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only achieved through technology, achieved by alienating feminine Nature. SF has "appropriated the qualities of abundance and harmony from the romance's
Earthly paradise, banishing the figure of feminine nature from the man-made, rationalized world ...(22) ... The SF ideology that Ben-Tov examines is rooted in the scientific revolution, in the changing view of nature—from living, feminine Mother, Nature becomes inert, dead matter. This twentieth-century ideology has, for Ben-Tov, disturbing implications, especially from a feminist standpoint. "Our society," writes Ben-Tov, "lost the basis for transcendent experience by losing the relationship with numinous nature"(23). Thus, SF's "sense of wonder" is a lie: "it reflects white American fantasies about nature, machines, and the 'frontier' . . . . The American mythological apparatus must be comprehended thoroughly to be handled, or dismantled, effectively" (92–93).
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distinction is true to their difference. The sublime expands consciousness inward as it encompasses limits to its outward expansion of apprehension; the grotesque is a projection of fascinated repulsion/attraction out into objects that consciousness cannot accommodate, because the object disturbs the sense of rational, natural categorization. In both cases, the reader/perceiver is shocked by a sudden estrangement from habitual perception, and in both cases the response is to suspend one's confidence in knowledge about the world, and to attempt to redefine the real in thought's relation to nature. Both are concerned with the states of mind that science and art have in common: acute responsiveness to the objects of the world, the testing (often involuntary) of the categories conventionally used to interpret the world, and the desire to articulate what consciousness finds inarticulable.
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298:'s novels to be retrospectively seen as of key importance in the development of SF. ...—people in droves came to the books looking for adventure and got it, but with an edge of scientific inquiry that left them with a new, very different sense of wonder. The magic of the realms of fantasy had been superseded by the fascination of speculation rooted in reality.
443:...what this reader (at the age of 13 or 14) learned from the story was the unimaginable size of the universe and the implausibility of some of the traditional human images of God. An almost religious sense of awe (or wonder) was created in me, as I tried to perceive the immensity of the universe, and contemplate the possibility of the non-existence of God.
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The sublime is a response to an imaginative shock, the complex recoil and recuperation of consciousness coping with objects too great to be encompassed. The grotesque, on the other hand, is a quality usually attributed to objects, the strange conflation of disparate elements not found in nature. This
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Nevertheless, despite this "resistance to critical commentary," the 'sense of wonder' has "a well-established pedigree in art, separated into two related categories of response: the expansive sublime and the intensive grotesque." Csicsery-Ronay Jr. explains the difference between these two categories
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Kathryn Cramer in her essay 'On
Science and Science Fiction' also explores the relationship of SF's 'sense of wonder' to religion, stating that "The primacy of the sense of wonder in science fiction poses a direct challenge to religion: Does the wonder of science and the natural world as experienced
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In the Gothic mode, emphasis was placed on the distant and unearthly ... Brooding landscapes, isolated castles, dismal old towns, and mysterious figures ... carry us into an entranced world from which horrid revelations start .... Terror, mystery and that delightful horror which Burke connected with
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Ben-Tov asserts that SF's (in)famous "sense of wonder" is an attempt to evoke a sublime transcendence, achieved through Nature, and "Nature is an animate, feminine, and numinous being" (23). But in SF as Ben-Tov sees it, this natural transcendence is merely an illusion; in fact, the transcendent is
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The affinities of science fiction and Gothic literature also reveal a common quest for those varieties of pleasing terror induced by awe-inspiring events or settings that Edmund Burke and other eighteenth-century critics call the sublime. A looming problem for writers in the nineteenth century was
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explores science-fiction's (SF) 'sense of wonder' from a feminist perspective. Her book is a "thought-provoking work of criticism that provides a new and interesting perspective on some basic elements in science fiction," including the 'sense of wonder'. In his review of Ben-Tov's work for the SF
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If there is one writer whose work epitomizes that sense of wonder, it is without doubt, Arthur C. Clarke. It's almost impossible to read any of his stories or novels without experiencing that trigger-moment when the mind expands to take in an awe-inspiring concept. ... It's there in his novel's
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A computer is installed by
Western technicians in a Tibetan lamasery; its task is in to speed up the compilation of all the possible names of God. This, the monks believe, is what the human race was created for, and on its completion the earth, and perhaps all creation, will come to an end. The
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Later in this same essay the author argues that "the sublime and the grotesque are in such close kinship that they are shadows of each other," and that "it is not always easy to distinguish the two, and the grotesque of one age easily becomes the sublime of another." He gives as an example the
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A "literature of ideas," as sf is often said to be, invites discussion of ideas; but the sense of wonder seems doubly to resist intellectual investigation. As a "sense," it is clearly not about ideas and indeed seems in opposition to them; wonder even more so, with its implications of awe that
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And because today's real life so resembles day-before-yesterday's fantasy, the old-time fans are restless. Deep within, whether they admit it or not, is a feeling of disappointment and even outrage that the outer world has invaded their private domain. They feel the loss of a "sense of wonder"
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To say that science fiction is in essence a religious literature is an overstatement, but one that contains truth. SF is a uniquely modern incarnation of an ancient tradition: the tale of wonder. Tales of miracles, tales of great powers and consequences beyond the experience of people in your
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how to achieve sublimity without recourse to the supernatural. ... The supernatural marvels that had been a staple of epic and lesser forms from
Homeric times would no longer do as the best sources of sublimity. ... writers sought new forms that could better accommodate the impact of science.
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Any child who has looked up at the stars at night and thought about how far away they are, how there is no end or outer edge to this place, this universe—any child who has felt the thrill of fear and excitement at such thoughts stands a very good chance of becoming a science fiction
503:'; in its placing, which seems to open universes to the reader's gaze, and in its resonant mysteriousness, for its precise meaning is unclear, this use of "sevagram" may well stand as the best working demonstration in the whole genre sf of how to impart a sense of wonder.
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Despite the attempts above to define and illustrate the 'sense of wonder' in SF, Csicsery-Ronay Jr. argues that "unlike most of the other qualities regularly associated with the genre, the sense of wonder resists critical commentary."The reason he suggests is that,
483:...Campbell stresses how long seven million years is in human terms but notes that this time span is nothing in the life of the sun, whose "two thousand thousand thousand" risings ... As Campbell well knew, one sure path to a sense of wonder was big numbers."
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It is appropriate that Edward James chooses a story by Arthur C. Clarke to make the point. One critic is of the opinion that Clarke "has dedicated his career to evoking a "sense of wonder" at the sublime spaces of the universe..." Editor and SF researcher
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This entry focuses on one specific use of the phrase "sense of wonder." This phrase is widely used in contexts that have nothing to do with science fiction. The following relates to the use of "sense of wonder" within the context of science fiction. In
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That the concept of the
Sublime, a major aesthetic criterion of the Romantic era, has a close connection with the pleasures derived from reading sf has long been recognized by readers and critics, even if that word has seldom been used. The phrase that
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did not last in science fiction because it "failed to move people. I'm not sure if this failure was due to its pessimistic themes or to people feeling the stuff was too pretentious. But it never really grabbed hold of people's imaginations."
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Alkon concludes that "science fiction ever since has been concerned as often to elicit strong emotional responses as to maintain a rational basis for its plots. Far from being mutually exclusive, the two aims can reinforce each other..."
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defines the term as "the sense of inspired awe that is aroused in a reader when the full implications of an event or action become realized, or when the immensity of a plot or idea first becomes known;" and he associates the term with the
538:, saying that "The T-1000, like so many liminal figures in sf, is almost simultaneously sublime and grotesque. Its fascinating shape-shifting would be the object of sublime awe were it not for its sadistic violation of mundane flesh."
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was able to write "I suppose it's all a frightfully mordant microcosm of human aspirations, but after so much primitive carnage, the expected multiversal sense-of-wonder jolt comes as a belated infodump rather than..."
403:...in doing so, it can create a rival sense of wonder, which acts almost as a replacement religion: a religion for those deprived of all traditional certainties in the wake of Darwin, Einstein, Plank [
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described by Edmund Burke and
Immanuel Kant—infinity, immensity, "delightful horror"—as a key to understanding the concept of "sense of wonder" in science fiction. For example, Professor of English at the
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neighborhood, tales of the gods who inhabit other worlds and sometimes descend to visit ours, tales of humans traveling to the abode of the gods, tales of the uncanny: all exist now as science fiction.
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of SF and the pulp magazines prevalent at the time. One of the major writers of the Golden Age, Isaac Asimov, agreed with this association: in 1967 commenting on the changes occurring in SF he wrote,
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been used, and which to a large extent corresponds, is 'Sense of Wonder' (sometimes jocularly or cynically abbreviated to 'sensawunda'). The very first collection of sf criticism was Damon Knight's
178:, etc.—clearly indicate that the putative cognitive value of sf stories is more than counter-balanced by an affective power, to which, in fact, the scientific content is expected to submit.
190:" (Clute & Nicholls 1993). In many cases, it is achieved through the recasting of previous narrative experiences in a larger context. It can be found in short scenes (e.g., in
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The so-called sense of wonder has been considered one of the primary attributes of sf at least since the pulp era. The titles of the most popular sf magazines of that period—
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There is no doubt that the term 'sense of wonder' is used and understood by readers of SF without the need of explanation or elaboration. For example, SF author and critic
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has characterised a sense of wonder as an emotional reaction to the reader suddenly confronting, understanding, or seeing a concept anew in the context of new information.
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However, as Brooks Landon shows, not all 'sense of wonder' needs to be so closely related to the classical sense of the
Sublime. Commenting on the story 'Twilight' by
196:(1977), it can be found, in a small dose, inside the line "That's no moon; it's a space station.") and it can require entire novels to set up (as in the final line to
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triggered by an expansion of one's awareness of what is possible or by confrontation with the vastness of space and time, as brought on by reading science fiction.
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649:
Raven, Paul Graham (2016). "The
Rhetorics of Futurity: Scenarios, Design Fiction, Prototypes and Other Evaporated Modalities of Science Fiction".
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341:, appear over and over in twentieth-century discussions of SF and may at least in part reflect SF's debt to its Gothic and Romantic forerunners.
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and
Wingrove's history of science fiction in support of the above suggestion as to the origin of the 'sense of wonder' in SF, as follows:
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Science fiction's appeal lies in combination of the rational, the believable, with the miraculous. It is an appeal to the sense of wonder.
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399:(and quoted above) as regards the relationship of the 'sense of wonder' in SF to religion or the religious experience. He states that:
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Edward James, in a section of his book entitled 'The Sense of Wonder' says on this point of the origin of the 'sense of wonder' in SF:
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and his short stories "The Star", "Jupiter V" and "The Nine
Billion Names of God"—possibly the definitive "sense of wonder" story.
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In the introductory section of his essay 'On the Grotesque in Science Fiction', Istvan Csicsery-Ronay Jr., Professor of English,
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sees SF's 'sense of wonder' in more general terms, as "being at the root of the excitement of science fiction". He continues:
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Chuck didn't reply, so George swung round in his saddle. He could just see Chuck's face, a white oval toward the sky.
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Dalgleish, David. Book review: 'The ambivalent paradise: Or, nature and the transcendent in British SF,' review of
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Cramer, Kathryn. 'Introduction: On Science and Science Fiction,' in David G. Hartwell and Kathryn Cramer (eds.),
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436:'Look,' whispered Chuck, and George lifted his eyes to heaven. (There is always a last time for everything.)
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91:) is an intellectual and emotional state frequently invoked in discussions of science and biology,
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suggests that this 'sense of wonder' is associated only with science fiction as distinct from
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Perhaps the single most famous example of "sensawunda" in all of science fiction involves a
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Academic criticism of science fiction literature (Robu 1988) identifies the idea of the
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because what was once truly confined to "wonder" has now become prosaic and mundane.
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technicians do their job, with some condescension, and flee back to civilization.
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The word "sevagram" appears only once in the series, as the very last word of '
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James goes on to explore the same point as made by David Hartwell in his book
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Asimov, Isaac. 'Forward 1 – The Second Revolution' in Ellison, Harlan (ed.).
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Larry McCaffery and Jack Williamson. 'An Interview with Jack Williamson' in
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Reference to this "sense of wonder", a term appropriated and popularized by
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628:"Has science fiction's sensawunda lost its sense of wonder? | Futurismic"
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associate the experience with that of the "conceptual breakthrough" or "
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Robu, Cornel (Spring 1988). "A Key to Science Fiction: the Sublime".
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Ashley, Mike. Introduction to 'Out of the Sun' in Ashley, Mike (ed.)
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the sublime ... may be discovered ... in science fiction to this day.
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Csicsery-Ronay, Jr., Istvan. 'On the Grotesque in Science Fiction',
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430:'Wonder if the computer's finished its run. It was due about now.'
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899:"A Key to the Terminology of Science-Fiction Fandom by D. Franson"
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Interactions between the emotional and executive brain systems
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The Artificial Paradise: Science Fiction and American Reality
816:
Science Fiction before 1900. Imagination Discovers Technology
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The Artificial Paradise: Science Fiction and American Reality
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Science Fiction before 1900. Imagination Discovers Technology
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It is this insistence on fundamental realism that has caused
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Science Fiction after 1900. From the Steam Man to the Stars
16:
Feeling invoked when appreciating works of science fiction
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Brave New Words: The Oxford Dictionary of Science Fiction
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David Dalgleish, quoting from the text, points out that:
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Brave New Words: The Oxford Dictionary of Science Fiction
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57:
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Foundation: The International Review of Science Fiction
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As a concept especially connected with science fiction
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Overhead, without any fuss, the stars were going out.
939:, Vol. 18, No. 2 (Jul., 1991), pp. 230–252: page 234
996:
Immortal Storm: A History of Science Fiction Fandom
984:
472:through science fiction replace religious awe?"
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1622:
845:Seed, David. 'Introduction' in David Seed (ed.)
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972:Kent: Winter 1997. Volume 38, Issue 4; p. 327.
873:The Ascent of Wonder. The Evolution of Hard SF
564:
2323:
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989:(2nd ed.). New York: St. Martin's Press.
56:. Consider transferring direct quotations to
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1631:
1398:
960:
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2300:indicate emotion names in foreign languages
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752:The Mammoth Encyclopedia of Science Fiction
413:As an example James takes the short story '
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1034:
1020:
993:
955:
828:
826:
824:
810:
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792:Aldiss, Brian and David Wingrove (eds.).
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773:
728:, Vol. 29, No. 1 (Mar., 2002), pp. 71–99
262:by adding descriptive text and removing
922:Langford, David. 'Random Reading 2' in
884:Clute, John and Nicholls, Peter (eds.).
720:
718:
716:
714:
712:
710:
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3074:Writers and Illustrators of the Future
862:(London: Constable and Robinson, 2009)
682:
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926:April 2002, Number 164, Vol 14, No. 8
821:
805:
770:
648:
47:too many or overly lengthy quotations
19:For the 1985 Van Morrison album, see
1002:
985:Clute, John; Peter Nicholls (1993).
888:(New York: St. Martin Griffin, 1993)
707:
230:
29:
2337:
1041:
987:The Encyclopedia of Science Fiction
952:(Ann Arbor: U of Michigan P, 1995).
886:The Encyclopedia of Science Fiction
834:Science Fiction in the 20th Century
800:Science Fiction in the 20th Century
13:
924:New York Review of Science Fiction
860:The Mammoth Book of Mindblowing SF
547:New York Review of Science Fiction
14:
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3847:
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2422:Apocalyptic and post-apocalyptic
1743:
1737:
689:Jon Radoff's Internet Wonderland
528:android (T-1000) in the second '
513:short-circuits analytic thought.
235:
34:
25:Sense of Wonder (disambiguation)
978:
942:
929:
916:
891:
878:
865:
852:
839:
836:(Oxford University Press, 1994)
802:(Oxford University Press, 1994)
786:
741:(London: Victor Gollancz, 1987)
673:(Oxford University Press, 2007)
302:However, the editor and critic
3799:Science and technology studies
847:A Companion to Science Fiction
757:
744:
731:
676:
661:
642:
620:
106:
1:
849:(Malden, MA: Blackwell, 2008)
767:(New York: McGraw-Hill, 1985)
614:
545:reviewing an SF novel in the
415:The Nine Billion Names of God
409:], Godel, and Heisenberg.
2252:Social emotional development
657:(123): 63 – via JSTOR.
569:Sharona Ben-Tov in her book
130:. a feeling of awakening or
87:(sometimes jokingly written
7:
3343:Space stations and habitats
1498:
998:. New York: Hyperion Books.
818:(New York: Routledge, 2002)
685:"The Attack on Imagination"
683:Radoff, Jon (27 May 2010).
587:
565:Natural vs synthetic origin
10:
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535:Terminator 2: Judgment Day
361:Paul K. Alkon in his book
18:
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3789:Museum of Science Fiction
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3734:Christian science fiction
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3698:Self-replicating machines
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798:quoted in James, Edward.
2185:in virtual communication
783:(New York: Twayne, 1977)
754:(London: Robinson, 2001)
54:summarize the quotations
3667:Artificial intelligence
3565:Simulated consciousness
994:Moskowitz, Sam (1974).
966:The Artificial Paradise
937:Science Fiction Studies
726:Science Fiction Studies
462:The City and the Stars,
365:makes a similar point:
264:less pertinent examples
122:is defined as follows:
3880:Science fiction themes
3819:Technology and society
2687:Science Fiction Museum
1802:
1641:
1632:
1623:
1399:
1365:
585:
556:in 1991 said that the
525:
515:
505:
485:
469:
445:
441:
411:
393:
372:
359:
343:
333:, Brooks Landon says:
322:
313:
300:
224:
180:
136:
23:. For other uses, see
3418:Organ transplantation
2677:Libraries and museums
2598:Cyberpunk derivatives
2552:Utopian and dystopian
968:by Sharona Ben-Tov',
875:(London: Orbit, 1994)
667:Prucher, Jeff (ed.).
580:
520:
510:
497:
481:
454:
428:
423:
401:
380:
367:
354:
335:
318:
308:
292:
219:
150:
124:
3769:Fictional technology
3764:Fictional astronauts
3621:Frankenstein complex
2222:Group affective tone
750:Mann, George (ed.).
695:on 26 September 2010
465:Rendezvous with Rama
93:higher consciousness
3809:Speculative fiction
3403:Genetic engineering
2275:constructed emotion
1945:functional accounts
795:Trillion Year Spree
491:, from the work of
389:In Search of Wonder
260:improve the article
3636:Message from space
3601:Ancient astronauts
3489:Parallel universes
3464:Extrasolar planets
3371:Biological warfare
2493:Parallel universes
2375:Scientific romance
2175:in decision-making
1416:(sense of purpose)
948:Ben-Tov, Sharona.
630:. 22 November 2008
599:Sublime (literary)
495:(Moskowitz 1974):
331:University of Iowa
3875:Literary concepts
3862:
3861:
3754:Alternate history
3742:
3741:
3703:Simulated reality
3433:Sex and sexuality
3386:Extraterrestrials
3305:
3304:
3132:
3131:
3128:
3127:
2869:Campbell Memorial
2646:
2645:
2515:Planetary romance
2305:
2304:
1892:Appeal to emotion
1670:Social connection
763:Hartwell, David.
739:Dangerous Visions
574:critical journal
501:The Weapon Makers
281:
280:
146:DePauw University
126:SENSE OF WONDER
79:
78:
21:A Sense of Wonder
3892:
3851:
3841:
3840:
3679:Astroengineering
3611:Evil corporation
3338:Matrioshka brain
3316:
3315:
3255:List of TV shows
3141:
3140:
2821:
2820:
2655:
2654:
2525:Sword and planet
2415:
2414:
2332:
2325:
2318:
2309:
2308:
2280:discrete emotion
2180:in the workplace
2076:Empathy quotient
1807:
1747:
1741:
1646:
1637:
1628:
1503:
1404:
1370:
1036:
1029:
1022:
1013:
1012:
1008:
999:
990:
973:
962:
953:
946:
940:
933:
927:
920:
914:
913:
911:
909:
895:
889:
882:
876:
869:
863:
856:
850:
843:
837:
830:
819:
812:
803:
790:
784:
779:Landon, Brooks.
777:
768:
761:
755:
748:
742:
735:
729:
722:
705:
704:
702:
700:
691:. Archived from
680:
674:
665:
659:
658:
646:
640:
639:
637:
635:
624:
594:Wonder (emotion)
477:John W. Campbell
459:Childhood's End,
419:Arthur C. Clarke
276:
273:
267:
239:
238:
231:
74:
71:
65:
38:
37:
30:
3900:
3899:
3895:
3894:
3893:
3891:
3890:
3889:
3865:
3864:
3863:
3858:
3857:
3828:
3804:Sense of wonder
3738:
3722:
3655:
3651:Xenoarchaeology
3626:Galactic empire
3581:Africanfuturism
3569:
3538:
3442:
3357:
3301:
3241:
3220:
3184:
3124:
3083:
2846:
2840:
2812:
2706:
2642:
2592:
2569:Techno-thriller
2537:Climate fiction
2505:Science fantasy
2459:Anime and manga
2406:
2365:Anthropological
2341:
2339:Science fiction
2336:
2306:
2301:
2291:
2232:Jealousy in art
1975:in conversation
1897:Amygdala hijack
1810:
1748:
1742:
1733:
1722:sense of wonder
1050:
1040:
981:
976:
963:
956:
947:
943:
934:
930:
921:
917:
907:
905:
897:
896:
892:
883:
879:
870:
866:
857:
853:
844:
840:
832:James, Edward.
831:
822:
814:Alkon, Paul K.
813:
806:
791:
787:
778:
771:
762:
758:
749:
745:
736:
732:
723:
708:
698:
696:
681:
677:
666:
662:
647:
643:
633:
631:
626:
625:
621:
617:
609:Overview effect
590:
567:
554:Jack Williamson
421:. He explains:
288:science fantasy
277:
271:
268:
257:
240:
236:
229:
203:Feersum Endjinn
182:John Clute and
120:sense of wonder
109:
97:science fiction
85:sense of wonder
75:
69:
66:
60:or excerpts to
51:
39:
35:
28:
17:
12:
11:
5:
3898:
3888:
3887:
3882:
3877:
3860:
3859:
3856:
3855:
3845:
3834:
3833:
3830:
3829:
3827:
3826:
3821:
3816:
3811:
3806:
3801:
3796:
3794:Rubber science
3791:
3786:
3781:
3776:
3774:Future history
3771:
3766:
3761:
3756:
3750:
3748:
3744:
3743:
3740:
3739:
3737:
3736:
3730:
3728:
3724:
3723:
3721:
3720:
3715:
3710:
3705:
3700:
3695:
3686:
3681:
3676:
3675:
3674:
3663:
3661:
3657:
3656:
3654:
3653:
3648:
3643:
3638:
3633:
3628:
3623:
3618:
3613:
3608:
3603:
3598:
3596:Alien language
3593:
3591:Alien invasion
3588:
3583:
3577:
3575:
3571:
3570:
3568:
3567:
3562:
3557:
3555:Mind uploading
3552:
3546:
3544:
3540:
3539:
3537:
3536:
3531:
3526:
3516:
3511:
3506:
3501:
3496:
3491:
3486:
3481:
3476:
3471:
3466:
3461:
3456:
3450:
3448:
3444:
3443:
3441:
3440:
3435:
3430:
3425:
3420:
3415:
3413:Nanotechnology
3410:
3405:
3400:
3395:
3394:
3393:
3383:
3378:
3373:
3367:
3365:
3359:
3358:
3356:
3355:
3350:
3348:Stellar engine
3345:
3340:
3335:
3330:
3324:
3322:
3313:
3307:
3306:
3303:
3302:
3300:
3299:
3294:
3293:
3292:
3287:
3277:
3272:
3267:
3262:
3257:
3251:
3249:
3243:
3242:
3240:
3239:
3234:
3228:
3226:
3222:
3221:
3219:
3218:
3213:
3208:
3203:
3198:
3192:
3190:
3186:
3185:
3183:
3182:
3181:
3180:
3175:
3165:
3160:
3155:
3149:
3147:
3138:
3134:
3133:
3130:
3129:
3126:
3125:
3123:
3122:
3117:
3112:
3107:
3102:
3097:
3091:
3089:
3085:
3084:
3082:
3081:
3076:
3071:
3066:
3061:
3056:
3051:
3046:
3041:
3036:
3031:
3026:
3021:
3016:
3011:
3006:
3001:
2996:
2991:
2986:
2981:
2976:
2971:
2966:
2961:
2956:
2951:
2946:
2941:
2936:
2931:
2926:
2921:
2916:
2911:
2906:
2901:
2896:
2891:
2886:
2881:
2876:
2871:
2866:
2861:
2856:
2850:
2848:
2845:Literary, art,
2842:
2841:
2839:
2838:
2833:
2827:
2825:
2818:
2814:
2813:
2811:
2810:
2805:
2800:
2795:
2790:
2785:
2780:
2775:
2770:
2765:
2760:
2755:
2750:
2745:
2740:
2735:
2730:
2725:
2720:
2714:
2712:
2708:
2707:
2705:
2704:
2699:
2694:
2689:
2684:
2679:
2674:
2669:
2664:
2658:
2652:
2648:
2647:
2644:
2643:
2641:
2640:
2635:
2630:
2625:
2620:
2615:
2614:
2613:
2602:
2600:
2594:
2593:
2591:
2590:
2585:
2584:
2583:
2573:
2572:
2571:
2566:
2556:
2555:
2554:
2549:
2544:
2539:
2529:
2528:
2527:
2522:
2517:
2512:
2502:
2501:
2500:
2490:
2489:
2488:
2483:
2478:
2468:
2463:
2462:
2461:
2451:
2446:
2441:
2436:
2435:
2434:
2424:
2418:
2412:
2408:
2407:
2405:
2404:
2399:
2394:
2389:
2384:
2383:
2382:
2377:
2372:
2367:
2357:
2351:
2349:
2343:
2342:
2335:
2334:
2327:
2320:
2312:
2303:
2302:
2296:
2293:
2292:
2290:
2289:
2288:
2287:
2285:somatic marker
2282:
2277:
2272:
2267:
2259:
2257:Stoic passions
2254:
2249:
2244:
2239:
2234:
2229:
2224:
2219:
2214:
2213:
2212:
2207:
2205:social sharing
2202:
2197:
2195:self-conscious
2192:
2187:
2182:
2177:
2172:
2167:
2159:
2158:
2157:
2147:
2146:
2145:
2140:
2138:thought method
2135:
2130:
2125:
2120:
2115:
2110:
2105:
2103:lateralization
2100:
2095:
2090:
2085:
2080:
2079:
2078:
2073:
2063:
2062:
2061:
2051:
2046:
2041:
2036:
2031:
2026:
2021:
2016:
2011:
2006:
1998:
1997:
1996:
1991:
1990:
1989:
1979:
1978:
1977:
1967:
1962:
1957:
1952:
1947:
1942:
1937:
1932:
1930:classification
1927:
1922:
1917:
1912:
1907:
1899:
1894:
1889:
1888:
1887:
1882:
1874:
1873:
1872:
1867:
1862:
1857:
1852:
1844:
1843:
1842:
1837:
1832:
1827:
1818:
1816:
1812:
1811:
1809:
1808:
1799:
1794:
1789:
1784:
1779:
1774:
1769:
1764:
1758:
1756:
1750:
1749:
1736:
1734:
1732:
1731:
1726:
1725:
1724:
1714:
1709:
1704:
1699:
1694:
1693:
1692:
1682:
1677:
1672:
1667:
1662:
1657:
1652:
1650:Sentimentality
1647:
1638:
1629:
1620:
1619:
1618:
1608:
1603:
1598:
1593:
1588:
1583:
1578:
1573:
1572:
1571:
1566:
1561:
1556:
1546:
1541:
1540:
1539:
1529:
1524:
1519:
1514:
1509:
1504:
1495:
1490:
1489:
1488:
1486:at first sight
1483:
1473:
1468:
1463:
1458:
1453:
1448:
1443:
1438:
1433:
1428:
1423:
1418:
1410:
1405:
1396:
1391:
1386:
1381:
1376:
1371:
1362:
1357:
1356:
1355:
1343:
1338:
1333:
1328:
1323:
1318:
1313:
1308:
1303:
1298:
1293:
1288:
1283:
1278:
1273:
1268:
1263:
1258:
1257:
1256:
1246:
1241:
1236:
1231:
1226:
1224:Disappointment
1221:
1216:
1211:
1206:
1201:
1196:
1191:
1186:
1181:
1176:
1171:
1166:
1161:
1156:
1151:
1146:
1141:
1136:
1131:
1126:
1121:
1116:
1111:
1106:
1101:
1096:
1091:
1086:
1081:
1076:
1071:
1066:
1060:
1058:
1052:
1051:
1039:
1038:
1031:
1024:
1016:
1010:
1009:
1000:
991:
980:
977:
975:
974:
954:
941:
928:
915:
890:
877:
864:
851:
838:
820:
804:
785:
769:
765:Age of Wonders
756:
743:
730:
706:
675:
660:
641:
618:
616:
613:
612:
611:
606:
601:
596:
589:
586:
566:
563:
543:David Langford
493:A. E. van Vogt
397:Age of Wonders
304:David Hartwell
279:
278:
243:
241:
234:
228:
225:
188:paradigm shift
184:Peter Nicholls
167:Wonder Stories
108:
105:
77:
76:
42:
40:
33:
15:
9:
6:
4:
3:
2:
3897:
3886:
3883:
3881:
3878:
3876:
3873:
3872:
3870:
3854:
3850:
3846:
3844:
3836:
3835:
3831:
3825:
3822:
3820:
3817:
3815:
3812:
3810:
3807:
3805:
3802:
3800:
3797:
3795:
3792:
3790:
3787:
3785:
3784:Magic realism
3782:
3780:
3777:
3775:
3772:
3770:
3767:
3765:
3762:
3760:
3757:
3755:
3752:
3751:
3749:
3745:
3735:
3732:
3731:
3729:
3725:
3719:
3716:
3714:
3711:
3709:
3706:
3704:
3701:
3699:
3696:
3694:
3690:
3687:
3685:
3682:
3680:
3677:
3673:
3670:
3669:
3668:
3665:
3664:
3662:
3660:Technological
3658:
3652:
3649:
3647:
3644:
3642:
3641:Transhumanism
3639:
3637:
3634:
3632:
3629:
3627:
3624:
3622:
3619:
3617:
3616:First contact
3614:
3612:
3609:
3607:
3604:
3602:
3599:
3597:
3594:
3592:
3589:
3587:
3584:
3582:
3579:
3578:
3576:
3572:
3566:
3563:
3561:
3558:
3556:
3553:
3551:
3548:
3547:
3545:
3543:Psychological
3541:
3535:
3532:
3530:
3527:
3524:
3520:
3517:
3515:
3514:Teleportation
3512:
3510:
3507:
3505:
3502:
3500:
3497:
3495:
3494:Portable hole
3492:
3490:
3487:
3485:
3482:
3480:
3477:
3475:
3472:
3470:
3467:
3465:
3462:
3460:
3457:
3455:
3452:
3451:
3449:
3445:
3439:
3436:
3434:
3431:
3429:
3426:
3424:
3421:
3419:
3416:
3414:
3411:
3409:
3406:
3404:
3401:
3399:
3396:
3392:
3389:
3388:
3387:
3384:
3382:
3379:
3377:
3374:
3372:
3369:
3368:
3366:
3364:
3360:
3354:
3351:
3349:
3346:
3344:
3341:
3339:
3336:
3334:
3331:
3329:
3326:
3325:
3323:
3321:
3320:Architectural
3317:
3314:
3312:
3308:
3298:
3295:
3291:
3288:
3286:
3283:
3282:
3281:
3278:
3276:
3273:
3271:
3268:
3266:
3263:
3261:
3258:
3256:
3253:
3252:
3250:
3248:
3244:
3238:
3235:
3233:
3230:
3229:
3227:
3223:
3217:
3216:Short stories
3214:
3212:
3209:
3207:
3204:
3202:
3199:
3197:
3194:
3193:
3191:
3187:
3179:
3176:
3174:
3171:
3170:
3169:
3166:
3164:
3161:
3159:
3156:
3154:
3151:
3150:
3148:
3146:
3142:
3139:
3135:
3121:
3118:
3116:
3113:
3111:
3108:
3106:
3103:
3101:
3098:
3096:
3093:
3092:
3090:
3086:
3080:
3077:
3075:
3072:
3070:
3067:
3065:
3062:
3060:
3057:
3055:
3052:
3050:
3047:
3045:
3042:
3040:
3039:Tähtivaeltaja
3037:
3035:
3032:
3030:
3027:
3025:
3022:
3020:
3017:
3015:
3012:
3010:
3007:
3005:
3002:
3000:
2997:
2995:
2992:
2990:
2987:
2985:
2982:
2980:
2977:
2975:
2972:
2970:
2967:
2965:
2962:
2960:
2957:
2955:
2952:
2950:
2947:
2945:
2942:
2940:
2937:
2935:
2932:
2930:
2927:
2925:
2922:
2920:
2917:
2915:
2912:
2910:
2907:
2905:
2902:
2900:
2897:
2895:
2892:
2890:
2887:
2885:
2882:
2880:
2877:
2875:
2872:
2870:
2867:
2865:
2862:
2860:
2857:
2855:
2852:
2851:
2849:
2843:
2837:
2834:
2832:
2829:
2828:
2826:
2822:
2819:
2815:
2809:
2806:
2804:
2801:
2799:
2796:
2794:
2791:
2789:
2786:
2784:
2781:
2779:
2776:
2774:
2771:
2769:
2766:
2764:
2761:
2759:
2756:
2754:
2751:
2749:
2746:
2744:
2741:
2739:
2736:
2734:
2731:
2729:
2726:
2724:
2721:
2719:
2716:
2715:
2713:
2709:
2703:
2700:
2698:
2695:
2693:
2690:
2688:
2685:
2683:
2680:
2678:
2675:
2673:
2670:
2668:
2665:
2663:
2660:
2659:
2656:
2653:
2649:
2639:
2636:
2634:
2631:
2629:
2626:
2624:
2621:
2619:
2616:
2612:
2609:
2608:
2607:
2604:
2603:
2601:
2599:
2595:
2589:
2586:
2582:
2579:
2578:
2577:
2574:
2570:
2567:
2565:
2562:
2561:
2560:
2557:
2553:
2550:
2548:
2545:
2543:
2540:
2538:
2535:
2534:
2533:
2530:
2526:
2523:
2521:
2518:
2516:
2513:
2511:
2508:
2507:
2506:
2503:
2499:
2496:
2495:
2494:
2491:
2487:
2486:Space Western
2484:
2482:
2479:
2477:
2474:
2473:
2472:
2471:Space warfare
2469:
2467:
2464:
2460:
2457:
2456:
2455:
2452:
2450:
2447:
2445:
2442:
2440:
2437:
2433:
2430:
2429:
2428:
2425:
2423:
2420:
2419:
2416:
2413:
2409:
2403:
2400:
2398:
2395:
2393:
2390:
2388:
2385:
2381:
2378:
2376:
2373:
2371:
2368:
2366:
2363:
2362:
2361:
2358:
2356:
2353:
2352:
2350:
2348:
2344:
2340:
2333:
2328:
2326:
2321:
2319:
2314:
2313:
2310:
2299:
2294:
2286:
2283:
2281:
2278:
2276:
2273:
2271:
2268:
2266:
2263:
2262:
2260:
2258:
2255:
2253:
2250:
2248:
2245:
2243:
2240:
2238:
2235:
2233:
2230:
2228:
2225:
2223:
2220:
2218:
2215:
2211:
2208:
2206:
2203:
2201:
2198:
2196:
2193:
2191:
2188:
2186:
2183:
2181:
2178:
2176:
2173:
2171:
2168:
2166:
2163:
2162:
2160:
2156:
2153:
2152:
2151:
2148:
2144:
2141:
2139:
2136:
2134:
2131:
2129:
2126:
2124:
2121:
2119:
2116:
2114:
2111:
2109:
2106:
2104:
2101:
2099:
2096:
2094:
2091:
2089:
2086:
2084:
2081:
2077:
2074:
2072:
2069:
2068:
2067:
2064:
2060:
2057:
2056:
2055:
2052:
2050:
2047:
2045:
2042:
2040:
2039:dysregulation
2037:
2035:
2032:
2030:
2027:
2025:
2022:
2020:
2017:
2015:
2012:
2010:
2007:
2005:
2002:
2001:
1999:
1995:
1992:
1988:
1987:interpersonal
1985:
1984:
1983:
1980:
1976:
1973:
1972:
1971:
1968:
1966:
1963:
1961:
1958:
1956:
1953:
1951:
1948:
1946:
1943:
1941:
1938:
1936:
1933:
1931:
1928:
1926:
1923:
1921:
1918:
1916:
1913:
1911:
1908:
1906:
1903:
1902:
1900:
1898:
1895:
1893:
1890:
1886:
1883:
1881:
1878:
1877:
1875:
1871:
1868:
1866:
1863:
1861:
1858:
1856:
1853:
1851:
1848:
1847:
1845:
1841:
1840:in psychology
1838:
1836:
1833:
1831:
1828:
1826:
1825:consciousness
1823:
1822:
1820:
1819:
1817:
1813:
1806:
1805:
1800:
1798:
1795:
1793:
1790:
1788:
1785:
1783:
1780:
1778:
1775:
1773:
1770:
1768:
1765:
1763:
1760:
1759:
1757:
1755:
1751:
1746:
1740:
1730:
1727:
1723:
1720:
1719:
1718:
1715:
1713:
1710:
1708:
1705:
1703:
1700:
1698:
1695:
1691:
1688:
1687:
1686:
1683:
1681:
1678:
1676:
1673:
1671:
1668:
1666:
1663:
1661:
1658:
1656:
1653:
1651:
1648:
1645:
1644:
1639:
1636:
1635:
1634:Schadenfreude
1630:
1627:
1626:
1621:
1617:
1614:
1613:
1612:
1609:
1607:
1604:
1602:
1599:
1597:
1594:
1592:
1589:
1587:
1584:
1582:
1579:
1577:
1574:
1570:
1567:
1565:
1562:
1560:
1557:
1555:
1552:
1551:
1550:
1547:
1545:
1542:
1538:
1535:
1534:
1533:
1530:
1528:
1525:
1523:
1520:
1518:
1515:
1513:
1510:
1508:
1505:
1502:
1501:
1500:Mono no aware
1496:
1494:
1491:
1487:
1484:
1482:
1479:
1478:
1477:
1474:
1472:
1469:
1467:
1464:
1462:
1459:
1457:
1454:
1452:
1449:
1447:
1444:
1442:
1439:
1437:
1434:
1432:
1429:
1427:
1424:
1422:
1419:
1417:
1415:
1411:
1409:
1406:
1403:
1402:
1397:
1395:
1392:
1390:
1387:
1385:
1382:
1380:
1377:
1375:
1372:
1369:
1368:
1363:
1361:
1358:
1354:
1353:
1352:Joie de vivre
1349:
1348:
1347:
1344:
1342:
1339:
1337:
1334:
1332:
1329:
1327:
1324:
1322:
1321:Gratification
1319:
1317:
1314:
1312:
1309:
1307:
1304:
1302:
1299:
1297:
1294:
1292:
1289:
1287:
1284:
1282:
1279:
1277:
1274:
1272:
1269:
1267:
1264:
1262:
1259:
1255:
1252:
1251:
1250:
1249:Embarrassment
1247:
1245:
1242:
1240:
1237:
1235:
1232:
1230:
1227:
1225:
1222:
1220:
1217:
1215:
1212:
1210:
1207:
1205:
1202:
1200:
1197:
1195:
1192:
1190:
1187:
1185:
1182:
1180:
1177:
1175:
1172:
1170:
1167:
1165:
1162:
1160:
1157:
1155:
1154:Belongingness
1152:
1150:
1147:
1145:
1142:
1140:
1137:
1135:
1132:
1130:
1127:
1125:
1122:
1120:
1117:
1115:
1112:
1110:
1107:
1105:
1102:
1100:
1097:
1095:
1092:
1090:
1087:
1085:
1082:
1080:
1077:
1075:
1072:
1070:
1067:
1065:
1062:
1061:
1059:
1057:
1053:
1048:
1044:
1037:
1032:
1030:
1025:
1023:
1018:
1017:
1014:
1006:
1001:
997:
992:
988:
983:
982:
971:
970:Extrapolation
967:
961:
959:
951:
945:
938:
932:
925:
919:
904:
900:
894:
887:
881:
874:
868:
861:
855:
848:
842:
835:
829:
827:
825:
817:
811:
809:
801:
797:
796:
789:
782:
776:
774:
766:
760:
753:
747:
740:
734:
727:
721:
719:
717:
715:
713:
711:
694:
690:
686:
679:
672:
671:
664:
656:
652:
645:
629:
623:
619:
610:
607:
605:
602:
600:
597:
595:
592:
591:
584:
579:
577:
576:Extrapolation
572:
562:
559:
555:
551:
548:
544:
539:
537:
536:
531:
524:
519:
514:
509:
504:
502:
496:
494:
490:
484:
480:
478:
473:
468:
466:
463:
460:
453:
451:
444:
440:
437:
434:
431:
427:
422:
420:
416:
410:
408:
407:
400:
398:
392:
390:
386:
379:
376:
371:
366:
364:
358:
353:
351:
347:
342:
340:
334:
332:
327:
321:
317:
312:
307:
305:
299:
297:
291:
289:
285:
275:
265:
261:
255:
253:
249:
244:This section
242:
233:
232:
223:
218:
216:
211:
207:
205:
204:
199:
195:
194:
189:
185:
179:
177:
173:
169:
168:
163:
162:
157:
156:
149:
147:
142:
140:
135:
133:
129:
123:
121:
117:
116:
104:
102:
98:
94:
90:
86:
81:
73:
70:December 2023
63:
59:
55:
49:
48:
43:This article
41:
32:
31:
26:
22:
3814:Supernatural
3803:
3586:Afrofuturism
3499:Space travel
3408:Invisibility
3376:Energy being
3353:Terraforming
3333:Dyson sphere
3328:Colonization
3260:Australasian
3153:Film history
2934:Grand Master
2297:
2237:Meta-emotion
2150:Emotionality
2123:responsivity
2071:and bullying
2066:intelligence
1876:Affectivity
1860:neuroscience
1830:in education
1721:
1413:
1374:Homesickness
1350:
1276:Enthrallment
1261:Emotion work
1124:Anticipation
1007:(42): 21–37.
1004:
995:
986:
979:Bibliography
969:
965:
949:
944:
936:
931:
923:
918:
906:. Retrieved
902:
893:
885:
880:
872:
867:
859:
854:
846:
841:
833:
815:
799:
793:
788:
780:
764:
759:
751:
746:
738:
733:
725:
697:. Retrieved
693:the original
688:
678:
668:
663:
654:
650:
644:
632:. Retrieved
622:
581:
575:
570:
568:
552:
540:
533:
526:
521:
518:as follows:
516:
511:
506:
498:
486:
482:
474:
470:
464:
461:
458:
455:
446:
442:
438:
435:
432:
429:
424:
412:
404:
402:
396:
394:
388:
384:
381:
377:
373:
368:
362:
360:
355:
348:quotes from
346:Edward James
344:
339:Damon Knight
336:
323:
319:
314:
309:
301:
293:
282:
272:January 2024
269:
258:Please help
246:may contain
245:
220:
208:
201:
191:
181:
175:
171:
165:
159:
153:
151:
143:
137:
127:
125:
119:
113:
110:
88:
84:
82:
80:
67:
52:Please help
44:
3672:AI takeover
3519:Time travel
3479:Inertialess
3469:Force field
3459:Black holes
3428:Prosthetics
3290:Live-action
3059:Translation
3054:Tour-Apollo
2929:Golden Duck
2831:Jules Verne
2697:Women in SF
2662:Conventions
2547:Libertarian
2510:Dying Earth
2481:Space opera
2449:Inner space
2360:Definitions
2165:and culture
1970:recognition
1955:homeostatic
1855:forecasting
1804:Weltschmerz
1777:Misanthropy
1554:grandiosity
1436:Inspiration
1426:Infatuation
1394:Humiliation
1316:Frustration
1189:Contentment
908:29 December
604:Numinousity
450:Mike Ashley
290:, stating:
284:George Mann
210:George Mann
107:Definitions
3869:Categories
3708:Spacecraft
3684:Holography
3550:Group mind
3529:Warp drive
3484:Multiverse
3474:Hyperspace
3363:Biological
3247:Television
3211:Publishers
3189:Literature
3088:Multimedia
3004:Prometheus
2939:Grand Prix
2854:Astounding
2718:Australian
2623:Dieselpunk
2588:Underwater
2387:Golden Age
2242:Pathognomy
2143:well-being
2059:and gender
2054:expression
2049:exhaustion
2034:detachment
2019:competence
2000:Emotional
1982:regulation
1965:perception
1960:in animals
1910:and memory
1846:Affective
1754:Worldviews
1616:melancholy
1601:Resentment
1471:Loneliness
1446:Irritation
1431:Insecurity
1421:Indulgence
1296:Excitement
1281:Enthusiasm
1214:Depression
1174:Confidence
1169:Compassion
1144:Attraction
1069:Admiration
1064:Acceptance
1005:Foundation
634:13 October
615:References
530:Terminator
252:irrelevant
215:Golden Age
198:Iain Banks
155:Astounding
148:, states:
139:Jon Radoff
101:philosophy
89:sensawunda
62:Wikisource
3727:Religious
3438:Symbiosis
3423:Parasites
3381:Evolution
3201:Magazines
3178:Tokusatsu
2959:Kitschies
2889:Deutscher
2847:and audio
2824:Cinematic
2778:Norwegian
2768:Hungarian
2728:Brazilian
2638:Steampunk
2633:Solarpunk
2606:Cyberpunk
2576:Tokusatsu
2559:Tech noir
2542:Christian
2520:Superhero
2411:Subgenres
2270:appraisal
2210:sociology
2161:Emotions
2133:symbiosis
2118:reasoning
2088:isolation
2029:contagion
2014:blackmail
1940:expressed
1935:evolution
1925:and sleep
1915:and music
1850:computing
1797:Reclusion
1792:Pessimism
1767:Defeatism
1697:Suffering
1643:Sehnsucht
1586:Rejection
1537:self-pity
1512:Nostalgia
1481:limerence
1451:Isolation
1389:Hostility
1346:Happiness
1326:Gratitude
1271:Emptiness
1254:vicarious
1204:Curiosity
1179:Confusion
1119:Annoyance
1099:Amusement
1089:Agitation
1084:Affection
1079:Aesthetic
1074:Adoration
903:fanac.org
699:5 October
489:neologism
479:he says:
248:excessive
193:Star Wars
176:Startling
172:Thrilling
118:the term
58:Wikiquote
45:contains
3885:Emotions
3843:Category
3713:Tachyons
3560:Psionics
3534:Wormhole
3504:Stargate
3447:Physical
3280:Japanese
3275:European
3270:Canadian
3168:Japanese
3120:Spectrum
3100:Chandler
3034:Sunburst
3029:Sturgeon
3019:Sidewise
3009:Rhysling
2979:Nautilus
2949:Heinlein
2904:Endeavor
2859:Aurealis
2808:Yugoslav
2788:Romanian
2773:Japanese
2758:Estonian
2748:Croatian
2733:Canadian
2702:Worldcon
2672:Fanzines
2628:Nanopunk
2611:Japanese
2476:Military
2444:Grimdark
2439:Feminist
2402:Timeline
2397:New Wave
2128:security
2108:literacy
2093:lability
2083:intimacy
2024:conflict
2004:aperture
1901:Emotion
1885:negative
1880:positive
1870:spectrum
1835:measures
1787:Optimism
1782:Nihilism
1772:Fatalism
1762:Cynicism
1707:Sympathy
1702:Surprise
1544:Pleasure
1466:Kindness
1456:Jealousy
1441:Interest
1408:Hysteria
1291:Euphoria
1234:Distrust
1184:Contempt
1164:Calmness
1056:Emotions
1043:Emotions
588:See also
558:New Wave
452:agrees:
254:examples
3759:Fantasy
3747:Related
3718:Weapons
3693:Cyborgs
3454:Ansible
3265:British
3237:Theatre
3049:Tiptree
3024:Skylark
2969:LaĂźwitz
2954:Ignotus
2944:Harland
2919:Gaughan
2909:FantLab
2874:Chesley
2803:Spanish
2798:Serbian
2793:Russian
2743:Chinese
2738:Chilean
2723:Bengali
2692:Studies
2651:Culture
2618:Biopunk
2466:Mundane
2432:Sitcoms
2392:History
2355:Authors
2347:Outline
2298:Italics
2261:Theory
2217:Feeling
2170:history
2155:bounded
2113:prosody
1920:and sex
1905:and art
1865:science
1821:Affect
1815:Related
1690:chronic
1665:Shyness
1625:Saudade
1611:Sadness
1606:Revenge
1596:Remorse
1527:Passion
1517:Outrage
1507:Neglect
1367:Hiraeth
1266:Empathy
1244:Ecstasy
1229:Disgust
1199:Cruelty
1194:Courage
1159:Boredom
1139:Arousal
1129:Anxiety
1114:Anguish
532:' film
391:(1956).
326:sublime
311:reader.
161:Amazing
3853:Portal
3779:Horror
3689:Robots
3646:Uplift
3574:Social
3523:Viewer
3398:Gender
3311:Themes
3206:Novels
3196:Comics
3163:Indian
3105:Dragon
3095:Aurora
3079:Zajdel
3064:Urania
2999:Parsec
2994:Norton
2984:Nebula
2964:Lambda
2924:Geffen
2914:Galaxy
2899:Ditmar
2879:Clarke
2836:Saturn
2817:Awards
2783:Polish
2763:French
2711:Region
2667:Fandom
2564:Spy-Fi
2532:Social
2498:Isekai
2427:Comedy
2265:affect
2247:Pathos
2200:social
2044:eating
1717:Wonder
1685:Stress
1675:Sorrow
1591:Relief
1581:Regret
1569:vanity
1564:insult
1559:hubris
1414:Ikigai
1384:Horror
1360:Hatred
1219:Desire
1209:Defeat
1134:Apathy
350:Aldiss
99:, and
3824:Weird
3606:Black
3509:Stars
3285:Anime
3232:Opera
3225:Stage
3173:Anime
3158:Films
3137:Media
3115:Seiun
3069:Vogel
3014:SFERA
2989:Nommo
2974:Locus
2884:Crook
2753:Czech
2682:ISFDB
2581:Kaiju
2454:Mecha
2190:moral
2098:labor
1950:group
1729:Worry
1712:Trust
1680:Spite
1660:Shock
1655:Shame
1549:Pride
1522:Panic
1401:Hygge
1341:Guilt
1336:Grief
1331:Greed
1301:Faith
1239:Doubt
1109:Angst
1104:Anger
1094:Agony
417:' by
296:Verne
3691:and
3631:LGBT
3391:List
3297:U.S.
3145:Film
3110:Hugo
2894:Dick
2864:BSFA
2380:Soft
2370:Hard
2009:bias
1994:work
1576:Rage
1532:Pity
1493:Lust
1476:Love
1379:Hope
1311:Flow
1306:Fear
1286:Envy
1047:list
910:2022
701:2010
636:2021
3044:TBD
1461:Joy
1149:Awe
406:sic
385:has
250:or
206:.)
200:'s
132:awe
3871::
957:^
901:.
823:^
807:^
772:^
709:^
687:.
655:45
653:.
174:,
170:,
164:,
158:,
103:.
95:,
83:A
3525:)
3521:(
2331:e
2324:t
2317:v
1049:)
1045:(
1035:e
1028:t
1021:v
912:.
703:.
638:.
274:)
270:(
266:.
256:.
128:n
72:)
68:(
64:.
50:.
27:.
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