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772:. When first published, this novel received lukewarm reviews and indifferent sales. A few months later, Perelman was interviewed for a national publication. The interviewer asked Perelman if he had read anything funny lately. Perelman—a man not noted for generosity with his praise—went to considerable lengths to commend
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direct assault on culture ... to flay the barbarian enemy: the hucksters and the hacks, the beaming empty face of commercial society ... It was his special pleasure in the '30s and '40s to take some inoffensive professional manual by the scruff and wring from it every drop of false feeling or
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has in turn admitted to being influenced by
Perelman and recently has written tributes in very much the same style. The two once happened to have dinner at the same restaurant, and when the elder humorist sent his compliments, the younger comedian mistook it for a joke. Authors that admired
393:—who sent his laundry to Paris—the young Jawaharlal's British nurse etc. etc. ...), Perelman composed a series of imaginary letters that might have been exchanged in 1903 between an angry Pandit Nehru in India and a sly Parisian laundryman about the condition of his laundered underwear.
754:, who once said of the writer, "I hated the son of a bitch, and he had a head as big as my desk." In the later years of Perelman's career, he bristled at being identified as a writer of Marx Brothers material, insisting that his publishers omit any mention of it in publicity material.
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in which he gives acid (and disillusioned) descriptions of recent viewings of movies (and recent re-readings of novels) that had enthralled him as a youth in
Providence, Rhode Island, later as a student at Brown University, and then while a struggling comic artist in Greenwich Village.
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turned rather sour when late in his life he (temporarily) relocated to
England. He returned to New York in 1972, having concluded that "English life, while very pleasant, is rather bland. I expected kindness and gentility and I found it, but there is such a thing as too much couth."
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Perelman reportedly regarded children as a nuisance. His son Adam (born in 1936) committed several robberies in the mid-1950s, was accused of attempted rape, and ended up in a reformatory for wayward boys. The two things that brought
Perelman happiness were his MG automobile and a
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Perelman also occasionally used a form of word play that was, apparently, unique to him. He would take a common word or phrase and change its meaning completely within the context of what he was writing, generally in the direction of the ridiculous. In
350:) was unsuccessful, and throughout his life he was resentful that authors who wrote in the full-length form of novels received more literary respect (and financial success) than short-form authors like himself even as he openly admired British humorist
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Sometimes he gleaned an apparently off-hand phrase from a newspaper article or magazine advertisement and then write a brief, satiric play or sketch inspired by that phrase. A typical example is his 1950s work "No Starch in the Dhoti,
412:, for instance, he writes: "The homeward-bound Americans were as merry as grigs (the Southern Railway had considerately furnished a box of grigs for purposes of comparison)". Another classic Perelman pun is "I've got
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Perelman wrote many brief, humorous descriptions of his travels for various magazines, and of his travails on his
Pennsylvania farm, all of which were collected into books. (A few were illustrated by caricaturist
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404:, a teen magazine with stories inspired by the 1930s Swing dance craze. Perelman voraciously read magazines to find new material for his sketches. (He often referred to the magazines as "Sauce for the gander.")
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People like SJ Perelman and EB White – people who could do certain amazing things in prose. Perelman was the first true
American surrealist – ranking with the best in the world surrealist movement.
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In other sketches, Perelman satirized popular magazines or story genres of his day. In "Somewhere a Roscoe," he pokes fun at the "purple prose" writing style of 1930s pulp magazines such as
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has declared his admiration for
Perelman's writing. Keillor's "Jack Schmidt, Arts Administrator" is a parody of Perelman's classic "Farewell, My Lovely Appetizer", itself a parody of the
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writers of the era frequently produced. Yet his references to himself were typically wittily self-deprecatory—as for example, "before they made S.J. Perelman, they broke the mold."
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261:, New York City, the only son of Joseph and Sophie Perelman, who moved from one failed business to another until they found themselves raising chickens on a farm and running a
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writer of the United States. In these numerous brief sketches he pioneered a new and unique style, using parody to "wring every drop of false feeling or slovenly thinking."
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They were infused with a sense of ridicule, irony, and wryness and frequently used his own misadventures as their theme. Perelman chose to describe these pieces as
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Perelman wrote at least five original plays produced on
Broadway from 1932 to 1963, two as collaborators with his wife Laura. The first was the musical revue
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455:, and sense of the ridiculous. All these elements infused Perelman's writings but his style was precise, clear, and the very opposite of Joycean
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A number of his works were set in
Hollywood and in various places around the world. He stated that as a young man he was heavily influenced by
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to be a novel, it is actually his first collection of humorous pieces, many written while he was a student at Brown. It is largely considered
338:— a French literary term meaning "literary or scientific articles; serial stories" (literally "little leaves") — and he defined himself as a
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Perelman is highly regarded for his humorous short pieces that he published in magazines in the 1930s and 1940s, most often in
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Perelman's personal life was difficult. In 1929 at the age of 25 he married the 18-year-old sister of his school friend
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536:, lyrics by Nash), which opened on Broadway in 1943 and ran for more than 500 performances. His final play
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Along with his explicit credits, Perelman and Laura West
Perelman worked as contract screenwriters for
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was very different from those sketches of the inept "little man" struggling to cope with life that
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The phrase "crazy like a fox" gained popularity after Perelman used it as a book title in 1944.
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the same year. They remained married until Laura's death in 1970. Perelman did not remarry.
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and screenwriter. He is best known for his humorous short pieces written over many years for
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and liberally sprinkled his prose with these phrases, thus paving the way for the likes of
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400:. In "Swing Out, Sweet Chariot," he examines the silliness of the "jive language" found in
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The marriage was strained from the start because of his innumerable affairs (notably with
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1408:"Daytonian in Manhattan: Unexpected Art Deco - H. I. Feldman's 1930 22-24 Grove Street"
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1150:"How Percy Marks Got Fired from Brown for Exposing the Depravities of the Ivy League"
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in multiple roles, fared less well, its short run attributed in part to the 114-day
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listed Perelman as a major influence in his December 13, 2012 interview on the
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776:. After the interview was published, sales of Heller's novel skyrocketed.
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698:(1958), produced for television and featuring the final score written by
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1474:"Gotterdammerung-22" in Joseph Heller's Catch-22, edited by Harold Bloom
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1574:"That Old Feeling: Perelmania" — A celebratory essay regarding Perelman
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A vitriolic but amusing review of Perelman's career and alleged demise
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1999:
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306:, who accompanied Perelman on the round-the-world trip recounted in
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And Did You Once See Sidney Plain? A Random Memoir of S.J. Perelman
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245:, as well as books, scripts, and screenplays. Perelman received an
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Don't Mention the Marx Brothers: Reminiscences of S.J. Perelman
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in 1921, where he became editor of the campus humor magazine
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In cinema, Perelman is noted for co-writing scripts for the
1061:
Perelman, S. J. (January 1, 1949). "Stringing Up Father".
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Perelman was indirectly responsible for the success of
239:. He also wrote for several other magazines, including
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New York Film Critics Circle Award for Best Screenplay
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Perelman picked up plenty of pungent expressions from
231:(February 1, 1904 – October 17, 1979) was an American
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William Cole and George Plimpton (Summer–Fall 1963).
569:(1932), and for the Academy Award-winning screenplay
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S. J. Perelman's typewriter (New York Public Library)
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Don't Tread on Me: Selected Letters of S.J. Perelman
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and made uncredited contributions for films such as
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Members of the American Academy of Arts and Letters
342:. Perelman's only attempt at a conventional novel (
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49:. Unsourced material may be challenged and removed.
1156:. New England Historical Society. November 4, 2017
419:He also wrote a notable series of sketches called
272:He attended the Candace Street Grammar School and
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719:, produced on Broadway, and both were signed by
459:. Perelman dryly admitted to having been such a
1130:. New England Historical Society. February 2014
3380:Best Adapted Screenplay Academy Award winners
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750:Perelman had a problematic relationship with
742:, both of which he pampered like babies. His
679:(1942) based on the Perelmans' Broadway play
1067:. Vol. 24, no. 45. pp. 16–17.
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1552:"S. J. Perelman, The Art of Fiction No. 31"
1232:Phillips, David Graham (November 1, 1980).
435:, obscure words and references, metaphors,
294:Perelman dropped out of Brown and moved to
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1508:The American Heritage Dictionary of Idioms
385:." Beginning with an off-hand phrase in a
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1637:Academy Award for Best Adapted Screenplay
1579:Encyclopedia Brunoniana entry on Perelman
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463:thief that he should have been arrested.
109:Learn how and when to remove this message
1477:. NY: Infobase Publishing. p. 154.
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927:(collection of re-printed pieces) (1958)
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317:. For these, he is considered the first
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494:school of tough, amorous 'private-eye'
211: 1929; died 1970)
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522:, which opened in December 1932. With
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1350:Perelman, S. J. (December 16, 1944).
1235:Twentieth Century American Literature
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1309:"S.J. Perelman talks to Tony Bilbow"
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526:, he wrote the book for the musical
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468:Perelman's ingenious style included
431:and Flann O'Brien, particularly his
47:adding citations to reliable sources
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3395:20th-century American screenwriters
1091:"'I Don't Believe in Kindly Humor'"
548:1962 New York City newspaper strike
13:
3390:20th-century American male writers
1505:Ammer, Christine (April 1, 1997).
14:
3421:
3385:American male non-fiction writers
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1124:"S.J. Perelman, Crazy Like a Fox"
16:American screenwriter (1904–1979)
3365:Screenwriters from New York City
1731:Heinz Herald, Geza Herczeg, and
1584:Works by or about S. J. Perelman
1372:Conversations with S.J. Perelman
1273:Conversations with S.J. Perelman
1089:Lahr, John (September 7, 1986).
987:Conversations with S.J. Perelman
706:
346:, written in collaboration with
253:Early life, family and education
23:
1563:Some information about Perelman
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1414:
1400:
1377:University Press of Mississippi
1362:
1352:"Farewell, My Lovely Appetizer"
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1278:University Press of Mississippi
1207:The flinty eye behind the humor
1154:NewEnglandHistoricalSociety.com
1128:NewEnglandHistoricalSociety.com
1054:
1029:. G. P. Putnam's Sons, (1986).
793:
208:
34:needs additional citations for
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1020:S.J. Perelman A Critical Study
723:as contract screenwriters for
591:His official credits include:
1:
3345:Jewish American screenwriters
1471:Buckley, Christopher (2008).
1072:
484:Oxford Book of Humorous Prose
389:article ("...the late Pandit
298:in Manhattan, New York City.
3400:Classical High School alumni
1015:. Twayne Publishers, (1983).
995:(UK reprinted pieces) (2000)
7:
3370:American male screenwriters
1369:Teicholz, Tom, ed. (1995).
1270:Teicholz, Tom, ed. (1995).
909:Under the Spreading Atrophy
887:The Ill-Tempered Clavichord
687:Around the World in 80 Days
572:Around the World in 80 Days
498:. Irish comedian and actor
249:for screenwriting in 1956.
10:
3426:
3405:20th-century American Jews
3106:Charlie and Donald Kaufman
1022:. Greenwood Press, (1987).
1001:(Library of America)(2021)
993:The World of S.J. Perelman
881:A Child's Garden of Curses
681:The Night Before Christmas
276:in Providence. He entered
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1603:
1598:Awards for S. J. Perelman
1421:Mitchell, Martha (1993).
1396:– via Google Books.
1297:– via Google Books.
1259:– via Google Books.
1006:Books about S.J. Perelman
925:The Most of S.J. Perelman
899:Perelman's Home Companion
893:Hold that Christmas Tiger
875:The Swiss Family Perelman
869:Listen to the Mockingbird
857:The Best of S.J. Perelman
289:
218:
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182:
174:
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3308:and Alex Mechanik (2023)
3150:Joel Coen and Ethan Coen
2430:Joel Coen and Ethan Coen
1558:. Summer-Fall 1963 (30).
1535:– via WBI Library.
945:Chicken Inspector No. 23
805:Dawn Ginsbergh's Revenge
356:Dawn Ginsbergh's Revenge
267:Providence, Rhode Island
3355:Brown University alumni
1427:Encyclopedia Brunoniana
811:Parlor, Bedlam and Bath
508:podcast (episode 343).
457:stream of consciousness
387:New York Times Magazine
365:The tone of Perelman's
344:Parlor, Bedlam and Bath
2973:and Daniel Yost (1989)
1222:
1216:, September 18, 1970,
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1027:S.J. Perelman – A Life
951:Baby, It's Cold Inside
799:Books by S.J. Perelman
542:(1962), which starred
329:
229:Sidney Joseph Perelman
145:Sidney Joseph Perelman
3375:The New Yorker people
3360:Writers from Brooklyn
2518:Tarell Alvin McCraney
1217:
1188:
975:That Old Gang o' Mine
354:. While many believe
327:
274:Classical High School
257:Perelman was born in
3290:Paul Thomas Anderson
3258:Paul Thomas Anderson
2979:Ruth Prawer Jhabvala
2536:, David Rabinowitz,
2446:Geoffrey S. Fletcher
2279:Ruth Prawer Jhabvala
2227:Ruth Prawer Jhabvala
2108:Francis Ford Coppola
2100:William Peter Blatty
2088:Francis Ford Coppola
1881:Joseph L. Mankiewicz
1873:Joseph L. Mankiewicz
1769:Donald Ogden Stewart
1410:. December 22, 2017.
1240:Macmillan Publishers
1177:(1982) interview in
833:The Dream Department
821:Strictly from Hunger
519:Walk a Little Faster
443:, paradox, symbols,
416:and he's got mine".
178:Author, screenwriter
43:improve this article
2558:Christopher Hampton
2247:Christopher Hampton
2235:Bernardo Bertolucci
2048:Stirling Silliphant
1753:George Bernard Shaw
1733:Norman Reilly Raine
1460:. February 6, 2004.
1329:Keillor, Garrison.
1187:, p.185 quotation:
905:The Road to Miltown
827:Look Who's Talking!
725:Metro-Goldwyn-Mayer
661:The Golden Fleecing
580:Metro-Goldwyn-Mayer
505:WTF with Marc Maron
474:W. Somerset Maugham
421:Cloudland Revisited
170:New York City, U.S.
156:New York City, U.S.
3350:American satirists
3222:Eric Warren Singer
2756:Lorenzo Semple Jr.
2670:Harold Jacob Smith
2311:Billy Bob Thornton
1745:Cecil Arthur Lewis
1220:slovenly thinking.
1096:The New York Times
1025:Hermann, Dorothy.
915:Bite on the Bullet
758:Cultural influence
717:All Good Americans
668:One Touch of Venus
529:One Touch of Venus
449:clang associations
330:
3322:
3321:
3316:
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3274:Quentin Tarantino
3011:Quentin Tarantino
2871:Marshall Brickman
2836:Suzanne Schiffman
2832:François Truffaut
2792:Penelope Gilliatt
2788:Peter Bogdanovich
2715:Harriet Frank Jr.
2596:
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2195:Donald E. Stewart
1813:Julius J. Epstein
1809:Philip G. Epstein
1457:Independent.co.uk
1011:Fowler, Douglas.
512:Broadway and film
445:free associations
296:Greenwich Village
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1461:
1452:"Art Ă la carte"
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1431:Brown University
1423:"Perelman, S.J."
1418:
1412:
1411:
1404:
1398:
1397:
1395:
1393:
1379:. p. xiii.
1366:
1360:
1359:
1347:
1341:
1331:Happy to Be Here
1327:
1321:
1320:
1305:
1299:
1298:
1296:
1294:
1267:
1261:
1260:
1258:
1256:
1229:
1223:
1199:
1193:
1175:Donald Barthelme
1172:
1166:
1165:
1163:
1161:
1146:
1140:
1139:
1137:
1135:
1120:
1109:
1108:
1106:
1104:
1086:
1068:
1018:Gale, Steven H.
931:The Rising Gorge
839:Crazy Like a Fox
815:Quentin Reynolds
492:Raymond Chandler
488:Garrison Keillor
414:Bright's Disease
319:surrealist humor
278:Brown University
212:
210:
187:Brown University
167:
164:October 17, 1979
154:February 1, 1904
153:
151:
137:
123:
122:
114:
107:
103:
100:
94:
92:
58:"S. J. Perelman"
51:
27:
19:
3425:
3424:
3420:
3419:
3418:
3416:
3415:
3414:
3325:
3324:
3323:
3318:
3317:
3312:
3304:
3298:Martin McDonagh
3296:
3288:
3280:
3272:
3264:
3256:
3248:
3240:
3232:
3220:
3212:
3198:Steven Zaillian
3196:
3190:Lisa Cholodenko
3186:Stuart Blumberg
3184:
3170:Simon Blackwell
3166:Jesse Armstrong
3164:
3156:
3148:
3140:
3132:
3122:Alexander Payne
3120:
3112:
3104:
3098:Julian Fellowes
3096:
3085:
3077:
3067:Alexander Payne
3065:
3053:
3047:Brian Helgeland
3041:
3029:
3021:
3009:
3001:
2993:
2985:
2977:
2969:
2961:
2955:James L. Brooks
2953:
2945:
2937:
2929:
2921:
2915:Murray Schisgal
2909:
2901:
2893:
2885:
2877:
2865:
2859:Paddy Chayefsky
2857:
2846:
2830:
2822:
2806:
2798:
2782:
2774:
2762:
2754:
2742:
2734:
2730:No Award (1965)
2729:
2721:
2709:
2705:No Award (1962)
2704:
2696:
2684:
2676:
2664:
2660:No Award (1957)
2659:
2643:
2632:
2627:
2597:
2592:
2584:
2576:
2568:
2556:
2548:
2534:Charlie Wachtel
2532:
2524:
2512:
2500:
2492:
2484:
2476:
2462:Alexander Payne
2460:
2452:
2444:
2436:
2428:
2422:William Monahan
2420:
2408:
2398:Alexander Payne
2396:
2382:Philippa Boyens
2380:
2372:
2364:
2353:
2345:
2337:
2329:
2323:Brian Helgeland
2317:
2309:
2301:
2293:
2287:Steven Zaillian
2285:
2277:
2269:
2261:
2253:
2245:
2233:
2225:
2217:
2209:
2203:James L. Brooks
2201:
2189:
2183:Ernest Thompson
2181:
2173:
2165:
2157:
2149:
2143:William Goldman
2141:
2130:
2124:Lawrence Hauben
2118:
2106:
2098:
2086:
2078:
2070:
2062:
2054:
2046:
2038:
2030:
2022:
2014:
2006:
1998:
1990:
1982:
1976:Alan Jay Lerner
1974:
1958:
1942:
1936:Paddy Chayefsky
1934:
1926:
1920:Daniel Taradash
1918:
1910:
1898:
1887:
1879:
1871:
1863:
1855:
1849:Robert Sherwood
1847:
1835:
1823:
1807:
1801:Arthur Wimperis
1787:
1781:Seton I. Miller
1775:
1767:
1759:
1739:
1730:
1724:Sheridan Gibney
1720:Pierre Collings
1718:
1710:
1702:
1690:
1682:
1674:
1666:
1658:
1652:Benjamin Glazer
1650:
1639:
1634:
1599:
1546:
1541:
1540:
1530:
1528:
1526:
1511:
1503:
1499:
1489:
1487:
1485:
1469:
1465:
1450:
1449:
1445:
1435:
1433:
1419:
1415:
1406:
1405:
1401:
1391:
1389:
1387:
1367:
1363:
1348:
1344:
1333:. Faber, 1983.
1328:
1324:
1307:
1306:
1302:
1292:
1290:
1288:
1280:. p. 117.
1268:
1264:
1254:
1252:
1250:
1242:. p. 451.
1230:
1226:
1200:
1196:
1180:Partisan Review
1173:
1169:
1159:
1157:
1148:
1147:
1143:
1133:
1131:
1122:
1121:
1112:
1102:
1100:
1087:
1080:
1075:
1057:
1008:
938:The Beauty Part
919:Road to Miltown
851:Acres and Pains
801:
796:
760:
721:Irving Thalberg
709:
704:
635:Florida Special
629:Paris Interlude
598:Monkey Business
560:Monkey Business
539:The Beauty Part
514:
398:Spicy Detective
383:S'il Vous Plait
292:
263:dry goods store
255:
214:
206:
202:
199:
183:Alma mater
169:
165:
155:
149:
147:
146:
128:
115:
104:
98:
95:
52:
50:
40:
28:
17:
12:
11:
5:
3423:
3413:
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3402:
3397:
3392:
3387:
3382:
3377:
3372:
3367:
3362:
3357:
3352:
3347:
3342:
3337:
3320:
3319:
3314:
3313:
3311:
3310:
3302:
3294:
3286:
3278:
3270:
3262:
3254:
3246:
3238:
3230:
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3210:
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3182:
3162:
3154:
3146:
3138:
3130:
3118:
3110:
3102:
3093:
3091:
3087:
3086:
3084:
3083:
3075:
3063:
3051:
3039:
3035:Monica Johnson
3027:
3019:
3007:
2999:
2991:
2983:
2975:
2967:
2959:
2951:
2947:Hanif Kureishi
2943:
2935:
2927:
2919:
2907:
2899:
2891:
2883:
2875:
2863:
2854:
2852:
2848:
2847:
2845:
2844:
2828:
2824:Ingmar Bergman
2820:
2804:
2800:Ingmar Bergman
2796:
2784:Larry McMurtry
2780:
2772:
2760:
2752:
2740:
2732:
2727:
2719:
2711:Irving Ravetch
2707:
2702:
2694:
2682:
2674:
2662:
2657:
2653:S. J. Perelman
2640:
2638:
2634:
2633:
2626:
2625:
2618:
2611:
2603:
2594:
2593:
2591:
2590:
2586:Cord Jefferson
2582:
2574:
2566:
2562:Florian Zeller
2554:
2546:
2538:Kevin Willmott
2530:
2522:
2510:
2498:
2490:
2482:
2474:
2458:
2450:
2442:
2434:
2426:
2418:
2410:Larry McMurtry
2406:
2394:
2378:
2374:Ronald Harwood
2370:
2366:Akiva Goldsman
2361:
2359:
2355:
2354:
2352:
2351:
2347:Stephen Gaghan
2343:
2335:
2327:
2315:
2307:
2299:
2291:
2283:
2275:
2267:
2259:
2251:
2243:
2231:
2223:
2215:
2207:
2199:
2187:
2179:
2171:
2163:
2155:
2147:
2138:
2136:
2132:
2131:
2129:
2128:
2116:
2104:
2096:
2084:
2080:Ernest Tidyman
2076:
2068:
2060:
2052:
2044:
2036:
2028:
2020:
2012:
2004:
1996:
1992:Richard Brooks
1988:
1980:
1972:
1968:Michael Wilson
1956:
1948:S. J. Perelman
1940:
1932:
1924:
1916:
1912:Charles Schnee
1908:
1904:Michael Wilson
1895:
1893:
1889:
1888:
1886:
1885:
1877:
1869:
1861:
1853:
1845:
1833:
1821:
1805:
1785:
1777:Sidney Buchman
1773:
1765:
1757:
1749:W. P. Lipscomb
1737:
1728:
1716:
1712:Dudley Nichols
1708:
1700:
1696:Sarah Y. Mason
1692:Victor Heerman
1688:
1684:Edwin J. Burke
1680:
1672:
1668:Frances Marion
1664:
1656:
1647:
1645:
1641:
1640:
1633:
1632:
1625:
1618:
1610:
1604:
1601:
1600:
1591:
1590:
1581:
1576:
1571:
1565:
1560:
1545:
1544:External links
1542:
1539:
1538:
1524:
1497:
1483:
1463:
1443:
1413:
1399:
1385:
1361:
1356:The New Yorker
1342:
1322:
1300:
1286:
1262:
1248:
1224:
1194:
1167:
1141:
1110:
1077:
1076:
1074:
1071:
1070:
1069:
1064:The New Yorker
1056:
1053:
1052:
1051:
1044:
1039:Lister, Eric.
1037:
1023:
1016:
1007:
1004:
1003:
1002:
996:
990:
984:
978:
972:
969:The Last Laugh
966:
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934:
928:
922:
917:(UK title for
912:
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713:Nathanael West
708:
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638:
632:
626:
622:Sitting Pretty
618:
610:
606:Horse Feathers
602:
593:
566:Horse Feathers
513:
510:
352:P.G. Wodehouse
340:feuilletoniste
315:The New Yorker
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3282:Eliza Hittman
3279:
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3134:Noah Baumbach
3131:
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3043:Curtis Hanson
3040:
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3031:Albert Brooks
3028:
3024:
3023:Emma Thompson
3020:
3016:
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2931:Robert Benton
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2911:Larry Gelbart
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2879:Paul Mazursky
2876:
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2860:
2856:
2855:
2853:
2849:
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2837:
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2816:Willard Huyck
2813:
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2801:
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2789:
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2781:
2777:
2773:
2769:
2765:
2764:Paul Mazursky
2761:
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2749:
2748:Robert Benton
2745:
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2723:Harold Pinter
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2303:Emma Thompson
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2263:Michael Blake
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2175:Alvin Sargent
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2024:Edward Anhalt
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2017:
2013:
2009:
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1984:Neil Paterson
1981:
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1960:Pierre Boulle
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1021:
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1013:S.J. Perelman
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764:Joseph Heller
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3242:Phyllis Nagy
3234:Wes Anderson
3214:Tony Kushner
3206:Stan Chervin
3202:Aaron Sorkin
3142:Peter Morgan
3090:2001–present
3059:Tom Stoppard
3003:Jane Campion
2971:Gus Van Sant
2923:Bill Forsyth
2887:Steve Tesich
2840:Jean Gruault
2808:George Lucas
2768:Larry Tucker
2744:David Newman
2690:Billy Wilder
2652:
2578:Sarah Polley
2494:Graham Moore
2478:Chris Terrio
2454:Aaron Sorkin
2414:Diana Ossana
2358:2001–present
2219:Kurt Luedtke
2191:Costa-Gavras
2159:Oliver Stone
2016:John Osborne
2008:Horton Foote
1964:Carl Foreman
1947:
1841:Billy Wilder
1829:Frank Cavett
1825:Frank Butler
1793:James Hilton
1555:
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1319:: 279. 1970.
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1313:The Listener
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41:Please help
36:verification
33:
3340:1979 deaths
3335:1904 births
3158:Jenny Lumet
3114:Craig Lucas
3055:Marc Norman
3015:Roger Avary
2995:Neil Jordan
2963:Ron Shelton
2939:Woody Allen
2867:Woody Allen
2812:Gloria Katz
2776:Éric Rohmer
2736:Robert Bolt
2649:John Farrow
2526:James Ivory
2486:John Ridley
2339:John Irving
2331:Bill Condon
2255:Alfred Uhry
2239:Mark Peploe
2040:Robert Bolt
2032:Robert Bolt
1944:John Farrow
1900:Harry Brown
1865:John Huston
1817:Howard Koch
1660:Hanns Kräly
1490:February 5,
1354:. Fiction.
1160:November 9,
1134:November 9,
1099:. p. 3
1046:Wilk, Max.
895:(UK) (1954)
883:(UK) (1951)
785:Philip Roth
744:Anglophilia
700:Cole Porter
654:Boy Trouble
585:Sweethearts
563:(1931) and
500:Dylan Moran
486:. Humorist
465:Woody Allen
429:James Joyce
367:feuilletons
335:feuilletons
3329:Categories
3306:Samy Burch
3178:Tony Roche
3126:Jim Taylor
3071:Jim Taylor
2903:John Guare
2895:Bo Goldman
2570:Sian Heder
2502:Adam McKay
2402:Jim Taylor
2390:Fran Walsh
2120:Bo Goldman
2112:Mario Puzo
2092:Mario Puzo
2064:Waldo Salt
1531:October 2,
1525:039572774X
1392:October 2,
1293:October 2,
1255:October 2,
1103:October 2,
1073:References
1043:(UK)(1985)
740:mynah bird
534:Kurt Weill
532:(music by
524:Ogden Nash
480:Frank Muir
470:T.S. Eliot
375:New Yorker
373:and other
198:Laura West
175:Occupation
150:1904-02-01
99:April 2020
69:newspapers
2851:1976–2000
2698:Abby Mann
2645:James Poe
2637:1956–1975
2542:Spike Lee
2470:Nat Faxon
2295:Eric Roth
2271:Ted Tally
2135:1976–2000
2000:Abby Mann
1952:James Poe
1892:1951–1975
1644:1928–1950
1436:March 15,
1185:Volume 49
766:'s novel
544:Bert Lahr
360:juvenilia
286:in 1924.
2466:Jim Rash
1050:. (1986)
999:Writings
817:) (1930)
774:Catch-22
769:Catch-22
588:(1938).
575:(1956).
433:wordplay
259:Brooklyn
233:humorist
219:Children
1586:at the
1204:(1970)
921:)(1957)
781:Yiddish
695:Aladdin
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201:
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1803:(1942)
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807:(1929)
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643:(1936)
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631:(1934)
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557:films
441:parody
290:Career
193:Spouse
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1512:(PDF)
437:irony
242:Judge
207:(
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90:JSTOR
76:books
3224:and
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1162:2017
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1105:2021
1031:ISBN
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142:Born
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