Knowledge

Schwanda the Bagpiper

Source 📝

22: 605: 332:
It has been a week since Švanda and Dorotka married. The robber Babinský takes refuge in their farmhouse, and immediately falls for Dorotka. Babinský quickly convinces Švanda of the tedium of married life, and persuades him to go off on an adventure. They arrive at the Queen's court, where she is
352:
asks Švanda to play for him, since he has nothing to do, because no one will play cards with the Devil because he always cheats. Švanda at first refuses, but then Babinský appears and challenges the Devil to a card game. By cheating even more than the Devil, Babinský wins the game and rescues
340:
Babinský helps save Švanda by replacing the executioner's axe with a broom. Švanda plays his bagpipes again, enchanting the crowd gathered for the execution, and escapes with Dorotka. Dorotka herself is now angry at Švanda and questions his fidelity. Švanda retorts that if he ever kissed the
333:
under the power of a wicked Magician. The Queen had made a deal with the Magician where she consented to the death of the Prince, her betrothed, in exchange for a heart of ice (and thus no human feeling) and a diamond scepter, symbolic of her power. Švanda plays his
337:, which breaks the spell. The Queen then offers herself to Švanda in marriage. Švanda accepts, kissing her, but then Dorotka appears, which angers the Queen. The Queen, her heart now again of ice, has Švanda and Dorotka imprisoned and Švanda condemned to death. 95:
on 16 December 1928. After that success, German-language productions proliferated around the world, with over 2000 performances taking place during the next decade. Aside from those in Germany and Austria, these included:
434:(sung in Czech); Matjaz Robavs, Tatiana Monogarova, Ivan Choupenitch, Larisa Kostyuk, Alexander Teliga, Nicholas Sharratt, Pavel Kozel, Alexander Teliga, Sean Ruane, Pavel Kozel, Vicenç Esteve, Richard Weigold; 386:, Josef Lindlar, Eugen Willmann, Oskar Witasscheck, Wolf Heide, Willy Hofmann, Hans Kasperzyk, Herbert Hess, August Heimpel ; Choir and Symphony Orchestra of the Hessian Radio ; 345:. Forgetting that he did kiss the Queen, Švanda immediately drops through the earth into Hell. Babinský then tells Dorotka that he loves her, but she makes him promise to rescue Švanda. 572: 143:
folk material, enjoyed considerable success, with translations into 17 languages. The opera fell from the repertory when the composer's music was banned by the
147:
regimes of Austria and Germany during the late 1930s; and although it is still revived occasionally, orchestral performances of the "
625: 390:, conductor ; recorded at Frankfurt, 1948 ; Walhall Eternity Series, 2 CDs ADD WLCD 0377, remastered edition 2013 357:.) At the end, Švanda and Dorotka are reconciled, and Babinský sorrowfully leaves, in search of new adventures. 645: 630: 438:
Opera Chorus; National Philharmonic Orchestra of Belarus; Julian Reynolds, conductor (2003); Naxos 8.660146-7
595: 452: 80: 494: 379: 470: 21: 518:
Kushner, David Z., "Jaromir Weinberger (1896–1967): From Bohemia to America" (Autumn 1988).
49: 635: 480: 68: 8: 545: 498: 409: 405: 375: 466: 118: 484: 417: 247: 132: 554: 435: 252: 140: 126: 83:
on 27 April 1927; and the first German production followed (in the translation by
640: 413: 387: 420:, Karl Kreile, Albert Gassner, Heinrich Weber, Georg Baumgartner, Anton Rosner, 353:Švanda. (It is at this point that Švanda plays the music that forms the famous 289: 425: 383: 122: 35: 619: 234: 609: 456: 397: 265: 155:" drawn from the opera are more regularly heard in concert and on record. 558: 421: 401: 174: 63: 121:, New York City, 7 November 1931 (the American premiere, conducted by 92: 100: 189: 84: 53: 334: 205: 349: 221: 152: 148: 112: 45: 604: 342: 144: 106: 593: 501:, conductor; EMI The Karajan Collection 0724347690020 459:, conductor; RCA Living Stereo 82876-663762 (SACD) 139:At the time the opera, with its occasional use of 424:; Bavarian Radio Chorus; Munich Radio Orchestra; 617: 487:, conductor; Reference Recordings B00000159M 115:, 6 November 1931 (in Bulgarian translation) 103:, 5 October 1929 (in Slovenian translation) 79:Its first performance was in Prague at the 48:in two acts and five scenes, with music by 109:, 6 December 1930 (in Latvian translation) 534: 532: 20: 618: 538: 74: 58:Strakonický dudák aneb Hody divých žen 529: 473:, conductor; EMI Encore 5099923572027 583:. L'Almanacco di Gherardo Casaglia 316:Two Foresters (Mercenary Soldiers) 56:by Miloš Kareš, based on the drama 13: 14: 657: 165:Roles, voice types, premiere cast 603: 428:, conductor (1981); CBS M2K79344 565: 512: 394:Schwanda, der Dudelsackpfeifer 372:Schwanda, der Dudelsackpfeifer 1: 541:Schwanda der Dudelsackpfeifer 505: 360: 306:Captain of the Devil's Guard 181:Conductor: Helmut Seidelmann 89:Schwanda der Dudelsackpfeifer 626:Operas by Jaromír Weinberger 179:Premiere cast, 27 April 1927 7: 327: 16:Opera by Jaromír Weinberger 10: 662: 571:Casaglia, Gherardo (2005). 453:Chicago Symphony Orchestra 44:), written in 1926, is an 539:Graeme, Roland (1990). " 158: 543:. Jaromir Weinberger". 575:Schwanda, the Bagpiper 495:Philharmonia Orchestra 39: 26: 646:Operas based on plays 631:Czech-language operas 471:Sir Charles Mackerras 135:, London, 11 May 1934 31:Schwanda the Bagpiper 24: 481:Dallas Wind Symphony 341:Queen, may he go to 81:Czech National Opera 546:The Opera Quarterly 499:Herbert von Karajan 410:Gwendolyn Killebrew 406:Siegfried Jerusalem 378:, Betina Bruckner, 376:Karl Schmitt-Walter 167: 75:Performance history 559:10.1093/oq/7.3.165 467:Pro Arte Orchestra 396:(sung in German); 374:(sung in German); 163: 129:in the title role) 119:Metropolitan Opera 50:Jaromír Weinberger 27: 526:(3): pp. 293–313. 485:Frederick Fennell 418:Siegmund Nimsgern 325: 324: 69:Josef Kajetán Tyl 653: 608: 607: 599: 588: 586: 580: 569: 563: 562: 536: 527: 516: 436:Wexford Festival 283:The Executioner 253:Josef Munclinger 168: 166: 162: 127:Friedrich Schorr 62:The Bagpiper of 661: 660: 656: 655: 654: 652: 651: 650: 616: 615: 614: 602: 594: 592: 591: 584: 578: 570: 566: 537: 530: 517: 513: 508: 477:Polka and Fugue 463:Polka and Fugue 449:Polka and Fugue 443:Polka and Fugue 414:Alexander Malta 388:Winfried Zillig 363: 330: 319:tenor and bass 278:Antonín Lebeda 226:Theodor Schütz 180: 164: 161: 77: 17: 12: 11: 5: 659: 649: 648: 643: 638: 633: 628: 613: 612: 590: 589: 581:27 April 1927" 564: 553:(2): 165–208. 528: 520:American Music 510: 509: 507: 504: 503: 502: 488: 474: 460: 440: 439: 429: 426:Heinz Wallberg 391: 384:Christa Ludwig 380:Karl Friedrich 366:Complete opera 362: 359: 329: 326: 323: 322: 320: 317: 313: 312: 310: 307: 303: 302: 300: 297: 293: 292: 287: 284: 280: 279: 276: 273: 269: 268: 263: 260: 256: 255: 250: 245: 241: 240: 239:Ada Nordenová 237: 232: 228: 227: 224: 219: 212: 211: 208: 203: 196: 195: 192: 187: 183: 182: 177: 172: 160: 157: 137: 136: 130: 123:Artur Bodanzky 116: 110: 104: 76: 73: 15: 9: 6: 4: 3: 2: 658: 647: 644: 642: 639: 637: 634: 632: 629: 627: 624: 623: 621: 611: 606: 601: 600: 597: 582: 576: 568: 560: 556: 552: 548: 547: 542: 535: 533: 525: 521: 515: 511: 500: 496: 492: 489: 486: 482: 478: 475: 472: 468: 464: 461: 458: 454: 450: 447: 446: 445: 444: 437: 433: 430: 427: 423: 419: 415: 411: 407: 403: 399: 395: 392: 389: 385: 381: 377: 373: 370: 369: 368: 367: 358: 356: 351: 348:In Hell, the 346: 344: 338: 336: 321: 318: 315: 314: 311: 308: 305: 304: 301: 298: 295: 294: 291: 288: 285: 282: 281: 277: 274: 271: 270: 267: 264: 261: 258: 257: 254: 251: 249: 246: 244:The Magician 243: 242: 238: 236: 235:mezzo-soprano 233: 230: 229: 225: 223: 220: 218: 214: 213: 210:Nada Kejrová 209: 207: 204: 202: 198: 197: 194:Václav Novák 193: 191: 188: 185: 184: 178: 176: 173: 170: 169: 156: 154: 150: 146: 142: 134: 133:Covent Garden 131: 128: 124: 120: 117: 114: 111: 108: 105: 102: 99: 98: 97: 94: 90: 86: 82: 72: 70: 66: 65: 59: 55: 51: 47: 43: 42: 37: 33: 32: 23: 19: 585:(in Italian) 574: 567: 550: 544: 540: 523: 519: 514: 490: 476: 462: 457:Fritz Reiner 448: 442: 441: 432:Švanda dudák 431: 398:Hermann Prey 393: 371: 365: 364: 354: 347: 339: 331: 290:Karel Hruška 266:Emil Pollert 216: 200: 138: 88: 78: 61: 57: 41:Švanda dudák 40: 30: 29: 28: 25:Poster, 1927 18: 636:1927 operas 296:A Familiar 52:to a Czech 620:Categories 506:References 422:Peter Lika 402:Lucia Popp 361:Recordings 272:The Judge 259:The Devil 231:The Queen 215:Babinský, 175:Voice type 64:Strakonice 309:baritone 199:Dorotka, 101:Ljubljana 335:bagpipes 328:Synopsis 217:a bandit 201:his wife 190:baritone 85:Max Brod 54:libretto 206:soprano 186:Švanda 125:, with 93:Breslau 641:Operas 596:Portal 579:  299:tenor 286:tenor 275:tenor 91:), at 610:Opera 491:Polka 355:Fugue 350:Devil 262:bass 222:tenor 171:Role 159:Roles 153:Fugue 149:Polka 141:Czech 113:Sofia 67:) by 46:opera 36:Czech 343:Hell 248:bass 151:and 145:Nazi 107:Riga 555:doi 87:as 622:: 549:. 531:^ 522:, 497:; 493:, 483:; 479:, 469:; 465:, 455:; 451:, 416:, 412:, 408:, 404:, 400:, 382:, 71:. 38:: 598:: 587:. 577:, 573:" 561:. 557:: 551:7 524:6 60:( 34:(

Index


Czech
opera
Jaromír Weinberger
libretto
Strakonice
Josef Kajetán Tyl
Czech National Opera
Max Brod
Breslau
Ljubljana
Riga
Sofia
Metropolitan Opera
Artur Bodanzky
Friedrich Schorr
Covent Garden
Czech
Nazi
Polka
Fugue
Voice type
baritone
soprano
tenor
mezzo-soprano
bass
Josef Munclinger
Emil Pollert
Karel Hruška

Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.