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books. The 50-year-old man, who is a member of the intelligentsia, returns to the library 3 days later and abruptly proposes to
Sonechka. She accepts and embarks on a new life with her husband. She lives a fulfilling life as she moves around Russia with her husband and her daughter Tanya. Eventually, the family settles in the Montmartre of Moscow. Sonechka’s husband gets a studio to work on his paintings and Tanya tumbles around in her studies and distances herself from her mother. However, when Tanya enters afternoon classes, a new girl, Jasia, enters the life of the family. Jasia, a beautiful Polish girl, charms Tanya and Robert. One Christmas Jasia and Robert start an affair. Despite this, Sonechka views the girl as a fragile individual, who becomes the daughter Sonechka always dreamed of having. Suddenly, Robert has a heart attack and dies, leaving Sonechka and Jasia alone. Sonechka prepares for the funeral and takes care of Jasia. By the end of the story, Sonechka rediscovers her love of literature while Tanya relocates to St. Petersburg and Jasia marries a European aristocrat.
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relationships with each other. Sonechka's devotion to her family and role as a domesticated woman become central to plot development. Ulitskaya uses unembellished prose to uniquely highlight the inner workings of the female mind and to evoke a new type of discourse about national and gender identity. "As a female writer, Ulitskaya...has openly deemed herself prepared to take the risk of being considered an old-fashioned and sentimental representative of
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life by juggling her dream to be an actress in order to please herself with her drive to please others, thus earning her the label of ego. Lastly, Sonechka's utter devotion to her domestic duties at the expensive of her own needs embodies the superego and completes the three-pronged structure of the psyche.
181:
tells the life story of a
Russian booklover. Sonechka spends her youth immersed in the world of Russian literature, living her life vicariously through the characters in books. One day, when Sonechka is working at the local library, a man named Robert Viktorovich inquires about an ensemble of French
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Psychoanalytical context – The three main female characters in the novella, Tanya, Jasia, and
Sonechka could represent the psychoanalytical ideas of the id, ego, and super ego. Tanya's selfish behavior throughout the story clearly parallels that of the unrestrained id. Jasia creates balance in her
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is based on a known situational construct that brings together a mismatched family, including a creative's wife and his mistress, to live together harmoniously. The unexpected combination of characters manage to coexist by allowing their most admirable traits—wisdom, patience, and will power—to
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Female perspective – "Liudmila
Ulitskaia brigs gender-specific difference back into the reader's consciousness through her very powerful and very feminine protagonists." The novella offers insight into the minds of three strong, female characters, their relationships with Robert, and their
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Family, domesticity, and the women's sphere – the novella examines the "prevailing paradigm in
Russian culture--one that equates women with maternity and nationhood and, more recently, with the prostitute, while conceiving of culture and cultural production as purely masculine
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Relationships and love in 20th-century Russia – The story explores the relationships between women with Jasia, Sonechka and Tanya; and relationships between man and woman with Jasia and Robert; and
Sonechka and Robert. This is a recurring theme in 20th-century Russian
197:– the protagonist is an introverted, book-loving librarian who meets her future husband, Robert, in the job. Once married she transforms into a domestic woman who showers her family with limitless love, patience, and understanding. Sonechka, Sonya or Sofia means wisdom.
27:
267:
Ludmila
Ulitskaya gives a novel that is distinctly Russian and a part of the growing literary tradition in Russia of works somewhere between pop culture and intellectual literature. The novella was well-received just shortly after its initial release.
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in 2005. Sonechka is in line with other
Sonechkas from Russian literature – such as Dostoyevsky's characters – in kindness and magnanimity. The English translation was shortlisted for the Rossica Translation Prize in 2007.
677:"Ludmila Ulitskaya. Glas New Russian Writing. 19: Sonechka and Other Stories. Natasha Perova, Arch Tait, eds. Moscow. Glas (Ivan R. Dee, distr.). 1998. 159 pages. ISBN 5-7172-0038-2 (U.S. ISBN 1-56663-204-8)"
209:– self-absorbed daughter of Sonechka and Robert and friend of Jasia who takes after her father. She has a knack for enchanting suitors and dabbling in arts, despite leading a generally vacuous existence.
215:– an orphaned Polish girl whose personality adapts to survive the harsh events of her life. She utilizes her sexuality to manipulate others and/or survive. She is Tanya's friend and Robert's mistress.
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Women's experiences – Ulitskaya's writings focus on the personal experiences of women and display unusual psychological insight expressed in straightforward, unornamental language.
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Unpredictability of life – " works are complex, often weaving several human stories and layering historic events into the lives of gray, little people who lead a banal existence."
203:– well known artist and husband of Sonechka – quite prolific, intellectual, and very popular in the creative community, but unfaithful and often condescending to his wife.
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Story telling – "...Ulitskaya relies firmly upon the basic, eternal urge of readers to find out 'What happened next?' She tells stories."
441:
Benjamin, Sutcliffe (2009). "Mother, Daughter, History: Embodying the Past in
Liudmila Ulitskaia's Sonechka and the Case of kKukotsky".
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Surviving in post-soviet Russia : magical realism in the works of Viktor
Pelevin, Ludmila Petrushevskaya, and Ludmila Ulitskaya
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Surviving in Post-Soviet Russia: Magical Realism in the works of Viktor Pelevin, Ludmila Petrushevskaya, and Ludmila Ulitskaya
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Muff, Rebecca (April 2008). "Contemporary Russian Women Writers: Rejecting Definition in Literary Rebellion".
292:(New World) after the author had written literature based on Jewish life and her own childhood experiences.
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Hiding and Using Sexuality: The Artist's Controversial Subject in Modern Russian Women's Literature
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is an early work of Ulitskaya's. It was published in 1992 in the journal
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618:. New York, NY: Taylor & Francis Books Ltd. pp. 311–324.
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Women in Russian Literature after Glasnost: Female Alternatives
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Interview with Ulitskaya about women in the changing the world
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Dictionary of Literary Biography: Russian Writers Since 1980
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in 1992, and translated into English by Arch Tait in 2005.
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496:. Michigan: The University of Michigan Press. p. 2.
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405:"Ulitskaya, Ludmila: Sonechka: a Novella and Stories".
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664:. London: Modern Humanities Research Assn. and Maney.
539:"Ulitskaya, Ludmila. Sonechka: A Novella and Stories"
568:. Brighton, MA: Academic Study Press. p. 359.
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593:. Farmington Hills, MI: Gale. pp. 329–335.
791:. Kindle Edition: Melville House. p. 498.
770:Litovskaia and Graham, Maria and Seth (2004).
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149:. It was originally published in
16:1992 novella by Ludmila Ulitskaya
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839:. Gale, Cengage Learning
816:. Gale, Cengage Learning
729:. Modern Russian Writers
706:. Modern Russian Writers
492:Goscilo, Helena (1996).
153:in the literary journal
244:motivate their actions.
901:Sonechka on Amazon.com
681:World Literature Today
635:World Literature Today
473:Cite journal requires
312:This section is empty.
272:was nominated for the
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31:1998 edition (English)
937:Russian short stories
880:Words Without Borders
660:Adlam, Carol (2005).
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281:Developmental history
263:Literary significance
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751:. Books From Russia
354:"Ludmila Ulitskaya"
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932:1992 short stories
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421:"Meaning of Names"
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363:10 November
296:Adaptations
236:literature.
926:Categories
874:Britannica
727:"Sonechka"
687:7 December
549:7 December
449:: 606–622.
335:References
55:Translator
290:Novyi mir
81:Publisher
58:Arch Tait
20:Sonechka
906:for sale
904:Sonechka
890:Sonechka
381:Sonechka
286:Sonechka
270:Sonechka
241:Sonechka
226:realms."
195:Sonechka
188:Sonechka
178:Sonechka
161:Sonechka
156:Novy Mir
130:Sonechka
63:Language
151:Russian
145:writer
143:Russian
135:novella
75:Fiction
66:Russian
49:Сонечка
910:Elkost
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37:Author
545:: 64+
213:Jasia
207:Tanya
133:is a
107:Pages
102:Print
71:Genre
845:2011
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793:ISBN
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Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.