thestar.com 5060:. Detroit: 5017:Shakespeare 4972:camdram.net 4737:. Garland. 4588:bufvc.ac.uk 4301:bufvc.ac.uk 4249:bufvc.ac.uk 4229:bufvc.ac.uk 4209:bufvc.ac.uk 4189:bufvc.ac.uk 4169:bufvc.ac.uk 4149:bufvc.ac.uk 4129:bufvc.ac.uk 4097:"Cymbeline" 3832:bufvc.ac.uk 3483:Patten 2013 3243:Dukore 1973 3219:Dowden 1903 2992:Matzke 2013 2944:Tutton 2012 2836:Potter 2002 2776:Trewin 1964 2764:Leiter 1986 2752:Leiter 1986 2692:Dowden 1903 2611:Irving 1890 2555:Dobson 2015 2346:Lander 2008 2239:Boling 2000 2200:25 December 1824:T. S. Eliot 1813:Anton Myrer 1676:Ethan Hawke 1581:James Cruze 1486:Thomas Arne 1437:Adaptations 1416:David Bowie 1403:as Imogen. 1401:Amber James 1362:Melly Still 1336:Appalachian 1330:during the 1290:Juba Arabic 1282:South Sudan 1197:At the new 1164:Jean Gascon 1127:as Imogen. 1111:) featured 1105:John Barton 1098:Tom Fleming 1092:as Cloten. 1090:Clive Swift 1086:Eric Porter 1046:'s Imogen. 1012:The Old Vic 937:Ellen Terry 850:Ellen Terry 714:patriarchal 692:Cymbeline’s 571:Richard III 567:Henry Tudor 514:First Folio 473:First Folio 357:George Dawe 334:Louis Rhead 277:Apparitions 229:Two Jailers 134:First Folio 8382:1611 plays 8356:Categories 8326:Quotations 7835:Mempricius 7640:Gurgustius 7630:Gurgintius 7490:Diocletian 7485:Digueillus 7470:Cunobeline 7465:Cunedagius 7270:Beldgabred 7245:Arvirargus 7220:Amphibalus 7200:Albanactus 7183:Characters 7150:Layamon's 7001:(1982; TV) 6920:Arvirargus 6885:Characters 6754:Mary Arden 6738:(daughter) 6726:(daughter) 6602:Bardolatry 6512:King's Men 6454:Birthplace 6141:Chronology 6060:Henry VIII 5987:Richard II 5979:Edward III 5889:Coriolanus 5305:. Durham: 5303:Tendencies 5292:9 February 5260:: 95–105. 5197:9 February 4787:. Oxford: 4753:1011808615 4701:: 132–33. 4528:1013939031 4386:. Oxford: 3937:9 February 3857:9 February 3627:Penguin UK 3596:Bloomsbury 3577:. Oxford: 3207:Odell 1920 3192:(program). 2848:Marks 1998 2824:Wayne 2005 2740:White 1998 2728:Odell 1920 2704:Odell 1920 2677:Wayne 2005 2662:Wayne 2005 2638:Wells 2005 2567:Wayne 2017 2523:Wayne 2017 2412:Wayne 2017 2376:Traub 2002 2319:Wayne 2017 2215:Bloom 2000 2066:Wayne 2017 1994:References 1944:Cunobeline 1898:Happy Days 1864:Cleo Laine 1854:song cycle 1616:Cymbeline, 1410:performed 1255:In a 2007 1172:Colm Feore 1152:Roger Rees 1144:Judi Dench 1035:Peter Hall 884:Marylebone 852:as Imogen. 724:homoerotic 677:Pax Romana 610:John Keats 555:Robert Nye 544:Chronicles 401:Cunobeline 206:Arvirargus 176:Cunobeline 169:In Britain 164:Characters 144:or even a 130:Cunobeline 8287:Cymbeline 8261:Wikiquote 8200:Riothamus 8148:Excalibur 8065:Vortigern 8060:Vespasian 7950:Redechius 7935:Porrex II 7920:Peredurus 7905:Pandrasus 7650:Gwenddydd 7625:Guithelin 7620:Guinevere 7615:Guiderius 7565:Fulgenius 7555:Eudaf Hen 7550:Estrildis 7545:Enniaunus 7405:Cledaucus 7375:Carausius 7370:Caradocus 7365:Caracalla 7335:Cadwaladr 7275:Beli Mawr 7230:Archgallo 7225:Andragius 7126:(c. 1150) 7118:(c. 1136) 7110:(c. 1135) 7030:Philaster 7006:Cymbeline 6998:Cymbeline 6915:Guiderius 6893:Cymbeline 6876:Cymbeline 6784:John Hall 6774:(brother) 6762:(brother) 6694:(replica) 6634:Star Trek 6622:Memorials 6617:Influence 6607:Festivals 6549:Sexuality 6539:Portraits 6534:New Place 6386:Ur-Hamlet 6322:Mucedorus 6232:Apocrypha 5972:King John 5963:Histories 5910:King Lear 5873:Tragedies 5769:Cymbeline 5679:Cymbeline 5663:Cymbeline 5651:Cymbeline 5640:Cymbeline 5613:0950-236X 5424:0261-3077 5274:192075291 5237:11 August 5172:Macmillan 5145:0582-9399 5045:145212402 5037:1745-0918 4917:13 August 4871:144140678 4863:0037-3222 4807:750907664 4536:192232406 4461:The Stage 4321:Phizzical 4069:193046468 4053:0486-3739 3812:0037-3222 3769:0458-3035 3690:0037-3222 3659:Routledge 3623:Cymbeline 3614:972096906 3588:Cymbeline 3575:Cymbeline 3562:Cymbeline 3549:Cymbeline 3536:Cymbeline 3231:Hart 2011 3190:Cymbeline 3169:Cymbeline 2487:Cymbeline 2477:, V.v.32. 2475:Cymbeline 2162:Muir 1961 2150:Cull 2018 1981:Decameron 1884:The Frogs 1771:in 1826. 1696:Ed Harris 1691:Cymbeline 1674:In 2014, 1645:Rembrandt 1565:Cymbeline 1524:Cymbeline 1516:Cymbeline 1453:in 1682. 1451:Cymbeline 1445:Image of 1431:Cymbeline 1412:Cymbeline 1393:Cymbeline 1391:directed 1387:In 2023, 1366:Cymbeline 1364:directed 1360:In 2016, 1347:Sam Yates 1332:Civil War 1320:Cymbeline 1299:In 2013, 1286:Cymbeline 1269:In 2012, 1226:Cymbeline 1191:Cymbeline 1181:In 1994, 1075:Brechtian 1073:employed 981:staged a 951:Athenaeum 911:Sri Lanka 907:Cymbeline 905:In 1859, 832:Cymbeline 828:Cymbeline 821:In 1761, 816:Haymarket 804:John Rich 792:Charles I 755:Cymbeline 734:Cymbeline 697:Cymbeline 684:Cymbeline 656:Cymbeline 590:Cymbeline 551:Cymbeline 522:Cymbeline 512:from the 510:Cymbeline 478:Cymbeline 464:Cymbeline 443:Cymbeline 397:Cymbeline 315:John Faed 200:Guiderius 138:Cymbeline 56:Cymbeline 8160:Lailoken 8070:Vortimer 8025:Taliesin 7930:Porrex I 7865:Morvidus 7860:Morgause 7840:Merianus 7820:Marganus 7775:King Lot 7770:Locrinus 7745:Kinarius 7740:Kimarcus 7595:Gorboduc 7575:Gerennus 7535:Elidurus 7505:Ebraucus 7495:Dionotus 7460:Corineus 7415:Coel Hen 7410:Clotenus 7400:Claudius 7390:Catigern 7385:Catellus 7300:Brennius 7265:Bedivere 7250:Ascanius 7235:Archmail 7210:Allectus 6911:Belarius 6820:Category 6768:(sister) 6756:(mother) 6750:(father) 6262:Cardenio 6151:Settings 6099:See also 6022:Henry VI 5993:Henry IV 5739:Comedies 5684:LibriVox 5573:27 April 5553:27 April 5533:27 April 5454:20 April 5434:20 April 5401:(1964). 5217:8 August 5191:Archived 5155:29 April 5122:28 April 5006:21 April 4977:21 April 4958:21 April 4936:28 April 4830:27 March 4678:20 April 4635:(1964). 4619:(1952). 4594:27 April 4576:50339552 4491:7 August 4471:23 March 4369:20 April 4350:29 April 4307:27 April 4275:28 April 4255:27 April 4235:27 April 4215:27 April 4195:27 April 4175:27 April 4155:27 April 4135:27 April 4103:27 April 4087:27 April 4061:41917304 4039:: 1–31. 3985:20 April 3837:27 April 3779:21 April 3172:Archived 3085:cite web 3075:25 April 2138:Nye 2012 1955:Augustus 1647:and his 1621:In 1968 1378:Barbican 1292:for the 1250:Old West 1133:Pericles 956:pastoral 800:Caroline 772:Rosalind 710:chastity 265:tribunes 18:Philario 8195:Pridwen 8190:Nennius 8055:Venissa 8045:Urianus 8035:Trahern 7975:Rivallo 7915:Peredur 7855:Mordred 7755:Lavinia 7750:Latinus 7735:Keredic 7730:Sir Kay 7705:Innogen 7695:Igraine 7690:Idvallo 7665:Helenus 7605:Gorlois 7590:Goneril 7295:Bledudo 7280:Belinus 7017:Related 6944:Sources 6925:Jupiter 6612:Gardens 6488:Editors 6291:Locrine 6284:Fair Em 6116:Henriad 6015:Henry V 5924:Othello 5917:Macbeth 5666:– from 5342:2868939 5139:: 188. 4715:2867546 3820:2902322 3698:2869367 1968:Preface 1815:novel, 1740:Fidelio 1526:in the 1420:fantasy 1368:at the 1316:musical 1158:At the 1056:Malcolm 943:at the 888:epicene 862:Charles 839:Jamaica 746:Ovidian 672:James I 536:Leonato 392:Sources 370:Jupiter 302:Summary 283:Jupiter 234:In Rome 151:Othello 148:. Like 142:romance 113:set in 8175:Logres 8116:Avalon 8109:Topics 8040:Turnus 7970:Rience 7850:Millus 7845:Merlin 7795:Maddan 7570:Gawain 7560:Ferrex 7510:Edadus 7475:Danius 7420:Coilus 7395:Cherin 7360:Capoir 7285:Bladud 7190:Aeneas 7009:(2014) 6980:(1577) 6908:Cloten 6901:Imogen 6809:† Lost 6720:(wife) 6711:Family 6584:Legacy 6156:Scenes 5896:Hamlet 5611: 5511: 5479: 5422: 5376:. UK: 5340: 5272: 5143: 5083: 5043: 5035: 5002:. 2016 4894: 4869: 4861: 4805: 4795: 4772: 4751: 4741: 4713: 4674:. 1560 4647: 4590:. 1951 4574: 4564: 4534: 4526: 4516: 4444: 4421: 4394: 4303:. 1951 4271:. 2011 4251:. 2006 4231:. 1996 4211:. 1986 4191:. 1957 4171:. 1951 4151:. 1938 4131:. 1934 4099:. 1913 4083:. 1968 4067: 4059: 4051: 4020: 3958: 3916: 3893: 3874: 3818: 3810: 3767: 3744: 3717: 3696: 3688: 3633: 3612: 3602: 3459:Brooke 3153:22 May 3127:22 May 1685:Hamlet 1663:, and 1631:Imogen 1627:Polish 1577:Imogen 1550:Shaw's 1209:, and 992:Hamlet 945:Lyceum 898:, and 798:. The 768:Portia 627:wrote 263:Roman 146:comedy 50:, 1872 44:Imogen 8343:Texts 8309:Media 8085:Ywain 7885:Oenus 7540:Eliud 7525:Eldol 7330:Cador 7325:Cadoc 7098:Works 7037:1609) 6972:1353) 6960:1136) 6897:Queen 6732:(son) 6574:Grave 6564:Style 6529:Music 6446:works 6411:Poems 6240:Plays 6178:Poems 5730:Plays 5338:JSTOR 5324:(4). 5270:S2CID 5256:(1). 5041:S2CID 4867:S2CID 4711:JSTOR 4697:(1). 4532:S2CID 4331:2 May 4065:S2CID 4057:JSTOR 3816:JSTOR 3694:JSTOR 1930:Notes 1063:topos 915:India 886:, an 848:Dame 780:Julia 776:Viola 579:Welsh 140:as a 7985:Runo 7760:Leil 7675:Hoel 7152:Brut 6569:Will 6444:and 6441:Life 5609:ISSN 5575:2019 5555:2019 5535:2019 5509:ISBN 5477:ISBN 5456:2019 5436:2019 5420:ISSN 5294:2015 5239:2013 5219:2013 5199:2015 5157:2019 5141:ISSN 5124:2019 5081:ISBN 5033:ISSN 5008:2019 4979:2019 4960:2019 4938:2019 4919:2013 4892:ISBN 4859:ISSN 4832:2015 4803:OCLC 4793:ISBN 4770:ISBN 4749:OCLC 4739:ISBN 4680:2019 4645:ISBN 4596:2019 4572:OCLC 4562:ISBN 4524:OCLC 4514:ISBN 4493:2013 4473:2017 4442:ISBN 4419:ISBN 4392:ISBN 4371:2019 4352:2019 4345:IMDb 4333:2019 4309:2019 4277:2019 4257:2019 4237:2019 4217:2019 4197:2019 4177:2019 4157:2019 4137:2019 4105:2019 4089:2019 4049:ISSN 4018:ISBN 3987:2019 3956:ISBN 3939:2015 3914:ISBN 3891:ISBN 3872:ISBN 3859:2015 3839:2019 3808:ISSN 3781:2019 3765:ISSN 3742:ISBN 3715:ISBN 3686:ISSN 3631:ISBN 3610:OCLC 3600:ISBN 3155:2023 3129:2023 3091:link 3077:2019 2202:2023 1984:pen. 1755:lied 1473:and 1353:and 1313:folk 872:and 794:and 778:and 740:and 608:and 524:and 257:Two 154:and 6129:L–Z 6124:A–K 5643:at 5601:doi 5469:doi 5449:CNN 5330:doi 5262:doi 5025:doi 4851:doi 4703:doi 4506:doi 4041:doi 3800:doi 3678:doi 1970:in 1917:In 1910:by 1881:'s 1801:in 1608:BBC 1600:BBC 1575:as 1542:'s 1532:NBC 1520:BBC 1461:as 1429:, 1288:in 423:'s 407:'s 355:by 313:by 103:or 8358:: 7035:c. 6970:c. 6958:c. 6803:✻ 6265:✻† 5607:. 5595:. 5566:. 5546:. 5526:. 5475:. 5447:. 5418:. 5414:. 5336:. 5322:25 5320:. 5284:. 5268:. 5254:53 5252:. 5230:. 5210:. 5189:. 5185:. 5135:. 5115:. 5079:. 5075:. 5039:. 5031:. 5021:12 5019:. 4998:. 4970:. 4949:. 4929:. 4890:. 4865:. 4857:. 4847:59 4845:. 4818:. 4801:. 4791:. 4768:. 4764:. 4747:. 4709:. 4693:. 4670:. 4643:. 4586:. 4570:. 4560:. 4530:. 4522:. 4512:. 4504:. 4483:. 4459:. 4440:. 4417:. 4390:. 4362:. 4343:. 4319:. 4299:. 4287:. 4267:. 4247:. 4227:. 4207:. 4187:. 4167:. 4147:. 4127:. 4115:. 4079:. 4063:. 4055:. 4047:. 4037:25 4035:. 4016:. 4012:. 3997:. 3973:. 3954:. 3950:. 3930:. 3912:. 3850:. 3830:. 3814:. 3806:. 3796:51 3794:. 3763:. 3759:. 3740:. 3713:. 3709:. 3692:. 3684:. 3674:31 3672:. 3629:. 3625:. 3608:. 3598:. 3590:. 3564:. 3551:. 3199:^ 3146:. 3120:. 3087:}} 3083:{{ 3068:. 2684:^ 2669:^ 2630:^ 2603:^ 2586:^ 2547:^ 2530:^ 2419:^ 2368:^ 2353:^ 2338:^ 2311:^ 2246:^ 2193:. 2169:^ 2058:^ 2019:^ 2002:^ 1948:c. 1874:. 1819:. 1659:, 1655:, 1651:. 1633:. 1579:, 1488:. 1240:. 1224:. 1205:, 995:. 928:. 917:. 902:. 894:, 876:. 841:. 774:, 770:, 757:. 496:c. 119:c. 87:iː 8295:: 7082:e 7075:t 7068:v 7033:( 6968:( 6956:( 6864:e 6857:t 6850:v 6510:/ 6389:† 6360:✻ 6309:† 6063:✻ 6044:3 6037:2 6032:✻ 6029:1 6006:2 5999:1 5982:✻ 5857:✻ 5821:✻ 5714:e 5707:t 5700:v 5658:. 5615:. 5603:: 5597:4 5577:. 5557:. 5537:. 5517:. 5485:. 5471:: 5458:. 5438:. 5393:. 5380:. 5367:. 5359:. 5344:. 5332:: 5309:. 5296:. 5276:. 5264:: 5241:. 5221:. 5201:. 5174:. 5159:. 5126:. 5106:. 5064:. 5047:. 5027:: 5010:. 4981:. 4962:. 4940:. 4921:. 4900:. 4873:. 4853:: 4834:. 4809:. 4778:. 4755:. 4717:. 4705:: 4695:8 4682:. 4653:. 4611:. 4598:. 4578:. 4538:. 4508:: 4495:. 4475:. 4450:. 4427:. 4400:. 4373:. 4354:. 4335:. 4311:. 4279:. 4259:. 4239:. 4219:. 4199:. 4179:. 4159:. 4139:. 4107:. 4091:. 4071:. 4043:: 3989:. 3964:. 3941:. 3922:. 3899:. 3880:. 3861:. 3841:. 3822:. 3802:: 3783:. 3750:. 3723:. 3700:. 3680:: 3661:. 3639:. 3616:. 3581:. 3568:. 3521:. 3509:. 3497:. 3485:. 3473:. 3461:. 3449:. 3437:. 3425:. 3413:. 3401:. 3389:. 3377:. 3365:. 3353:. 3341:. 3329:. 3317:. 3305:. 3293:. 3281:. 3269:. 3257:. 3157:. 3131:. 3106:. 3093:) 3079:. 3054:. 3042:. 3030:. 3018:. 3006:. 2970:. 2958:. 2946:. 2934:. 2922:. 2910:. 2898:. 2886:. 2874:. 2862:. 2850:. 2814:. 2640:. 2294:. 2282:. 2270:. 2204:. 2152:. 2140:. 2092:. 2080:. 2068:. 1418:/ 679:. 632:, 494:( 383:. 359:. 317:. 117:( 93:/ 90:n 84:l 81:ɪ 78:b 75:m 72:ɪ 69:s 66:ˈ 63:/ 59:( 34:. 20:)

Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.

Index