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352:. Life Writing is indeed a broad and multifaceted genre that involves documenting personal experiences, thoughts, and emotions in a variety of forms. The boundaries of this genre have evolved over time, with debates on what exactly qualifies as life writing. Traditionally, it has been closely associated with autobiography, which is a formal, structured form of self-narrative, but the genre has expanded significantly.
251:
his interest to analyze the relationship between self-representation and reality, since self-portraits often do not aim at the mere faithful reproduction of objectively identifiable traits, but, being intentional constructions, they can be allegorical, idealizing, critical, symbolic, psychological, satirical, philosophical, reflective.
131:
should not be confused. Categorization is the process by which ideas and objects are recognized, differentiated, and classified, and consists of organizing the objects of a given universe into groups or categories, with a specific purpose. It is a fundamental mechanism for reason, communication, and
250:
Self-portraiture as a theoretical field attempts to answer several questions in modern times, from the most basic: what is a self-portrait? Or, why over the centuries has the number and quantity of works dedicated to it grown? Or why selfies have become a global phenomenon? It is also the object of
276:
Researchers still investigate self-portraits because they unfold many aspects of the artist's personal life and perception of himself and his relationships with his social environment, his peers, his time, culture and history, question artistic language, communication, poetics and style (visual or
258:(1936) that studies of the subject gained momentum. Benkard features 500 images and Goldscheider 263. But they don't do any further analysis. It was only in 1955 with Michelangelo Masciotta that an in-depth reflection of self-portraiture appeared.
204:
For a long time, self-portraits were included as small details in larger works, usually works of a religious nature, but from the
Renaissance onwards they began to appear in a more striking way, to soon gain full independence in autonomous works.
416:, as mentioned above. However, its spectrum, that is, its range of characteristics, properties and position, has been rapidly, in recent decades, expanding, spreading and being the subject of several other areas of knowledge, such as:
163:, as they are a direct document of the author's presence in the creative act and his perception of the existence of a "self". The self-portrait showing the artist's face or entire body appeared much later, with documented examples in
701:
Enenkel, Karl & Liebregts, Peter. "Introduction". In: Enenkel, Karl; Jong-Crane, Betsy de; Liebregts, Peter (eds.). Modelling the
Individual. Biography and Portrait in the Renaissance. Rodopi, 1998, pp.
683:
Reynolds, Anna & Peter, Lucy. "Producing and collecting portraits of artists". In: Reynolds, Anna; Peter, Lucy; Clayton, Martin (eds.). Portrait of the Artist. Royal
Collection Trust, 2016, pp. 9-12
674:
Reynolds, Anna & Peter, Lucy. "Producing and collecting portraits of artists". In: Reynolds, Anna; Peter, Lucy; Clayton, Martin (eds.). Portrait of the Artist. Royal
Collection Trust, 2016, pp. 9-12
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the practice began to gain momentum, following the growing appreciation of the question of authorship in the study of artistic works, and an appreciable number of self-portraits of scribes and copyists
194:, the interest in personal representation experienced an explosive growth, with particular emphasis on the author himself, both in the visual arts and in literature. According to Teresa Ferreira.
85:
Culture of the Selfie is an in-depth art-historical overview of self-portraiture, using a set of theories from visual studies, narratology, media studies, psychotherapy, and political principles.
327:
are most recognized. On the other hand, there are millions of self-portraits produced by unrecognized characters in the field of art who, no matter how brilliant they are, do not enter the
273:. The renowned historian, in 1926, recognizes the painter's face when comparing certain characters present in the work as an unequivocal self-portrait of the artist, and makes an analysis.
984:. The Sixteenth Century Journal, Volume 26, NumbeAn Anthropology of " self ": pondering on the use of the self-portrait in contemporary photography.r 4. University of Chicago Press
159:
Self-portraiture has a long history. In
Reynolds & Peter's analysis, the handprints that prehistoric humanity left in cave paintings can be considered precursors of the
1028:
692:
Ferreira, Teresa Pinto da Rocha Jorge. Autorretratos na Poesia
Portuguesa do SĂ©culo XX. Doutorado. Universidade Nova de Lisboa, 2019, pp. 23-27 (in portuguese)
362:: The detailed description of a person’s life, usually written by someone else, which can offer an objective or interpretive perspective on the subject’s life.
254:
The self-portrature as an academic study only emerged in the twentieth century. In fact, it was with the monograph of Ernst
Benkard (1927) and, later, that of
553:
285:
works. Another focus of the research is to analyze the changes in the understanding of the meaning of the self-portrait over the centuries and its reception.
106:
production, however, if we look at the contemporary literature, we will see that the universe of academic studies, mainly, is focused on several disciplines.
120:
produced a great number. Rare is the artist, these days, who has not been seduced by self-representation. Self-portraiture has become very common.
232:
1014:, in Ursula Renz (ed.), Self-Knowledge: A History, OXFORD PHILOSOPHICAL CONCEPTS (New York, 2017; online edn, Oxford Academic, 16 Feb. 2017),
76:
Ana
Peraica wrote, about self-portraiture today, in view of the prolification of the production of self-portraits, particularly the so-called
776:
Caro, M. A. The native as image: art history, nationalism, and decolonizing aesthetics. Thesis. Universiteit van
Amsterdam, 2010, pp. 155-157
622:
450:
197:
The advent of new technologies today, especially since the 1980s, has had an extraordinary impact on the practice of self-portraiture.
526:
102:
has been known since the seventeenth century. Although, when we refer to self-portraiture almost simultaneously, we are remitted to
378:: Typically more immediate and spontaneous, diaries capture day-to-day experiences and thoughts, often without an audience in mind.
785:
Haifeng, Xuan. Modes of
Painting in the Self-Portraits of Marlene Dumas. Master. University of the Witwatersrand, 2012, pp. 25-27
806:
399:
Personal Essay: A reflective form of writing that often blurs the line between the personal and the philosophical or critical.
1150:
386:: Personal correspondence that can serve as self-expression, with the added dynamic of being directed toward another person.
564:
1009:
301:. From the 19th century to the 21st century there was a great development of devices capable of producing photographs.
112:
In the visual arts, it is easy to notice the growth of artists' representations as the very theme of their creations.
73:
as an artistic practice, as a specific field of study, self-portraiture is recent, but it has been expanding rapidly.
109:
It is possible that self-portraiture has accompanied the emergence of the individual's perception in modern society.
465:
140:
19:
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It's not something to be surprised about. Before this time it was not possible for artists to use this resource.
94:. Studies emerge from various areas, such as Philosophy. Language development is dynamic and a reality. The term
739:
Five Hundred Self Portraits from Antique Times to the Present Day in Sculpture, Painting, Drawing and Engraving
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394:: Usually focused on conveying experiences related to trauma, injustice, or significant historical events.
638:
470:
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98:, for example, only emerged in the 1980s. But the term, according to the Oxford English Dictionary,
50:
1030:
An Anthropology of " self ": pondering on the use of the self-portrait in contemporary photography
304:
Currently, almost everyone has the possibility of having a portable device capable of producing a
1174:
1134:
1123:
Renaissance Self-Portraiture. The Visual Construction of Identity and Social Status os the Artist
880:
Gu, Y (2018). "Narrative, life writing, and healing: The therapeutic functions of storytelling".
180:
61:
that studies the history, means of production, circulation, reception, forms, and meanings of
1179:
1043:
817:
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Peraica, Ana. Culture of the Selfie : Self-Representation in Contemporary Visual Culture
370:: A more intimate account, often focused on specific aspects or periods of the writer’s life.
1015:
579:
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literary), and intertwine the public and the private. Personhood and impersonality, being
266:
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969:. Archives of Psychiatric Nursing, Volume 10, Issue 5, 1996, Pages 311-318, ISSN 0883-9417
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cognition. This is, by the way, because the term "selfie" only appears in the 1980s.
297:. The development and popularity of the technique, however, only occurred after the
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Life Writing in the Long Run: A Smith & Watson Autobiography Studies Reader
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The Art of Reflection: Women Artists' Self-Portraiture in the Twentieh Century
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In its modern conception, Life Writing includes various subgenres such as:
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308:. This does not explain, however, why so many chose to produce and share a
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Irony and the Ethics of Self-Portraiture in Montaigne's De la praesumption
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967:"Serial self-portrait: A technique to monitor changes in self-concept"
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Interview and Introduction with J. Hall: Self-Portrait and Philosophy
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201:, photographic self-portraits, have become common around the world.
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1097:. Liverpool: National Museums & Galleries on Merseyside, 1994
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The origins of photography date back to the discoveries of the
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741:. Vienna; London Phaidon Press; George Allen & Unwin Ltd
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Self-portraiture initially emerged as a phenomenon within the
212:, although there are very old collections such as that of the
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was the first to develop a series of works. Centuries later,
31:
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Very rare, in this period, works such as that undertaken by
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https://doi.org/10.1093/acprof:oso/9780190226411.003.0025
956:. Volume 34, Issue 4, 2007, Pages 331-339, ISSN 0197-4556
820:
How Cindy Sherman Redefined Self-Portraiture (7 Artworks)
515:
Rules of Art: Genesis and Structure of the Literary Field
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Self-portraiture in literature is mainly identified with
103:
1116:
The Moment of Self-Portraiture in German Renaissance Art
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Face to Face: Tree Centuries of Artists' Self-Portrature
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their books and parchments, mostly anonymous, survive.
999:. IRIS Institutional Research Information System, 2017
224:, the largest pictorial collection of self-portraits.
882:
Neohelicon: Acta Comparationis Litterarum Universarum
835:"Recent studies in early modern english life writing"
606:
On the development of individualism in society, see
567:
Self-Portraiture: The Uses of Academic Autobiography
1048:
International Journal of Creative Research Thoughts
403:
1129:Thomson, Duncan (2001-01-01). "self-portraiture".
767:. Chicago : University of Chicago Press, 1982
625:Albrecht DĂĽrer and the Moment of Self-Portraiture.
949:Beyond the face: Art therapy and self-portraiture
337:
1161:
288:
713:Por uma HistĂłria da AutorretratĂstica no Brasil
208:Attention to self-portraiture is recent in the
1018:, accessed 2 June 2024. Oxford Academic: 2017.
527:Swartz, David L. - Bourdieu’s Concept of Field
144:
90:Self-portraiture does not only encompass the
1118:. Chicago: University of Chicago Press, 1996
715:. NiterĂłi: Unilasalle, 2004. (in portuguese)
580:self-portraiture (Oxford English Dictionary)
451:List of self-portraits in the Uffizi Gallery
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1125:. Los Angeles: Yale University Press, 1998
1104:. London: Columbia University Press, 1996
933:highlights this phenomenon (check entry:
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915:Smith, Sidonie; Watson, Julia (2017).
495:– 1960 oil painting by Norman Rockwell
1083:. Firenze: Galeria degli Uffizi, 2005
919:. Ann Arbor, MI: Michigan Publishing.
653:. Firenze: Galeria degli Uffizi, 2005
186:Throughout the Renaissance, with the
1143:10.1093/acref/9780198662037.001.0001
823:. The Collector. Access in 19/5/2024
541:The Significance of Self-Portraiture
1131:The Oxford Companion to Western Art
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833:Dowd, M.M.; Eckerle, J. A. (2010).
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1109:Autorritratti dal XIV al XX Seculo
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752:Autorritratti dal XIV al XX Seculo
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1111:. Electa Editrice, Milano, 1955.
155:working at the easel to the left.
851:10.1111/j.1475-6757.2009.01064.x
466:Female self-portrait in painting
404:The Spectrum of self-portraiture
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517:Stanford: SUP (1996)". p. 47-49
319:Photographic self-portraits by
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338:Self-portraiture in Literature
69:and becoming popular from the
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1076:. London: Phaidon Press, 1995
1042:Mansoor, Ahmadm (July 2020).
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289:Photographic self-portraiture
839:English Literary Renaissance
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639:Self-portraits by Rembrandt
471:Self-portraits by Rembrandt
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1086:Bonafoux, Pascal et alii.
1079:Bonafoux, Pascal et alii.
1074:Five Hundred Self-Portrats
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1044:"The Sociology of Selfies"
649:Bonafoux, Pascal et alii.
341:
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954:The Arts in Psychotherapy
894:10.1007/s11059-018-0459-4
765:Meanig in the Visual Arts
151:, painted in 1656, shows
807:Andy Warhol (Christie's)
1135:Oxford University Press
1121:Woods-Marsden, Joanna.
612:Essays on Individualism
544:. Accessed in 12/5/2024
529:. Accessed in 12/5/2024
243:, 1556, Lancut Museum,
1090:. Genève: Skira, 1984.
946:Alter-MĂĽri, Simone B.
737:Goldscheider, Ludwig.
628:Accessed in 22/5/2024.
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492:Triple Self-Portrait
267:Allegory of Prudence
237:Sofonisba Anguissola
190:valorization of the
1100:Meskimmon, Marsha.
434:Social Anthropology
256:Ludwig Goldscheider
220:, exhibited in the
169:Classical Antiquity
16:Field of art theory
993:Caputo, Annalisa.
965:Judy A. Glaister,
929:A consultation on
513:Bourdieu, Pierre.
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1114:Koerner, Joseph.
978:Fraquhar, Sue W.
763:Panofsky, Erwin.
726:Das Selbstbildnis
711:Rangel, Cláudio.
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539:Piper, Rhiannon.
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92:visual arts
71:Renaissance
1164:Categories
501:References
430:Philosophy
418:Psychology
192:individual
188:humanistic
181:illuminate
55:art theory
1185:Portraits
902:150341637
867:143970838
438:Sociology
392:Testimony
360:Biography
283:polysemic
228:Interests
118:Rembrandt
67:Antiquity
859:43447684
594:, entry
456:Portrait
444:See also
218:Florence
104:artistic
1067:Sources
410:History
384:Letters
199:Selfies
174:In the
136:History
78:selfies
59:history
49:is the
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796:Selfie
476:Selfie
368:Memoir
271:Titian
245:Poland
96:selfie
36:Madrid
898:S2CID
863:S2CID
855:JSTOR
794:See:
662:See:
376:Diary
216:, in
114:DĂĽrer
51:field
45:, or
32:Prado
1147:ISBN
702:1-10
637:See
590:See
424:and
412:and
323:and
281:and
167:and
127:and
57:and
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312:on
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