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210:"Kahlo appears half length, wearing an elegant velvet dress, against a background of stylized waves. She presents herself as a comely young woman of the time, her hair neatly parted in the centre and combed into a chignon that highlights her oval face and symmetrical features. Her compelling gaze—wide dark eyes under strongly defined brows that almost meet in the middle—expresses challenge and confidence, as if she is daring the viewer to look away."
238:(Self-Portrait with Necklace, 1933). In the latter, Kahlo no longer represents herself as desirable to a male heterosexual and Euro-identified racializing gaze through idealized femininity and Europeanization. Her masculinizing and indigenous self-representations effectively reject racialized norms of social decency and propriety."
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it as if you were looking at me." The message also referred to the painting for
Alejandro as, "your Botticelli". Kahlo's gift of the self-portrait initially had its intended effect and the couple reconnected, though Alejandro eventually moved to Europe and Kahlo stayed in Mexico to work on her painting.
250:
was Kahlo's attempt to win back
Alejandro's affection and when she finished the painting and sent it to him she included a note that read in part, "Within a few days the portrait will be in your house. Forgive me for sending it without a frame. I implore you to put it in a low place where you can see
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The picture is considered if not Kahlo's first self-portrait then at least her first significant self-portrait. It is her oldest surviving self-portrait and has been described as her, "earliest important work" and, "her first serious work". It has also been described as, "her first real painting."
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Scholars and critics have attempted to interpret Kahlo's expression in this early self-portrait, including suggesting, "Frida appears serene, her face a portrait of tranquil beauty. But, there's an unmistakable intensity in her gaze, perhaps a hint of the fiery spirit and passion that was soon to
160:
At the age of 18, Kahlo suffered life-threatening injuries (from which she would never fully recover and would lead to lifelong physical pain) when the train she was riding hit a trolley. During her extended period of convalescence, her parents gave her an easel and painting supplies as well as
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The dress Kahlo is wearing in the portrait has a wine red color and she has been described as having a regal appearance. The self-portrait is notable for being the first time Kahlo depicted herself with a prominent unibrow, which would go on to become a staple of her work.
184:." The notable influence of European painting and European-influenced Mexican painting seen in this picture is contrasted starkly against Kahlo's later work which more prominently featured indigenous Mexican themes and Mexican national consciousness.
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The painting was a gift from Kahlo to her boyfriend at the time, Alejandro Gómez Arias. She began working on the painting in late summer of 1926 after her relationship to
Alejandro became strained.
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affixed a mirror to the ceiling above her bed so that she could see herself while lying on her back. It was during this recovery period that Kahlo painted
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Others have noted elements of the self-portrait including the red dress and the slender elegant fingers are reminiscent of
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Frida Kahlo: The Heart That
Painted - An exploration of Kahlo's personal struggles and unique art
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The picture's title has subsequently been used by authors and poets as titles to their works.
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Recipes for
Success in Foreign Language Teaching: Ready-made Activities for the L2 Classroom
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You, Li (2020). "The
Transition in Frida Kahlo's Self-Portrait: Before and After 1939".
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The Love
Embrace of the Universe, the Earth (Mexico), Myself, Diego, and Señor Xolotl
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Forever Frida: A Celebration of the Life, Art, Loves, Words, and Style of Frida Kahlo
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313:"Frida Kahlo's Photographic Posing: A Theoretical Approach to Visual Autobiographies"
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Laura Perez has noted an, "enormous difference between Kahlo's first self-portrait,
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This self-portrait is notably less graphic than many of her later paintings.
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746:
Proceedings of the 5th
International Symposium on Social Science (ISSS 2019)
537:"How a Devastating Accident Changed Frida Kahlo's Life and Inspired Her Art"
234:(Self-Portrait with a Velvet Dress, 1926), and those that followed, such as
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455:"Interdisciplinary Journal for Germanic Linguistics and Semiotic Analysis"
384:"Latinx Mothers and Daughters Defining Themselves through Art and Writing"
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78 cm × 61 cm (31 in × 24 in)
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Eros
Ideologies: Writings on Art, Spirituality, and the Decolonial
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Early in her career, Kahlo was influenced by the painting of the
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71:
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Self
Portrait in a Velvet Dress The Fashion of Frida Kahlo
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The Story of Frida Kahlo: A Biography Book for New Readers
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A History of the World in 21 Women: A Personal Selection
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Making A Masterpiece: The Stories Behind Iconic Artworks
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833:
1271:Dream of a Sunday Afternoon in the Alameda Central
1121:Self-Portrait with Thorn Necklace and Hummingbird
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270:Self-Portrait with Thorn Necklace and Hummingbird
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97:Alejandro Gómez Arias (until his death in 1990)
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867:What Would Frida Do? A Guide to Living Boldly
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317:Journal of Latin American Cultural Studies
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919:. New York: David R. Godine, Publisher.
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596:Frida Kahlo, 1907-1954: Pain and Passion
1065:Self-Portrait Dedicated to Leon Trotsky
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359:You are Always With Me: Letters to Mama
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144:) is a 1926 oil-on-canvas painting by
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488:. New York: Parkstone International.
361:. New York: Little Brown Book Group.
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568:. New York: Rosen Publishing Group.
232:Autorretrato con traje de terciopelo
134:Autorretrato con traje de terciopelo
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944:. San Francisco: Chronicle Books.
791:. Charlottesville: LINCOM Europa.
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535:Elizabeth Svoboda (1 March 2022).
432:. San Francisco: Chronicle Books.
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1196:Frida: A Biography of Frida Kahlo
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894:. London: Oneworld Publications.
816:. Durham: Duke University Press.
227:unfold in her subsequent works."
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787:Harrington, Kathrine N. (2007).
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509:Diana Oliveira (15 April 2023).
264:List of paintings by Frida Kahlo
113:/self-portrait-in-a-velvet-dress
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1025:Self-portrait in a Velvet Dress
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970:Self Portrait in a Velvet Dress
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703:. London: ChatStick Team. 2023.
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649:Kids InfoBits Presents: Artists
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248:Self-portrait in a Velvet Dress
204:Self-portrait in a Velvet Dress
178:Self-portrait in a Velvet Dress
163:Self-portrait in a Velvet Dress
125:Self-portrait in a Velvet Dress
89:Private collection, Mexico City
22:Self-portrait in a Velvet Dress
844:. Stoughton, MA: Adams Media.
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486:Frida Kahlo & Diego Rivera
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459:International and Area Studies
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311:Serrano, Nieves Limón (2019).
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1153:Self Portrait with Loose Hair
430:Frida Kahlo: Brush of Anguish
329:10.1080/13569325.2019.1619540
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291:Self Portrait with Loose Hair
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840:Cano-Murillo, Kathy (2019).
651:. Boston: Cengage Learning.
511:"The 5 Faces of Frida Kahlo"
453:University, Indiana (2003).
16:1926 painting by Frida Kahlo
7:
1305:Frida Kahlo Home and Museum
1089:The Suicide of Dorothy Hale
940:Rosensweig, Denise (2008).
755:10.2991/assehr.k.200312.037
626:. London: Frances Lincoln.
594:Kettenmann, Andrea (2003).
566:Frida Kahlo: My Own Reality
257:
10:
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714:Freeland, Cynthia (2010).
622:Mancoff, Debra N. (2022).
241:
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1081:Self-Portrait with Monkey
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869:. New York: Basic Books.
676:. New York: Sourcebooks.
564:Idzikowski, Lisa (2020).
277:Self-Portrait with Monkey
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1359:Paintings by Frida Kahlo
812:Perez, Laura E. (2019).
176:and because of this, in
1033:Frieda and Diego Rivera
865:Davis, Arianna (2020).
672:Katz, Susan B. (2020).
428:Zamora, Martha (1990).
236:Autorretrato con collar
1369:20th-century portraits
1097:What the Water Gave Me
890:Murray, Jenni (2018).
718:. London: OUP Oxford.
484:Souter, Gerry (2019).
382:Flores, Tracy (2020).
141:
133:
1255:The History of Mexico
1113:Two Nudes in a Forest
716:Portraits and Persons
357:Kahlo, Frida (2018).
1328:Museo Dolores Olmedo
1290:(2017 animated film)
1049:My Dress Hangs There
400:10.58680/ej202030667
1041:Henry Ford Hospital
915:Share, Don (2012).
598:. London: Taschen.
174:Italian Renaissance
1263:Pan American Unity
189:Sandro Botticellii
1374:Mexican paintings
1336:
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1180:Works about Kahlo
1137:The Broken Column
1129:The Wounded Table
1057:Memory, the Heart
973:at FridaKahlo.org
765:978-94-6252-930-4
206:is described as:
182:Amedeo Modigliani
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1349:Self-portraiture
1279:Cradle Will Rock
1247:Other depictions
1215:(1993 biography)
1188:Frida Still Life
1145:The Wounded Deer
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1310:Diego Rivera
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1274:(1947 mural)
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1266:(1940 mural)
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1228:Broken Wings
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1379:Mexican art
1282:(1999 film)
1239:(2024 film)
1223:(2002 film)
1191:(1983 film)
1161:Diego and I
1008:Frida Kahlo
546:11 November
517:11 November
469:11 November
413:11 November
342:11 November
199:Description
150:Frida Kahlo
109:.fridakahlo
40:Frida Kahlo
1343:Categories
298:References
156:Background
78:Dimensions
1312:(husband)
1073:The Frame
1016:Paintings
774:216442520
408:259383592
337:198030564
1324:(father)
1318:(sister)
917:Wishbone
258:See also
193:Bronzino
86:Location
1298:Related
465:: 246–7
242:History
148:artist
146:Mexican
138:Spanish
130:Spanish
102:Website
1199:(1983)
1172:(1949)
1164:(1949)
1156:(1947)
1148:(1946)
1140:(1944)
1132:(1940)
1124:(1940)
1116:(1939)
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1092:(1938)
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1028:(1926)
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72:canvas
64:Medium
36:Artist
1236:Frida
1220:Frida
1204:Frida
770:S2CID
404:S2CID
333:S2CID
94:Owner
1287:Coco
946:ISBN
921:ISBN
896:ISBN
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