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was another important early member. The more rural location provided many chances for painting outdoors. These artists and their followers played an important role in introducing impressionism and post-impressionism to
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98:(2 February 1857 – 8 May 1918) was a Hungarian painter. He was considered one of the greatest Hungarian representatives of 19th-century
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Hollósy was not highly productive as an artist and was more important as an influential teacher, who influenced the painters of the
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to study, as did many artists from
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region) with those students who followed him. During the winters, Hollósy returned to Munich to run his school there.
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never progressed much beyond sketches, as he kept changing his mind. His landscapes painted in Técső include
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Hollósy left the Nagybánya colony in 1901. The following year, he began to spend the summers in
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The Art of Nagybánya. Centennial
Exhibition in Celebration of the Artists' Colony in Nagybánya
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The Art of Nagybánya. Centennial
Exhibition in Celebration of the Artists' Colony in Nagybánya
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485:"Category:Paintings by Simon Hollósy in the Hungarian National Gallery - Wikimedia Commons"
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Valerie
Majoros, "Lajos Tihanyi and his friends in the Paris of the nineteen-thirties"
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293:"Munich in Hungarian, Hungarian Artists in Munich 1850–1914, 2 Oct. 2009 – Jan. 2010"
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In 1966 the
Hungarian National Gallery had a major exhibition of the colony's work:
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Hollósy soon settled down in Nagybánya. With its naturalistic style and emphasis on
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A large number of paintings by Simon
Hollosy are in the Hungarian National Gallery.
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who had migrated to the area. He early expressed a talent and interest in art.
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He was more important as a teacher than a painter. His large-scale plan of
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techniques, his school determined much of
Hungarian painting for decades.
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Gudenus János József:Örmény eredetű magyar nemesi családok genealógiája
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Julia Szabo, "European Art
Centers and Hungarian Art (1890-1919)"
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Standing in the Storm: The
Hungarian Avant-Garde from 1908-1930
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Standing in the Storm: The Hungarian Avant-Garde from 1908–1930
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228:) with his school. That is considered the founding of the
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209:, is considered one of his most harrowing pictures.
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176:and read Zola, Murger, Tolstoy and Dostoevsky".
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205:. His self-portrait (1916), held by the
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354:Girl with a Large Green Hat, ca. 1900
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141:), in the historic region of
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308:Santa Barbara Museum of Art
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152:As a young man, he went to
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121:Early life and education
27:. This article uses
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456:French Cultural Studies
382:After the Harvest, 1908
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489:commons.wikimedia.org
189:Landscape with Stacks
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174:Jules Bastien-Lepage
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168:. He also "admired
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91:Self-portrait, 1916
406:Corn Husking, 1885
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341:Selected paintings
269:Legacy and honours
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29:Western name order
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135:Sighetu Marmaţiei
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79:(1918-05-08)
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552:1918 deaths
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368:Tisza River
330:István Réti
302:1991–1992,
214:István Réti
541:Categories
427:References
100:Naturalism
77:8 May 1918
65:1857-02-02
263:Maramureș
243:plein air
222:Baia Mare
147:Armenians
143:Maramureș
419:Zrínyi's
319:See also
286:Exhibits
494:4 April
370:), 1912
259:Ukraine
255:Tiachiv
253:(today
226:Romania
139:Romania
133:(today
131:Hungary
104:Realism
291:2009,
154:Munich
251:Técső
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55:Born
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