25:
267:
93:
318:
Eitelberger insisted on the priority of the object in the history of art, and therefore lectured exclusively in the galleries of his museum. This insistence on the close attention to the visual properties of works of art became a characteristic of the Vienna School of Art
History, and was continued
342:
Eitelberger's commitment to the training of contemporary artists, and his insistence on the importance of the art of the past for art of the present, rendered him a central figure in the historicist movement in 19th-century
Austria. He conceived art history and the practice of art as a unity, a
221:. After the failure of the revolution, in 1850, Eitelberger delivered a series of lectures on art history, the first of which was entitled "Die Bildungsanstalten fĂĽr KĂĽnstler und ihre historische Entwicklung" ("Institutions for the education of artists and their historical development").
232:. Thun resubmitted his petition, and on 5 November 1852 Eitelberger was named Professor für Kunstgeschichte und Kunstarchäologie (Professor of the History of Archaeology of Art) at the University of Vienna. He thus became one of the first professors of art history in Europe.
194:. From 1839 through 1848 he was a lecturer in philology at the University of Vienna. In the meantime he educated himself in the history of art, mounting an exhibit of old master paintings in 1846 and serving as a
228:, who attempted to secure him a position as professor of art history at the University. However, Eitelberger's theories and political activity remained controversial, and his appointment was initially vetoed by
213:, a pro-revolutionary literary journal. He was particularly concerned with the role of art history in the education of artists; also in 1848 he published a polemic against the pedagogical methods of
395:
Die preisgekrönten Entwürfe zur
Erweiterung der inneren Stadt Wien: mit sieben in der Kaiserlich-Königlichen Hof- und Staatsdruckerei in Farbendruck ausgeführten Plänen und einem erläuternden Texte
247:
Eitelberger's activities as professor embraced both scholarly and practical, educational endeavors. Together with Gustav Heider he published a two-volume corpus of the
475:
495:
206:
434:
M. Rampley, "The idea of a scientific discipline: Rudolf von
Eitelberger and the emergence of art history in Vienna, 1847–1885",
343:
principle expressed in his maxim: "He who wishes to pursue art history must possess a natural inclination towards art itself."
240:
in 1844, and the appointment of
Eitelberger may have represented a Habsburg attempt to keep pace with the cultural policies of
68:
46:
39:
470:
500:
271:
480:
237:
224:
Eitelberger's activities attracted the attention of the
Austrian Minister for Religion and Education, Count
214:
171:
218:
331:. Eitelberger's simultaneous interest in the historical context of objects, expressed in his series of
286:
359:"Man muĂź fĂĽr Kunst selbst veranlagt sein, wenn man Kunstgeschichte treiben will." Quoted in Lachnit,
229:
33:
233:
225:
50:
191:
490:
485:
336:
167:
8:
455:
295:
402:
Quellenschriften fĂĽr
Kunstgeschichte und Kunsttechnik des Mittelalters und der Neuzeit
187:
443:
The Vienna School of Art
History. Empire and the Politics of Scholarship, 1847–1918
266:
320:
142:
120:
335:, also became a hallmark of the Vienna School, and was pursued in particular by
324:
464:
429:
Die kunstpädagogischen Ideen, Theorien und
Leistungen Rudolf von Eitelbergers
277:
In the practical realm, Eitelberger and Jakob Falke co-founded in 1864 the
328:
159:
202:
377:
249:
Mittelalterliche Kunstdenkmäler des österreichischen Kaiserstaates
389:
Mittelalterliche Kunstdenkmale des österreichischen Kaiserstaates
241:
183:
116:
307:
290:
138:
422:
Die Wiener Schule der Kunstgeschichte und die Kunst ihrer Zeit
92:
293:. In 1868 he founded the museum's educational component, the
285:(Austrian Museum for Applied Art), which was inspired by the
456:
Eitelberger at the Biographical Dictionary of Art Historians
281:(Imperial Austrian Museum for Art and Industry), today the
186:, the son of a military officer. He studied law and the
201:
Eitelberger was a committed reformist throughout the
279:
k.k. Ă–sterreichisches Museum fĂĽr Kunst und Industrie
158:; 17 April 1817 – 18 April 1885) was an Austrian
462:
236:had been appointed to a similar chair at the
283:Ă–sterreichisches Museum fĂĽr angewandte Kunst
476:Austrian people of Moravian-German descent
319:by Eitelberger's students and successors,
91:
253:Medieval monuments of the Austrian Empire
182:Eitelberger was born on 17 April 1817 in
170:. He is considered as the founder of the
69:Learn how and when to remove this message
265:
166:(full professor) for art history at the
32:This article includes a list of general
463:
383:Cividale in Friaul und seine Monumente
408:Gesammelte kunsthistorische Schriften
306:Eitelberger died on 18 April 1885 in
255:), and in 1871 he founded the series
257:Quellenschriften fĂĽr Kunstgeschichte
18:
410:, four volumes (Vienna, 1879–1894).
198:(private lecturer) in art history.
13:
391:, two volumes (Vienna, 1858–1860).
38:it lacks sufficient corresponding
16:Austrian art historian (1817–1885)
14:
512:
496:PalackĂ˝ University Olomouc alumni
449:
404:, 18 volumes (Vienna, 1871–1908).
301:Universität für angewandte Kunst
23:
414:
217:, at that time director of the
156:Rudolf Eitelberger von Edelberg
353:
303:(University for Applied Art).
272:Museum of Applied Arts, Vienna
1:
346:
238:Humboldt University of Berlin
445:(University Park, PA, 2013).
270:Eitelberger memorial in the
261:Source Texts for Art History
209:served as the editor of the
172:Vienna School of Art History
7:
10:
517:
215:Ferdinand Georg WaldmĂĽller
313:
127:
102:
90:
83:
438:, 34.1 (2011) pp. 54–79.
370:
471:Austrian art historians
431:(Diss.) (Vienna, 1980).
287:South Kensington Museum
234:Gustav Friedrich Waagen
226:Leopold Thun-Hohenstein
177:
97:Portrait of Eitelberger
53:more precise citations.
501:Wiener Zeitung editors
274:
269:
192:University of Olomouc
481:Writers from Olomouc
337:Julius von Schlosser
310:, at the age of 68.
230:Emperor Franz Joseph
219:Academy of Fine Arts
168:University of Vienna
296:Kunstgewerbeschule
275:
152:Rudolf Eitelberger
85:Rudolf Eitelberger
361:Die Wiener Schule
205:, and during the
188:Romance languages
149:
148:
79:
78:
71:
508:
364:
357:
333:Quellenschriften
134:
112:
110:
95:
81:
80:
74:
67:
63:
60:
54:
49:this article by
40:inline citations
27:
26:
19:
516:
515:
511:
510:
509:
507:
506:
505:
461:
460:
452:
424:(Vienna, 2005).
417:
397:(Vienna, 1859).
385:(Vienna, 1857).
379:(Vienna, 1848).
373:
368:
367:
358:
354:
349:
321:Moritz Thausing
316:
180:
145:
143:Austria-Hungary
136:
132:
123:
121:Austrian Empire
114:
108:
106:
98:
86:
75:
64:
58:
55:
45:Please help to
44:
28:
24:
17:
12:
11:
5:
514:
504:
503:
498:
493:
488:
483:
478:
473:
459:
458:
451:
450:External links
448:
447:
446:
439:
432:
425:
416:
413:
412:
411:
405:
398:
392:
386:
380:
372:
369:
366:
365:
351:
350:
348:
345:
325:Franz Wickhoff
315:
312:
211:Wiener Zeitung
207:events of 1848
179:
176:
162:and the first
147:
146:
137:
135:(aged 68)
129:
125:
124:
115:
104:
100:
99:
96:
88:
87:
84:
77:
76:
31:
29:
22:
15:
9:
6:
4:
3:
2:
513:
502:
499:
497:
494:
492:
489:
487:
484:
482:
479:
477:
474:
472:
469:
468:
466:
457:
454:
453:
444:
440:
437:
433:
430:
426:
423:
419:
418:
409:
406:
403:
399:
396:
393:
390:
387:
384:
381:
378:
375:
374:
362:
356:
352:
344:
340:
338:
334:
330:
326:
322:
311:
309:
304:
302:
298:
297:
292:
288:
284:
280:
273:
268:
264:
262:
258:
254:
250:
245:
243:
239:
235:
231:
227:
222:
220:
216:
212:
208:
204:
199:
197:
193:
189:
185:
175:
173:
169:
165:
161:
160:art historian
157:
153:
144:
140:
131:18 April 1885
130:
126:
122:
118:
113:17 April 1817
105:
101:
94:
89:
82:
73:
70:
62:
52:
48:
42:
41:
35:
30:
21:
20:
442:
441:M. Rampley,
435:
428:
421:
420:E. Lachnit,
415:Bibliography
407:
401:
394:
388:
382:
376:
360:
355:
341:
332:
317:
305:
300:
299:, today the
294:
282:
278:
276:
260:
256:
252:
248:
246:
223:
210:
200:
196:Privatdozent
195:
181:
163:
155:
151:
150:
133:(1885-04-18)
65:
56:
37:
491:1885 deaths
486:1817 births
436:Art History
329:Alois Riegl
154:(full name
51:introducing
465:Categories
427:E. Nebel,
347:References
164:Ordinarius
109:1817-04-17
34:references
400:Editor,
363:, p. 24.
59:May 2022
242:Prussia
203:Vormärz
184:Olomouc
117:Olomouc
47:improve
327:, and
314:Legacy
308:Vienna
291:London
139:Vienna
36:, but
371:Works
178:Life
128:Died
103:Born
289:in
263:).
190:at
467::
339:.
323:,
244:.
174:.
141:,
119:,
259:(
251:(
111:)
107:(
72:)
66:(
61:)
57:(
43:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
