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Sonic Arts Network

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165: 63: 22: 586:, many other venues in the UK and in Budapest and Tokyo. Electroacoustic composers involved included Robert Worby, Trevor Wishart, Stephen Montague, Alistair MacDonald, Duncan Chapman and Peter Cusack as well as video artist Stewart Collinson and poet Matthew Sweeney. In 2000 Sonic Arts Network led the education programme for 281:
Every year, Sonic Arts Network produced a number of nationwide commissions and projects in partnership with funding agencies, sponsors, broadcasters and venues. The aim of these activities was to bring some of the best new and existing work by sound artists from around the world to the UK. Sonic Arts
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The project was aimed at pupils between the ages of 9–14 in primary, secondary and special schools. Each project provided pupils with the opportunity to record and gather sounds to use as the basis of their sonic postcards. The pupils became sound designers by composing and structuring their own
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Beach Singularity is a celebration of the British seaside. Set in an afternoon, the piece involves hundreds of holidaymakers of all ages in a bizarre and creative performance featuring a marching band, interactive electronic sound, beach activities and sound games. Composed and devised by
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which aimed to explore and compare the local sound environments of young people across the UK; the impact of sound on our lives; and the possibilities for creativity through the interaction of these sounds with the internet. 52 schools from across the UK took part in its first year.
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scene in the UK, held in a different UK location each year. Free and open to the public, the event mobilised a national network of artists and engaged with communities from all backgrounds – placing sonic art and the people who make it, in direct contact with the public.
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was a UK-based organisation, established in 1979, that aimed to enable both audiences and practitioners to engage with the art of sound through a programme of festivals, events, commissions and education projects. Its honorary patron was
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Sonic Arts Network aimed to support the development of both emerging and established artists in the UK through a rolling programme of commissions of new work for performance and installation across the UK. Artists commissioned included
659:, who trawled his archives to create a compilation of sound poetry. Japanese performance artist, Junko Wada curated a deeply personal selection of music, produced by a process of curation, performance and collaboration. Professor 290:
Cut and Splice is a festival of experimental electronic music that brings together international artists to premiere new work or recreate seminal historical pieces. First held in 2003, it is presented in association with
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These guest-curated CD were released several times a year; accompanying the aural element of the publication was a richly produced booklet that often underpinned and contextualised the themes explored on the CD.
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competition, saw over 600 people attend a day of site-specific happenings titled that utilised the spaces and acoustics of the listed building with a programme of performances and installations.
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was served by the Sonic Arts Network through a combination of online services, performance, exhibition and educational opportunities and a range of specially curated CDs and newsletters.
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sonic postcards which were emailed to other schools that participated in the project. All the sonic postcards were then uploaded to the Sonic postcards website.
862:"BBC Radio 3 - Hear and Now, Cut and Splice Festival 2015, Episode 2, Cut and Splice Festival 2015 - Mauro Lanza & Andrea Valle's electromechanical devices" 244:. At time of founding in 1979 it was known as the Electroacoustic Music Association of Great Britain (EMAS), changing its name to Sonic Arts Network in 1989. 251:, the British Music Information Centre (BMIC) and the Contemporary Music Network to create a new organisation to promote contemporary Music in the UK called 619:
Sonic Arts Network was a membership organisation with over 600 members. This community of artists, organisations and the wider public with an interest in
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Network – Sonic Arts Network was a membership organisation that acted as a hub of information, opportunities and publications for the UK sonic arts scene.
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The Development of Resources for Electronic Music in the UK, with Particular Reference to the bids to establish a National Studio
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Beginning in 1997 as a conference and renamed in 2004, Expo festival was Sonic Arts Network's annual festival representing the
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celebrations. Supported by Contemporary Music Network (CMN), Beach Singularity toured three seaside towns in August 2007.
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and has continued under the Sound And Music name after Sonic Arts Network was merged into the latter organisation.
566:. After the appointment of Paul Wright as Education Officer in 1990 Sonic Arts Network provided projects for the 181: 323: 174: 95: 84: 1313: 1151: 1202: 737:. The series was produced in co-operation with London-based German graphic-designer Joerg Hartmannsgruber. 1030: 347: 726:. The CD explores spoken word, music and sound that all include some chance element in their creation. 282:
Network's main activities included: Cut and Splice, Expo festival, Beach Singularity and Vacant Space.
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In 2009, Expo (hosted under the new organisation name Sound And Music) took place in locations across
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sound arts activists Dreams of Tall Buildings performing the first graphic score in 40 years by
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Activities – Events, regular festivals such as Cut and Splice and Expo, tours and commissions.
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Barrow, David Keenan,Mike Barnes,Clive Bell,Robert Clark,Mark Fisher,Daniel Spicer,Dan.
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delivered a post-Allais polemic through a disgruntled whiny from the Esemplasm.
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Sonic Arts Network undertook its first formal education project at the 1989
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The main branch of Sonic Arts Network's recent Education programme was
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Sonic Arts Network's activities were separated into three main areas:
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and Chair of the Department of Sound at the School of the
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Expo 2006 explored the inner, outer and public spaces of
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On 1 October 2008 the Sonic Arts Network merged with the
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pioneered by Robert Worby and Ian Dearden with composer
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A major contributor to this article appears to have a
833:"Sonic Arts Network Annual Review and Accounts 2004" 1003:"Scarborough | Scarborough North Yorkshire England" 382:. The festival included sound installations at the 87:. Unsourced material may be challenged and removed. 703:unearthed the lost art of Radio broadcasting and 318:. Some of the artists featured in Cut and Splice 1325: 1334:Music organisations based in the United Kingdom 1339:Arts organisations based in the United Kingdom 968:The Wire Magazine - Adventures In Modern Music 651:, who developed a theme based around silence. 987:: CS1 maint: multiple names: authors list ( 396:The Space Between – Experiments for Speakers 50:Learn how and when to remove these messages 1253: 478:in the form of a 'wiki-conference' at the 451:and was presented in partnership with the 222:Learn how and when to remove this message 204:Learn how and when to remove this message 147:Learn how and when to remove this message 1099: 775: 560:Huddersfield Contemporary Music Festival 1152:"General Information : Expo Leeds" 769: 663:explored the French absurdist movement 394:; Bob Levene's newly commissioned work 265:Education – national education project 1326: 1254:Van Ryssen, Stefaan (September 2007). 735:A psyche and its geography. Inside Out 729:The last in the series was curated by 711:, delivered DIY and outsider nuggets. 249:Society for the Promotion of New Music 1053:"Expo festival set to enlighten city" 1025: 1023: 522:in the summer of 1977 as part of the 885: 827: 825: 797: 496: 158: 85:adding citations to reliable sources 56: 15: 466:and Aleks Kolkowski, Blood Stereo, 13: 1154:. 15 December 2009. Archived from 1020: 961: 667:– a CD which travels from unheard 597: 298:The event has previously featured 14: 1355: 1302: 822: 285: 31:This article has multiple issues. 1344:Contemporary music organizations 888:"Cut & Splice Festival 2017" 655:, a writer, poet and founder of 361: 184:. Please discuss further on the 163: 61: 20: 1273: 1247: 1221: 1195: 1170: 1144: 1119: 1093: 1071: 1045: 462:and featured artists including 422:artist and founder of the band 72:needs additional citations for 39:or discuss these issues on the 995: 955: 930: 905: 879: 854: 776:Candlish, Nicola Anne (2012). 532: 1: 762: 276: 269:, artist workshops and talks. 1203:"A sound idea for postcards" 1007:www.scarborough-online.co.uk 886:Awbi, Anita (3 March 2017). 707:, broadcaster and author of 630: 553: 424:The United States of America 7: 740: 348:Carl Michael von Hausswolff 10: 1360: 1281:"Smiling through My Teeth" 614: 724:Jerry Springer: The Opera 722:, comedian and writer of 643:, editor-in-chief of the 406:, and the art collective 392:The Ultrasound of Therapy 1100:Rogerson, David (2008). 785:(PhD). Durham University 716:The Topography of Chance 649:Art Institute of Chicago 410:performed a work called 1057:Manchester Evening News 639:Issues were curated by 645:Leonardo Music Journal 480:University of Brighton 458:Expo 2008 was held in 453:University of Plymouth 447:Expo 2007 was held in 356:Hans-Joachim Roedelius 709:Songs in the Key of Z 242:Karlheinz Stockhausen 182:neutral point of view 1102:"Expo Brighton (UK)" 805:"On Sound and Music" 747:Electronic art music 714:The series includes 96:"Sonic Arts Network" 81:improve this article 1319:BBC: Cut and Splice 1285:www.japanimprov.com 1158:on 15 December 2009 892:www.prsformusic.com 1131:Sound Art Brighton 1059:. 15 February 2007 840:Sonic Arts Network 757:Experimental music 625:experimental music 572:The Science Museum 368:experimental music 352:Zbigniew Karkowski 300:Bernard Parmegiani 237:Sonic Arts Network 1233:www.parliament.uk 1178:"Sonic Postcards" 568:South Bank Centre 497:Beach Singularity 491:Christina Kubisch 232: 231: 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"Sonic Arts Network"
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Karlheinz Stockhausen
Society for the Promotion of New Music
Sound and Music
Sonic Postcards
BBC Radio 3
Bernard Parmegiani
François Bayle
Yasunao Tone
Ars Electronica
Eliane Radigue
Acousmonium

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