Knowledge

Sizwe Banzi Is Dead

Source 📝

408:
retrieves the dead man’s identity book to find his address. Buntu finds that the man, named Robert Zwelinzima, has a work-seeker’s permit — the very thing that Sizwe needs to stay in town. They take the book. At Buntu’s house, Buntu switches the photographs in the books. He proposes that they burn Sizwe’s book — effectively making him dead — and have Sizwe adopt the dead man’s identity so he can stay in Port Elizabeth. Sizwe is unsure about the plan; in particular, he worries about his wife and children. Buntu contends that they can remarry. After much discussion, Sizwe agrees to the switch.
139: 77: 36: 440:. At that time it was required that every black and colored citizen over the age of sixteen carried an identity book that restricted employment and travel within the country. In court, Fugard saw the repercussions of this law: blacks were sent to jail at an alarming rate. Although these restrictions are specifically 392:
Styles continues to read the paper and talks about his photography studio. His musings are interrupted when a customer, Sizwe Banzi, arrives. He asks to have his picture taken, but when Styles asks him for his deposit and name, Sizwe hesitates, then says his name is Robert Zwelinzima. Styles asks
400:
The play returns to the present time. Staying at Buntu’s house, Sizwe tells Buntu about his problems — unless a miracle happens, he will have to leave town in three days. Buntu is sympathetic to the problem and suggests he work in the mines in King William’s Town. Sizwe rejects the idea as too
396:
In the letter, Sizwe tells his wife that Sizwe Banzi is dead. He writes that when he arrived in Port Elizabeth from their home in King William’s Town, he stayed with a friend named Zola who tried to help Sizwe find a job. His employment search was unsuccessful; as a result, he was told by the
407:
The scene shifts to the outside of Sky’s after Sizwe and Buntu have been drinking. Buntu decides that he needs to get home to go to work tomorrow. He goes into an alley to relieve himself and finds a dead man there. Sizwe wants to report the body to the police. Buntu rejects the idea, but he
393:
Sizwe what he will do with the photo, and Sizwe tells him he will send it to his wife. When the picture is taken, the moment is frozen into what the photograph will look like. It comes to life and Sizwe dictates the letter to his wife that will accompany the photo.
411:
Sizwe finishes dictating the letter to his wife. In it, he tells her that Buntu is helping him get a lodger’s permit. The scene shifts back to Styles’ photography studio; Sizwe is getting his picture taken.
404:
The focus switches back to Sizwe as he continues to compose the letter to his wife. He describes his experiences at Sky’s shebeen, where he was served alcohol by a woman in a respectful manner.
389:, South Africa. After reading a newspaper article on an automobile plant, Styles tells a humorous story to the audience about an incident that occurred when he worked at the Ford Motor Company. 652: 263: 606: 864: 710: 363:. Its subsequent British première won a London Theatre Critics Award for the Best Play of 1974. Its American première occurred at the 203: 175: 945: 182: 156: 49: 857: 17: 1007: 240: 222: 189: 120: 63: 102: 486: 171: 1002: 873: 850: 160: 87: 969: 1012: 482: 386: 351:, both of whom appeared in the original production. Its world première occurred on 8 October 1972 at the 837: 638: 524: 814: 352: 953: 897: 377:, where it was described as a "deceptively light and humane play that outlasts the apartheid era." 55: 800: 997: 196: 149: 98: 520: 268: 744: 453: 94: 397:
authorities that he must leave in three days. Sizwe went to stay with Zola’s friend, Buntu.
436:
can be traced to Fugard’s experiences as a law clerk at the Native Commissioner’s Court in
8: 992: 937: 929: 913: 478: 385:
The play opens in the photography studio of a man named Styles. The studio is located in
818: 921: 809: 499: 445: 813:
15 April 2008. Accessed 1 October 2008 (review of production at the Harvey Theater,
961: 905: 575: 490: 401:
dangerous. Buntu decides to take him out for a treat at Sky’s place, a local bar.
657: 532: 373: 348: 723: 611: 545: 504: 466: 364: 986: 653:"The 40 best plays of all time, from The Seagull to A Streetcar Named Desire" 368: 371:, on 13 November 1974. It has been ranked among the best plays ever made by 877: 485:, with Kani as Styles and Buntu and Ntshona as Robert/Sizwe. There, it won 441: 437: 360: 340: 831: 680: 632: 528: 842: 769: 889: 508: 494: 470: 356: 344: 523:
in London in 2007. That year the play was translated into French by
138: 105:. Statements consisting only of original research should be removed. 584:
Drama Desk Award for Outstanding New Foreign Play (co-nominee with
507:, where it ran for 159 performances. Kani and Ntshona jointly won 607:"Court Theatre Closes Season With SIZWE BANZI IS DEAD 5/13-6/13" 578:
for Outstanding Actor in a Play (Kani and Ntshona, co-nominees)
474: 581:
Drama Desk Award for Outstanding Director of a Play (nominee)
262: 774: 456:, especially its sparse setting and surreal subject matter. 448:
is universal. Critics and scholars have also observed that
343:, written collaboratively with two South African actors, 511:
for Best Actor in a Play for their performances in both
701:(Free excerpt; registration required for full access.) 444:, critics have noted that the play’s greater theme of 805:
Remains Alive: A Great Play Bids Its Farewell at BAM"
565:
Tony Award for Best Actor in Play (Kani and Ntshona,
415: 650: 678: 163:. Unsourced material may be challenged and removed. 572:Tony Award for Best Direction of a Play (nominee) 519:. They reunited for the production staged at the 984: 651:Taylor, Paul; Holly Williams (26 October 2022). 691:. 14. (January 2006). Detroit: Gale, eNotes.com 858: 64:Learn how and when to remove these messages 865: 851: 558:Tony Award for Best Play (co-nominee with 261: 872: 552: 473:, followed the next year by a staging at 420:According to Marie Rose Napierkowski, in 241:Learn how and when to remove this message 223:Learn how and when to remove this message 121:Learn how and when to remove this message 737: 333:(originally produced and published as: 14: 985: 770:"BBC2 Playhouse | Sizwe Bansi Is Dead" 604: 846: 672: 460: 543:A television adaptation appeared on 503:, opened on 13 November 1974 at the 465:In 1972, Fugard directed the play's 161:adding citations to reliable sources 132: 70: 29: 626: 605:Sierra, Gabrielle (20 April 2010). 24: 745:"Sizwe Banzi is Dead: Peter Brook" 716: 416:Critical account of play's genesis 25: 1024: 833:​Sizwe Banzi Is Dead​ 825: 634:​Sizwe Banzi Is Dead​ 45:This article has multiple issues. 713:, Tony Awards past winners page. 487:The London Theatre Critics award 380: 137: 75: 34: 679:Marie Rose Napierkowski (ed.). 148:needs additional citations for 53:or discuss these issues on the 946:"Master Harold"...and the Boys 762: 704: 644: 598: 13: 1: 970:The Shadow of the Hummingbird 592: 538: 387:New Brighton, Port Elizabeth 7: 481:, which transferred to the 306:; 52 years ago 101:the claims made and adding 10: 1029: 838:Internet Broadway Database 793: 641:. Accessed 1 October 2008. 639:Internet Broadway Database 489:. After six previews, the 1008:Plays set in South Africa 884: 815:Brooklyn Academy of Music 493:production, presented in 318: 300: 288: 276: 260: 255: 527:for a version staged by 27:1972 South African play 553:Awards and nominations 521:Royal National Theatre 458: 424:(Detroit: Gale, 2006; 269:Royal National Theatre 1003:Plays by Athol Fugard 724:"Sizwe Banzi Is Dead" 525:Marie-Hélène Estienne 452:contains elements of 430: 172:"Sizwe Banzi Is Dead" 893:(1961, revised 1987) 294:Robert (Sizwe Banzi) 267:Poster for the 2007 157:improve this article 1013:South African plays 938:Marigolds in August 930:A Lesson from Aloes 914:Sizwe Bansi Is Dead 803:Sizwe Banzi Is Dead 683:Sizwe Banzi Is Dead 513:Sizwe Banzi Is Dead 479:Royal Court Theatre 450:Sizwe Bansi Is Dead 434:Sizwe Bansi Is Dead 336:Sizwe Bansi is Dead 330:Sizwe Banzi Is Dead 256:Sizwe Banzi Is Dead 18:Sizwe Bansi is Dead 819:Brooklyn, New York 689:Drama for Students 461:Production history 422:Drama for Students 86:possibly contains 980: 979: 954:The Road to Mecca 898:Hello and Goodbye 817:, Fulton Street, 810:The Village Voice 799:Soloski, Alexis, 326: 325: 251: 250: 243: 233: 232: 225: 207: 131: 130: 123: 88:original research 68: 16:(Redirected from 1020: 962:The Train Driver 906:Boesman and Lena 867: 860: 853: 844: 843: 788: 787: 785: 783: 766: 760: 759: 757: 755: 741: 735: 734: 732: 730: 720: 714: 708: 702: 700: 698: 696: 676: 670: 669: 667: 665: 648: 642: 630: 624: 623: 621: 619: 602: 576:Drama Desk Award 314: 312: 307: 265: 253: 252: 246: 239: 228: 221: 217: 214: 208: 206: 165: 141: 133: 126: 119: 115: 112: 106: 103:inline citations 79: 78: 71: 60: 38: 37: 30: 21: 1028: 1027: 1023: 1022: 1021: 1019: 1018: 1017: 983: 982: 981: 976: 880: 871: 828: 796: 791: 781: 779: 778:. 13 March 1974 768: 767: 763: 753: 751: 743: 742: 738: 728: 726: 722: 721: 717: 709: 705: 694: 692: 685:: Introduction" 677: 673: 663: 661: 658:The Independent 649: 645: 631: 627: 617: 615: 603: 599: 595: 555: 549:in March 1974. 541: 533:Barbican Centre 463: 432:The genesis of 418: 383: 374:The Independent 349:Winston Ntshona 339:) is a play by 319:Place premiered 310: 308: 305: 295: 293: 284:Winston Ntshona 283: 281: 272: 247: 236: 235: 234: 229: 218: 212: 209: 166: 164: 154: 142: 127: 116: 110: 107: 92: 80: 76: 39: 35: 28: 23: 22: 15: 12: 11: 5: 1026: 1016: 1015: 1010: 1005: 1000: 998:Broadway plays 995: 978: 977: 975: 974: 966: 958: 950: 942: 934: 926: 918: 910: 902: 894: 885: 882: 881: 870: 869: 862: 855: 847: 841: 840: 827: 826:External links 824: 823: 822: 795: 792: 790: 789: 761: 736: 715: 703: 671: 643: 625: 612:Broadway World 596: 594: 591: 590: 589: 582: 579: 573: 570: 563: 554: 551: 546:BBC2 Playhouse 540: 537: 505:Edison Theatre 467:world premiere 462: 459: 417: 414: 382: 379: 365:Edison Theatre 324: 323: 320: 316: 315: 302: 301:Date premiered 298: 297: 290: 286: 285: 278: 274: 273: 266: 258: 257: 249: 248: 231: 230: 145: 143: 136: 129: 128: 83: 81: 74: 69: 43: 42: 40: 33: 26: 9: 6: 4: 3: 2: 1025: 1014: 1011: 1009: 1006: 1004: 1001: 999: 996: 994: 991: 990: 988: 972: 971: 967: 964: 963: 959: 956: 955: 951: 948: 947: 943: 940: 939: 935: 932: 931: 927: 924: 923: 919: 916: 915: 911: 908: 907: 903: 900: 899: 895: 892: 891: 887: 886: 883: 879: 875: 868: 863: 861: 856: 854: 849: 848: 845: 839: 835: 834: 830: 829: 820: 816: 812: 811: 806: 804: 798: 797: 777: 776: 771: 765: 750: 746: 740: 725: 719: 712: 707: 690: 686: 684: 675: 660: 659: 654: 647: 640: 636: 635: 629: 614: 613: 608: 601: 597: 587: 583: 580: 577: 574: 571: 568: 564: 561: 557: 556: 550: 548: 547: 536: 534: 530: 526: 522: 518: 514: 510: 506: 502: 501: 496: 492: 488: 484: 480: 476: 472: 468: 457: 455: 451: 447: 443: 442:South African 439: 435: 429: 427: 423: 413: 409: 405: 402: 398: 394: 390: 388: 381:Plot synopsis 378: 376: 375: 370: 369:New York City 366: 362: 358: 354: 353:Space Theatre 350: 346: 342: 338: 337: 332: 331: 321: 317: 303: 299: 291: 287: 279: 275: 270: 264: 259: 254: 245: 242: 227: 224: 216: 205: 202: 198: 195: 191: 188: 184: 181: 177: 174: –  173: 169: 168:Find sources: 162: 158: 152: 151: 146:This article 144: 140: 135: 134: 125: 122: 114: 104: 100: 96: 90: 89: 84:This article 82: 73: 72: 67: 65: 58: 57: 52: 51: 46: 41: 32: 31: 19: 968: 960: 952: 944: 936: 928: 920: 912: 904: 896: 888: 878:Athol Fugard 832: 808: 802: 780:. Retrieved 773: 764: 752:. Retrieved 748: 739: 727:. Retrieved 718: 706: 693:. Retrieved 688: 682: 674: 662:. Retrieved 656: 646: 633: 628: 616:. Retrieved 610: 600: 585: 566: 559: 544: 542: 516: 512: 498: 464: 449: 438:Johannesburg 433: 431: 425: 421: 419: 410: 406: 403: 399: 395: 391: 384: 372: 361:South Africa 341:Athol Fugard 335: 334: 329: 328: 327: 322:South Africa 280:Athol Fugard 237: 219: 213:October 2008 210: 200: 193: 186: 179: 167: 155:Please help 150:verification 147: 117: 111:October 2008 108: 85: 61: 54: 48: 47:Please help 44: 711:"John Kani" 529:Peter Brook 509:Tony Awards 483:Ambassadors 993:1972 plays 987:Categories 922:The Island 890:Blood Knot 618:21 January 593:References 586:The Island 560:The Island 539:Adaptation 517:The Island 500:The Island 426:eNotes.com 289:Characters 277:Written by 271:production 183:newspapers 95:improve it 50:improve it 729:1 October 695:1 October 495:repertory 471:Cape Town 454:absurdism 357:Cape Town 345:John Kani 282:John Kani 99:verifying 56:talk page 749:Barbican 491:Broadway 446:identity 836:at the 794:Sources 754:24 July 637:at the 567:winners 531:at the 309: ( 197:scholar 93:Please 973:(2014) 965:(2010) 957:(1984) 949:(1982) 941:(1980) 933:(1978) 925:(1972) 917:(1972) 909:(1969) 901:(1965) 782:14 May 664:9 June 475:London 292:Styles 199:  192:  185:  178:  170:  874:Plays 497:with 367:, in 296:Buntu 204:JSTOR 190:books 784:2024 775:IMDb 756:2015 731:2008 697:2008 666:2020 620:2023 515:and 347:and 311:1972 304:1972 176:news 876:by 477:'s 469:in 428:): 159:by 97:by 989:: 821:). 807:, 772:. 747:. 687:. 655:. 609:. 535:. 359:, 355:, 59:. 866:e 859:t 852:v 801:" 786:. 758:. 733:. 699:. 681:" 668:. 622:. 588:) 569:) 562:) 313:) 244:) 238:( 226:) 220:( 215:) 211:( 201:· 194:· 187:· 180:· 153:. 124:) 118:( 113:) 109:( 91:. 66:) 62:( 20:)

Index

Sizwe Bansi is Dead
improve it
talk page
Learn how and when to remove these messages
original research
improve it
verifying
inline citations
Learn how and when to remove this message

verification
improve this article
adding citations to reliable sources
"Sizwe Banzi Is Dead"
news
newspapers
books
scholar
JSTOR
Learn how and when to remove this message
Learn how and when to remove this message

Royal National Theatre
Athol Fugard
John Kani
Winston Ntshona
Space Theatre
Cape Town
South Africa
Edison Theatre

Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.