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Membership, which was and still is restricted in number in order to make it a mark of distinction, is by election on the basis of work submitted to the
Society's Council for peer review. In 1920 membership was expanded to allow artists who created prints from media other than metal, which allowed the
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to be limited to 300 members each of whom received a commissioned annual presentation print by members of the RE. Unusual in any Royal
Society was the fact that work by women and men was treated equally from the outset: election based on the quality of work regardless of gender and nationality.
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was elected
President of the Royal Society of Painter-Printmakers in 2018. To support the President and help direct the affairs of the Society there is an RE Council and four RE Officers as outlined in the RE Charter: these are Vice-president
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in 1888. Engraving was included within the scope of the
Society from 1897, wood-engraving from 1920, coloured original prints from 1957, lithography from 1987 and all forms of creative forward-thinking original printmaking from 1990.
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The Royal
Society of Painter-Printmakers (formerly Royal Society of Painter-Etchers and Engravers) has had thirteen presidents (PRE) since 1880. They were: Sir Francis Seymour Haden (founder and PRE from 1880 to 1910),
335:(VPRE from 2018), Hon. Treasurer Louise Hayward (since 2019), Hon. Curator (Historian & Archivist) Edward Twohig (since 2021) and current Hon. Secretary of the RE is Professor Timothy Emlyn Jones (since 2022).
216:(English, 1805–1881) – one of only two painter-etchers to be granted posthumous Honorary Fellowship of the RE – was terminally ill at the time of the Society's formation, otherwise would have been approached.
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Full
Fellows are entitled to use the post-nominals RE. Associates, a class of members established in 1887, can use ARE. ARE's are elevated to RE full membership by majority vote election by the RE Council.
220:(American, 1834–1903) who was in Venice at the time of the RE's founding, had a row with his brother-in-law, Haden, and was not invited to join. Letters in support were written to the fledging Society by
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granted a
Charter of Incorporation and Bye-laws, the RE, as it came to be styled, had grown in prestige and became fully established. From 1919, in token of solidarity, Presidents of the
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Twohig R.E., Edward (2018). Print REbels: Haden-Palmer-Whistler and the
Origins of the R.E. (Royal Society of Painter-Printmakers) published by the Royal Society of Painter Printmakers
184:, Mayfair, London, as the Society of Painter-Etchers for the promotion of original etching as a creative art form, inspired by the French group of the same name which existed in
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in 1888 who bestowed on the
President a gold chain of office, becoming the Royal Society of Painter-Etchers and in 1898 this was enlarged to include Engravers. Fellow,
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303:(PRE from 1989 to 1991), when the Society was renamed. Winkelman continued as president until 1995. Presidents elected by Members after this were Dr
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167:. The Royal Society of Painter-Etchers, as it was originally styled, was a society of etchers established in London in 1880 and given a
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271:(RWS) have been elected Honorary Fellows of the RE. The RE's original motto – "Never Stoop to be a Copyist" – changed to "
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598:. London: Publication No. 9, The Print Collector's Club (P.C.C. of The Royal Society of Painter Printmakers)
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460:(1966). Others were elected as an Associate but did not achieve the full fellowship, such as
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The fellows diploma of the Royal
Society of Painter-Etchers and Engravers, produced by member
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No day without a line. The History of the Royal Society of Painter-Printmakers, 1880–1999
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A descriptive catalogue of the bookplates designed and etched by George W. Eve, R.E.
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The History of the Royal Society of Painter-Etchers & Engravers, 1880–1930
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Notable members (and their date of election to a full fellowship) included:
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and Noel Rooke. Another innovation in the same year was the formation of a
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188:. The first six Fellows, all elected at this formation were
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A brief history of the Royal Society of Painter-Printmakers
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59:. Unsourced material may be challenged and removed.
703:Organisations based in London with royal patronage
506:Kansas City: The American Bookplate Society, p. 7.
180:The Society was established on 31 July 1880 at 38
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153:Royal Society of Painter-Etchers and Engravers
18:Royal Society of Painter-Etchers and Engravers
630:Royal Society of Painter-Printmakers website
548:. University of the West of England, Bristol
244:, amongst others. This Society achieved its
688:1880 establishments in the United Kingdom
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119:Learn how and when to remove this message
708:Non-profit organisations based in London
130:
475:Since 1980 the Society is based at the
287:MBE (PRE from 1938 to 1962), Professor
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713:Cultural organisations based in London
693:Arts organizations established in 1880
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68:"Royal Society of Painter-Printmakers"
698:British artist groups and collectives
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723:Printmaking groups and organizations
601:Hopkinson Hon. R.E., Martin (1999).
344:election of woodcut artists such as
145:Royal Society of Painter-Printmakers
57:adding citations to reliable sources
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283:(PRE from 1910 to 1938), Professor
275:" (No Day Without A Line) in 1920.
24:
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537:Moran, Mary Nimmo (31 May 2012).
299:OBE (PRE from 1975 to 1989), and
200:RA (German/English, 1849–1914);
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281:Professor Sir Francis Job Short
208:RA, (Scottish, 1848–1910), and
44:needs additional citations for
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546:Center for Fine Print Research
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315:(PRE from 2006 to 2011), Dr
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718:London Borough of Southwark
592:Newbolt A.R.E., Sir Francis
151:), known until 1991 as the
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434:Sir William Russell Flint
323:(PRE from 2013 to 2018).
319:(PRE from 2011 to 2013),
311:(PRE from 2003 to 2006),
307:(PRE from 1995 to 2003),
295:(PRE from 1970 to 1975),
291:(PRE from 1962 to 1970),
269:Royal Watercolour Society
637:by Joseph Winkelman PPRE
500:Viner, George H. (1916)
378:Charles William Sherborn
224:, then President of the
683:19th-century art groups
390:Sir David Young Cameron
483:References and sources
410:Ernest Stephen Lumsden
350:Print Collectors' Club
218:James McNeill Whistler
196:(English, 1852–1926);
192:(English, 1818–1910);
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273:Nulla Dies Sine Linea
212:(French, 1836–1902).
206:Robert Walker Macbeth
204:(French, 1837–1911);
190:Francis Seymour Haden
159:institution based in
134:
659:51.50806°N 0.10194°W
238:John Everett Millais
53:improve this article
655: /
438:Charles Tunnicliffe
394:Margaret Kemp-Welch
198:Hubert von Herkomer
664:51.50806; -0.10194
568:"Bankside Gallery"
462:Eli Marsden Wilson
450:James T.A. Osborne
398:Sir Frank Brangwyn
333:Michelle Griffiths
222:Frederick Leighton
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618:978-1-5272-1775-1
442:Geoffrey Wedgwood
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539:"Goose Pond"
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456:(1962), and
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605:. Oxford:
479:in London.
468:(1923) and
328:David Ferry
309:Anita Klein
248:granted by
230:John Ruskin
677:Categories
647:51°30′29″N
488:References
339:Membership
317:Bren Unwin
293:Paul Drury
79:newspapers
573:7 January
522:9 January
517:"Artists"
402:Anna Airy
594:(1930).
472:(1923).
464:(1907),
452:(1957),
448:(1948),
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364:(1881),
267:and the
139:in 1904.
650:0°6′7″W
586:Sources
552:3 March
176:History
165:England
93:scholar
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240:, and
161:London
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542:(PDF)
186:Paris
100:JSTOR
86:books
614:ISBN
575:2023
554:2018
524:2023
143:The
72:news
157:art
55:by
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