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308:. In the 21st century, such instruments have become known as "revival" style instruments, their features including 'inauthentic' metal frames and robust, heavy construction. These recordings show Kirkpatrick's formidable keyboard technique to full advantage, and, unusually for recordings of the time, he observes almost all of the repeats. His performances of
247:. A Guggenheim Fellowship awarded in 1936 enabled him to study seventeenth- and eighteenth-century manuscripts and sources in Europe. In 1938 he inaugurated a festival of Baroque music at the Governor's Palace in Williamsburg, Virginia and continued as adviser and principal performer for a number of years.
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As a performer and recording artist, he became best known for his harpsichord performances of the keyboard music of Bach and
Scarlatti, but he also performed and recorded works by other composers, including Rameau, Couperin, Handel, Byrd, and Purcell. He recorded on the clavichord (e.g. Bach's two-
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He performed widely throughout the United States and Europe from the 1930s to the early 1980s, in recital and with major orchestras. He continued performing even after he became blind in 1976. He resumed performing in 1977 with a semi-private recital at
Versailles as well as a public recital at the
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and he published his acclaimed biography of
Scarlatti in 1953. It has been translated into German, French, Italian, Spanish, and Japanese. He also published a critical edition of 60 sonatas by Scarlatti in 1953. Scarlatti's sonatas are now conventionally designated by their
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and he remained there until his retirement in 1976, the year that he became blind. He was invited to inaugurate the Ernest Bloch
Visiting Professorship at the University of California, Berkeley in 1964 where he gave a series of lectures and performances on Bach's
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193:. He became interested in the harpsichord at Harvard and gave his first harpsichord recital there in 1930. After graduating in 1931, he traveled to Europe on a John Knowles Paine Fellowship. He studied with
350:) and also recorded several Mozart piano concertos on the modern piano. He toured widely with the violinist Alexander Schneider and they recorded violin and harpsichord sonatas by Bach and Mozart.
267:(shown as Kk. --, and more recently with a single K.), which is now considered the standard, authoritative numbering system for these works (despite at least two rival systems) (see
235:. In 1933 he also performed several concerts in Italy, including a clavichord recital at the villa of Bernard Berenson. In the summers of 1933 and 1934 he taught at the
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in Two volumes, edited in chronological order from the manuscripts and earliest printed sources with a preface by Ralph
Kirkpatrick, New York, G. Schirmer, 1953.
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which was published posthumously in 1985 by Peter Lang. Meredith
Kirkpatrick edited several books of the writings of Ralph Kirkpatrick entitled
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304:(Archiv). The instruments he used for many of these recordings were ones that had recently been made by the firm of JC Neupert in
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373:. Both the Carter and Cowell pieces were inspired by Kirkpatrick and dedicated to him. He also performed and recorded the
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in 1911 and began studying piano at a young age. He continued his piano studies in
Cambridge while studying art history at
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Frick
Collection in New York. He gave one of his last recitals at the first Boston Early Music Festival in 1981.
361:'s Sonata for Violin and Harpsichord, the Double Concerto for Harpsichord, Piano with Two Chamber Orchestras by
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Reflections of an
American Harpsichordist : Unpublished Memoirs, Essays, and Lectures of Ralph Kirkpatrick
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Reflections of an
American Harpsichordist: Unpublished Memoirs, Essays, and Lectures of Ralph Kirkpatrick
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Reflections of an American Harpsichordist: Unpublished Memoirs, Essays, and Lectures of Ralph Kirkpatrick
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Reflections of an American Harpsichordist: Unpublished Memoirs, Essays, and Lectures of Ralph Kirkpatrick
528:, Vol. 9, No. 3, Wind Issue (Jul., 1981), pp. 293-305 (Oxford University Press). Abstracts found at
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322:. His later Bach recordings used a reproduction French harpsichord by Hubbard & Dowd.
258:, tempo, dynamics, and general interpretation. In the late 1930s he began his research on
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436:(1898-1971), was a sociologist. His niece, Meredith Kirkpatrick, wrote a biography of him
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During the 1960s, Kirkpatrick made recordings of the complete harpsichord works of
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Interpreting Bach's Well-Tempered Clavier: A Performer's Discourse of Method.
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Interpreting Bach's Well-Tempered Clavier: A Performer's Discourse of Method.
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Interpreting Bach's Well-Tempered Clavier: A Performer's Discourse of Method
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published posthumously by Yale University in 1984, he also wrote a memoir
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In addition to his biography of Scarlatti published in 1953 and his book
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Ralph Kirkpatrick: Letters of the American Harpsichordist and Scholar
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Ralph Kirkpatrick: Letters of the American Harpsichordist and Scholar
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177:'s keyboard sonatas as well as for his performances and recordings.
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225:. In January 1933 he made his European debut in Berlin performing
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165:; June 10, 1911 – April 13, 1984) was an American
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Harpsichord Concerto and played the piano in a recording of the
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In 1938, G. Schirmer, NY. published his edition of Bach's
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and three-part inventions, as well as both volumes of
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489:. Van Nuys, CA: Alfred Music Publishing. p. 5.
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American harpsichordist and musicologist (1911–1984)
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List of solo keyboard sonatas by Domenico Scarlatti
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List of solo keyboard sonatas by Domenico Scarlatti
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49:. Unsourced material may be challenged and removed.
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486:Scarlatti -- An Introduction to His Keyboard Works
290:r. These lectures were later published in 1984 as
278:In 1940, he was appointed to the music faculty of
683:Ralph Kirkpatrick: A Bibliography and Discography
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524:Ralph Kirkpatrick, "On Playing the Clavichord,"
353:Kirkpatrick also played modern music, including
173:, widely known for his chronological catalog of
738:Academic staff of Mozarteum University Salzburg
410:Kirkpatrick was an elected member of both the
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357:'s Concerto for Harpsichord and Orchestra,
396:(University of Rochester Press, 2014) and
330:). He recalled playing a clavichord at a
109:Learn how and when to remove this message
566:American Academy of Arts & Sciences
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400:(University of Rochester Press, 2017).
758:Classical musicians from Massachusetts
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672:. University of Rochester Press, 2017.
536:websites. All accessed July 20, 2010.
367:Set of Four for Harpsichord (or Piano)
728:People from Leominster, Massachusetts
412:American Academy of Arts and Sciences
663:University of Rochester Press, 2014.
47:adding citations to reliable sources
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342:. He performed and recorded on the
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418:. On April 2, 1999, the asteroid
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550:. University of Rochester Press.
472:. University of Rochester Press.
197:and harpsichord revival pioneer
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328:The Well-Tempered Clavier
311:The Well-Tempered Clavier
187:Leominster, Massachusetts
122:Ralph Leonard Kirkpatrick
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185:Kirkpatrick was born in
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422:is named in his honor.
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227:Johann Sebastian Bach
649:Kirkpatrick, Ralph.
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635:Domenico Scarlatti.
590:search.amphilsoc.org
586:"APS Member History"
427:Clifford Kirkpatrick
403:Kirkpatrick died in
288:Well-Tempered Clavie
43:improve this article
653:. Peter Lang, 1985.
562:"Ralph Kirkpatrick"
265:Kirkpatrick numbers
252:Goldberg Variations
232:Goldberg Variations
58:"Ralph Kirkpatrick"
617:Domenico Scarlatti
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723:1911 births
718:1984 deaths
651:Early Years
526:Early Music
512:Early Years
430: [
390:Early Years
316:harpsichord
269:opus number
692:Categories
607:References
595:2022-10-13
571:2022-10-13
379:Stravinsky
365:, and the
344:fortepiano
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207:Haslemere
99:July 2010
443:See also
414:and the
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