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Sadeq Chubak

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283:) inhabited mostly by people migrating from other parts of Bushehr province including Tangestan. Irked by social injustice, the protagonist, Zar Mohammad, takes justice into his own hands and fights social iniquities. Zar Mohammad has earned a considerable sum of money and embarks on trading but he is ripped out of his money by the governor. Bitterly despaired by the delay or absence of justice, he takes a gun and kills his enemies one by one. After the killing of the frauds, he is dubbed Shir Mohammad (lion-hearted Mohammad) by the villagers. The theme of justice and revenge fills the entire ambiance of the novel. Once the law is too slow to mete out justice to the ones who deserve it, anarchy will prevail with the consequence that people will decide their own fate and exercise justice in the light of their own definition of the concept. After long ordeals, Shir Mohammad escapes the grip of the law. Chubak laments the social injustice and the blind ignorance of the lawmakers. The quest for justice turns into a messianic mission for the protagonist who comes to be viewed by other villagers as a man who is tasked with liberating them from the tyrannous hands. 25: 304:
violence. The destructive influence of superstitions is clearly discernible in their lives. The novel is divided into 26 sections, each section narrated through free association. The modern form of narration helps the reader to delve into the characters’ minds and gain a deeper understanding of their worlds. By including the plurality of consciousnesses in the story, Chubak illustrates the life of Gohar from different points of view. The story of
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Gohar is absent in the novel but she constitutes the main talk of the characters. Gohar which literally means jewel can be taken as a symbol for the lost jewel of humanity in the society. Chubak depicts a very brutal world in which people are extremely mortified and they cannot bear the sight of each
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with different men. The story begins with her loss and ends with the discovery of her body among the victims of Seif al-Qalam, the killer of whores. All the characters of the novel are infernally captivated by their desires and deterministic powers. They are all exposed to threats of death, rape, and
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which is a great modern novel in Persian literature. This novel details the events in a neighborhood. One of the neighbors called ‘Gohar’ is lost and the characters talk about her from their own point of view. Gohar is the wife of Hajj Ismail the merchant. Since her child has a nosebleed in the
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In his works, Chubak studies the lives of the downtrodden people of the society who are victimized by iniquities and natural deterministic forces. Sympathetic to the sorrows and miseries of such people, he offers one single solution, combating corruption and injustice.
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Contemporary Persian and Classical Persian are the same language, but writers since 1900 are classified as contemporary. At one time, Persian was a common cultural language of much of the non-Arabic Islamic world. Today it is the official language of
188:; August 5, 1916 – July 3, 1998), was an Iranian author of short fiction, drama, and novels. His short stories are characterized by their intricacy, economy of detail, and concentration on a single theme, leading some to compare them to 398:
Kinga Markus, "Experiments with the Kunstlerroman in the Modern Persian Fiction: The Patient Stone of Sadeq Chubak and The Night's Journey of Bahman Sholevar", The Journal of Sophia Asian Studies, 3 (1985):
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Jahangir Dorri, "The Satire of Sadeq Chubak," in Critical Perspectives on Modern Persian Literature, ed. Thomas M. Ricks (Washington DC, 1984), 327-328
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Deborah Miller Mostaghel, "The Second Sadeq: The Short Stories of Iranian Writer Sadeq Chubak," World Literature Today, 53, no. 2 (1979): 227-231
483: 216:. For some time he was employed by the Ministry of Education and the Oil Company. Widely considered as the greatest naturalist writer in 536: 2589: 273:
details the valorous acts of the fighters in Tangestan. It has been translated into many languages. The setting of this story is
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Liora Hendelman-Baavur, "Grotesque Corporeality and Literary Aesthetics in Sadeq Chubak's The Patient Stone",
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is based on the suffering and miseries of the downtrodden people that create a dramatic and complex reality.
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have exercised a profound influence on modern Persian literature. Chubak died on 3 July 1998, in
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shrine, she is accused of adultery and driven out of her home. Now she earns her living on a
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Temporary Marriage in Iran: Gender and Body Politics in Modern Iranian Film and Literature
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Choubak 169: 168: 163: 159: 158: 152: 148: 147: 142: 138: 137: 131: 129:(aged 81) 123: 119: 118: 109: 107:August 5, 1916 103: 101: 97: 96: 88: 87: 84: 77: 76: 31: 29: 22: 15: 9: 6: 4: 3: 2: 2627: 2616: 2613: 2611: 2608: 2606: 2603: 2601: 2598: 2596: 2593: 2591: 2588: 2586: 2583: 2581: 2578: 2576: 2573: 2571: 2568: 2567: 2565: 2551: 2547: 2543: 2536: 2522: 2521:Ahmad Kasravi 2519: 2517: 2514: 2512: 2509: 2507: 2506:Ali Latifiyan 2504: 2502: 2499: 2498: 2496: 2492: 2486: 2483: 2481: 2478: 2476: 2473: 2471: 2468: 2466: 2463: 2461: 2458: 2456: 2453: 2452: 2450: 2446: 2440: 2437: 2435: 2432: 2430: 2429:Jafar Shahidi 2427: 2425: 2424:Jalal Sattari 2422: 2420: 2417: 2415: 2412: 2410: 2409:Mohammad Moin 2407: 2405: 2404:Ahmad Shamlou 2402: 2400: 2397: 2395: 2392: 2390: 2387: 2385: 2382: 2380: 2379:Lili Golestan 2377: 2375: 2372: 2370: 2367: 2365: 2362: 2359: 2358: 2356: 2352: 2346: 2343: 2341: 2338: 2336: 2333: 2331: 2328: 2326: 2323: 2321: 2318: 2316: 2313: 2311: 2308: 2306: 2303: 2301: 2298: 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1930: 1928: 1925: 1923: 1920: 1918: 1917:Reza Baraheni 1915: 1913: 1910: 1908: 1905: 1903: 1900: 1898: 1895: 1893: 1890: 1888: 1885: 1884: 1882: 1878: 1868: 1865: 1864: 1862: 1858: 1852: 1849: 1848: 1846: 1842: 1836: 1833: 1831: 1828: 1826: 1823: 1821: 1820:Loiq Sher-Ali 1818: 1816: 1813: 1811: 1808: 1806: 1803: 1801: 1798: 1796: 1793: 1792: 1790: 1786: 1780: 1777: 1775: 1772: 1770: 1767: 1765: 1762: 1760: 1757: 1755: 1752: 1750: 1749:Nadia Anjuman 1747: 1746: 1744: 1740: 1734: 1731: 1730: 1728: 1724: 1719: 1716: 1713: 1709: 1706: 1703: 1701: 1700:Ahmad Shamlou 1698: 1696: 1693: 1691: 1688: 1686: 1683: 1681: 1678: 1676: 1673: 1671: 1668: 1666: 1663: 1661: 1658: 1656: 1653: 1651: 1648: 1646: 1643: 1641: 1638: 1636: 1635:Hushang Irani 1633: 1631: 1628: 1626: 1623: 1621: 1618: 1615: 1613: 1610: 1608: 1605: 1603: 1600: 1598: 1595: 1593: 1592:Reza Baraheni 1590: 1588: 1585: 1583: 1580: 1578: 1575: 1573: 1570: 1568: 1565: 1563: 1560: 1558: 1555: 1553: 1550: 1547: 1545: 1542: 1540: 1537: 1535: 1531: 1525: 1524: 1522: 1518: 1514: 1507: 1503: 1486: 1483: 1478: 1475: 1470: 1467: 1462: 1459: 1454: 1451: 1446: 1443: 1438: 1435: 1434: 1432: 1428: 1418: 1416: 1413: 1408: 1405: 1403: 1400: 1399: 1397: 1393: 1386: 1384: 1381: 1379: 1376: 1371: 1368: 1365: 1360: 1357: 1355: 1354:Kalim Kashani 1352: 1347: 1344: 1339: 1336: 1334: 1331: 1330: 1328: 1324: 1318: 1317:'Orfi Shirazi 1315: 1310: 1307: 1302: 1299: 1298: 1296: 1292: 1286: 1283: 1278: 1275: 1270: 1267: 1262: 1259: 1257: 1254: 1252: 1249: 1247: 1244: 1242: 1241:Salman Savaji 1239: 1237: 1234: 1233: 1231: 1227: 1220: 1218: 1215: 1213: 1210: 1208: 1205: 1203: 1200: 1198: 1195: 1193: 1190: 1189: 1187: 1183: 1177: 1174: 1172: 1171:Badr Shirvani 1169: 1167: 1164: 1162: 1159: 1154: 1153:Homam Tabrizi 1151: 1149: 1146: 1144: 1141: 1139: 1138:Pur-Baha Jami 1136: 1134: 1131: 1128: 1124: 1120: 1117: 1112: 1109: 1107: 1104: 1099: 1096: 1094: 1091: 1089: 1086: 1084: 1081: 1079: 1076: 1073: 1071: 1068: 1066: 1063: 1062: 1060: 1056: 1047: 1046:Shams Tabrizi 1044: 1042: 1039: 1034: 1031: 1026: 1023: 1020: 1015: 1012: 1007: 1004: 1000: 995: 992: 990: 987: 985: 982: 980: 977: 975: 972: 967: 964: 962: 961:Faramarz Nama 959: 957: 954: 952: 949: 947: 944: 943: 941: 937: 931: 928: 926: 923: 921: 918: 916: 913: 911: 908: 906: 903: 901: 898: 896: 893: 891: 888: 883: 880: 878: 875: 873: 870: 868: 867:Ahmad Ghazali 865: 863: 860: 855: 852: 847: 844: 839: 838:Nizam al-Mulk 836: 831: 828: 826: 823: 818: 815: 810: 807: 802: 801:Nasir Khusraw 799: 797: 794: 793: 791: 787: 781: 778: 776: 775:Kisai Marvazi 773: 771: 768: 766: 763: 758: 755: 750: 747: 745: 742: 740: 737: 735: 734:Shahid Balkhi 732: 730: 727: 725: 722: 719: 715: 712: 710: 707: 705: 702: 701: 699: 695: 689: 686: 685: 683: 679: 675: 668: 664: 654: 651: 649: 646: 644: 641: 638: 635: 633: 630: 628: 625: 623: 622:Menog-i Khrad 620: 618: 615: 613: 610: 608: 605: 603: 600: 598: 595: 593: 590: 588: 585: 583: 580: 578: 575: 573: 570: 568: 565: 564: 561: 557: 552: 548: 538: 535: 533: 530: 528: 525: 523: 520: 518: 515: 514: 511: 507: 502: 498: 494: 487: 482: 480: 475: 473: 468: 467: 464: 457: 456: 451: 447: 443: 439: 438: 433: 429: 426: 425: 420: 417: 412: 408: 407: 397: 394: 391: 390: 377: 371: 367: 366: 358: 351: 346: 344: 339: 329: 326: 324: 321: 320: 314: 311: 307: 302: 297: 293: 289: 288:The Last Alms 284: 276: 272: 271: 265: 258: 254: 245: 243: 239: 235: 231: 227: 226:short stories 223: 219: 215: 211: 207: 197: 195: 191: 187: 179: 175: 164: 160: 153: 149: 146: 143: 139: 134: 124: 120: 116: 112: 102: 98: 94: 89: 82: 73: 70: 62: 52: 48: 42: 41: 35: 30: 21: 20: 2439:Abbas Zaryab 2315:Jafar Panahi 2285:Majid Majidi 2123:Bahman Forsi 2089:Goli Taraqqi 2014:Javad Mojabi 2004:Sadeq Chubak 2003: 2000:Shamim Bahar 1897:Bozorg Alavi 1851:Asad Gulzoda 1708:Nima Yooshij 1645:Bijan Jalali 1562:Aref Qazvini 1510:Contemporary 1445:Mirza Ghalib 1407:Azar Bigdeli 1366:Saba Kashani 1359:Hazin Lāhiji 1338:Saib Tabrizi 1301:Vahshi Bafqi 1285:Baba Faghani 1261:Ahli Shirazi 1236:Ubayd Zakani 1111:Amir Khusrau 1101:(1288–1320s) 1078:Sultan Walad 905:Banu Goshasp 854:Omar Khayyam 744:Rabia Balkhi 627:Jamasp Namag 454: 436: 423: 416:Sadeq Chubak 364: 357: 305: 295: 291: 287: 285: 268: 266: 262: 237: 233: 203: 185: 184:, sometimes 174:Sādeq Chubak 173: 172: 127:(1998-07-03) 125:July 3, 1998 104:Sādeq Chubak 85:Sādeq Chubak 65: 56: 37: 2575:1998 deaths 2570:1916 births 2550:Afghanistan 2354:Translators 2310:Amir Naderi 2180:Screenplays 2163:Pari Saberi 2143:Bijan Mofid 2069:Bijan Najdi 1759:Raziq Faani 1742:Afghanistan 1655:Esmail Khoi 1612:Bijan Elahi 1488:(1813–1893) 1480:(1808–1854) 1472:(1801–1880) 1464:(1800–1871) 1456:(1779–1837) 1448:(1797–1869) 1440:(1782–1859) 1421:(1798–1857) 1410:(1722–1781) 1373:(1642–1720) 1362:(1692–1766) 1341:(1607–1670) 1333:Taleb Amoli 1312:(1500–1588) 1304:(1523–1583) 1280:(1487–1524) 1272:(1483–1556) 1264:(1454–1535) 1156:(1238–1314) 1114:(1253–1325) 1036:(1149–1209) 1028:(1141–1209) 1017:(1126–1189) 1009:(1120–1190) 969:(1155–1191) 885:(1098–1131) 857:(1048–1131) 849:(1046–1121) 841:(1018–1092) 833:(1009–1072) 820:(1006–1088) 812:(1058–1111) 804:(1004–1088) 639:Warshtmansr 234:Puppet Show 141:Nationality 51:introducing 2564:Categories 2546:Tajikistan 2250:Ali Hatami 2158:Akbar Radi 2105:Reza Abdoh 1844:Uzbekistan 1788:Tajikistan 1640:Iraj Mirza 974:Adib Sabir 910:Borzu-Nama 877:Manuchehri 825:Asadi Tusi 809:Al-Ghazali 796:Bābā Tāher 760:(980–1037) 752:(967–1049) 617:Bundahishn 446:2004061101 334:References 267:His novel 34:references 2494:Essayists 1192:Ibn Yamin 718:Shahnameh 671:Classical 527:Ganjnameh 212:and then 200:Biography 182:صادق چوبک 59:July 2015 1860:Pakistan 1602:Dehkhoda 1277:Ismail I 1127:Golestān 1049:(d.1248) 946:Iranshah 757:Avicenna 714:Ferdowsi 434:(2005). 317:See also 162:Children 1800:Farzona 1726:Armenia 1006:Khaqani 925:Mu'izzi 872:Hujwiri 739:Bal'ami 577:Dēnkard 399:225-239 387:Sources 313:other. 270:Tangsir 248:Writing 244:, U.S. 206:Bushehr 178:Persian 145:Iranian 111:Bushehr 47:improve 1880:Novels 1520:Poetry 1269:Fuzuli 1246:Hatefi 1217:Nasimi 1123:Bustan 1014:Anvari 999:c.1220 997:(1142– 780:Ayyuqi 770:Asjadi 765:Unsuri 709:Daqiqi 704:Rudaki 556:Middle 444:  372:  275:Davvas 228:, and 222:novels 214:Tehran 210:Shiraz 165:Rozbeh 151:Spouse 36:, but 2098:Plays 1477:Qaani 1430:1800s 1395:1700s 1326:1600s 1294:1500s 1229:1400s 1202:Hafez 1185:1300s 1119:Saadi 1058:1200s 994:Attar 984:Am'aq 939:1100s 900:Sanai 789:1000s 230:plays 167:Babak 2542:Iran 1533:Iran 1251:Jami 1148:Rumi 697:900s 681:800s 442:LCCN 370:ISBN 290:and 280:دواس 236:and 122:Died 115:Iran 100:Born 506:Old 2566:: 2544:, 1125:/ 342:^ 224:, 180:: 113:, 2552:. 1714:) 1710:( 1129:) 1121:( 1001:) 720:) 716:( 485:e 478:t 471:v 448:. 378:. 277:( 176:( 72:) 66:( 61:) 57:( 43:.

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Bushehr
Iran
Berkeley, California
Iranian
Persian
Persian miniature paintings
Sadegh Hedayat
Bushehr
Shiraz
Tehran
Persian literature
novels
short stories
plays
Berkeley, California

Sadegh Hedayat
Tangsir
Davvas
temporary-basis marriage
Polyphony (literature)
Intellectual Movements in Iran
Persian literature

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