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Quo Vadis (1951 film)

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480:, Nero's wife, who lusts after Marcus, devises a diabolical revenge for his rejection of her. Lygia is tied to a stake in the Circus and a wild bull is released into the arena. Lygia's bodyguard Ursus must attempt to kill the bull with his bare hands to save Lygia from being gored to death. Marcus is taken to the emperor's box and forced to watch. This act outrages his loyal officers who are among the spectators. Ursus is able to topple the bull, though, and break its neck. At that moment Marcus manages to break free from his bonds and leaps into the arena to get to Lygia. Massively impressed by Ursus's victory and seeing that Lygia is the beloved of Marcus who is still regarded as a great war hero, the crowd exhorts Nero to spare the couple. He refuses to do so, even after four of his courtiers, 909: 953:. I threw everything I knew into this test, and to my surprise, John Huston did little to restrain me, encouraging me in confidential whispers to be even madder. Apparently the test was a success, but then the huge machine came to a halt, and the project was postponed for a year. At the end of the year, the producer was Sam Zimbalist and the director Mervyn LeRoy. They also approved my test, but warned me in a wire that I might be found to be a little young for the part. I cabled back that if they postponed again, I might be too old, since Nero died at 31. A second cable from them read 'Historical Research Has Proved You Correct Stop The Part Is Yours'. 805: 1158: 36: 428: 897: 466:
martyrs, but he cannot change the emperor's mind. Then, tired of Nero's insanity and suspecting that he may be about to turn on him, too, Petronius composes a letter to Nero expressing his derision for the emperor (which he previously had concealed to avoid being murdered by him) and commits suicide by severing an artery in his wrist. His slavegirl Eunice (who has fallen in love with him) elects to die with him, despite being freed. The Christian apostle
886: 1086:, whose technical knowledge is incomparable ... Finally, the Rome contingent arrived home with their version. It wasn't so very different from the one that Margaret had put together, and there were no insuperable problems. Sam Zimbalist was amazed and delighted that I had all the music ready in three weeks, thanks to the work Margaret and I had already done. 1495: 931:
Although most of the cast was British and a few Italian (Marina Berti, Alfredo Varelli, Roberto Ottaviano), Robert Taylor was certainly not the only American. Others included Buddy Baer (Ursus), Peter Miles (Nazarius), Arthur Walge (Croton), and William Tubbs (Anaxander). Also, several were among the
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In his 1982 autobiography, Miklós Rózsa expressed his regret at the way his score was handled by producer Sam Zimbalist, 'a dear personal friend': " didn't use the music in any way as effectively as he might have done. After all the trouble I went to, much of my work was swamped by sound effects, or
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and that it had been borrowed from the Italian government. (This was originally constructed by Mussolini's government for a 1937 exhibition of Roman architecture.) However, the museum model is of fourth-century Rome, not of first-century Rome as it would have looked when rebuilt after the Great Fire
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Nero ... The way I see him ... He's a guy plays with himself nights.... At the time I thought it a preposterous assessment, but a little later I was not so sure. It was a profundity at its most workaday level, and it led me to the eventual conviction that no nation can make Roman pictures as well as
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and blames the Christians, Marcus sets out to rescue Lygia and her family. Nero arrests them, along with all the other Christians, and condemns them to be slaughtered in his Circus; some are killed by lions. Petronius, Nero's most trusted advisor, warns him that the Christians will be celebrated as
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was negative, writing that the film "demonstrates how inordinately boring the convention of size and spectacle can be, when divorced from taste, feeling, and, to a surprising extent, creative talent. The film is unimaginatively directed, at a very slow pace in keeping with the general larger than
844:. One of Hollywood's foremost animal experts began to procure lions, horses, bulls, and other animals from around Europe. Well in advance of filming, the producer, director, chief cinematographer, and casting director arrived in Rome. The film finally went into production on Monday, May 22, 1950. 839:
and exterior of Nero's palace, a whole section of Ancient Rome, a great bridge, and the Plautius villa. The manufacture of thousands of costumes for extras began, along with drapes and carpets, metal and glass goblets, and 10 chariots. Official permission was granted to refurbish a section of the
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worked on the film as an uncredited second-unit director. He spent 24 nights (four working weeks) on the Cinecitta backlot shooting scenes for the Burning of Rome sequence. However, he was not the co-director of the film, as some of his admirers have claimed. The soundstage scenes for the same
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from author Henryk Sienkiewicz's heirs. (At the same time they had to buy the 1924 silent-screen version.) The company originally intended to make the film in Italy, but the outbreak of WWII caused it to be postponed. After the war, production was restarted. A lease was obtained on the huge
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for 6 consecutive weeks and 11 weeks in total. According to MGM's records, during its initial theatrical release, it earned $ 11,143,000 in the U.S. and Canada and $ 9,894,000 elsewhere, making it the highest-grossing film of 1951, and resulting in a profit to the studio of $ 5,440,000.
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declared, "For sheer opulence, massiveness of sets, size of cast, and beauty of Technicolor photography, no picture ever produced matches 'Quo Vadis'. It is a super-collosal spectacle in every sense of the meaning, and on that score alone it is worth a premium price of admission."
864: 975:, still widely unknown when the film was released, was considered for the part of Lygia. Director Mervyn LeRoy wanted to cast her, but the role went to established MGM contract star Deborah Kerr. Wardrobe stills of her in costume for the film still exist. 1081:
rushes were being sent back to Hollywood for cutting at the same time as they were being cut back in Rome ... I set to work so that at least something was ready, even if it had to be modified later. I worked with the chief supervising editor,
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negotiated to form the R.A.M. Corporation later in 1937, which was ultimately aborted. This business alliance with the Fascist state horrified 1930s Hollywood moguls and ultimately led to Roach defecting from his MGM distribution deal to
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issued gramophone discs, in three different editions and speeds, of 12 tracks from the original soundtrack music (without sound effects). Consequently, much of the original recorded score is still available in various formats. In 2009,
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Filming in postwar Italy offered American studios immense facilities and cheap Italian labor and extras, of which thousands were required. Hollywood returned to Cinecitta often, producing many of its biggest spectacles there, including
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chariot, holding a victory laurel above his head, and repeating "Remember thou art only a man." Ustinov recalled how he was cast as Nero in 1949: "An exciting proposition came my way when I was 28 years old. MGM were going to remake
1652:, because it was produced abroad, was completely boycotted by Hollywood and received no Academy nominations." Although it did not win any Academy Awards, it did, in fact, receive eight nominations – including one for Rózsa's score. 1589:, but these recordings were reportedly lost later on in a fire at the Culver City studios. However, 'dubdowns' of all of those recordings that were used in the film (about two-thirds with added sound effects) do survive. In 1951, 1216:
for box-office performance. It has size, scope, splash, and dash, giving for the first time in a long while credence to the now-clichéd 'super-colossal' term. This is a super-spectacle in all its meaning." Edwin Schallert of the
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At one point in the film, Nero shows his court a scale model illustrating his plans for the rebuilding of Rome as a new city to be called Neropolis. Studio publicity claimed that this was the model of Ancient Rome housed in the
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The music score by Miklós Rózsa is notable for its historical authenticity. Since no Ancient Roman music had survived, Rózsa incorporated a number of fragments of Ancient Greek and Jewish melodies such as the
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wrote in a mixed review, "Here is a staggering combination of cinema brilliance and sheer banality, of visual excitement and verbal boredom, of historical pretentiousness and sex." Crowther thought that even
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as Marcus Vinicius. When the production changed hands the following year, the roles went to Deborah Kerr and Robert Taylor. Elizabeth Taylor had an uncredited cameo role as a Christian in the Circus prisons.
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called it "a fabulously entertaining movie. Though the expansive, expensive film from the celebrated novel runs over three hours on the Palace screen, you won't believe you've been there nearly that long."
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the Americans ... The inevitable vulgarities of the script contributed as much to its authenticity as its rare felicities. I felt then as I feel today, in spite of the carping of critical voices, that
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The story, set between 64–68 AD, combines both historical and fictional events and characters, and compresses the key events of that period into the space of only a few weeks. Its main theme is the
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The crowd revolts, now firmly believing that Nero, not the Christians, is responsible for the burning of Rome. Nero flees to his palace, where he strangles Poppaea, blaming her for inciting him to
530:, which he had left behind when he returned to Rome, has sprouted blossoms. A radiant light appears and a chorus intones, "I am the way, the truth, and the life," words spoken by Jesus ( 496:
of the mob's demands. The decision enrages the crowd and Marcus's loyal troop members rush to the arena to save the three. Marcus accuses Nero of burning Rome and announces that General
659: 1466: 408: 1626:, recorded the entire score (a total of 38 tracks on two CDs). This included several pieces of music that were originally recorded by Rózsa, but not used on the film's soundtrack. 994:, good or bad according to taste, was an extraordinarily authentic film, and the nonsense Nero was sometimes made to speak was very much like the nonsense Nero probably did speak. 388:, Nero proved corrupt and destructive, and his actions eventually threatened to destroy Rome's previously peaceful social order. The title refers to an incident in the apocryphal 1166: 1133:
of AD 64. The screen model looks nothing like the museum model. (It was almost certainly constructed especially for the film – perhaps by its special effects model-maker,
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After months of preparation, the art director, costume designer, and set decorator arrived in Rome in 1948. Construction of the outdoor sets began at once: the huge
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Patricia Laffan was selected by the producer and director for the major role of Poppaea after they watched a screen test she made for a smaller part in the film.
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In 1963, MGM Records brought out a stereo compilation of excerpts from Rózsa's film scores played by the Symphony Orchestra of Rome, conducted by Rózsa and
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declared it "one of the most tremendous if not the greatest pictures ever made ... Its pictorial lavishness has never been equaled in any other production."
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has also been arrested after returning to Rome in response to a sign from the Lord, and he marries Marcus and Lygia in the Circus prisons. Peter is later
3721: 3751: 403:, and it was such a huge box office success that it was credited with single-handedly rescuing MGM from the brink of bankruptcy. Peter Ustinov won the 969:) also had an uncredited extra role as a Praetorian guardsman inside Nero's summer palace at Antium. (He answers Nero, but his voice may be dubbed.) 3771: 2217: 1581:
In 1950, before film production began, Rózsa made prerecordings of numerous fanfares, marches, songs and dances with the M-G-M Studio Orchestra in
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turned down the role of Marcus Vinicius very early in the film's production history because he thought he would look ridiculous in Roman costumes.
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Marcus, Lygia, and Ursus are now free, and they leave Rome for Marcus' estate in Sicily to begin a new life together. By the roadside, Peter's
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A two-disc special edition of the movie was released on DVD in the U.S. on November 11, 2008, after a long photochemical restoration process.
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Due to equipment shortages in Italy, MGM had to import a reported two hundred tons of generators, lights and other electrical equipment from
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played at such a low level as to be indistinguishable ... It was a great disappointment to me." However, he was mistaken when he wrote: "
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that director Mervyn LeRoy summarized the manner in which he envisioned Ustinov should play the Emperor Nero, very salaciously, as
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In 1977, Rózsa made a stereo recording of 12 selections from his score, once again conducting the Royal Philharmonic Orchestra.
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Composer Miklós Rózsa said that he wrote most of his score at the Culver City studios while the film was being shot in Italy:
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was in production, Rome was in the grip of an intense heatwave, as Peter Ustinov recalled: "Rome was in the throes of
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Produced for $ 7 million, it was the most expensive film ever made at the time. It became MGM's largest grosser since
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in 1937 as part of the dictator's master plan to make Rome the pre-eminent world capital. (Mussolini's son
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Meanwhile, Nero's atrocities become increasingly outrageous and his behavior more irrational. After Nero
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in a stereo compilation of excerpts from his epic film scores. This included three selections from
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uncredited cast; perhaps the most notable of these was 70-year-old Irish-American character actor
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At the end of the film, a triumphal march heralds the success of the armies of the new emperor,
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in the Latin Bible – in Genesis 16:8, Genesis 32:17, Judges 19:17, John 13:36, and John 16:5.
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in scale. The studio would later be used by many Italian producers and directors, including
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Schallert, Edwin (November 30, 1951). "'Quo Vadis' Triumphant As Great Film Spectacle".
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Rózsa's love theme for Lygia ("Lygia") was set to words by Paul Francis Webster and
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is at that moment marching on the city, intent on replacing Nero, and hails him
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Runaway Hollywood: Internationalizing Postwar Production and Location Shooting
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Ringling Museum Sarasota, Florida: Bronze statue of Lygea tied to the bull by
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Quo Vadis – Miklos Rozsa: world premiere recording of the complete film score
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Studios, eight miles outside Rome, with its 148 acres and nine soundstages.
305:. It is the fourth screen adaptation of Sienkiewicz's novel. The film stars 3409: 3102: 2996: 2854: 2736: 1602: 1437: 1140: 1009:(1939). Filmed at the sprawling Cinecitta Studios that had been opened by 962: 924: 901: 896: 856: 823:
In the late 1930s, MGM bought the talking-picture rights to the 1896 novel
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Coe, Richard L. (December 26, 1951). "The Writers Rate 'Quo Vadis' Bows".
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before the mob storming the palace kills him. Nero cannot do it, so Acte
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Films featuring a Best Supporting Actor Golden Globe winning performance
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sang it for the first time on his radio show broadcast of January 1952.
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Ten Italian locations were used in the film. With the exception of the
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appeared in the film as an extra. Italian star Bud Spencer (real name:
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in a flashback tableau. The narration was provided by an uncredited
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The Thriller Libraries: The Fleetway Picture Library Index Volume 2
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life proportions, and its technical qualities are not impressive."
1099: 867: 813: 560: 385: 314: 112: 2279:"'Quo Vadis' with Robert Taylor, Deborah Kerr and Peter Ustinov". 885: 874: 1672: 852: 527: 516: 477: 451: 439: 2175:(Wesleyan University Press • Middletown, Conn • 1979/2007) p. 11 384:
line. Unlike his illustrious and powerful predecessor, Emperor
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Ben-Hur – Miklos Rozsa: original motion picture soundtrack
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article in the issue dated June 26, 1950, published while
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Epics, Spectacles, and Blockbusters: A Hollywood History
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based on 18 reviews, with an average rating of 6.40/10.
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and persecution of Christians in the final years of the
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The film features many uncredited supporting parts and
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Projecting the Past: Ancient Rome, Cinema, and History
1869:(original film brochure • 20 pages, including covers) 1433:
Outstanding Directorial Achievement in Motion Pictures
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Marcus Vinicius is a Roman military commander and the
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as the public slave who stands behind Marcus in his
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International Film Music Critics Association Awards
2994: 2529:Mélanges de l'École française de Rome - Antiquité 3678: 1165:The film was a major commercial success. It was 1598:collected and issued these elements on two CDs. 1496:Best Archival Re-Recording of an Existing Score 353:appeared as uncredited extras. The score is by 258:for "Where are you going?") is a 1951 American 945:, and I was a candidate for the role of Nero. 450:, a retired Roman general, Lygia is legally a 2980: 2799: 2375:"Quo-Vadis - Cast, Crew, Director and Awards" 1204:wrote that the film was "right up there with 949:was to be the producer, and I was tested by 2460:International Film Music Critics Association 1889:(William Heinmann • London • 1977) pp217-244 1413:Best Scoring of a Dramatic or Comedy Picture 2642:Academy of Motion Picture Arts and Sciences 2577:Great Movie Themes composed by Miklos Rozsa 2348:Academy of Motion Picture Arts and Sciences 2120:The Roman Empire: A Very Short Introduction 1161:The 1953 Japanese theatrical release poster 521:helps him to push the dagger into his chest 454:hostage of Rome in the old general's care. 3722:Films based on works by Henryk Sienkiewicz 2987: 2973: 2806: 2792: 1760:The words "quo vadis" as a question occur 919:The film was originally cast in 1949 with 763:as the Assyrian Dancer at Nero's banquet, 34: 3752:Cultural depictions of Seneca the Younger 2065:. University of California Press. p. 90. 1735: 1634:. This theme would be reused by Rózsa in 1260: 1152: 19:For other films with the same title, see 2701:(Book Palace Books • London • 2010) p146 2522: 2516: 1679: 1461: 1302: 1156: 1144:sequence were directed by Mervyn LeRoy. 907: 895: 884: 873: 862: 851: 803: 426: 3772:Cultural depictions of Paul the Apostle 2697:David Ashford and Steve Holland (Eds): 2007: 1976: 1917:Enchantment: The Life of Audrey Hepburn 1897: 1895: 1098:(Avenue of Cypresses) near the village 419:won the award for Best Cinematography. 3747:Films with screenplays by Sonya Levien 3679: 2615:(Audio CD • Prometheus Records • 2012) 2523:Vendries, Christophe (29 April 2015). 2504: 2502: 2372: 2035: 2033: 2031: 2029: 1605:. Rózsa conducted the Triumphal March. 1577:into his own choral-orchestral score. 1467:Best Supporting Actor – Motion Picture 409:Best Supporting Actor – Motion Picture 3757:Cultural depictions of Poppaea Sabina 3737:Films set in 1st-century Roman Empire 2968: 2787: 2216:Crowther, Bosley (November 9, 1951). 2116: 1914: 1881: 1879: 1877: 1875: 1862: 1860: 1858: 1856: 1797: 1624:City of Prague Philharmonic Orchestra 1512:James Fitzpatrick and Luc Van De Ven 981:Ustinov relates in his autobiography 2089:. New York: Routledge. p. 140. 2082: 2012:. Leicester: Troubador. p. 52. 1957:"The Life Story of Patricia Laffan" 1892: 1736:Hall, Sheldon; Neale, Steve (2010). 1675:version was released March 17, 2009. 1482:Robert Surtees and William V. Skall 1173: 2579:(Vinyl LP • M-G-M E-SE-4112 • 1963) 2499: 2150: 2026: 1729: 1622:In 2012, Nic Raine, conducting the 767:as a slave with Marcus at Triumph, 13: 3767:Cultural depictions of Saint Peter 2591:(Vinyl LP • Capitol ST2837 • 1967) 2153:"Mann, Anthony – Senses of Cinema" 1996:80 Years of The Hollywood Reporter 1919:. London: Hutchinson. p. 48. 1872: 1853: 775:as an imprisoned Christian woman, 747:as a Christian prisoner in arena, 269:during the final years of Emperor 16:1951 American film by Mervyn LeRoy 14: 3798: 3717:Epic films based on actual events 3207:I Am a Fugitive from a Chain Gang 2708: 2675: 2603:(Vinyl LP • Decca PFS4430 • 1977) 2410:Directors Guild of America Awards 1767: 1712:List of films set in ancient Rome 1428:Directors Guild of America Awards 1251:The film holds a score of 83% on 1048:(1963) – the latter two dwarfing 799: 771:as a wrestler at Nero's banquet, 395:The film was nominated for eight 2638:"The 24th Academy Awards (1952)" 2354:from the original on 6 July 2011 1064:in Italy, was as the title of a 277:by Polish Nobel Laureate author 2691: 2669: 2648: 2630: 2618: 2606: 2594: 2589:Miklos Rozsa – Epic Film Scores 2582: 2570: 2558: 2510:"FSM: Quo Vadis (Miklós Rózsa)" 2474: 2448: 2423: 2398: 2366: 2336: 2309: 2288: 2273: 2258: 2243: 2228: 2210: 2178: 2165: 2144: 2110: 2076: 2055: 2046: 2001: 1977:Higgins, Bill (16 March 2011). 1963:Vol63 No1832, July 10th, 1954 ( 1951: 1933: 1801:Sophia Loren: Moulding the Star 1538:National Board of Review Awards 1167:number one at the US box office 1056:. The first use of the phrase " 3732:Films directed by Mervyn LeRoy 2627:(Audio CD • Sony Music • 1996) 1908: 1829: 1791: 1754: 1717:List of historical drama films 816:from the trailer for the film 759:as Parmenida the hairdresser, 1: 3692:American religious epic films 2567:(Audio CD • FSM Box 4 • 2009) 1722: 1662: 1608:In 1967, Rózsa conducted the 794: 3742:Films scored by Miklós Rózsa 3727:Films based on Polish novels 3702:1950s English-language films 3335:The King and the Chorus Girl 2755:AFI Catalog of Feature Films 2194:. January 9, 1952. p. 3 1610:Nuremberg Symphony Orchestra 1587:Royal Philharmonic Orchestra 1549: 1532: 1479:Best Cinematography – Color 1444: 1147: 1130:Museum of Roman Civilization 1109:In the summer of 1950, when 719:Roberto Ottaviano as Flavius 275:1896 novel of the same title 7: 2658:. Business Wire. 2008-07-21 2234:"Film Reviews: Quo Vadis". 2186:"National Boxoffice Survey" 2117:Kelly, Christopher (2006). 2061:Steinhart, Daniel. (2019). 1905:(W H Allen • London • 1974) 1700: 1455:Best Motion Picture – Drama 1383:Best Costume Design – Color 1364:Best Cinematography – Color 365:. The film was released by 10: 3803: 3697:Depictions of Nero on film 3311:Oil for the Lamps of China 1334:Best Art Direction – Color 1106:, is easily recognizable. 998: 847: 779:as an Imperial Guard, and 357:and the cinematography by 191:November 2, 1951 21:Quo Vadis (disambiguation) 18: 3782:Metro-Goldwyn-Mayer films 3777:Films adapted into comics 3607: 3500: 3434:Thirty Seconds Over Tokyo 3369: 3078: 3003: 2939: 2888: 2827: 2298:The Monthly Film Bulletin 2285:. November 17, 1951. 182. 2008:Wrigley, Richard (2008). 1541: 1453: 1448: 1307: 1284: 1244:The Monthly Film Bulletin 1104:Livorno Province, Tuscany 239: 231: 223: 215: 205: 182: 172: 156: 146: 136: 122: 100: 90: 73: 55: 45: 40:Theatrical release poster 33: 28: 3707:Films about Christianity 2601:Quo Vadis – Miklos Rozsa 2486:National Board of Review 2377:. Movies & TV Dept. 1867:M-G-M presents Quo Vadis 1555: 1074:was being shot in Rome. 2406:"4th Annual DGA Awards" 2373:Murphy, Mekado (2016). 2240:. November 14, 1951. 6. 1798:Small, Pauline (2009). 1062:runaway film production 1017:and Hollywood producer 541: 492:, and musician Terpnos 422: 345:. Future Italian stars 273:'s reign, based on the 3712:Films about rebellions 3632:The Devil at 4 O'Clock 3616:Wake Me When It's Over 3525:Million Dollar Mermaid 2305:(218): 32. March 1952. 1984:The Hollywood Reporter 1915:Spoto, Donald (2006). 1261:Awards and nominations 1162: 1153:Box-office performance 1088: 1058:Hollywood on the Tiber 996: 916: 905: 893: 882: 871: 860: 820: 707:Strelsa Brown as Rufia 698:Arthur Walge as Croton 502:as new Emperor of Rome 435: 3581:No Time for Sergeants 3303:I Found Stella Parish 3199:The Heart of New York 3095:Showgirl in Hollywood 2948:The Sign of the Cross 2565:Miklos Rozsa Treasury 2531:(in French) (127–1). 1680:Comic-book adaptation 1309:Best Supporting Actor 1195:The Sign of the Cross 1160: 1079: 987: 911: 899: 888: 877: 866: 855: 807: 755:as a chariot driver, 511:the Christians. Then 494:add their endorsement 472:crucified upside-down 430: 369:on November 2, 1951. 293:from a screenplay by 289:, it was directed by 3787:1950s American films 3557:Strange Lady in Town 3482:East Side, West Side 3450:Without Reservations 3394:Blossoms in the Dust 3327:Three Men on a Horse 3239:Gold Diggers of 1933 3159:Local Boy Makes Good 2482:"1951 Award Winners" 2083:Wyke, Maria (1997). 1779:www.goldenglobes.com 3474:Any Number Can Play 3442:The House I Live In 3068:Little Johnny Jones 2462:. February 27, 2013 2456:"2012 IFMCA Awards" 2435:Golden Globe Awards 2267:The Washington Post 1450:Golden Globe Awards 1291:Best Motion Picture 1230:The Washington Post 1102:. This landmark in 900:Publicity photo of 751:as a Lygian slave, 367:Metro-Goldwyn-Mayer 283:Metro-Goldwyn-Mayer 166:Metro-Goldwyn-Mayer 3573:Toward the Unknown 3362:(1939, uncredited) 3346:(1937, uncredited) 3135:Too Young to Marry 2995:Films directed by 2815:Henryk Sienkiewicz 2743:TCM Movie Database 2537:10.4000/mefra.2791 2380:The New York Times 2282:Harrison's Reports 2222:The New York Times 2171:Jeanine Basinger: 1688:No 19, July 1952 ( 1671:A high-definition 1596:Film Score Monthly 1340:William A. Horning 1237:Harrison's Reports 1213:Gone With the Wind 1184:The New York Times 1163: 1096:Viale dei Cipressi 1015:Vittorio Mussolini 1006:Gone with the Wind 917: 906: 894: 883: 872: 861: 821: 675:D. A. Clarke-Smith 551:as Marcus Vinicius 436: 405:Golden Globe Award 279:Henryk Sienkiewicz 85:Henryk Sienkiewicz 3674: 3673: 3624:A Majority of One 3517:Lovely to Look At 3351:Fools for Scandal 3343:They Won't Forget 3255:The World Changes 2962: 2961: 2865:Pomponia Graecina 2775: (1951 film) 2252:Los Angeles Times 2130:978-0-19-280391-7 2096:978-0-415-90614-2 2071:978-0-52-029864-4 2019:978-1-906510-28-2 1965:Amalgamated Press 1945:2.bp.blogspot.com 1926:978-0-09-179655-6 1815:978-1-84150-234-2 1747:978-0-8143-3008-1 1690:Amalgamated Press 1553: 1552: 1398:Best Film Editing 1220:Los Angeles Times 1207:Birth of a Nation 1174:Critical reaction 684:Rosalie Crutchley 376:’s conflict with 247: 246: 3794: 3664:The Green Berets 3656:Moment to Moment 3589:Home Before Dark 3359:The Wizard of Oz 3223:Elmer, the Great 3191:Three on a Match 3167:Tonight or Never 3127:Gentleman's Fate 2989: 2982: 2975: 2966: 2965: 2808: 2801: 2794: 2785: 2784: 2702: 2695: 2689: 2688: 2687: 2686: 2673: 2667: 2666: 2664: 2663: 2652: 2646: 2645: 2634: 2628: 2622: 2616: 2610: 2604: 2598: 2592: 2586: 2580: 2574: 2568: 2562: 2556: 2555: 2553: 2551: 2520: 2514: 2513: 2506: 2497: 2496: 2494: 2492: 2478: 2472: 2471: 2469: 2467: 2452: 2446: 2445: 2443: 2441: 2427: 2421: 2420: 2418: 2416: 2402: 2396: 2395: 2393: 2392: 2383:. Archived from 2370: 2364: 2363: 2361: 2359: 2340: 2334: 2333: 2331: 2329: 2313: 2307: 2306: 2292: 2286: 2277: 2271: 2262: 2256: 2255:. Part I, p. 26. 2247: 2241: 2232: 2226: 2214: 2208: 2207: 2201: 2199: 2182: 2176: 2169: 2163: 2162: 2160: 2159: 2151:Boxwell, David. 2148: 2142: 2141: 2139: 2137: 2114: 2108: 2107: 2105: 2103: 2080: 2074: 2059: 2053: 2050: 2044: 2037: 2024: 2023: 2005: 1999: 1998: 1993: 1991: 1974: 1968: 1955: 1949: 1948: 1937: 1931: 1930: 1912: 1906: 1899: 1890: 1883: 1870: 1864: 1851: 1850: 1848: 1847: 1833: 1827: 1826: 1824: 1822: 1795: 1789: 1788: 1786: 1785: 1771: 1765: 1758: 1752: 1751: 1733: 1563:Seikilos epitaph 1527: 1524:Frank K. DeWald 1521: 1515: 1509: 1503: 1403:Ralph E. Winters 1373:William V. Skall 1352:Set Decoration: 1265: 1264: 1190:Cecil B. DeMille 1054:Federico Fellini 1011:Benito Mussolini 921:Elizabeth Taylor 914:Giuseppe Moretti 745:Elizabeth Taylor 517:end his own life 417:William V. Skall 363:William V. Skall 198: 196: 141:Ralph E. Winters 131:William V. Skall 38: 26: 25: 3802: 3801: 3797: 3796: 3795: 3793: 3792: 3791: 3677: 3676: 3675: 3670: 3603: 3496: 3402:Unholy Partners 3378:Waterloo Bridge 3365: 3319:Anthony Adverse 3295:Page Miss Glory 3287:Happiness Ahead 3151:Five Star Final 3074: 3060:Broadway Babies 2999: 2993: 2963: 2958: 2935: 2884: 2835:Gaius Petronius 2823: 2812: 2767:Rotten Tomatoes 2711: 2706: 2705: 2696: 2692: 2684: 2682: 2676:LeRoy, Mervyn, 2674: 2670: 2661: 2659: 2654: 2653: 2649: 2636: 2635: 2631: 2623: 2619: 2611: 2607: 2599: 2595: 2587: 2583: 2575: 2571: 2563: 2559: 2549: 2547: 2521: 2517: 2508: 2507: 2500: 2490: 2488: 2480: 2479: 2475: 2465: 2463: 2454: 2453: 2449: 2439: 2437: 2429: 2428: 2424: 2414: 2412: 2404: 2403: 2399: 2390: 2388: 2371: 2367: 2357: 2355: 2342: 2341: 2337: 2327: 2325: 2322:Rotten Tomatoes 2315: 2314: 2310: 2294: 2293: 2289: 2278: 2274: 2263: 2259: 2248: 2244: 2233: 2229: 2215: 2211: 2197: 2195: 2184: 2183: 2179: 2170: 2166: 2157: 2155: 2149: 2145: 2135: 2133: 2131: 2115: 2111: 2101: 2099: 2097: 2081: 2077: 2060: 2056: 2051: 2047: 2038: 2027: 2020: 2006: 2002: 1989: 1987: 1975: 1971: 1956: 1952: 1939: 1938: 1934: 1927: 1913: 1909: 1900: 1893: 1885:Peter Ustinov: 1884: 1873: 1865: 1854: 1845: 1843: 1841:catalog.afi.com 1835: 1834: 1830: 1820: 1818: 1816: 1806:Intellect Books 1796: 1792: 1783: 1781: 1773: 1772: 1768: 1759: 1755: 1748: 1734: 1730: 1725: 1703: 1686:Thriller Comics 1682: 1665: 1571:Hymn to the Sun 1567:Hymn to Nemesis 1558: 1525: 1523: 1519: 1517: 1513: 1511: 1507: 1505: 1501: 1351: 1348:Edward Carfagno 1338:Art Direction: 1303: 1263: 1254:Rotten Tomatoes 1179:Bosley Crowther 1176: 1155: 1150: 1001: 967:Carlo Pedersoli 947:Arthur Hornblow 934:Richard Garrick 890:Patricia Laffan 850: 802: 797: 765:Richard Garrick 753:Christopher Lee 737: 711:Alfredo Varelli 666:Nicholas Hannen 579:Patricia Laffan 544: 523:, and he dies. 425: 323:Patricia Laffan 321:, and features 208: 201: 194: 192: 185: 168: 161: 159: 129: 115: 111: 107: 82: 66: 62: 41: 24: 17: 12: 11: 5: 3800: 3790: 3789: 3784: 3779: 3774: 3769: 3764: 3759: 3754: 3749: 3744: 3739: 3734: 3729: 3724: 3719: 3714: 3709: 3704: 3699: 3694: 3689: 3672: 3671: 3669: 3668: 3660: 3652: 3644: 3636: 3628: 3620: 3611: 3609: 3605: 3604: 3602: 3601: 3593: 3585: 3577: 3569: 3561: 3553: 3549:Mister Roberts 3545: 3537: 3529: 3521: 3513: 3504: 3502: 3498: 3497: 3495: 3494: 3486: 3478: 3470: 3462: 3454: 3446: 3438: 3430: 3422: 3418:Random Harvest 3414: 3406: 3398: 3390: 3382: 3373: 3371: 3367: 3366: 3364: 3363: 3355: 3347: 3339: 3331: 3323: 3315: 3307: 3299: 3291: 3283: 3275: 3267: 3263:Heat Lightning 3259: 3251: 3243: 3235: 3231:Hard to Handle 3227: 3219: 3211: 3203: 3195: 3187: 3179: 3175:Big City Blues 3171: 3163: 3155: 3147: 3139: 3131: 3123: 3115: 3107: 3099: 3091: 3087:Playing Around 3082: 3080: 3076: 3075: 3073: 3072: 3064: 3056: 3048: 3040: 3032: 3024: 3016: 3012:No Place to Go 3007: 3005: 3001: 3000: 2992: 2991: 2984: 2977: 2969: 2960: 2959: 2957: 2956: 2951: 2943: 2941: 2937: 2936: 2934: 2933: 2925: 2917: 2909: 2901: 2892: 2890: 2886: 2885: 2883: 2882: 2877: 2872: 2867: 2862: 2860:Aulus Plautius 2857: 2852: 2850:Poppaea Sabina 2847: 2842: 2837: 2831: 2829: 2825: 2824: 2811: 2810: 2803: 2796: 2788: 2782: 2781: 2769: 2758: 2757: 2745: 2734: 2723: 2710: 2709:External links 2707: 2704: 2703: 2690: 2668: 2647: 2629: 2617: 2605: 2593: 2581: 2569: 2557: 2515: 2498: 2473: 2447: 2422: 2397: 2365: 2335: 2308: 2287: 2272: 2257: 2242: 2227: 2209: 2177: 2164: 2143: 2129: 2109: 2095: 2075: 2054: 2045: 2039:Miklos Rozsa: 2025: 2018: 2010:Cinematic Rome 2000: 1969: 1950: 1932: 1925: 1907: 1901:Mervyn LeRoy: 1891: 1871: 1852: 1828: 1814: 1808:. p. 24. 1790: 1766: 1753: 1746: 1727: 1726: 1724: 1721: 1720: 1719: 1714: 1709: 1702: 1699: 1698: 1697: 1681: 1678: 1677: 1676: 1669: 1664: 1661: 1628: 1627: 1620: 1617: 1606: 1599: 1557: 1554: 1551: 1550: 1548: 1545: 1540: 1534: 1533: 1531: 1528: 1520:(art director) 1498: 1493: 1487: 1486: 1483: 1480: 1476: 1475: 1472: 1471:Peter Ustinov 1469: 1463: 1462: 1460: 1457: 1452: 1446: 1445: 1443: 1440: 1435: 1430: 1424: 1423: 1420: 1415: 1409: 1408: 1405: 1400: 1394: 1393: 1390: 1388:Herschel McCoy 1385: 1379: 1378: 1375: 1369:Robert Surtees 1366: 1360: 1359: 1356: 1344:Cedric Gibbons 1336: 1330: 1329: 1326: 1320: 1319: 1316: 1311: 1305: 1304: 1301: 1298: 1293: 1288: 1286:Academy Awards 1282: 1281: 1278: 1275: 1272: 1269: 1262: 1259: 1225:Richard L. Coe 1175: 1172: 1154: 1151: 1149: 1146: 1135:Donald Jahraus 1084:Margaret Booth 1024:United Artists 1000: 997: 973:Audrey Hepburn 849: 846: 837:Circus of Nero 808:Screenshot of 801: 800:Pre-production 798: 796: 793: 789:Walter Pidgeon 773:Adrienne Corri 757:Clelia Matania 736: 735: 726: 720: 717: 708: 705: 699: 696: 690: 681: 672: 663: 657: 651: 645:Norman Wooland 642: 633: 627:Nora Swinburne 624: 615: 609: 603: 597:Abraham Sofaer 594: 585: 583:Poppaea Sabina 576: 567: 558: 552: 545: 543: 540: 448:Aulus Plautius 424: 421: 413:Robert Surtees 397:Academy Awards 382:Julio-Claudian 359:Robert Surtees 331:Abraham Sofaer 303:John Lee Mahin 285:and filmed in 281:. Produced by 245: 244: 241: 237: 236: 233: 229: 228: 225: 221: 220: 217: 213: 212: 209: 206: 203: 202: 200: 199: 188: 186: 183: 180: 179: 174: 173:Distributed by 170: 169: 164: 162: 157: 154: 153: 148: 144: 143: 138: 134: 133: 127:Robert Surtees 124: 123:Cinematography 120: 119: 102: 98: 97: 92: 88: 87: 75: 71: 70: 68:John Lee Mahin 57: 53: 52: 47: 43: 42: 39: 31: 30: 15: 9: 6: 4: 3: 2: 3799: 3788: 3785: 3783: 3780: 3778: 3775: 3773: 3770: 3768: 3765: 3763: 3760: 3758: 3755: 3753: 3750: 3748: 3745: 3743: 3740: 3738: 3735: 3733: 3730: 3728: 3725: 3723: 3720: 3718: 3715: 3713: 3710: 3708: 3705: 3703: 3700: 3698: 3695: 3693: 3690: 3688: 3685: 3684: 3682: 3666: 3665: 3661: 3658: 3657: 3653: 3650: 3649: 3645: 3642: 3641: 3637: 3634: 3633: 3629: 3626: 3625: 3621: 3618: 3617: 3613: 3612: 3610: 3606: 3599: 3598: 3597:The FBI Story 3594: 3591: 3590: 3586: 3583: 3582: 3578: 3575: 3574: 3570: 3567: 3566: 3562: 3559: 3558: 3554: 3551: 3550: 3546: 3543: 3542: 3538: 3535: 3534: 3530: 3527: 3526: 3522: 3519: 3518: 3514: 3511: 3510: 3506: 3505: 3503: 3499: 3492: 3491: 3487: 3484: 3483: 3479: 3476: 3475: 3471: 3468: 3467: 3463: 3460: 3459: 3455: 3452: 3451: 3447: 3444: 3443: 3439: 3436: 3435: 3431: 3428: 3427: 3423: 3420: 3419: 3415: 3412: 3411: 3407: 3404: 3403: 3399: 3396: 3395: 3391: 3388: 3387: 3383: 3380: 3379: 3375: 3374: 3372: 3368: 3361: 3360: 3356: 3353: 3352: 3348: 3345: 3344: 3340: 3337: 3336: 3332: 3329: 3328: 3324: 3321: 3320: 3316: 3313: 3312: 3308: 3305: 3304: 3300: 3297: 3296: 3292: 3289: 3288: 3284: 3281: 3280: 3279:Sweet Adeline 3276: 3273: 3272: 3268: 3265: 3264: 3260: 3257: 3256: 3252: 3249: 3248: 3247:Tugboat Annie 3244: 3241: 3240: 3236: 3233: 3232: 3228: 3225: 3224: 3220: 3217: 3216: 3215:High Pressure 3212: 3209: 3208: 3204: 3201: 3200: 3196: 3193: 3192: 3188: 3185: 3184: 3180: 3177: 3176: 3172: 3169: 3168: 3164: 3161: 3160: 3156: 3153: 3152: 3148: 3145: 3144: 3140: 3137: 3136: 3132: 3129: 3128: 3124: 3121: 3120: 3119:Little Caesar 3116: 3113: 3112: 3108: 3105: 3104: 3100: 3097: 3096: 3092: 3089: 3088: 3084: 3083: 3081: 3077: 3070: 3069: 3065: 3062: 3061: 3057: 3054: 3053: 3049: 3046: 3045: 3041: 3038: 3037: 3033: 3030: 3029: 3025: 3022: 3021: 3020:Flying Romeos 3017: 3014: 3013: 3009: 3008: 3006: 3002: 2998: 2990: 2985: 2983: 2978: 2976: 2971: 2970: 2967: 2955: 2952: 2950: 2949: 2945: 2944: 2942: 2938: 2931: 2930: 2926: 2923: 2922: 2918: 2915: 2914: 2910: 2907: 2906: 2902: 2899: 2898: 2894: 2893: 2891: 2887: 2881: 2878: 2876: 2873: 2871: 2868: 2866: 2863: 2861: 2858: 2856: 2853: 2851: 2848: 2846: 2843: 2841: 2838: 2836: 2833: 2832: 2830: 2826: 2822: 2821: 2816: 2809: 2804: 2802: 2797: 2795: 2790: 2789: 2786: 2780: 2776: 2774: 2770: 2768: 2764: 2763: 2759: 2756: 2753: 2751: 2750: 2746: 2744: 2740: 2739: 2735: 2733: 2729: 2728: 2724: 2722: 2718: 2717: 2713: 2712: 2700: 2694: 2681: 2680: 2672: 2657: 2651: 2644:. 2020-05-11. 2643: 2639: 2633: 2626: 2621: 2614: 2609: 2602: 2597: 2590: 2585: 2578: 2573: 2566: 2561: 2546: 2542: 2538: 2534: 2530: 2526: 2519: 2511: 2505: 2503: 2487: 2483: 2477: 2461: 2457: 2451: 2436: 2432: 2426: 2411: 2407: 2401: 2387:on 2016-03-07 2386: 2382: 2381: 2376: 2369: 2353: 2349: 2346:. 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B8. 2225:. 22. 1821:5 May 1632:Galba 1556:Music 1280:Ref. 785:Jesus 733:Galba 715:Lucan 679:Phaon 649:Nerva 528:crook 498:Galba 490:Lucan 486:Phaon 468:Peter 256:Latin 2855:Acte 2840:Nero 2721:IMDb 2552:2022 2541:ISSN 2493:2024 2468:2021 2442:2022 2417:2024 2360:2011 2330:2019 2200:2023 2138:2012 2125:ISBN 2104:2012 2091:ISBN 2067:ISBN 2014:ISBN 1992:2024 1921:ISBN 1823:2017 1810:ISBN 1742:ISBN 1569:and 1530:Won 1485:Won 1474:Won 1371:and 1210:and 1067:Time 688:Acte 601:Paul 542:Cast 532:John 513:Acte 423:Plot 415:and 407:for 361:and 349:and 271:Nero 2817:'s 2777:at 2765:at 2730:at 2719:at 2533:doi 1573:by 1227:of 1192:'s 1181:of 1137:.) 783:as 731:as 713:as 686:as 677:as 668:as 647:as 638:as 629:as 620:as 599:as 590:as 581:as 572:as 563:as 538:). 83:by 3683:: 2640:. 2539:. 2527:. 2501:^ 2484:. 2458:. 2433:. 2408:. 2350:. 2319:. 2303:19 2301:. 2188:. 2028:^ 1994:. 1981:. 1943:. 1894:^ 1874:^ 1855:^ 1839:. 1804:. 1777:. 1696:) 1644:. 1522:; 1516:; 1510:; 1504:; 1350:; 1342:, 791:. 504:. 392:. 337:, 333:, 329:, 325:, 313:, 309:, 297:, 2988:e 2981:t 2974:v 2807:e 2800:t 2793:v 2665:. 2554:. 2535:: 2512:. 2495:. 2470:. 2444:. 2419:. 2394:. 2362:. 2332:. 2206:. 2161:. 2140:. 2106:. 2073:. 2022:. 1947:. 1929:. 1849:. 1825:. 1787:. 1750:. 1616:. 254:( 197:) 23:.

Index

Quo Vadis (disambiguation)

Mervyn LeRoy
S. N. Behrman
Sonya Levien
John Lee Mahin
Quo Vadis
Henryk Sienkiewicz
Sam Zimbalist
Robert Taylor
Deborah Kerr
Leo Genn
Peter Ustinov
Robert Surtees
William V. Skall
Ralph E. Winters
Miklós Rózsa
Metro-Goldwyn-Mayer
Loew's, Inc.
Latin
religious
epic film
ancient Rome
Nero
1896 novel of the same title
Henryk Sienkiewicz
Metro-Goldwyn-Mayer
Technicolor
Mervyn LeRoy
S. N. Behrman

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