281:'s focus distance to a moving subject's distance from the focal plane, or the changing distance between a stationary object and a moving camera. For example, if an actor moves from 8 metres (26 ft) to 3 metres (9.8 ft) away from the focal plane, the focus puller changes the lens's distance setting in precise relation to the actor's changing position. The focus puller may also shift focus from one subject to another as the shot requires, a process called "rack focusing".
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focus barrel of the lens; similar marks may be placed on the marking disc or ring of any follow focus device being used. Traditionally, the focus puller used only their marks and their own well-developed sense of distance estimation to achieve good results. Over the last decade, the increased use of digital cameras, higher-resolution
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department, in the sense of taking care of all the camera gear, and making sure that everything is tickety-boo. I have my own camera, so it's treated very well! A focus puller relies heavily on the
Operator to tell him if the shot is out of focus — after all only the operator is actually looking through the lens.
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and on-camera monitors have provided focus pullers with additional tools to help maintain proper focus. A high-definition monitor can be particularly useful when a fast-paced production simply does not allow time for the focus puller to set and check all marks that may be needed, or if no rehearsal
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Once a camera position or overall "shot" is established by the director of photography and camera operator, the 1st AC begins to measure the various distances between the actors' marks and the focal plane of the camera. These distances are recorded in a series of grease pencil or pen marks on the
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The 1st AC may take surveying measurements of the general environment in order to have a good idea of the distances between reference points, such as patterns on the floor or walls, furniture, and whatever else might be around. These reference measurements can be used to quickly establish rough
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The 1st AC (or Focus Puller) has one of the hardest jobs on the set. And it's one of those jobs that are never noticed until it is wrong. Then you get an almighty bollocking, or you get fired ... Focus
Pulling not only involves what it sounds like, but also the Focus Puller "runs" the
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There is often very little room for error, depending on the parameters of a given shot. The focus puller's role is extremely important to a film production. In most circumstances, a "soft" image is considered unusable, as such an error can't be corrected in
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274:'s camera department whose primary responsibility is to maintain the camera lens's optical focus on whatever subject or action is being filmed.
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technology is employed to send a high definition or 4K signal directly to the focus puller.
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distances between the camera and the subject in chaotic shooting circumstances.
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The camera assistant: a complete professional handbook
438:"What are the Components of a Camera Rental Package?"
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will be provided. In most modern use cases, wireless
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277:"Pulling focus" refers to the act of changing the
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396:: CS1 maint: location missing publisher (
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366:Film art : an introduction
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417:So You Wanna Work in Movies?
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460:Douglas C. Hart (1995).
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1267:Filmmaking occupations
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732:Production designer
413:"Camera Department"
411:Stapleton, Oliver.
343:, and oversees the
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18:Racking focus
1155:Sound editor
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1117:Stage combat
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1067:Acting coach
990:Orchestrator
985:Music editor
948:Foley artist
839:Focus puller
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737:Art director
591:Screenwriter
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445:. Retrieved
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93:Please help
88:verification
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1072:Body double
953:Voice foley
861:Second unit
821:Photography
802:Illustrator
789:Visual arts
769:Set dresser
754:Hairdresser
723:Production
578:Cameo actor
548:Voice actor
466:Focal Press
422:January 14,
314:Methodology
279:camera lens
205:Wikiversity
1256:Categories
1228:Swing gang
1198:Compositor
1132:Under-five
893:Dolly grip
702:Storyboard
518:filmmaking
447:2024-09-12
351:References
321:video taps
213:Wikivoyage
121:newspapers
50:improve it
1208:Rendering
1023:Animation
970:Subtitles
849:Steadicam
749:Greensman
573:Bit actor
514:Film crew
392:cite book
384:920966698
272:film crew
209:Wikibooks
188:contains
56:talk page
1165:Animator
1160:Colorist
1102:Stand-in
1041:Modeling
1031:Animator
975:Composer
883:Key grip
297:British
1046:Rigging
960:Dubbing
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135:scholar
1060:Talent
866:Gaffer
725:design
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268:1st AC
203:it to
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1221:Other
1092:Extra
910:Sound
543:Actor
211:, or
142:JSTOR
128:books
898:Grip
470:ISBN
424:2012
398:link
380:OCLC
370:ISBN
201:move
114:news
965:ADR
262:or
97:by
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