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building and the long boulevard next to it, Via XX Settembre. In particular, the San Caio was removed in order to make room for Via
Firenze, which connects Via XX Settembre to Via Nazionale. After the destruction of the church, the remains of Saint Caius were transferred to a private chapel of the
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L'edificio, ricostruito nel 1631 da due architetti minori, legati ancora alla tradizione manierista, fu demolita nel 1878 per l'allargamento dell'antica Via Pia nel tratto poi denominato via XX Settembre.
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The church of San Caio, as seen down the Vicolo di San Nicola da
Tolentino (Ettore Roesler Franz, ca. 1880), painted as part of a series depicting
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where the pope would preside over a public procession and liturgy. It had been assigned to the
Saturday of the third week of Lent.
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After a 1630 reconstruction, the church's facade was characterized by two orders of columns, in back of which there was a
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decided to clear what remained of the ancient church, and rebuild it from the ground up. To accomplish this, he retained
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In 1878, the church was demolished along with its adjacent monastery in connection with the construction of the
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as architects; the works lasted from 1630 to 1631. The relics of Saint Caius were then brought out of the
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That ancient church fell into ruins in the early medieval period. The cardinalatial title attached to the
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of the city, along the ancient Via Pia (now enlarged, and called Via XX Settembre), in the vicinity of
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The Urban
Character of Christian Worship: The Origins, Development, and Meaning of Stational Liturgy
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makes note of a "pious belief" that the church was constructed on the site of the house of
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On the first altar to the left when entering the church, there was a painting by
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San Caio depicted in watercolor between 1826 and 1835 by
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294:(in Italian). Rome: Tipografia delle Belle Arti. p. 140.
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contemplating Christ the Savior, with the
Blessed Virgin, by
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Le chiese di Roma dalle loro origini sino al secolo XVI
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128:. Another altar in the church held a painting of Saint
475:(in Italian). Rome: Gangemi Editore. p. 134.
144:depicting its patron, Saint Caius, in the act of
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291:Roma nell'anno MDCCCXXXVIII: Parte prima moderna
126:apparition of the Risen Christ to Mary Magdalene
113:. The interior was laid out on the pattern of a
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448:(in Italian). Newton Compton. p. 71.
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134:Giovanni Battista Camassei
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445:I Papi: Storia e segreti
83:Location and description
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288:Nibby, Antonio (1839).
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339:"San Caio a Termini"
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219:and transferred to
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247:Demolition
178:Pope Caius
138:high altar
102:Carmelites
59:(English:
25:12°29′35″E
22:41°54′12″N
424:March 18,
394:ignored (
384:cite book
349:March 18,
200:stationes
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110:campanile
98:Porta Pia
509:San Caio
67:San Cajo
57:San Caio
152:History
130:Bernard
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136:. The
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