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from 1960 to 1962. By his own account, Shingū's interest in sculpture developed as his interest in abstraction was expanding. He hung a painting outside to record it photographically: the wind interfered. He became fascinated by the potential for three-dimensional movement. "The work that followed
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While he was still in Italy, a chance meeting with Kageki Minami, the president of Osaka
Shipbuilding Company, led to Shingū's return to Japan, where Minami allowed him a studio in his shipyard and access to the talents of company engineers. With this support, Shingū produced
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relied on natural forces to make it move or make sound, and he began using more sophisticated materials for outdoor works," as traditional art materials were either too heavy to supply graceful natural movement or too quickly degraded under outdoor conditions.
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in Tokyo, was a major event on the arts scene in Japan. Shingū was one of eight
Japanese sculptors chosen to represent the nation. The organizers commissioned a large piece from Shingu for the central plaza.
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in Tokyo in 1956, with a concentration in oil painting. A bursary from the
Italian government followed, allowing him to travel to
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Shingū's works have been exhibited internationally, and have won awards including the
Outdoor Sculpture Prize of
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He was quoted as saying "My works are ways of translating the messages of nature into visible movements".
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Shingu has published or contributed to edited works of his art in over ten volumes, including
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In 2012, a 3,000-sq.-meter open-air sculpture garden was established a in
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where his intention was to study figurative painting. He attended the
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He has also collaborated in theatre projects (including
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418:With the Sun
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320:Los Angeles
197:wind chimes
133:Early years
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742:Categories
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424:References
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284:Windcircus
253:Other work
37:1937-07-13
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233:program.
60:Sculpture
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296:Florence
278:and the
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80:Movement
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304:Finland
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312:Boston
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161:Career
108:Teflon
359:Italy
300:Lahti
265:Works
243:Sanda
237:Sanda
147:Italy
104:Japan
102:from
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