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With his looser style and handling, more naturalistic palette, and interest in exploring landscape elements, Mola differs from the prevailing, highly-theoretical classicism of such leading 17th-century Roman painters as
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His masterpiece as a fresco painter is widely considered to be the fresco in the gallery of
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Ecstasy in the
Wilderness: Pier Francesco Mola's "The Vision of Saint Bruno"
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Pier
Francesco Mola 1612 - 1666, Electa 1989, Lugano, Museo Cantonale d'Arte
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Freedberg, Sydney J. (1993). Pelican
History of Art (ed.).
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His early training was with the late mannerist painter
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320:. pp. 323–325 Penguin Books Ltd.
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358:Italian male painters
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225:Accademia di San Luca
208:The Flight into Egypt
45:Pietro Francesco Mola
298:Wittkower, Rudolph.
229:Jean-Baptiste Forest
120:Pier Francesco Mola
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348:People from Ticino
273:, Dawson W. Carr,
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