1127:
1156:
1369:
1592:
2123:
1393:
1352:
954:
1633:
1939:
1008:
989:
1774:
2153:
1172:
1192:
779:
550:
1614:
1751:
1204:
760:
738:
588:
864:
1955:
1663:
1574:
129:
1794:
1293:(1659â1743) who came to Paris in 1681, and attracted the attention of Le Brun. Le Brun oriented him toward portrait painting, and he made a celebrated portrait of Louis XIV in 1701, surrounded by all the attributes of power, from the crown on the table to the red heels of his shoes. Rigaud soon had an elaborate workshop in place for making portraits of the nobility; he employed specialized artists to create the costumes and draperies, and others to paint the backgrounds, ranging from battlefields to gardens to salons, while he concentrated on the composition, colors and especially the faces.
1992:
531:
974:
1648:
711:
876:
845:
2168:
1331:
1970:
371:
569:
352:
1732:
2108:
2137:
415:
632:, especially the Colonnade, facing to the east. These were showcases of the new monumental style of Louis XIV. The old brick and stone of the Henry IV squares was replaced by the Grand Style of monumental columns, which usually were part of the façade itself, rather than standing separately. All the buildings around the square were connected and built to the same height, in the same style. The ground floor featured a covered arcade for pedestrians.
395:
31:
700:(1684â1697), a real estate development of seven large buildings in three segments around a circular square, with a standing figure statue of Louis XIV (later replaced with an equestrian statue) planned for the centerpiece. This was built by an enterprising entrepreneur and nobleman of the court, Jean-Baptiste PrĂ©dot, combined with the architect Jules Haroudin-Mansart. The final urban project became the best-known, the
704:, also by Hardouin-Mansart, between 1699 and 1702. Its centerpiece was an equestrian statue of Louis XIV (later replaced with a statue of Napoleon atop the Vendome Column). In another innovation, this project was partially financed by the sale of lots around the square. All of these projects featured monumental façades in the Louis XIV style, giving a particular harmony to the squares.
803:
columns, pilasters, niches, which extended up the walls and up upon the ceiling. The doors were surrounded with medallions, frontons and bas-reliefs. The fireplaces were smaller than those during the Louis XIII era, but more ornate, with a marble shelf supporting vases, below a carved frame with a painting or mirrors, all surrounded by a thick border of carved leaves or flowers.
1126:
1368:
2080:
The
Gardens of Versailles, created by AndrĂ© Le NĂŽtre between 1662 and 1700, were the greatest achievement of the French formal garden. They were the largest gardens in Europe, with an area of 15,000 hectares, and were laid out on an eastâwest axis followed the course of the sun: the sun rose over the
1281:
was founded, to take advantage of Rome's position as the leading art center of Europe, and to assure a stream of well-trained painters. Le Brun became the dean of French painters under Louis XIV, involved in architectural projects and interior design. His notable decorative works included the ceiling
802:
In the early Louis XIV style, the principle characteristics of decor were a richness of materials and an effort to achieve a monumental effect. The materials used included marble, often combined with multicolor stones, bronze, paintings, and mirrors. These were inserted into an extremely framework of
1701:
The themes and styles of the tapestry were largely similar to the themes in the paintings of the period, celebrating the majesty of the King and triumphal scenes of military victories, mythological and pastoral scenes. While at first they were made only for use of the King and nobility, the factory
304:
Based on the success of Vaux le
Vicomte, Louis XIV selected Le Vau to construct an immense new palace at Versailles, to augment a smaller palace transformed from a hunting lodge by Louis XIII. This gradually became, over the decades, the master work of the Louis XIV style. Following the death of Le
1100:
The French faience industry received another huge boost when, late in Louis's reign in 1709, the king pressured the wealthy to donate their silver plate, previously what they normally used to dine, to his treasury to help pay for his wars. There was an "overnight frenzy" as the elite rushed to get
607:
Though Louis XIV was later accused of having ignored Paris, his reign saw several massive architectural projects which opened up space and ornamented the center of the city. The idea of monumental urban squares surrounded by uniform architecture had begun in Italy, like many architectural ideas of
806:
Decorative elements on the walls of the early Louis XIV style were usually intended to celebrate the military success, majesty and cultural achievements of the King. They often featured military trophies, with helmets, oak leaves symbolizing victory, and masses of weapons, usually made of glided
524:. The decor was carefully restrained, with light colors and sculptural detail in slight relief on the columns. The interior of the chapel opened up and lightened by the use of classical columns placed on the tribune, one level above the ground floor, to support the weight of the vaulted ceiling.
309:
took over the
Versailles project; he broke away from the picturesque projections and dome and made a more sober and uniform façade of columns, with a flat roof topped by a balustrade and row of columns (1681). He used the same style to harmonize the other new buildings he created at Versailles,
1698:, who served in that position from 1663 until 1690. The workshop worked closely with the major painters of the court, who produced the designs. After 1697 the enterprise was reorganized, and thereafter was devoted entirely to the production of tapestries for the King.
2089:. In contrast with the grand perspectives, reaching to the horizon, the garden was full of surprises: fountains, small gardens filled with statuary, which provided a more human scale and intimate spaces. The central symbol of the garden was the sun; the emblem of
1717:, the royal draftsman and designer of the King, created a series of grotesque carpets for Aubusson. These tapestries sometimes celebrated contemporary themes, such as a late 17th to early 18th century tapestry done by Aubusson depicting Chinese astronomers at the
1155:
1455:. He originally made the outdoor statues in weather-resistant stucco, then replaced them with marble works when they were finished in 1705. His work of Neptune from Marly is now in the Louvre, and his statues of Pan and a Flora and Dryad are now found in the
491:, was comparable to those of other churches of the period, with ionic pilasters and penetrating vaults, and an interior that resembled the high baroque style. The dome, by Hardouin-Mansart, was more revolutionary, sitting upon a structure with the plan of a
1887:(1640â1711). He was also designer of the King's bedchamber and offices, and had an enormous influence upon what became known as Louis XIV style; his studio was located in the Grand Gallery of the Louvre, along with those of the royal furniture designer
130:
1303:. His paintings, with their unusual light and dark effects, were unusually somber, the figures barely seen in the darkness, lit by torchlight, evoking meditation and pity. In addition to religious scenes, he did genre paintings, including the famous
230:(1630â1651). During the second period (1660â1690), under the personal rule of the King, the style of architecture and decoration became more classical, triumphant and ostentatious, expressed in the building of the Palace of Versailles, first by
910:
and other rare woods, a technique first used in
Florence in the 15th century, which was refined and developed by Boulle and others working for Louis XIV. Furniture was inlaid with plaques of ebony, copper, and exotic woods of different colors.
1527:(1620â1694), who was a sculptor, painter, engineer and architect. He was born in Marseille, and first sculpted ornaments for ships under construction. He then travelled to Italy, where he worked as an apprentice on the Baroque ceilings of the
1299:(1593â1652) was another important figure in the Louis XIV style; he was given a title, named court painter of the King, and received high payments for his portraits, though he rarely ever came to Paris, preferring to work in his home town of
2064:
to design statues for the garden, and André Le NÎtre to create the gardens. For the first time the garden and the chùteau were perfectly integrated. A grand perspective of 1500 meters extended from the foot of the chùteau to a copy of the
1467:
it was moved to the
Tuileries Gardens, and is now inside the Louvre. He also made a series of greatly admired portrait sculptures of the leading statesmen and artists of the time; Louis XIV at Versailles, Colbert (for his tomb at the
897:
During the first period of the reign of Louis XIV, furniture followed the previous style of Louis XIII, and was massive, and profusely decorated with sculpture and gilding. After 1680, thanks in large part to the furniture designer
1773:
936:
or "confessional armchair", which had padded cushions on either side of the back of the chair. The console table also made its first appearance; it was designed to be placed against a wall. Another new type of furniture was the
1591:
2077:. "The symmetry attained at Vaux achieved a degree of perfection and unity rarely equalled in the art of classic gardens. The chĂąteau is at the center of this strict spatial organization which symbolizes power and success."
829:
In the late Louis XIV period, after 1690, new elements began to appear, that were less militaristic and more fantastic; particularly seashells, surrounded by elaborate sinuous lines and curves; and exotic designs, including
1096:
and other centres shared these commissions, and others for large fittings and decorations for Louis's other palaces. Nevers garden vases in blue and white were prominently used in the gardens of the ChĂąteau de
Versailles.
1857:
to Paris after his coronation in 1660 was celebrated by a grand event on a fairground at the gates of the city, where large thrones were constructed for the new monarchs. After the ceremony the site became known as the
1883:, which was responsible the decoration at royal ceremonies and spectacles, including ballets, masques, illuminations, fireworks, theater performances and other entertainments. This office was held from 1674 to 1711 by
1416:, whose work in Rome inspired sculptors all over Europe. He traveled to France; his proposal for a new façade of the Louvre was rejected by the King, who wanted a more specifically French style, but Bernini did make a
1171:
2101:. "The views and perspectives, to and from the palace, continued to infinity. The king ruled over nature, recreating in the garden not only his domination of his territories, but over the court and his subjects."
1351:
953:
1613:
1057:
for the images, which were also painted in many colours. The pieces were often extremely large and ornate, and apart from garden vases and wine-coolers, no doubt decorative rather than practical.
242:. The final period of Louis XIV style, from about 1690 to 1715, is called the period of transition; it was influenced by Hardouin-Mansart and by the King's designer of fetes and ceremonies,
1203:
1750:
587:
1392:
988:
234:
and then Jules
Hardouin-Mansart. Until 1680, furniture was massive, decorated with a profusion of sculpture and gilding. In the later period, thanks to the development of the craft of
1337:
1828:
was killed in a jousting accident. In the new, less dangerous version, riders usually had to pass their lance through the interior of a ring, or strike mannequins with the heads of
1007:
143:
and his reign. It featured majesty, harmony and regularity. It became the official style during the reign of Louis XIV (1643â1715), imposed upon artists by the newly established
1895:
style of ornament, originally created in Italy by
Raphael, into French interior design. He used the grotesque stele not only on wall panels, but also on tapestries made by the
1632:
1439:
won him admission to the Royal
Academy of Painting and Sculpture. He was soon producing monumental sculpture to accompany the new buildings constructed by Louis XIV; he made a
2073:
of evergreen shrubs in ornamental patterns, bordered by colored sand, and the alleys were decorated at regular intervals by statues, basins, fountains, and carefully sculpted
2122:
1191:
807:
bronze or sculpted wood, in relief surrounded by marble. Other decorative elements celebrated the King personally: the head of the King was often represented as the sun god
1938:
1690:
purchased the tapestry workshop of a family of
Flemish artisans and transformed it into a royal workshop for the manufacture of furniture and tapestries, under the name of
1313:
wrote in 1951, "No other painter, not even Rembrandt, ever suggested such a vast and mysterious silence. La Tour is the only interpreter of the serene aspect of shadows."
1269:(1619â1683), who was also his finance minister. In 1663 Colbert reorganized the Royal furniture workshops, which made a wide variety of luxury goods, and added to it the
285:
and completed in 1658. Louis XIV charged Fouquet with theft, put him prison, and took the building for himself. The design was strongly influenced by the classicism of
1277:, which had been founded by Cardinal Mazarin. Colbert also took a dominant role in architecture, taking the title of Superintendent of buildings in 1664. In 1666, the
863:
844:
1991:
1049:
style, adopted the new French Court style, borrowing from metalwork and other decorative arts, and using prints after the new generation of court painters such as
370:
1731:
549:
2152:
737:
1793:
778:
710:
759:
1921:
226:
style imported from Italy. The early period saw the beginning of French classicism, particularly in the early works of Francois Mansart, such as the
1330:
1969:
1506:
was another notable sculptor working on projects for Louis XIV. He made many statues and decorations for the Palace of Versailles, as well as the
1824:, a series of exercises and games on horseback. These events were designed to replace the tournament, which had been banned after 1559 when King
459:
1662:
146:
1954:
2828:
2167:
1120:, from perhaps 1695 onwards, was more successful, though it was only in the following reign that French porcelain was produced in quantity.
628:, which featured, adjacent to it, an equestrian statue of Henry IV. The initial grand Paris projects of Louis XIV were new façades on the
214:
The Louis XIV style had three periods. During the first period, which coincided with the youth of the King (1643â1660) and the regency of
1309:
or card cheat, showing a young noble being cheated at cards while others look on passively. The writer and later French culture minister
530:
238:, the furniture was decorated with different colors and different woods. The most prominent creator of furniture in the later period was
1842:, the son of Louis XIV. It was held on the square separating the Louvre from the Tuileries Palace, which afterwards became known as the
1573:
495:. The design used superimposed orders of columns, in the classical style, but the dome achieved greater height, by resting on a double
414:
683:(1671â1679). Louis XIV then commissioned Hardouin-Mansart to construct a separate private royal chapel featuring a striking dome, the
1320:, toward more religious and meditative themes. He had all the paintings in his private room removed and replaced by a single canvas,
875:
322:(completed 1687), single-story royal retreat with arched windows alternating with pairs of columns, and a flat roof and balustrade.
1647:
568:
1358:
1274:
2136:
2107:
1543:. He travelled back and forth between Italy and France, painting, sculpting and wood-carving. He made his celebrated statue of
2779:
2755:
2737:
2609:
2591:
1265:, Louis decided to take personal charge of all aspects of government, including the arts. His chief advisor on the arts was
930:, or sofa, appeared, in the form of a combination of two or three armchairs. New kinds of armchairs appeared, including the
2833:
394:
154:
1910:
In addition to interior decoration, he designed the costumes and scenery for the royal theaters, including for the opera
1076:, should be protected and encouraged, sent designs, and given commissions by the king. Around 1670 the Poterat family of
351:
2645:
1853:
The ceremonial entry of the King into Paris also became an occasion for festivities. The return of Louis XIV and Queen
159:(Royal Academy of Architecture). It had an important influence upon the architecture of other European monarchs, from
2627:
2081:
Court of Honor, lit the Marble Court, crossed the ChĂąteau and lit the bedroom of the King, and set at the end of the
106:
246:. The new style was lighter in form, and featured greater fantasy and freedom of line, thanks in part to the use of
2000:
1902:
17:
973:
2698:
2670:
1069:
468:, make it the most Italianate and Baroque of Paris churches. It served as the prototype for the later domes of
2818:
2808:
289:. It combined a façade dominated and rhymed by colossal classical columns, beneath a dome, imported from the
1713:
workshop, which produced works in the same style but with a low-warp process, with slightly lesser quality.
1479:
638:
290:
1718:
1597:
1417:
2680:
1217:
279:
1230:
In the first part of the reign, French painters were largely influenced by the Italians, particularly
947:
had a central section set back, placed between two columns of drawers, with four feet on each column.
293:, along with a number of original features, such as a semicircular salon which looked out on the vast
2082:
1899:
workshops. His many varied other designs included the highly-ornate design of transom of the warship
675:â a complex for war veterans consisting of residences, a hospital, and a chapel â was constructed by
2813:
2803:
2484:
1375:
1262:
1088:, a small palace whose walls were largely covered in painted tiles, in fact of faience rather than
1961:
1884:
1780:
1714:
822:
of the Palace of Versailles (1678â1684) was the summit of the early Louis XIV style. Designed by
536:
439:
243:
2331:
826:, it combined a richness of materials (marble, gold, and bronze) which reflected in the mirrors.
326:
1888:
1316:
In his final years, Louis XIV's tastes changed again, under the influence of his morganic wife,
960:
899:
239:
1854:
1278:
751:
680:
578:
447:
425:
405:
306:
180:
2702:
728:
656:
2712:
2674:
2128:
2035:
1878:
1687:
1653:
1564:
1469:
1117:
1083:
1061:
2823:
2159:
2027:
1839:
1784:
1706:
1691:
1605:
1601:
1413:
1270:
1113:
851:
517:
330:
325:
Another major new project undertaken by Louis was the construction of a new façade for the
311:
294:
200:
34:
1178:
1146:
520:, created between 1697 and 1710 by Hardouin-Mansart and his successor as court architect,
8:
2798:
2188:
2143:
2098:
2039:
1982:
1917:
1816:
In the early years of the King's reign, the most important public royal ceremony was the
1497:
1317:
892:
812:
745:
695:
623:
298:
160:
2679:
Moon, Iris, "French Faience", in Heilbrunn Timeline of Art History, 2016, New York: The
1639:
1452:
421:
286:
176:
2838:
2056:, the superintendent of finances to Louis XIV, beginning in 1656. Fouquet commissioned
1867:
1845:
1825:
1485:
1342:
1296:
718:
664:
646:
613:
227:
1116:
and on a tiny scale; only nine small pieces are thought to survive. The next factory,
943:, a marble-topped table for holding dishes. Early varieties of the desk appeared; the
2775:
2751:
2733:
2694:
2666:
2641:
2623:
2605:
2587:
1896:
1799:
1710:
1530:
1524:
1464:
1456:
1247:
559:
555:
451:
333:, to submit a design, but in 1667 rejected it in favor of a more sober and classical
2684:
1516:, which were based both on a study of the original Greek models, and on the work of
1451:, and then a large number of statues for the new Park at Versailles and then at the
676:
488:
2066:
1623:
1473:
1424:
1399:
1290:
1258:
1105:
660:
609:
377:
329:. In 1665 Louis invited the most famous sculptor architect of the Italian Baroque,
54:
2691:
European Porcelain in The Metropolitan Museum of Art: Highlights of the collection
1310:
811:, surrounded by palm leaves or gilded rays of light. An eagle usually represented
767:
701:
315:
2114:
2086:
2061:
2053:
2049:
1741:
1705:
The royal Gobelins manufactory had competition from two private enterprises, the
1695:
1583:
1552:
1548:
1503:
1436:
1432:
1428:
1383:
1283:
1251:
1235:
1209:
1109:
999:
995:
855:
823:
819:
594:
521:
385:
381:
357:
342:
338:
282:
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215:
192:
184:
168:
123:
1891:. He was particularly responsible for introducing the a modified version of the
443:
1977:
1929:
1912:
1756:
1556:
1273:. At the same time, with the assistance of Le Brun, Colbert took charge of the
1239:
1137:
1132:
1054:
1030:
980:
944:
617:
501:
or drum, and the façade and dome itself were richly decorated with sculptures,
462:. Its picturesque tripartite façade, peristyle, detached columns, statues, and
455:
259:
188:
172:
2034:
and the principle of imposing order on nature. The most famous example is the
1694:. Colbert placed the workshop under the direction of the royal court painter,
815:. Other ornamental details included gilded numbers, royal batons, and crowns.
667:, it would become the headquarters of the academies founded by the King.) The
2792:
2174:
1764:
1760:
1538:
1446:
1243:
1073:
964:
787:
670:
629:
574:
516:
The finest church interior of the late Louis XIV period is the chapel of the
482:
469:
401:
319:
208:
204:
139:, was the style of architecture and decorative arts intended to glorify King
1510:
for the eastern façade of the Pavilion du Horloge of the Louvre, facing the
2057:
1669:
1517:
1266:
724:
652:
540:
361:
275:
247:
231:
196:
1300:
2020:
One of the most enduring and popular forms of the Louis XIV style is the
1555:. He continued to live in the south of France, making notable statues of
1489:
1440:
1427:(pronounced "quazevo") (1640â1720) from Lyon. He studied sculpture under
1050:
1037:
903:
835:
492:
464:
608:
Baroque period. The first such square in Paris was the Place Royal (now
473:
218:, architecture and art were strongly influenced by the earlier style of
2334:
1379:
1231:
1213:
1080:
received part of the large and prestigious commissions for Louis XIV's
1034:
831:
219:
2042:, which inspired copies all across Europe. The first important garden
1242:, who specialized in landscapes and spent most of his career in Rome;
869:
Hall of Mirrors at Palace of Versailles by Charles Le Brun (1678â1684)
2090:
1892:
1819:
1737:
1579:
1544:
1507:
1089:
1065:
438:
In the early period of his reign, Louis began building the church of
334:
255:
251:
235:
140:
30:
616:, completed later with an equestrian statue of Louis XIII; then the
2070:
2031:
1945:
1043:
270:
The model of civil architecture in the early part of the reign was
2224:(2006), Editions Jean-Paul Gisserot, Paris (in French), pp. 54â55.
1721:
using new more accurate instruments brought to them by Europeans (
902:, a more original and delicate style appeared, sometimes known as
635:
The first such complex of buildings built under Louis XIV was the
2074:
1722:
1702:
soon began exporting its products to the other courts of Europe.
1560:
915:
593:
Chapel of the Palace of Versailles by Jules Hardouin-Mansart and
223:
164:
2770:
2490:
27:
Style of Louis XIV period; baroque style with classical elements
2094:
1829:
1803:
1673:
1547:
for the city hall of Toulon in 1665â1667, then was employed by
1493:
1254:, who studied with Poussin in Rome and were influenced by him.
1093:
1072:, made a note that the other leading centre of French faience,
808:
507:
in niches, and ornaments of gilded bronze alternating with the
479:
The next major church built under Louis XIV was the church of
1875:
An office existed in the royal household of Louis XIV called
1382:, representing capture of fortress of Ghent by Louis XIV, by
1077:
907:
337:, designed by a committee of three, comprising Louis Le Vau,
63:
2748:
Paris- Panorama de l'architecture de l'Antiquité à nos jours
2398:
2396:
1412:
The most influential sculptor of the period was the Italian
1289:
The major painters of the later reign of Louis XIV included
83:
1142:
1135:; central dish is 58 cm across, the main scene is the
95:
66:
1420:
in 1665 which was greatly admired and imitated in France.
1197:
Large Nevers ewer with dancing bacchantes and satyrs, 1685
2439:"Coysevox, Charles Antoine". Chisholm, Hugh (ed., 1911).
2421:
2393:
1838:
was held on June 5â6, 1662 to celebrate the birth of the
74:
2286:
1463:
was originally made for the ChĂąteau of Marly. After the
1431:
and copied in marble ancient Roman works, including the
1423:
One of the most prominent sculptors under Louis XIV was
1246:, who, along with his brothers, did mostly genre works;
914:
New and often enduring types of furniture appeared; the
2258:
2256:
2254:
663:, a chapel, and the library of Mazarin. (Later, as the
2472:
651:) (1662â1668), facing the Louvre. It was designed by
107:
92:
86:
71:
57:
2251:
2239:
2227:
1177:
Nevers pair of wine jugs, c. 1685, 56 cm high.
80:
60:
1523:Another notable sculptor of the Style Louis XV was
1435:. In 1776, his bust of the King's official painter
689:, which was added to complete the complex in 1708.
446:hospital. The design was worked on successively by
98:
77:
151:(Royal Academy of Painting and Sculpture) and the
850:Early Louis XIV style; the Salon de VĂ©nus at the
2790:
1551:to make a statue of Hercules for his chĂąteau at
258:and coquille designs, which continued into the
1864:, or place of the Throne, until it became the
2452:"Puget, Pierre". Chisholm, Hugh (ed., 1911).
1536:
1528:
1041:
918:, with two to four drawers, replaced the old
881:Bedchamber of the Queen, Palace of Versailles
2043:
2021:
2012:
2010:
1998:
1900:
1876:
1865:
1859:
1843:
1833:
1817:
1740:visits the Gobelins with Colbert, design by
1511:
1477:
1444:
1304:
1081:
1040:), which had long made wares in the Italian
1014:
938:
931:
925:
919:
785:
765:
743:
716:
693:
684:
668:
644:
636:
621:
508:
502:
496:
480:
152:
144:
2730:Les Styles de l'architecture et du mobilier
2581:
2427:
2402:
2319:Les Styles de l'architecture et du mobilier
2306:Les Styles de l'architecture et du mobilier
2222:Les Styles de l'architecture et du mobilier
1626:, made for Marly, now in the Louvre. (1702)
1322:Saint Sebastien being tended by Saint Irene
147:Académie royale de peinture et de sculpture
1101:faience replacements of the best quality.
659:, and combined the new college donated by
175:. Major architects of the period included
2574:Yves-Marie Allain and Janine Christiany,
1997:BĂ©rain design for transom of the warship
602:
433:
2582:Bauer, Hermann; Prater, Andreas (2016),
1092:, which was demolished not long after.
487:(1680â1706). The nave of the church, by
29:
2727:
2599:
2465:"Gobelin". Chisholm, Hugh (ed., 1911).
1811:
1359:The Card Sharp with the Ace of Diamonds
1275:Royal Academy of Painting and Sculpture
14:
2791:
2745:
2723:(in French), Paris: Editions Sud Ouest
2718:
2711:, Volume 1, 1870, Le Brument (Rouen),
2663:Seventeenth-Century French Ceramic Art
2635:
2617:
2518:"BĂ©rain, Jean". Chisholm, Hugh (ed.).
2505:"BĂ©rain, Jean". Chisholm, Hugh (ed.).
2478:
2292:
2262:
2245:
2233:
1638:Louis XIV by Antoine Coysevox, now at
797:
2689:Munger, Jeffrey, Sullivan Elizabeth,
2113:17th-century engraving of gardens of
1779:One of a set of five "Grotesques" by
1338:Saint Sebastian tended by Saint Irene
772:(1699â1702) by Jules Hardouin-Mansart
265:
122:
2693:, 2018, Metropolitan Museum of Art,
2665:, 1987, Metropolitan Museum of Art,
2578:, Citadelles et Mazenod, Paris, 2006
1234:. Notable French painters included
318:. Hardouin-Mansart constructed the
24:
2085:, reflected in the mirrors of the
1362:by Georges de La Tour (late 1630s)
1112:, although production was only of
25:
2850:
2829:Ancien RĂ©gime French architecture
2638:Histoire et dictionnaire de Paris
1924:(1684), and for the opera-ballet
1324:(c. 1649) by Georges de La Tour.
207:at Versailles, and the Church of
2772:Dictionnaire Historique de Paris
2656:Jardins, potagers et labyrinthes
2559:Jardins, potagers et labyrinthes
2492:Dictionnaire historique de Paris
2283:Texier, Simon (2012), pp. 38â39.
2166:
2151:
2135:
2121:
2106:
2069:; and the space was filled with
1990:
1968:
1953:
1937:
1792:
1772:
1749:
1730:
1725:) which were installed in 1644.
1661:
1646:
1631:
1612:
1590:
1572:
1391:
1367:
1350:
1329:
1220:, 5 in (12.7 cm) tall.
1202:
1190:
1170:
1154:
1125:
1104:The reign also saw the earliest
1006:
987:
972:
952:
874:
862:
843:
777:
758:
736:
709:
586:
567:
548:
529:
413:
393:
369:
350:
53:
2709:Histoire de la faĂŻence de Rouen
2586:(in French), Cologne: Taschen,
2551:
2538:
2525:
2512:
2499:
2459:
2446:
2433:
2408:
2384:
2375:
2366:
2357:
2348:
2339:
2324:
2311:
2274:Texier, Simon (2012), pp. 38â39
2093:, illustrated by the statue of
906:. It was based on the inlay of
692:The next major project was the
442:(1645â1710), the chapel of the
250:decoration, and greater use of
199:. Major monuments included the
2390:Munger & Sullivan, 135â137
2381:Munger & Sullivan, 138â142
2372:Munger & Sullivan, 135â137
2298:
2277:
2268:
2214:
2201:
1620:The King's Fame riding Pegasus
1461:The King's Fame riding Pegasus
1376:ceiling of the Hall of Mirrors
1070:Controller-General of Finances
155:Académie royale d'architecture
13:
1:
2767:, Editions Ouest-France, 2003
2602:L'Art Classique et le Baroque
2568:
2443:(11th ed.). 1911. pp. 355â56
1759:, Gobelins after painting by
1681:
1286:in the Palace of Versailles.
2728:Renault, Christophe (2006),
2146:in the Gardens of Versailles
1975:BĂ©rain Set design for opera
1907:(1669), named for the King.
1806:mission to China (1697â1705)
1407:
886:
291:Italian Baroque architecture
7:
2834:French architectural styles
2774:. Le Livre de Poche. 2013.
2576:L'art des jardins en Europe
2414:cited in Bauer and Prater,
2182:
2177:at the Palace of Versailles
1922:Theater of the Palais Royal
1832:, Moors and Turks. A grand
1719:Beijing Ancient Observatory
1488:) in Paris; the playwright
1271:Gobelins tapestry workshops
1225:
1141:, after an illustration of
1024:
10:
2855:
2681:Metropolitan Museum of Art
2620:Caractéristique des Styles
2209:Caractéristique des styles
2005:named for Louis XIV (1670)
1480:CollĂšge des Quatre-Nations
1257:With the death in 1661 of
1238:, who was living in Rome;
1218:Metropolitan Museum of Art
1163:The Drunkenness of Bacchus
1019:(1710â1720), Louvre Museum
890:
639:CollĂšge des Quatre-Nations
458:before being completed by
280:Superintendent of Finances
2719:Prevot, Philippe (2006),
2469:(11th ed.). 1911. p. 165
2456:(11th ed.). 1911. p. 637
2013:
1877:
1866:
1860:
1844:
1668:Perseus and Andromeda by
1537:
1529:
1512:
1478:
1445:
1398:Portrait of Louis XIV by
1042:
1015:
939:
933:fauteuil en confessionale
932:
926:
920:
786:
766:
744:
717:
694:
685:
671:HĂŽtel Royal des Invalides
669:
645:
637:
622:
481:
2194:
1496:and the garden designer
1470:Church of Saint Eustache
1443:for the royal chapel at
1161:Nevers wine-cooler with
2636:Fierro, Alfred (1996).
2618:Ducher, Robert (1988),
2600:Cabanne, Perre (1988),
2520:Encyclopedia Britannica
2507:Encyclopedia Britannica
2467:Encyclopedia Britannica
2454:Encyclopedia Britannica
2441:Encyclopedia Britannica
2428:Bauer & Prater 2016
2403:Bauer & Prater 2016
2060:to design the chĂąteau,
1944:Louis XIV in the Grand
1744:(between 1667 and 1672)
513:, or ribs of the dome.
327:east side of the Louvre
278:, built for the King's
2765:Architecture du jardin
2746:Texier, Simon (2012),
2658:, Hazan, Paris, 2007.
2099:fountain of the garden
2044:
2022:
1999:
1928:by Lully's successor,
1901:
1834:
1818:
1305:
1279:French Academy in Rome
1082:
752:Jules Hardouin-Mansart
681:Jules Hardouin-Mansart
603:The Grand Style: Paris
579:Jules Hardouin-Mansart
537:Church of Val de Grace
509:
503:
497:
448:Jules Hardouin-Mansart
434:Religious architecture
426:Pierre-Alexis Delamair
406:Jules Hardouin-Mansart
307:Jules Hardouin-Mansart
181:Jules Hardouin-Mansart
153:
145:
38:
2750:, Paris: Parigramme,
2622:, Paris: Flammarion,
2129:Gardens of Versailles
2036:Gardens of Versailles
2023:jardin à la française
1962:Jean BĂ©rain the Elder
1960:Arabesque designs by
1885:Jean BĂ©rain the Elder
1879:Menus-Plaisirs du Roi
1781:Jean BĂ©rain the Elder
1715:Jean BĂ©rain the Elder
1688:Jean Baptiste Colbert
1654:Jean Baptiste Colbert
1567:(now in the Louvre).
1185:is again used (left).
1118:Saint-Cloud porcelain
1084:Trianon de porcelaine
1062:Jean-Baptiste Colbert
244:Jean BĂ©rain the Elder
33:
2819:Architectural styles
2809:History of furniture
2721:Histoire des jardins
2546:Histoire des jardins
2533:Histoire des jardins
2330:McNab, 20â21; Moon;
2160:Versailles Orangerie
2028:French formal garden
1889:André Charles Boulle
1812:Design and spectacle
1785:Beauvais Manufactory
1707:Beauvais Manufactory
1692:Gobelins Manufactory
1606:Palace of Versailles
1602:Gian Lorenzo Bernini
1414:Gian Lorenzo Bernini
1149:, published in 1674
1114:soft-paste porcelain
961:André Charles Boulle
900:André Charles Boulle
852:Palace of Versailles
518:Palace of Versailles
331:Gian Lorenzo Bernini
295:French formal garden
240:André Charles Boulle
201:Palace of Versailles
35:Palace of Versailles
2732:, Paris: Gisserot,
2604:, Paris: Larousse,
2295:, pp. 126â129.
2189:Louis period styles
2048:was the ChĂąteau of
2030:, a style based on
1983:Jean-Baptiste Lully
1918:Jean-Baptiste Lully
1656:by Antoine Coysevox
1318:Madame de Maintenon
893:Louis XIV furniture
798:Interior decoration
746:Place des Victoires
696:Place des Victoires
161:Frederick the Great
124:[lwikatÉÊz]
2640:. Robert Laffont.
2317:Renault and Lazé,
2304:Renault and Lazé,
2220:Renault and Lazé,
1868:Place de la Nation
1846:Place du Carrousel
1486:Institut de France
1343:Georges de La Tour
1297:Georges de La Tour
1029:After about 1650,
998:at the Chateau of
784:Court of Honor of
719:Institut de France
665:Institut de France
647:Institut de France
614:Henry IV of France
266:Civil architecture
228:Chateau de Maisons
39:
2781:978-2-253-13140-3
2763:Wenzler, Claude,
2757:978-2-84096-667-8
2739:978-2-877-4746-58
2701:, 9781588396433,
2673:, 9780870994906,
2654:Impelluso, Lucia,
2611:978-2-03-583324-2
2593:978-3-8365-4748-2
2557:Lucia Impelluso,
2522:(11th ed.). 1911.
2509:(11th ed.). 1911.
2158:Parterres of the
1920:performed at the
1897:Aubusson tapestry
1800:Aubusson tapestry
1787:(woven 1690â1711)
1711:Aubusson tapestry
1598:Bust of Louis XIV
1531:Palazzo Barberini
1525:Pierre Paul Puget
1457:Tuileries Gardens
1418:bust of Louis XIV
1248:Eustache Le Sueur
1179:François Chauveau
1147:François Chauveau
560:Jacques Lemercier
556:Eglise Saint-Roch
452:Jacques Lemercier
380:by Louis Le Vau,
137:French classicism
16:(Redirected from
2846:
2785:
2760:
2742:
2724:
2707:Pottier, André,
2651:
2632:
2614:
2596:
2562:
2555:
2549:
2542:
2536:
2529:
2523:
2516:
2510:
2503:
2497:
2488:
2482:
2476:
2470:
2463:
2457:
2450:
2444:
2437:
2431:
2425:
2419:
2412:
2406:
2400:
2391:
2388:
2382:
2379:
2373:
2370:
2364:
2361:
2355:
2352:
2346:
2343:
2337:
2328:
2322:
2315:
2309:
2302:
2296:
2290:
2284:
2281:
2275:
2272:
2266:
2260:
2249:
2243:
2237:
2231:
2225:
2218:
2212:
2207:Ducher, Robert,
2205:
2170:
2155:
2144:Bassin d'Apollon
2139:
2125:
2110:
2067:Farnese Hercules
2047:
2025:
2016:
2015:
2004:
1994:
1972:
1957:
1941:
1906:
1882:
1881:
1871:
1870:
1863:
1862:
1849:
1848:
1837:
1823:
1796:
1776:
1753:
1734:
1665:
1650:
1640:Musée Carnavalet
1635:
1624:Antoine Coysevox
1616:
1594:
1576:
1542:
1541:
1534:
1533:
1515:
1514:
1492:; the architect
1483:
1482:
1474:Cardinal Mazarin
1459:. His statue of
1453:ChĂąteau de Marly
1450:
1449:
1425:Antoine Coysevox
1400:Hyacinthe Rigaud
1395:
1371:
1354:
1333:
1308:
1291:Hyacinthe Rigaud
1259:Cardinal Mazarin
1206:
1194:
1174:
1158:
1129:
1106:French porcelain
1087:
1064:, recently made
1048:
1047:
1018:
1017:
1013:Sofa and chairs
1010:
991:
976:
956:
942:
941:
935:
934:
929:
928:
924:, or chest. The
923:
922:
878:
866:
847:
791:
790:
781:
771:
770:
762:
749:
748:
740:
729:François d'Orbay
722:
721:
713:
699:
698:
688:
687:
674:
673:
661:Cardinal Mazarin
657:François d'Orbay
650:
649:
642:
641:
627:
626:
610:Place des Vosges
590:
571:
552:
533:
512:
506:
500:
486:
485:
422:HĂŽtel de Soubise
417:
397:
378:Louvre Colonnade
373:
354:
287:François Mansart
177:François Mansart
158:
150:
134:
133:
132:
126:
121:
114:
110:
105:
104:
101:
100:
97:
94:
89:
88:
85:
82:
79:
76:
73:
69:
68:
65:
62:
59:
21:
2854:
2853:
2849:
2848:
2847:
2845:
2844:
2843:
2814:Interior design
2804:Decorative arts
2789:
2788:
2782:
2758:
2740:
2661:McNab, Jessie,
2648:
2630:
2612:
2594:
2571:
2566:
2565:
2556:
2552:
2543:
2539:
2530:
2526:
2517:
2513:
2504:
2500:
2489:
2485:
2477:
2473:
2464:
2460:
2451:
2447:
2438:
2434:
2426:
2422:
2413:
2409:
2401:
2394:
2389:
2385:
2380:
2376:
2371:
2367:
2363:Moon; McNab, 30
2362:
2358:
2354:Moon; McNab, 22
2353:
2349:
2344:
2340:
2332:V&A, Nevers
2329:
2325:
2316:
2312:
2303:
2299:
2291:
2287:
2282:
2278:
2273:
2269:
2261:
2252:
2244:
2240:
2232:
2228:
2219:
2215:
2206:
2202:
2197:
2185:
2178:
2173:Gardens of the
2171:
2162:
2156:
2147:
2140:
2131:
2126:
2117:
2115:Vaux-le-Vicomte
2111:
2097:in the central
2087:Hall of Mirrors
2062:Charles Le Brun
2054:Nicolas Fouquet
2050:Vaux-le-Vicomte
2018:
2006:
1995:
1986:
1973:
1964:
1958:
1949:
1942:
1814:
1807:
1797:
1788:
1777:
1768:
1754:
1745:
1742:Charles Le Brun
1735:
1696:Charles Le Brun
1684:
1677:
1666:
1657:
1651:
1642:
1636:
1627:
1617:
1608:
1604:(1665), now in
1595:
1586:
1584:Jacques Sarazin
1577:
1553:Vaux-le-Vicomte
1549:Nicolas Fouquet
1504:Jacques Sarazin
1437:Charles Le Brun
1433:Venus de Medici
1429:Louis Lerambert
1410:
1403:
1396:
1387:
1384:Charles Le Brun
1374:Section of the
1372:
1363:
1355:
1346:
1334:
1284:Hall of Mirrors
1252:Charles Le Brun
1236:Nicolas Poussin
1228:
1221:
1210:Rouen porcelain
1207:
1198:
1195:
1186:
1175:
1166:
1159:
1150:
1130:
1110:Rouen porcelain
1027:
1020:
1011:
1002:
1000:Vaux-le-Vicomte
996:Nicolas Fouquet
992:
983:
977:
968:
957:
895:
889:
882:
879:
870:
867:
858:
856:Charles Le Brun
848:
824:Charles Le Brun
820:Hall of Mirrors
800:
793:
782:
773:
763:
754:
750:(1684â1697) by
741:
732:
714:
605:
598:
595:Robert de Cotte
591:
582:
572:
563:
553:
544:
534:
522:Robert de Cotte
436:
429:
418:
409:
398:
389:
386:Claude Perrault
382:Charles Le Brun
374:
365:
358:Vaux le Vicomte
355:
343:Claude Perrault
339:Charles Le Brun
283:Nicolas Fouquet
272:Vaux le Vicomte
268:
216:Anne of Austria
193:Claude Perrault
185:Robert de Cotte
169:Peter the Great
135:), also called
128:
127:
119:
112:
108:
91:
70:
56:
52:
43:Louis XIV style
28:
23:
22:
18:Style Louis XIV
15:
12:
11:
5:
2852:
2842:
2841:
2836:
2831:
2826:
2821:
2816:
2811:
2806:
2801:
2787:
2786:
2780:
2768:
2761:
2756:
2743:
2738:
2725:
2716:
2705:
2687:
2677:
2659:
2652:
2647:2-221--07862-4
2646:
2633:
2628:
2615:
2610:
2597:
2592:
2579:
2570:
2567:
2564:
2563:
2550:
2537:
2524:
2511:
2498:
2496:, p. 272.
2483:
2481:, p. 754.
2471:
2458:
2445:
2432:
2420:
2418:(2016), p. 86.
2407:
2392:
2383:
2374:
2365:
2356:
2347:
2338:
2323:
2310:
2308:(2006), pg. 59
2297:
2285:
2276:
2267:
2265:, p. 124.
2250:
2248:, p. 122.
2238:
2236:, p. 120.
2226:
2213:
2211:(1988), p. 120
2199:
2198:
2196:
2193:
2192:
2191:
2184:
2181:
2180:
2179:
2172:
2165:
2163:
2157:
2150:
2148:
2141:
2134:
2132:
2127:
2120:
2118:
2112:
2105:
2052:, created for
2045:à la française
2040:André Le NÎtre
2017:
2014:à la française
2009:
2008:
2007:
1996:
1989:
1987:
1974:
1967:
1965:
1959:
1952:
1950:
1943:
1936:
1930:Pascal Colasse
1861:Place du TrĂŽne
1813:
1810:
1809:
1808:
1798:
1791:
1789:
1778:
1771:
1769:
1757:Battle of Zama
1755:
1748:
1746:
1736:
1729:
1683:
1680:
1679:
1678:
1667:
1660:
1658:
1652:
1645:
1643:
1637:
1630:
1628:
1618:
1611:
1609:
1596:
1589:
1587:
1578:
1571:
1557:Milo of Croton
1498:André Le NÎtre
1409:
1406:
1405:
1404:
1397:
1390:
1388:
1373:
1366:
1364:
1356:
1349:
1347:
1335:
1328:
1263:chief minister
1240:Claude Lorrain
1227:
1224:
1223:
1222:
1208:
1201:
1199:
1196:
1189:
1187:
1183:Rape of Europa
1176:
1169:
1167:
1160:
1153:
1151:
1138:Rape of Europa
1133:Nevers faience
1131:
1124:
1055:Charles Lebrun
1031:Nevers faience
1026:
1023:
1022:
1021:
1012:
1005:
1003:
993:
986:
984:
978:
971:
969:
958:
951:
940:table Ă gibier
891:Main article:
888:
885:
884:
883:
880:
873:
871:
868:
861:
859:
849:
842:
799:
796:
795:
794:
783:
776:
774:
764:
757:
755:
742:
735:
733:
715:
708:
686:Ăglise du DĂŽme
677:Libéral Bruant
624:Ăle de la CitĂ©
618:Place Dauphine
604:
601:
600:
599:
592:
585:
583:
573:
566:
564:
554:
547:
545:
535:
528:
489:Libéral Bruant
456:Pierre Le Muet
435:
432:
431:
430:
420:Façade of the
419:
412:
410:
399:
392:
390:
375:
368:
366:
356:
349:
310:including the
299:André Le NÎtre
267:
264:
260:Louis XV style
189:Pierre Le Muet
115:, - kÉ-
48:Louis Quatorze
26:
9:
6:
4:
3:
2:
2851:
2840:
2837:
2835:
2832:
2830:
2827:
2825:
2822:
2820:
2817:
2815:
2812:
2810:
2807:
2805:
2802:
2800:
2797:
2796:
2794:
2783:
2777:
2773:
2769:
2766:
2762:
2759:
2753:
2749:
2744:
2741:
2735:
2731:
2726:
2722:
2717:
2714:
2710:
2706:
2704:
2700:
2696:
2692:
2688:
2686:
2682:
2678:
2676:
2672:
2668:
2664:
2660:
2657:
2653:
2649:
2643:
2639:
2634:
2631:
2629:2-08-011539-1
2625:
2621:
2616:
2613:
2607:
2603:
2598:
2595:
2589:
2585:
2580:
2577:
2573:
2572:
2560:
2554:
2547:
2541:
2534:
2528:
2521:
2515:
2508:
2502:
2495:
2493:
2487:
2480:
2475:
2468:
2462:
2455:
2449:
2442:
2436:
2430:, p. 86.
2429:
2424:
2417:
2411:
2405:, p. 16.
2404:
2399:
2397:
2387:
2378:
2369:
2360:
2351:
2342:
2336:
2333:
2327:
2321:(2006), p. 59
2320:
2314:
2307:
2301:
2294:
2289:
2280:
2271:
2264:
2259:
2257:
2255:
2247:
2242:
2235:
2230:
2223:
2217:
2210:
2204:
2200:
2190:
2187:
2186:
2176:
2175:Grand Trianon
2169:
2164:
2161:
2154:
2149:
2145:
2138:
2133:
2130:
2124:
2119:
2116:
2109:
2104:
2103:
2102:
2100:
2096:
2092:
2088:
2084:
2078:
2076:
2072:
2068:
2063:
2059:
2055:
2051:
2046:
2041:
2037:
2033:
2029:
2024:
2003:
2002:
1993:
1988:
1984:
1980:
1979:
1971:
1966:
1963:
1956:
1951:
1947:
1940:
1935:
1934:
1933:
1931:
1927:
1923:
1919:
1915:
1914:
1908:
1905:
1904:
1898:
1894:
1890:
1886:
1880:
1873:
1869:
1856:
1855:Maria Theresa
1851:
1847:
1841:
1836:
1831:
1827:
1822:
1821:
1805:
1801:
1795:
1790:
1786:
1782:
1775:
1770:
1766:
1765:Louvre Museum
1763:(1688â1690).
1762:
1761:Giulio Romano
1758:
1752:
1747:
1743:
1739:
1733:
1728:
1727:
1726:
1724:
1720:
1716:
1712:
1708:
1703:
1699:
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1693:
1689:
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1664:
1659:
1655:
1649:
1644:
1641:
1634:
1629:
1625:
1621:
1615:
1610:
1607:
1603:
1599:
1593:
1588:
1585:
1582:of Louvre by
1581:
1575:
1570:
1569:
1568:
1566:
1562:
1558:
1554:
1550:
1546:
1540:
1539:Palazzo Pitti
1532:
1526:
1521:
1519:
1509:
1505:
1501:
1499:
1495:
1491:
1487:
1481:
1475:
1471:
1466:
1462:
1458:
1454:
1448:
1447:Les Invalides
1442:
1438:
1434:
1430:
1426:
1421:
1419:
1415:
1401:
1394:
1389:
1385:
1381:
1377:
1370:
1365:
1361:
1360:
1353:
1348:
1344:
1340:
1339:
1332:
1327:
1326:
1325:
1323:
1319:
1314:
1312:
1311:André Malraux
1307:
1302:
1298:
1294:
1292:
1287:
1285:
1280:
1276:
1272:
1268:
1264:
1261:, the King's
1260:
1255:
1253:
1249:
1245:
1244:Louis Le Nain
1241:
1237:
1233:
1219:
1215:
1211:
1205:
1200:
1193:
1188:
1184:
1180:
1173:
1168:
1164:
1157:
1152:
1148:
1144:
1140:
1139:
1134:
1128:
1123:
1122:
1121:
1119:
1115:
1111:
1107:
1102:
1098:
1095:
1091:
1086:
1085:
1079:
1075:
1074:Rouen faience
1071:
1067:
1063:
1058:
1056:
1052:
1045:
1039:
1036:
1032:
1009:
1004:
1001:
997:
990:
985:
982:
975:
970:
966:
965:Grand Trianon
962:
955:
950:
949:
948:
946:
917:
912:
909:
905:
901:
894:
877:
872:
865:
860:
857:
853:
846:
841:
840:
839:
837:
833:
827:
825:
821:
816:
814:
810:
804:
789:
788:Les Invalides
780:
775:
769:
768:Place VendĂŽme
761:
756:
753:
747:
739:
734:
730:
726:
720:
712:
707:
706:
705:
703:
702:Place VendĂŽme
697:
690:
682:
678:
672:
666:
662:
658:
654:
648:
640:
633:
631:
630:Louvre Palace
625:
619:
615:
611:
596:
589:
584:
580:
576:
575:Les Invalides
570:
565:
561:
557:
551:
546:
542:
538:
532:
527:
526:
525:
523:
519:
514:
511:
505:
499:
494:
490:
484:
483:Les Invalides
477:
475:
471:
470:Les Invalides
467:
466:
461:
460:Gabriel Leduc
457:
453:
449:
445:
441:
427:
423:
416:
411:
407:
403:
402:Grand Trianon
396:
391:
387:
383:
379:
372:
367:
363:
359:
353:
348:
347:
346:
344:
340:
336:
332:
328:
323:
321:
320:Grand Trianon
317:
313:
308:
305:Vau in 1680,
302:
300:
296:
292:
288:
284:
281:
277:
273:
263:
261:
257:
253:
249:
245:
241:
237:
233:
229:
225:
221:
217:
212:
211:(1675â1691).
210:
209:Les Invalides
206:
205:Grand Trianon
202:
198:
194:
190:
186:
182:
178:
174:
170:
166:
162:
157:
156:
149:
148:
142:
138:
131:
125:
117:
116:
103:
50:
49:
44:
36:
32:
19:
2771:
2764:
2747:
2729:
2720:
2713:google books
2708:
2703:google books
2690:
2675:google books
2662:
2655:
2637:
2619:
2601:
2583:
2575:
2558:
2553:
2545:
2540:
2532:
2527:
2519:
2514:
2506:
2501:
2491:
2486:
2474:
2466:
2461:
2453:
2448:
2440:
2435:
2423:
2415:
2410:
2386:
2377:
2368:
2359:
2350:
2341:
2326:
2318:
2313:
2305:
2300:
2288:
2279:
2270:
2241:
2229:
2221:
2216:
2208:
2203:
2079:
2058:Louis Le Vau
2038:designed by
2019:
2001:Soleil Royal
1976:
1925:
1911:
1909:
1903:Soleil Royal
1874:
1852:
1815:
1802:celebrating
1704:
1700:
1685:
1670:Pierre Puget
1619:
1522:
1518:Michelangelo
1502:
1460:
1422:
1411:
1357:
1336:
1321:
1315:
1295:
1288:
1267:Jean Colbert
1256:
1229:
1182:
1162:
1136:
1103:
1099:
1059:
1028:
981:Mazarin desk
945:Mazarin desk
913:
896:
828:
817:
805:
801:
725:Louis Le Vau
691:
653:Louis Le Vau
634:
606:
558:, Paris, by
541:Louis Le Vau
515:
504:entablements
478:
463:
444:Val-de-GrĂące
440:Val-de-GrĂące
437:
362:Louis Le Vau
324:
303:
276:Louis Le Vau
269:
248:wrought iron
232:Louis Le Vau
213:
197:Louis Le Vau
136:
47:
46:
42:
40:
2824:Chinoiserie
2715:(in French)
2479:Fierro 1996
2345:Pottier, 12
2293:Ducher 1988
2263:Ducher 1988
2246:Ducher 1988
2234:Ducher 1988
2083:Grand Canal
2011:The garden
1932:, in 1695.
1926:Les Saisons
1490:Jean Racine
1441:Charlemagne
1051:Simon Vouet
1038:earthenware
959:Commode by
904:Boulle work
836:Chinoiserie
792:(1671â1706)
731:(1662â1668)
612:) begun by
597:(1689â1710)
581:(1680â1706)
562:(1653â1690)
543:(1645â1710)
493:Greek Cross
428:(1704â1708)
408:(1680â1687)
388:(1667â1678)
297:created by
274:(1658), by
222:and by the
37:(1661â1710)
2799:French art
2793:Categories
2699:1588396436
2671:0870994905
2569:References
2335:Jardiniere
1682:Tapestries
1513:Cour Carré
1465:Revolution
1380:Versailles
1232:Caravaggio
1214:pot pourri
1035:tin-glazed
1016:Ă la reine
832:arabesques
220:Louis XIII
2839:Louis XIV
2091:Louis XIV
2075:topiaries
2071:parterres
1893:grotesque
1872:in 1880.
1835:carrousel
1820:carrousel
1783:from the
1738:Louis XIV
1580:Caryatids
1565:Andromeda
1545:caryatids
1508:Caryatids
1484:(now the
1408:Sculpture
1301:Lunéville
1165:, c. 1680
1090:porcelain
1066:Louis XIV
1046:istoriato
887:Furniture
643:(now the
335:colonnade
312:Orangerie
256:grotesque
252:arabesque
236:marquetry
141:Louis XIV
2561:, p. 64.
2548:, p. 152
2544:Prevot,
2535:, p. 146
2531:Prevot,
2183:See also
2032:symmetry
1946:Carousel
1826:Henry II
1709:and the
1686:In 1662
1402:, (1701)
1306:Tricheur
1226:Painting
1060:In 1663
1044:maiolica
1025:Ceramics
994:Desk of
963:for the
510:nervures
474:Panthéon
472:and the
314:and the
2584:Baroque
2416:Baroque
1948:of 1662
1840:Dauphin
1723:Jesuits
1561:Perseus
1476:in the
1282:of the
916:commode
813:Jupiter
620:on the
498:tambour
316:Stables
224:Baroque
165:Prussia
120:French:
111:-ee ka-
2778:
2754:
2736:
2697:
2685:online
2669:
2644:
2626:
2608:
2590:
2095:Apollo
1985:(1684)
1978:Amadis
1913:Amadis
1830:Medusa
1804:Jesuit
1674:Louvre
1563:, and
1494:Vauban
1386:(1678)
1345:(1649)
1250:, and
1094:Nevers
979:Early
967:(1710)
927:canapé
921:coffre
809:Apollo
384:, and
364:(1658)
341:, and
203:, the
195:, and
173:Russia
2195:Notes
1622:, by
1216:jar,
1078:Rouen
908:ebony
465:tondi
2776:ISBN
2752:ISBN
2734:ISBN
2695:ISBN
2667:ISBN
2642:ISBN
2624:ISBN
2606:ISBN
2588:ISBN
2494:2013
2142:The
1535:and
1143:Ovid
1053:and
834:and
818:The
727:and
679:and
655:and
454:and
400:The
376:The
113:TORZ
41:The
2026:or
1981:by
1916:by
1600:by
1378:in
1341:by
1181:'s
1145:by
1108:in
1068:'s
854:by
723:by
577:by
539:by
424:by
404:by
360:by
171:of
167:to
163:of
109:LOO
84:ÉËr
45:or
2795::
2683:,
2395:^
2253:^
1850:.
1559:,
1520:.
1500:.
1472:;
1212:,
838:.
476:.
450:,
345:.
301:.
262:.
254:,
191:,
187:,
183:,
179:,
118:,
102:-/
90:,-
64:uË
2784:.
2650:.
1767:.
1676:)
1672:(
1033:(
99:Ë
96:É
93:k
87:z
81:t
78:Ë
75:ĂŠ
72:k
67:i
61:l
58:Ë
55:/
51:(
20:)
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