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The symphony is notable for its careful and innovative use of silence. Though the eighth movement has the largest proportions of the work, the climax actually takes place in the ninth movement when the conductor motions before a silent orchestra. The motions the conductor makes are meant to make his
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is primarily organized around two themes. The first is that of a major triad, occurring as D-major in the first, third, and fifth movements and as a G-major triad in the tenth and twelfth movements. The second theme, that of "effort and ruin", occurs in the second, fourth, and sixth movement.
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hands move increasingly farther apart from each other according to the
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Movements I, III, V, and VII become progressively shorter according to the proportions of the
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146:in twelve movements by Russian-Tatar composer
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312:Music for Flute, Strings, and Percussion
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348:(1967–1971)
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