97:
355:
789:
33:
291:
As one of the pioneers of modern publishing methods, Ackermann developed an international distribution network for his publications and came to have significant commercial interests in South
America. The business he founded in London flourished throughout the 19th century under the management of his
162:. Ackermann set up a lithographic press and began a trade in prints. He later began to manufacture colours and thick carton paper for landscape and miniature painters. Within three years the premises had become too small and he moved to 101 Strand, in his own words "four doors nearer to
680:
283:
During the
Napoleonic wars, Ackermann was an energetic supporter of the Allied cause and made significant contributions to British propaganda through his publication of anti-Napoleonic prints and military manuals. He became a naturalised British citizen in March 1809. After the
201:
in numerous projects to produce both individual prints as well as illustrations for books and magazines, encompassing many different genres including topography, caricature, portraits, transparencies and decorative prints.
854:
810:
published by Rudolf
Ackermann between 1823 and 1847. Hyperlinks allow the volumes to be examined by author, engraver, etc., and include references to other works submitted to similar 19th century literary
111:
He worked as a saddler and coach-builder in different German cities, moved from
Dresden to Basel and Paris, and then, 23 years old, settled in London. He established himself in
40:
510:
173:
Between 1797 and 1800 Ackermann rapidly developed his print and book publishing business bringing together wide variety of talented artists and printmakers including
158:(1791) to promote his coach-making. Other publications followed. An able artist in his own right, in 1795 he established a print-shop and drawing-school at 96
370:
849:
119:. His extraordinary business instinct, as well as his flair for design and talent for self-promotion, won him the ÂŁ200 contract to design the
839:
280:
to make it. He was one of the first to illuminate his own premises with gas. Indeed, the introduction of lighting by gas owed much to him.
375:
495:
Ford, Jill (Winter 1981). "Ackermann's
History of Westminster Abbey: its publishing history and the unique copy in Westminster Abbey".
51:
859:
844:
727:
399:
864:
793:
128:
601:
458:
426:
681:
Catalogue of
Political and Personal Satires Preserved in the Department of Prints and Drawings in the British Museum
89:, but his wish to study at the university was made impossible by lack of financial means, and he therefore became a
450:
17:
834:
45:
775:
771:
767:
763:
752:
748:
744:
740:
670:
273:
193:, F. J. Manskirchten, J. C. Stadler, J. H. Schultz, Henri Merke, Thomas Sutherland, Nicholas Heidelhoff,
231:
and was then reissued as a bestselling separate book. Ackermann also published
Rowlandson's masterpiece
124:
739:, London: Methuen & Co and New York: G.P. Putnam's & Sons. Chapter X: Rudolph Ackermann. (pp.
309:
207:
186:
806:
reproduces elements from the 1823–1830 volumes of the earliest
British-published literary annual,
288:, Ackermann collected nearly a quarter of a million pounds sterling for the German relief effort.
324:
276:. In 1801 he patented a method for rendering paper and cloth waterproof and erected a factory in
198:
547:
King-Hele, Desmond (2002). "Erasmus Darwin's improved design for steering carriages––and cars".
709:
700:
241:
167:
360:
One or more of the preceding sentences incorporates text from a publication now in the
869:
829:
824:
66:
8:
574:
762:. London: Duckworth & Co. Chapter VI: Rudolph Ackermann and his Associates. (pp.
723:
704:
597:
566:
549:
454:
422:
395:
319:
293:
285:
216:
215:
documented the changing classicising fashions in dress and furniture of the
Regency;
174:
578:
272:
An inventor and innovator, he was important as a carriage designer and patented the
558:
314:
178:
120:
531:
514:
277:
96:
297:
194:
163:
159:
800:
713:
818:
366:
361:
235:(2 volumes 1816). He introduced from Germany the fashion of the once popular
220:
211:, which appeared monthly until 1829, by when forty volumes had appeared. The
182:
140:
116:
684:, Mary Dorothy George. Vol VI 1938, Vol VII, 1942 VOL VIII 1947, VOL IX 1949
570:
562:
190:
74:
674:
379:. Vol. 1 (11th ed.). Cambridge University Press. p. 148.
246:
419:
A Strange
Business: Making Art and Money in Nineteenth-Century Britain
236:
144:
112:
86:
62:
855:
Emigrants from the Holy Roman Empire to the Kingdom of Great Britain
804:: A Hypertextual Archive of Ackermann's 19th-Century Literary Annual
32:
731:
148:
136:
104:
70:
115:, the centre of coach-making in London and close to the market at
154:
Ackermann then moved to Little Russell Street where he published
788:
90:
529:
219:
and other distinguished artists were regular contributors.
516:
A Picturesque Tour along the Rhine, from Mentz to Cologne
533:
Picturesque Tour on the Seine, from Paris to the Sea
205:
In 1809 he applied his press to the illustration of
73:, London) was an Anglo-German bookseller, inventor,
634:
622:
610:
476:
694:
464:
432:
816:
509:
245:; and he published many illustrated volumes of
156:Imitations of Drawings of Fashionable Carriages
596:. Folkestone, England: Dawson. p. 1.
413:
411:
348:
346:
344:
342:
340:
107:, designed by Ackermann (J. Stadler, 1791)
720:Rudolph Ackermann & the Regency World
546:
392:Rudolph Ackermann & the Regency World
27:German-born British publisher (1764–1834)
365:
208:Repository of Arts, Literature, Fashions
95:
31:
850:18th-century German publishers (people)
646:
530:Jean Baptiste Balthazar Sauvan (1821).
488:
408:
337:
14:
817:
591:
225:Dr Syntax in search of the Picturesque
840:People from the Electorate of Saxony
652:
640:
628:
616:
494:
482:
470:
438:
394:. Sussex: Warnham books. p. 1.
389:
383:
24:
688:
129:John FitzGibbon, 1st Earl of Clare
25:
881:
782:
787:
594:The London Book Trades 1775-1780
451:Chambers Biographical Dictionary
353:
85:He attended the Latin school in
585:
540:
523:
860:19th-century British inventors
667:Allgemeine Deutsche Biographie
655:Ackermann, the business of art
503:
444:
292:descendants. He was buried at
269:(43 volumes, 1821–1826).
13:
1:
845:19th-century German inventors
330:
229:Ackermann's Poetical Magazine
77:, publisher and businessman.
80:
7:
865:British publishers (people)
770:; with index of works, pp.
747:; with index of works, pp.
303:
274:Ackermann steering geometry
227:first appeared in parts in
10:
886:
695:Rudolph Ackermann (1808),
233:The English Dance of Death
125:Lord Chancellor of Ireland
722:, Warnham Books, Sussex.
239:, beginning in 1823 with
223:and Rowlandson's parody,
131:. After this he designed
52:National Portrait Gallery
657:. London: Ackermann Ltd.
257:(2 volumes, 1812),
253:(3 volumes, 1808–1811),
41:François-Nicolas Mouchet
536:. London: R. Ackermann.
519:. London: R. Ackermann.
417:James Hamilton (2014),
376:Encyclopædia Britannica
325:George Moutard Woodward
251:The Microcosm of London
50:between 1810 and 1814 (
758:S.T. Prideaux (1909),
737:English Coloured Books
735:Martin Hardie (1906),
701:Augustus Charles Pugin
563:10.1098/rsnr.2002.0166
310:Ackermann's Repository
294:St. Clement Danes
267:The World in Miniature
249:and travel, including
108:
55:
835:People from Stollberg
796:at Wikimedia Commons
168:Royal Academy of Arts
99:
35:
592:Maxted, Ian (1977).
67:Electorate of Saxony
718:Ford, John (2018),
697:Microcosm of London
653:Ford, John (1983).
390:Ford, John (2018).
166:", the seat of the
69:– 30 March 1834 in
760:Aquatint engraving
497:The Book Collector
421:. Atlantic Books.
371:Ackermann, Rudolph
109:
61:(20 April 1764 in
56:
794:Rudolph Ackermann
792:Media related to
728:978-1-5272-1944-1
705:Thomas Rowlandson
699:, Illustrated by
550:Notes and Records
499:. London: 461–78.
401:978-1-5272-1944-1
320:Thomas Rowlandson
286:Battle of Leipzig
255:Westminster Abbey
217:Thomas Rowlandson
175:Thomas Rowlandson
139:that ran between
93:like his father.
59:Rudolph Ackermann
37:Rudolph Ackermann
16:(Redirected from
877:
791:
707:
659:
658:
650:
644:
638:
632:
626:
620:
614:
608:
607:
589:
583:
582:
544:
538:
537:
527:
521:
520:
511:J.J. von Gerning
507:
501:
500:
492:
486:
480:
474:
468:
462:
448:
442:
436:
430:
415:
406:
405:
387:
381:
380:
359:
357:
356:
350:
315:Isaac Cruikshank
237:Literary Annuals
179:Isaac Cruikshank
133:The Royal Sailor
121:ceremonial coach
49:
21:
18:Rudolf Ackermann
885:
884:
880:
879:
878:
876:
875:
874:
815:
814:
785:
691:
689:Further reading
663:
662:
651:
647:
639:
635:
627:
623:
615:
611:
604:
590:
586:
545:
541:
528:
524:
508:
504:
493:
489:
481:
477:
469:
465:
449:
445:
437:
433:
416:
409:
402:
388:
384:
369:, ed. (1911). "
354:
352:
351:
338:
333:
306:
187:Henry Singleton
83:
43:
28:
23:
22:
15:
12:
11:
5:
883:
873:
872:
867:
862:
857:
852:
847:
842:
837:
832:
827:
813:
812:
808:Forget Me Not,
784:
783:External links
781:
780:
779:
756:
733:
716:
690:
687:
686:
685:
677:
671:online version
661:
660:
645:
643:, p. 293.
633:
631:, p. 110.
621:
619:, p. 137.
609:
602:
584:
539:
522:
502:
487:
485:, p. 259.
475:
463:
443:
431:
407:
400:
382:
367:Chisholm, Hugh
335:
334:
332:
329:
328:
327:
322:
317:
312:
305:
302:
199:G. M. Woodward
195:Augustus Pugin
181:, John Bluck,
164:Somerset House
82:
79:
39:, portrait by
26:
9:
6:
4:
3:
2:
882:
871:
868:
866:
863:
861:
858:
856:
853:
851:
848:
846:
843:
841:
838:
836:
833:
831:
828:
826:
823:
822:
820:
809:
805:
803:
802:Forget Me Not
799:
798:
797:
795:
790:
777:
773:
769:
765:
761:
757:
754:
750:
746:
742:
738:
734:
732:
729:
725:
721:
717:
715:
714:Illustrations
711:
706:
702:
698:
693:
692:
683:
682:
678:
676:
672:
668:
665:
664:
656:
649:
642:
637:
630:
625:
618:
613:
605:
603:0-7129-0696-7
599:
595:
588:
580:
576:
572:
568:
564:
560:
556:
552:
551:
543:
535:
534:
526:
518:
517:
512:
506:
498:
491:
484:
479:
473:, p. 43.
472:
467:
460:
459:0-550-18022-2
456:
452:
447:
441:, p. 32.
440:
435:
428:
427:9781848879249
424:
420:
414:
412:
403:
397:
393:
386:
378:
377:
372:
368:
363:
362:public domain
349:
347:
345:
343:
341:
336:
326:
323:
321:
318:
316:
313:
311:
308:
307:
301:
299:
295:
289:
287:
281:
279:
275:
270:
268:
264:
260:
256:
252:
248:
244:
243:
242:Forget-Me-Not
238:
234:
230:
226:
222:
221:William Combe
218:
214:
210:
209:
203:
200:
196:
192:
188:
184:
183:Theodore Lane
180:
176:
171:
169:
165:
161:
157:
152:
150:
146:
142:
141:Charing Cross
138:
135:, an 8-wheel
134:
130:
126:
122:
118:
117:Covent Garden
114:
106:
103:
98:
94:
92:
88:
78:
76:
72:
68:
64:
60:
53:
47:
42:
38:
34:
30:
19:
807:
801:
786:
759:
736:
719:
710:1904 reprint
696:
679:
666:
654:
648:
636:
624:
612:
593:
587:
557:(1): 41–62.
554:
548:
542:
532:
525:
515:
505:
496:
490:
478:
466:
446:
434:
418:
391:
385:
374:
290:
282:
271:
266:
265:(1821), and
262:
258:
254:
250:
240:
232:
228:
224:
212:
206:
204:
191:Maria Cosway
172:
155:
153:
132:
110:
102:Royal Sailor
101:
84:
75:lithographer
58:
57:
36:
29:
870:Papermakers
830:1834 deaths
825:1764 births
44: [
819:Categories
675:Wikisource
331:References
300:, London.
247:topography
213:Repository
811:journals.
641:Ford 2018
629:Ford 2018
617:Ford 2018
483:Ford 2018
471:Ford 2018
439:Ford 2018
263:The Seine
259:The Rhine
145:Greenwich
113:Long Acre
87:Stollberg
81:Biography
63:Stollberg
54:, London)
579:31462520
571:11949679
513:(1820).
461:, page 6
304:See also
261:(1820),
149:Woolwich
123:for the
71:Finchley
364::
296:in the
278:Chelsea
137:omnibus
105:omnibus
91:saddler
726:
600:
577:
569:
457:
425:
398:
358:
298:Strand
197:, and
160:Strand
575:S2CID
48:]
724:ISBN
703:and
598:ISBN
567:PMID
455:ISBN
423:ISBN
396:ISBN
147:and
100:The
776:378
772:374
768:152
764:110
753:314
749:310
745:116
673:at
559:doi
373:".
821::
755:).
741:96
730:.
712:+
708:.
669:–
573:.
565:.
555:56
553:.
453:,
410:^
339:^
189:,
185:,
177:,
170:.
151:.
143:,
127:,
65:,
46:fr
778:)
774:–
766:–
751:–
743:–
606:.
581:.
561::
429:.
404:.
20:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.