923:, who drew many of the Illustrations in the Book of the Ripon Festival illustrated another pageant book over twenty years later. This was the York Historic Pageant in 1909, which ran for six days from (Monday 26 July 1909 – Saturday 31 July 1909). This pageant presented the history of York in seven episodes. It raised £14,150, of which about £1,000 was in excess of costs. The pageant made so much money that the organisers were able to reimburse the subscribers to the guarantee fund of £1,600 in full. The pageant was seen by 30,000 people and was performed by a cast of 2,500. The scale of the York pageant illustrates how pageants had developed since the Ripon Festival, as does the decision to use colour illustrations for the book of the pageant, the developments in printing and illustration over the period. The York pageant coincided with two other large pageants in the same week, at Chester and Cardiff.
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274:. By 26 February 1886, the Mayor received a request signed by leading figures in the town to convene a public meeting to discuss a celebration of the millenary. A general plan for the celebration was laid out in a statement by the festival committee on 26 March 1886. There was some resistance from the corporation, but a public meeting was held on 12 April 1886. The executive committee of the festival met on 22 April finally settled on the name of the festival. The committee sent a delegation to meet with
759:
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pageant again assembled at
Studley, and at one thirty, again processed to Fountains Abbey. The play was performed, Friday's entertainments were repeated, this time with addition of a mock bull-baiting with boys playing the role of dogs. The parade returned to Ripon, and forming up at the entrance to the town at 7:30 proceeded to the town hall, where there were a few speeches and the festival was formally closed.
324:
Hall, presided over by the mayor of Ripon. The dignitaries then proceeded to the Market Square, where there was a succession of speeches, and the dean of the cathedral presented a horn to the corporation. This was followed by a torchlit procession, with bands, floats and some role-players in period costumes.
323:
The cathedral filled up an hour before the service was due to start. The music was chosen to sow the development of church music historically from the 13th century forward, and the
Archbishop of York preached a sermon. The service was followed by a luncheon for more than a thousand guests in Victoria
718:
The total number of pageant member is about 500 after excluding the dignitaries and bands from other towns. This represented nearly 5% of the 1881 population of Ripon (10,402). This is all the more extraordinary as there would have been people, such as coachmen, police, railway workers and the like,
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There were no festival activities on Sunday or Monday. There was a reception at the New Public Hall to commemorate the conclusion of the festival, for all those who had taken part in the procession or otherwise assisted. The only requirement was they come in costume. The colourful spectacle drew a
307:
Festival activities began at 5am on
Wednesday 25 August 1886 when a team of bell-ringers ascended the cathedral belfry and rang a peal of 5,000 changes for three-and-a-quarter hours. During the morning dignitaries arrived, and there was a formal procession from the town hall to the cathedral. The
860:
The entrance fee for Friday was half-a-crown (2s 6d), but on
Saturday the fee was one shilling only. Approximately 8,000 arrived by train, with another 10–12,000 by other means. As on Friday, the market place was thronged with shooting galleries, carousels, swing-boats and other attractions. The
392:
by
Augustin Dawtrey, was performed on both Friday and Saturday. It had been selected from 17 submissions, and was specifically designed for an open-air performance, in that there was a minimum of dialogue and a great deal of singing. It was based on a traditional ballad describing an encounter
238:
The late 19th century saw a rise in interest in medieval history, and especially in the rituals of the Middle Ages. The rise of puritanism had led to the end of many medieval feast-days and rituals, but it was the industrial revolution, the cemented their loss, when many other aspects of the
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who played a supporting role without taking part. As well as those there were the programme sellers, caterers and others. The caterers had planned for refreshments for 500 pageant members on Friday, but ran short as there were 700 in total. They increased the provision for
Saturday to 700.
254:, but this was only a part of the broader interest in the revival of lost traditions. D'Arcy Ferris's motivation was broader than just historical interest, he saw reviving the medieval sports and pastimes as a way to lighten the life of the poor that might even break down class prejudices.
886:
Hotel in Ripon. The venison came from a buck, whose dead body, was used as a prop in the play. The buck, from the herd of Lord Ripon, was presented to them by him. This supper concluded all the official doings of the celebration of Ripon's millenary.
285:
for a fee of 30 guineas plus 10% of any profits. Thence forward, planning went on at a frantic pace. In the event, D'Arcy Ferris was paid £68 10s, bring his fee of 30 guineas, his profit share, and a gratuity of £15 from a grateful committee.
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People arrived all morning by train, cart, and coach. The pageant marshalled at the high stables near
Studley Royal House, the home of Lord Ripon, and then proceeded through the grounds to the Fountain Abbey where two choirs dressed as
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Thursday was the normal market-day in Ripon, and while the town continued to be decorated, there were no festival events in the town as those playing the roles had to step out of their medieval costume as
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In May, Mr D'Arcy Ferris attended the meeting of the festival committee, and gave a detailed statement of how he would carry out the festival. On 19 May 1886, D'Arcy Ferris accepted the post of
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procession included not only the town dignitaries, two bands, a handful of friendly societies, and religious leaders, but also the mayors of 14 other towns in the region, complete with their
29:
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who: agreed to allow the use of his grounds; indicated what dates in August would suit him; became with Lady Ripon, a patron of the festival; and became a guarantor for the festival.
1437:
Riding with Robin Hood: English
Pageantry and the Making of a Legend in The Making of the Middle Ages: Liverpool Essays: edited by Marios Soctambeys, Andrew Harmer and Martin Heale
1395:
Riding with Robin Hood: English
Pageantry and the Making of a Legend in The Making of the Middle Ages: Liverpool Essays: edited by Marios Soctambeys, Andrew Harmer and Martin Heale
1104:
Riding with Robin Hood: English
Pageantry and the Making of a Legend in The Making of the Middle Ages: Liverpool Essays: edited by Marios Soctambeys, Andrew Harmer and Martin Heale
270:
On 4 January 1886, the Vicar of Trinity Church asked what the parish of Ripon had to look forward to on the millenary of the granting of a charter of incorporation to Ripon by
914:
The Ripon Festival was a large pageant for its time, but the following years saw not only more pageants, but also larger and more complex pageants as the movement grew.
345:. However, there was a large crowd at the cathedral for the celebration of the jubilee of the bishopric, and the unveiling of a stained glass window celebrating this.
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followed by the tercentenary of the James I charter to the town in 1904, and a three-day pageant play and revels in 1906. The success of the Ripon Millenary Festival
226:
over a week in August 1886, with the main activities concentrated on two days, to celebrate the supposed millenary of the granting of a royal charter to Ripon by
353:
Visitors started pouring into Ripon from all over the region. The mayor had declared a public holiday. Business was suspended and everyone went to the
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which struck the less skilled or unlucky, with one being knocked from his mount. This was followed by sword dancing, ribbon dancing. and then the
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The Historic Pageants in Britain Website details some 656 historical pageants in the UK since 1900, 117 of which had more than 1,000 performers.
897:
The play, the revels, and the procession were an enormous success and were repeated, under Ferris's direction ten and twenty years later.
1350:
Oxford English Dictionary, 2nd Ed (1989) on DVD including the Oxford English Dictionary Additions Series (Volumes 1–3), (1993 and 1997)
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The pageant featured the following, all in appropriate costume, either home-made, or hired from May & co., the London Costumiers.
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were mounted not on horses, but on hobby-horses. Rain halted the sport and the crowd returned to Ripon. In the evening, the Ripon
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There was no documentary evidence for this charter other than a single entry in an old calendar that referred to the charter.
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D'Arcey Ferris, who became the festival organiser was a romantic interested in the revival of such medieval practices as the
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established D'Arcey Ferris as the nation's leading Master of Revels and Pageant Master of the nineteenth century.
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Riding at the Ring and Quintain were favourite sports at country weddings in the 17th and 16th Centuries. (OED)
616:, who cut hair, but who originally practised surgery and dentistry until restricted to dentistry by Henry VIII,
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1223:"The Service in the Cathedral, The Luncheon, The Public Meeting in the Market Place, Torchlight Procession"
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and a cleric at a stream near Fountains Abbey. The play, which ran for an hour, was enacted at this site.
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monks sang appropriate music. The audience for Friday's pageant was estimated at 5,000 to 6,000 persons.
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Over forty persons being the Ripon City authorities and the mayors of other towns, all in full regalia.
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The house itself was destroyed by fire in 1946, but the stables remain, converted to a private house.
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The crowd assembled on three sides of an open area with the pageant players on the third side. The
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on horseback, with his wife and a total retinue of ten between grooms, squires and court ladies.
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A floral arch symbolising peace with about twenty, including maidens, youths, and harvest boys.
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A party of fourteen banner bearers with the banners of different villages in the region
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A horse-drawn float bearing the Queen of the harvest and eight young women attendants.
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610:, who make shoes. The word now only survives in the name of the guild in London.
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Almost four dozen young girls in Georgian costume scattering flower petals.
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In the final activity of the festival, there was a venison supper for the
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A horse-drawn float bearing hops and ale with a party of eighteen brewers.
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Eighteen boys and girls dressed as maypole dancers from the Georgian era.
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Ernest Richard D'Arcy Ferris (2 April 1855 – 4 July 1929)
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Ripon Millenary 1886, Illustrated by John Jhellicoe and Herbert Railton
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Fourteen banner-bearers with the banners of different medieval guilds:
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1372:
Ripon Millenary 1886, Illustrated by John Jellicoe and Herbert Railton
1281:
Ripon Millenary 1886, Illustrated by John Jellicoe and Herbert Railton
1254:
Ripon Millenary 1886, Illustrated by John Jellicoe and Herbert Railton
1227:
Ripon Millenary 1886, Illustrated by John Jellicoe and Herbert Railton
1195:. Vol. 2. Cambridge: Harvard University Press. pp. 159–162.
1168:
Ripon Millenary 1886, Illustrated by John Jellicoe and Herbert Railton
1141:
Ripon Millenary 1886, Illustrated by John Jellicoe and Herbert Railton
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Ripon Millenary 1886, Illustrated by John Jellicoe and Herbert Railton
447:
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The festival celebrated the anniversary of the supposed granting of a
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Hugh Ripley, the last Wakeman of Ripon, with his lady, on horseback.
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rulers and clergy, totalling over two dozen, about half on horseback
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The Thoresby Society: The Historical Society for Leeds and District
671:
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A horse-drawn float bearing saddle-tree makers with a party of six.
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at a mark, in this case a ring. This was followed by the revolving
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992:"Notes from the Library (No.4, March 2011) 'The Ripon Millenary'"
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with three musicians, a clown, and a singer, from the village of
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The Rise and Fall of Merry England: The Ritual Year, 1400-1700
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A horse-drawn float bearing flour with a party of six millers.
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ruins in England. Both abbey and estate are now owned by the
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large crowd. The reception was followed by a country dance.
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had made available for the pageant. The estate included the
1303:"Studley Royal Park including the Ruins of Fountains Abbey"
1075:
Judge, Roy (1984). "D'Arcy Ferris and the Bidford Morris".
708:
A Georgian era shepherd and shepherdess with dog and lambs.
670:
A horse-drawn float bearing seven young women representing
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1189:
Withington, Robert J. (1920). "Survivals and Revivals".
723:
Illustrations of the pageant procession by John Jellicoe
711:
The band of the 1st North Yorkshire (Bedale) Volunteers.
1455:
The Redress of the Past: Historical Pageants in Britain
652:
A horse-drawn float bearing the Lady Mayoress with the
531:
A party of seven knights who were to take part in the
502:
for Ripon on horseback with a retinue of six in total.
1510:
Charles Eyre, Pascoe. "Foreword by Louise N Parker".
1439:. Liverpool: Liverpool University Press. p. 101.
1397:. Liverpool: Liverpool University Press. p. 114.
1106:. Liverpool: Liverpool University Press. p. 107.
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tournament with heralds, squires, and banner bearers.
508:
The band of the 1sr West Yorkshire (Ripon) Volunteers
373:
and were designated as World Heritage sites in 1986.
656:in attendance and two boys representing the Rivers
571:, who convert animal hides into leather by tanning.
565:, who dress and colour leather after it is tanned.
404:sports then began with tilting, the riding with a
705:A Georgian era farmer with his wife on a pillion.
589:, who make clothing to fit a particular customer.
521:A party of nearly twenty bearing manorial banners
233:
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1361:
1359:
1352:(4.3 ed.). Oxford: Oxford University Press.
524:A horse-drawn float showing spur-makers bearing
505:Five leading characters from Robin Hood, on foot
45:25 August – 1 September 1886
515:(who sang and performed in the Robin Hood play)
453:A horse-drawn float with a representation of a
622:, who deal in medicinal drugs (from Alchemist)
583:, who shoe horses or who treat their diseases.
553:on horseback with a groom and three cavaliers.
424:held an entertainment in the new public hall.
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948:This had only been restored to Ripon in 1836.
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1408:Maurice Taylor; Alan Stride (15 June 2011).
1428:
1414:. Amberley Publishing Limited. p. 84.
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1495:Charles Eyre, Pascoe. "The York Pageant".
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483:on horse-back with about a suite of seven.
1544:(Monday 2 August 1909): 6. 2 August 1909.
1529:(Monday 2 August 1909): 3. 2 August 1909.
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428:The composition of the pageant procession
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1192:English pageantry: an historical outline
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1054:. Oxford University Press. p. 222.
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873:
667:Eighteen young women as maypole dancers.
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1488:
1484:(Thursday 1 July 1909): 1. 1 July 1909.
1443:
1124:. Ripon: W. Harrison. pp. 205–224.
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443:on foot, some with harps, sickles, etc.
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1374:. Ripon: W. Harrison. pp. 97–104
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1461:from the original on 11 October 2019
1283:. Ripon: W. Harrison. pp. 18–19
864:
628:, who dye cloth and other materials.
470:with a suite of over a dozen persons
1325:
1229:. Ripon: W. Harrison. pp. 9–40
1119:
899:The theme for the 1896 pageant was
649:Seven boys bearing various banners.
348:
222:was a pageant and festival held in
13:
1559:The record of Ripon Millenary 1886
1313:from the original on 29 March 2020
1170:. Ripon: W. Harrison. pp. 1–8
1120:Lee, J. P. (1892). "Miscellanea".
1029:. Ripon: W. Harrison. pp. iii
1002:from the original on 27 March 2020
64:Five days from Wednesday to Sunday
14:
1650:
1552:
1137:"The Opening Day of the Festival"
909:
528:, his queen and eight attendants.
1256:. Ripon: W. Harrison. p. 46
990:Meredith, Peter (1 March 2011).
841:
827:
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799:
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771:
757:
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729:
1594:Early modern history of England
1514:. York: Ben Johnson and Co Ltd.
1499:. York: Ben Johnson and Co Ltd.
1143:. Ripon: W. Harrison. p. 2
960:
951:
942:
466:A horse-drawn float bearing St
390:Robin Hood and ye Curtall Friar
933:
691:Queen with her six attendants.
678:with attendant banner holders.
257:
234:The background to the festival
1:
1201:2027/gri.ark:/13960/t53f8mp20
973:
1512:The Book of the York Pageant
1497:The Book of the York Pageant
473:A horse-drawn float bearing
343:business must be attended to
7:
1589:Cultural history of England
598:Ropemakers, who make ropes.
336:C. H. Knowles as Robin Hood
10:
1655:
1307:Unesco World Heritage List
891:The success of the pageant
646:A party of 25 priestesses.
604:, who make or sell gloves.
1634:Social history of England
1480:"York Historic Pageant".
1250:"The Market Day at Ripon"
849:Hugh Ripley and his Ladye
203:
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1540:"Vogue of the pageant".
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559:Fleishers, i.e. butchers
303:Ripon Cathedral interior
220:Ripon Millenary Festival
37:Ripon Millenary Festival
1619:English popular culture
1542:Nottingham Evening Post
1435:Marxhall, John (2007).
1393:Marxhall, John (2007).
1102:Marshall, John (2007).
17:
1048:Ronald Hutton (2001).
436:Wild men bearing clubs
337:
320:
304:
290:The festival programme
267:
30:considered for merging
1525:"York Pageant Ends".
1482:Sheffield Independent
1366:Harrison, W. (1892).
1275:Harrison, W. (1892).
1248:Harrison, W. (1892).
1221:Harrison, W. (1892).
1162:Harrison, W. (1892).
1135:Harrison, W. (1892).
1021:Harrison, W. (1892).
901:Boadicea to Victoria,
874:Wednesday 1 September
477:with eight attendants
365:, the best-preserved
335:
319:Studley Royal in 1880
318:
302:
265:
1629:Romantic nationalism
895:Marshall notes that
422:Mechanic's Institute
283:Master of the Revels
155:The History of Ripon
1639:Historical pageants
1614:English nationalism
457:with eight Vikings.
295:Wednesday 25 August
198:A Brilliant Success
189:The people of Ripon
172:Lord and Lady Ripon
121: /
38:
1599:Culture of England
1411:Ripon Through Time
1077:Folk Music Journal
856:Saturday 28 August
338:
328:Thursday 26 August
321:
305:
268:
241:Puritan Revolution
74:Studley Royal Park
36:
1609:English mythology
1584:History festivals
1421:978-1-4456-3048-9
1061:978-0-19-285447-6
865:Tuesday 31 August
751:Ye ancient druids
639:Reed band of the
216:
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1604:English folklore
1579:History of Ripon
1563:Internet Archive
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210:Alfred the Great
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1277:"The Luncheon"
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672:three graces
487:King Henry 4
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310:mace bearers
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186:Participants
178:Organised by
23:
15:
884:White Horse
737:Ye City Car
641:9th Lancers
608:Cordwainers
475:King Alfred
455:Viking ship
379:Benedictine
272:King Alfred
258:First steps
128: /
103:Coordinates
19:‹ The
1573:Categories
974:References
779:St Winfred
593:Innholders
395:Robin Hood
383:Cistercian
381:monks and
359:Lord Ripon
276:Lord Ripon
266:Lord Ripon
113:54°06′43″N
72:Mainly at
53:1886-09-01
49:1886-08-25
1561:, at the
1164:"Preface"
1023:"Preface"
880:Foresters
821:Charles I
513:foresters
388:The play
116:1°34′48″W
28:is being
1465:30 March
1459:Archived
1378:28 March
1317:27 March
1311:Archived
1287:27 March
1260:27 March
1233:27 March
1206:30 March
1174:27 March
1147:27 March
1033:27 March
1006:24 March
1000:Archived
620:Chemists
581:Farriers
563:Curriers
533:jousting
414:jousting
410:quintain
402:knightly
393:between
357:, which
248:Yule log
84:Location
61:Duration
51: –
32:. ›
21:template
1089:4522157
882:at the
689:Maypole
632:Drapers
614:Barbers
602:Glovers
587:Tailors
575:Mercers
569:Tanners
468:Wilfrid
439:Twenty
418:knights
194:Outcome
168:Patrons
147:Pageant
96:England
47: (
1451:"Home"
1418:
1087:
1058:
441:Druids
416:. The
160:Budget
1085:JSTOR
927:Notes
662:Skell
626:Dyers
461:Saxon
406:lance
224:Ripon
152:Theme
88:Ripon
69:Venue
1467:2020
1416:ISBN
1380:2020
1319:2020
1289:2020
1262:2020
1235:2020
1208:2020
1176:2020
1149:2020
1056:ISBN
1035:2020
1008:2020
694:Six
687:The
674:and
660:and
250:and
218:The
141:Type
76:and
42:Date
1197:hdl
658:Ure
500:MPs
208:by
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55:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
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