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872:, which means that for every instrument, the fingering for the written notes is the same. This system, which is unique to UK-style brass bands, ensures most parts can be covered when there is less than a full complement of players. The orchestration in Salvation Army banding is almost identical to that of secular banding except for a minor difference in the cornet section whereby the
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Although most staff bands still have many
Salvation Army officer and employee members, non-staff players are more common in the modern Staff Band. The Staff Bands are among the most formal Salvation Army groups. Most have long histories, and travel and record on a regular basis. Most Staff Bands have websites and YouTube channels where you can find recordings and videos of concerts.
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attention for fund-raising and publicity. Participation in public and civic events raises awareness of The
Salvation Army and its mission in many communities. The brass band also provides a source of fellowship for the players. In some cases, the primary purpose of a group is stated as fellowship, which is considered important part of worship for many believers.
755:, came to hear of them, and started to use them in his own campaign. Over time the Fry ensemble was augmented with other instruments, not exclusively brass, and became famous under names such as "The Hallelujah Minstrels" and "The Happy Band". The Fry family themselves very soon gave up their family business and joined the Salvation Army full-time.
889:, is the basic unit of Salvation Army banding. These are the local bands, supporting worship services each Sunday and other special events as needed by the corps. Corps bands range in size from a quartet to 40 or more players. Primarily the bands play from the Salvation Army Tune Book, for some smaller bands the playing of these simple
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A band board is a committee that oversees the operations of a band. Most corps bands do not have full, formal boards. The definitions below are generic; each band may have its own variation on the scope and composition of the band board. In larger bands some positions may hold secondary positions for
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Regional bands are usually sponsored by an area command or a divisional headquarters. Some regional bands are formed because there are no large corps bands in the area. The regional band, drawing on several corps, can complete the instrumentation and play more complex music. Some regional bands serve
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The bandmaster is the musical director and conductor of the band. This person has the primary responsibility for selecting music, developing performance programs, and setting the musical standards for the group. In a corps setting, the bandmaster is a senior local officer, with an automatic seat on
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Regional bands are more concert-oriented than corps bands, although many regional bands serve as duty bands for large meetings and events. Many regional bands rehearse less frequently than once a week, especially those covering a large geographic area. Also, some regional bands operate on a seasonal
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The duties of the band secretary include recording the minutes and decisions of the band board, communication between the board and the players, and logistical details for engagements. When a band travels, the secretary is responsible for making the transportation and accommodation arrangements. If
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However, many fellowship groups are excellent musically and rival some of the top standing ensembles in the quality of their performance. One example of this in the UK is the South London
Fellowship Band, which meets for rehearsal on a fortnightly basis throughout the year and provides concerts and
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In recent years, the fellowship band has become an increasingly popular form of
Salvation Army ensemble. These groups take a variety of forms, including bands made up mostly of players who have retired from other bands, which is one of the most common. One such group is Vintage Brass, sponsored by
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One of the major reasons why the
Salvation Army has had a thriving brass band movement for over 100 years is the youth band and associated music education programs. Beginning at the corps level, many young Salvationists are taught to play and sing, starting sometimes as early as seven years of age.
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Most regional bands have a more formal structure than the typical corps band. Usually, a ranking officer from the sponsoring command serves as executive officer. There is usually an official band board. Board positions such as band sergeant, secretary, quartermaster, and librarian are often filled.
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A Staff Band is sponsored by a territorial headquarters. Territorial Bands are sponsored by a
Territorial Headquarters and serve a similar role to Staff Bands, but have not been designated as such. The Staff Bands were originally made up of staff members from the headquarters they are attached to.
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The Staff Bands and
Territorial Bands are the top level of Salvation Army banding. Staff Bands are the premier band in their respective Territories and perform a number of duties such as giving Brass workshops, providing music for Territorial events, and giving concerts both within their Territory
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through the music programs. Others would have strayed from the cause if not for their interest in brass bands. Service provided by musicians often far exceeds just playing an instrument - most band members also serve in other roles in the corps. The brass band is also an excellent means of drawing
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The Deputy
Bandmaster is the second in command as far as leadership of the group is concerned. If the Bandmaster is away, for whatever reason, the Deputy Bandmaster assumes control of the group. This is also true of situations where the Bandmaster is playing with the group as a soloist, or if the
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The primary purpose of all
Salvation Army bands is to serve as an instrument to proclaim the Christian gospel. All other activities and functions of the band are only considered proper when this ultimate goal is observed. Within the framework of the primary purpose, a brass band can be a powerful
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The primary function of a corps band is to support the Sunday worship services of the corps. Unlike a band which is primarily doing concerts, a corps band usually does not develop a standing repertoire. The typical corps band plays one or two pieces each Sunday morning, plus accompaniment for
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All
Salvation Army bands are sponsored by some level of the command structure. The executive officer is the official representative of the sponsoring organization. This person serves as the chairman of the band board. In some cases, the executive officer is not a player in the band.
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evangelistic tool. The judicious choice of music for a worship service can set the mood and enhance the message, preparing a congregation for the desired experience. Music is also a means to attract and hold members to the movement. Many individuals were originally introduced to The
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congregational singing. The corps bandmaster must have a ready list of items that can be played without rehearsal, in case key players are missing on a particular week. Corps bands also support a variety of other corps activities, either as a complete unit or in ensembles.
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The early Salvationists, as today, took their Gospel message to the people in their own environments, largely in the streets and markets of the towns. In 1878 Charles Fry and his three sons formed a brass quartet which played during outdoor meetings. The Army's founder,
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is their primary function, some usually smaller bands are limited to this, however many extend to more complex pieces such as marches. Elite bands of the Salvation Army are comparable to professional level secular competition bands, capable of playing almost anything.
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Most bands have some standards of musicianship. For example, a corps band may require that anyone wishing to join the band be able to play selected tunes from the Band Tune Book. Larger bands such as regional groups often have audition and/or invitation
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These are normally called young people's ("YP") bands. Some small regions, known in the Salvation Army as divisions, will have a Divisional Youth Band drawn from people aged 13–30 who live within the area covered by the division. One such example is
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Salvationist musicians are volunteers. No monetary compensation is given for service in a band. Even composers and arrangers whose work is published in the various Salvation Army music publications are not generally compensated except for nominal
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is dropped and the remainder of the row is made up of parts designated 1st and 2nd (two players each) rather than 2nd and 3rd; and that some major pieces have a split first trombone part, the lower part usually cued elsewhere in the band.
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brass band world. They did not enter contests or play music other than their own - which had been specifically written or arranged for them. Secular tunes were used, but arranged to reflect the spiritual work they supported.
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the Long Beach Citadel corps in California. Because most fellowship bands have a less formal structure and less demanding schedule than regular Salvation Army bands, they are sometimes seen as casual or lesser ensembles.
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Members of a corps band are usually soldiers of the corps. The corps officer, as the commander of the unit, functions as the executive officer. Except in the larger corps, there are generally holes in the instrumentation
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was also using brass bands to promote its message. These, however, were integrated with the other amateur brass bands - and the vestiges of their influence can still be seen in the names of some of the bands today.
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The musician must be a member, in good standing, of a corps. In most cases, the individual must be enrolled as a soldier. Youth bands usually require that members attend a corps regularly and be of the proper
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and Internationally. Staff Bandsmen (members of a Staff Band) are often found on the staff of Territorial and Divisional Music Camps and Music Schools, both in their own Territory and Internationally.
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In a corps setting, the Deputy Bandmaster is also a senior local officer, and is generally a member of the corps council. While not an essential position, many bands have a Deputy Bandmaster.
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The Salvationist movement in recent years has opened up its doors to its colleagues in the secular brass band world, thereby making a rich resource of music available for other bands to play.
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Salvation Army bands have a spiritual purpose. The band sergeant is the band's chaplain. The sergeant also handles discipline and attendance problems. The band sergeant is usually a player.
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as elite groups, with the better players in an area in the group. The staff band can be thought of as the extreme case of a regional band. Many youth bands are regional in character.
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The quartermaster is responsible for the band's uniforms and equipment, including any instruments owned by the band. The quartermaster is usually a player.
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The first band to hold the designation of Staff Band was the US National Headquarters Staff Band (Now the New York Staff Band) which was formed in 1887.
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musical programmes on invitation from a variety of sources - Corps' in the South East of England and further afield, as well as Churches and charities.
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which began as a Salvation Army band in the 1890s, and then transitioned to a temperance band before receiving the patronage of the members' employer,
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The band librarian is responsible for the music library, and the distribution of parts to the appropriate players. The librarian is usually a player.
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in 1880. It was not long before the Army fully adopted the use of music in its work, and the Salvation Army Headquarters eventually established the
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Some bands will have band reservists who are elderly players that have retired from the band. Reservists may play from time to time if needed.
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group splits in two, as many larger bands do while on tour. This person is also responsible to help the Bandmaster in any of his own duties.
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Salvation Army musicians have some common characteristics - almost all Salvation Army bands have standards such as those listed below.
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Many regional groups have strict admission or audition standards. Membership in a corps band in the region is almost always required.
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and a rich repertoire of music was adapted, arranged and composed for the Salvation Army specifically. Many of the leading brass band
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dues are collected, the secretary handles them unless a treasurer is designated. The band secretary is usually a player.
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the corps council. Regional and staff bandmasters are usually appointed by the commander of the sponsoring unit.
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There are eleven Staff Bands that have been given that designation by the General and one Territorial Band. The
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and players of the 20th century had roots in or close links with the Salvation Army.
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1250:"Callender's Band performance programme or handout leaflet, 16 Dec 1932"
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The first ever Salvation Army Corps Band was formed in December 1879 in
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For a corps band, the corps officer is the de facto executive officer.
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Gradually the bands developed into the same basic format as the
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which was of the precursors to the International Staff Band.
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basis, for example, not operating during the summer months.
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Salvo Audio. Recordings of SA bands from around the world
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Brass bands in the British tradition are limited to
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90:. Unsourced material may be challenged and removed.
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996:(Canada and Bermuda)(1907-1914, reformed 1969)
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16:Brass band affiliated with the Salvation Army
833:(known as alto horns in U.S.A), baritones,
53:Learn how and when to remove these messages
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191:. Please do not remove this message until
885:The corps (church) band, for example the
229:Learn how and when to remove this message
211:Learn how and when to remove this message
150:Learn how and when to remove this message
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187:Relevant discussion may be found on the
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845:(known as basses in brass bands), and
1065:(Democratic Republic of Congo - 2014)
716:Purpose of Salvation Army bands today
684:The Salvation Army Brass Band in the
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1314:Flint Citadel Band, Michigan (USA)
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193:conditions to do so are met
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338:International Headquarters
1279:British Bandsman magazine
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974:International Staff Band
776:International Staff Band
411:Catherine Bramwell-Booth
1289:Maidenhead Citadel Band
1193:Callender's Cable Works
1048:USA Southern Staff Band
887:Parramatta Citadel Band
622:American Rescue Workers
604:Salvation Army Act 1980
599:Salvation Army Act 1963
594:Salvation Army Act 1931
375:Prominent Salvationists
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627:Volunteers of America
616:Related organizations
421:Arthur Booth-Clibborn
1304:Melbourne Staff Band
1002:(USA Central) (1904)
539:Limelight Department
534:Order of the Founder
446:George Scott Railton
84:improve this article
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1056:-Territorial Bands:
990:(Netherlands)(1962)
938:Republic of Ireland
807:temperance movement
643:Christianity portal
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881:Corps bands
870:treble clef
831:tenor horns
827:flugelhorns
588:Legislation
550:The War Cry
524:Brass bands
486:Eva Burrows
441:John Lawley
292:Arminianism
1206:References
1119:Bandmaster
1095:Band board
891:hymn tunes
866:percussion
849:; but not
847:percussion
839:euphoniums
698:brass band
491:Henry Mapp
481:Harry Read
268:Background
178:neutrality
110:newspapers
39:improve it
1255:3 October
1234:3 October
1174:Librarian
1143:Secretary
1083:policies.
1030:Melbourne
1012:Hong Kong
988:Amsterdam
936:with the
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768:Northwich
710:Christmas
297:Methodism
201:July 2012
189:talk page
45:talk page
1323:Category
1183:See also
1154:Sergeant
1087:amounts.
1063:Kinshasa
1042:USA West
1036:New York
994:Canadian
851:trumpets
772:Cheshire
246:a series
244:Part of
182:disputed
1000:Chicago
874:ripieno
823:cornets
799:secular
760:Consett
730:History
358:Soldier
353:Officer
328:General
287:Pietism
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1006:German
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