202:
Celtic leanings especially during the 1920s. Many of
Hennessy's pieces with titles ending on terms like "celtique", "gaélique" or "irlandais" are inspired by traditional folk melody and rhythms, but he rarely quotes actual folktunes. In the course of the 1920s he wrote most of his chamber music, including several duets, trios and quartets. These earned him the reputation of a "Celtic" composer to the extent that his original pre-War piano music became forgotten. In a French obituary, he was called "le barde de l'Irlande" and is credited as having saved "l'ancienne mélodie celtique".
198:. One contemporary critic wrote, "Il fut un humoriste d'une verve drue dont la drĂ´lerie Ă©tait faite Ă la fois d'observation et d'invention, de fantaisie et de psychologie." ("He was a humourist of great verve whose humour derived from observation and invention, fantasy and psychology"). However, despite favourable reviews in the French and German musical press, he initially did not succeed in having his music performed.
34:. After joining a group of Breton composers, he developed a reputation as a "Celtic" composer, drawing on his Irish heritage, and writing in a style that was unique in a French as well as an Irish context. Even though he has been almost forgotten after 1950, his music was applauded by contemporary French music critics including
97:
Upon completing his studies, Hennessy moved to London (1886–92) where he was married with two children and divorced (1893). Ten years of travel followed, including France, Belgium, Switzerland, and
Ireland, with a home base in Italy, before he settled in Paris around 1903. In July 1909, Hennessy was
201:
This changed only after his membership in the
Association des Compositeurs Bretons from 1912 and the integration of elements from the traditional music of Ireland, Scotland and Brittany into his compositions. Interrupted by World War I (which he spent near Montreux in Switzerland), he developed his
149:
and others throughout the 1920s. Hennessy's public recognition in France mainly began with his association. During the early 1920s, Hennessy also enjoyed a brief period when he had several performances in
Ireland following the first performance of his String Quartet No. 2, Op. 49 (1920) at the
205:
Hennessy was very critical of the contemporary avant-garde, particularly of Arnold
Schoenberg, and wrote numerous sarcastic and pessimistic letters and comments in the musical press. For him, a solution to what he perceived as a crisis was a turn to regional traditions of folk music and to
193:
style, with a prolific series of piano works and art songs in a descriptive and programmatic style inspired by sounds in his environment including nature, traffic, and industry. He also excelled in humoristic and satirical pieces, similar to but independent from
1300:
122:
78:, an Ohio Supreme Court judge and founding member of the American Republican Party. Before 1870 the family moved to Chicago, where Hennessy grew up. There is no proof for the assertion in
663:
87:
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556:
185:. Although his later music shows the influence of several contemporary stylistic directions, he never shook off this profound influence of the German
604:
755:, Op. 59, in an arrangement for cor anglais and organ, performed by Manfred Hoth (cor anglais) and Ulrich Leykam (organ), on: K&M Records, CD .
50:. In some works, he used jazz elements and took inspiration from funfairs and industrial noise, anticipating trends associated with the group of "
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79:
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Swan
Hennessy's music before 1900 was heavily influenced by his conservative education and his teachers' predilection for the music of
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780:
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1196:
1230:
770:, Op. 59, in an arrangement for cor anglais and string orchestra, performed by Rachel Tolmie (cor anglais), Bourbaki Ensemble, on:
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681:
738:: "25 January 1922: Premiere of Swan Hennessy's Second String Quartet, Paris. Art Music and the Struggle for Independence", in:
662:
Marjorie
Brennan: 'Swan song for one of Cork's revolutionary heroes', in: "Irish Examiner", 31 October 2016, p. 16; online
86:, but he may briefly have attended one of the (private) public schools there, before pursuing musical studies in Germany at the
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married with Claire, née
Przybyszewska (1883–1947), a Polish national he had met in Brussels. Her mother was a cousin of the
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75:
721:
A. Klein: "'L'indépendence n'est pas le meilleur chemin vers la gloire'. Une rétrospective de Swan
Hennessy", in:
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74:
before he became a lawyer in 1874. Hennessy's mother was Sarah J. Swan (c.1833–1880), a daughter of
984:
For Collet and
Chevaillier, see items in Bibliography and elsewhere; for Vuillemin, see reviews in
512:
526:
66:, of Irish origin and grew up in Chicago. His father, Michael David Hennessy (1837–1919), was a
792:. Contains: String Quartet No. 1 (Suite), Op. 46; No. 2, Op. 49; No. 3, Op. 61; No. 4, Op. 75;
190:
90:, 1879–86. Hennessy studied composition in an English-speaking class with the American teacher
742:, ed. Darragh Gannon and Fearghal McGarry (Dublin: Royal Irish Academy, 2022), pp. 33–39.
337:, Op. 71, for alto saxophone or viola (Op. 71bis) and piano (Paris: Éditions Max Eschig, 1929)
166:
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659:(MGG), first edition, ed. Friedrich Blume, vol. 6 (Kassel: Bärenreiter, 1957), cc. 152–153.
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8:
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301:, Op. 59, for cor anglais, violin, viola, cello (Paris: Max Eschig & Cie., 1925)
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161:
Hennessy died in 1929 from an embolic following a routine operation; the composer
761:, Op. 54 for two clarinets and bassoon, performed by Trio d'Ance di Bolzano, on:
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872:, performed by Marcin Murawski (viola) and Anna Starzec-Makandasis (piano), on
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186:
107:
967:, 4th edition (Bloomington, Indiana: Indiana University Press, 2013), p. 499;
295:, Op. 58, for flute, violin, viola, cello (Paris: Max Eschig & Cie., 1924)
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in Paris. The quartet is dedicated to the memory of the Irish revolutionary
631:
325:, Op. 68, for alto saxophone and piano (Paris: Max Eschig & Cie., 1926)
222:
138:
126:
35:
30:. In his pre-War piano music, he excelled as a miniaturist in descriptive,
209:
From the time Hennessy lived in Paris, his music was largely published by
106:. The couple's son Patrice Hennessy (1910–1973) later became a well-known
669:
Axel Klein: "An Irish-American in Paris: Swan Hennessy (1866–1929)", in:
331:, Op. 70, for flute, violin, bassoon (Paris: Max Eschig & Cie., 1926)
67:
22:(24 November 1866 – 26 October 1929) was an Irish-American composer and
762:
214:
195:
779:, Op. 54 for two clarinets and bassoon, performed by Trio Pleyel, on:
581:
Trois Mélodies sur des poésies d'André Delacour et de Leconte de Lisle
910:, performed by Marcin Murawski (viola) and Hanna Holeksa (piano), on
182:
125:
before World War I and continued to mix with their members including
728:
A. Klein: "Swan Hennessy: Eine Suche nach der verlorenen Zeit", in:
680:
Michael Dervan: "Swan Hennessy: Ireland's Great Lost Composer", in:
249:, Op. 10, for violin, cello, piano (London: Augener & Co., 1888)
189:. During the period 1907 to 1913, Hennessy wrote increasingly in an
349:, Op. 80, for violin and piano (Paris: Propriété de l'auteur, 1929)
255:, Op. 14, for violin and piano (London: Schott & Co., 1904; as
181:. Around the time of his move to Paris, he also been an admirer of
118:
355:, Op. 81, for cello and piano (Paris: Propriété de l'auteur, 1929)
319:, Op. 63, for cello and piano (Paris: Max Eschig & Cie., 1925)
313:, Op. 62, for viola and piano (Paris: Max Eschig & Cie., 1924)
1177:
http://www.bielekat.info/index.php?action=showdetail&id=39451
549:, Op. 31 (Charles Leconte de Lisle) (Paris: Julien Hamelle, 1907)
51:
23:
289:, Op. 54, for two clarinets and bassoon (Paris: E. Demets, 1921)
165:
gave the funeral speech. Hennessy and his family are buried at
83:
1301:
State University of Music and Performing Arts Stuttgart alumni
781:
bremenradiohall records brh cd 1305, CD and downloads (2013).
27:
283:, Op. 52, for violin, viola, cello (Paris: E. Demets, 1921)
634:, "La Musique chez soi – XCVII. Œuvres de Swan Hennessy",
402:, Op. 33 (Paris: F. Durdilly, Ch. Hayet, successeur, 1911)
991:
368:, Op. 12 (London: Augener & Co. 1902; revised ed. as
366:
Variations sur un thème original dans le style irlandais
94:
as well as piano with the German teacher Edmund Alwens.
1015:(Mainz: Schott Music, 2019), pp. 186, 300-302, 347-359.
277:, Op. 50, for violin and piano (Paris: E. Demets, 1915)
217:(who had taken over Demets). Other publishers included
1032:(2001) he was an "Irish-American settler"; see Klein,
607:, Anatole le Braz) (Paris: Éditions Max Eschig, 1928)
436:
Sentes et chemins (Nouvelles études d'après nature)
370:Variations on an Original Theme in the Irish Style
732:vol. 26 (2022) no. 1 (Jan.–Feb.), pp. 24–28.
1212:
990:, particularly during 1911–1913, accessible via
740:Ireland 1922. Independence, Partition, Civil War
671:Journal of the Society for Musicology in Ireland
498:, 5 volumes (Paris: Éditions Max Eschig, 1927–8)
1138:, 3 November 1929, p. 4.; documented in Klein,
1207:(illustrated introduction to S.H.), April 2019
1028:(1957) describes him as an Irish lawyer; for
583:, Op. 66 (Paris: Max Eschig & Cie., 1926)
492:, Op. 69 (Paris: Max Eschig & Cie., 1929)
480:, Op. 60 (Paris: Max Eschig & Cie., 1924)
307:, Op. 61 (Paris: Max Eschig & Cie., 1926)
673:, vol. 13 (2017–18), pp. 47–78; online
406:Petite suite sur les notes Mi Do Mi Fa Si Mi
486:, Op. 67 (Paris: Éditions Max Eschig, 1929)
343:, Op. 75 (Paris: Éditions Max Eschig, 1930)
206:incorporate these into works of art music.
121:, Hennessy was a member of the short-lived
1197:International Music Score Library Project
788:, performed by RTÉ ConTempo Quartet, on:
648:, 12 April 1929, p. 791–793, online
644:: "Un Entretien avec Swan Hennessy", in:
414:, Op. 36 (Mainz: B. Schott's Söhne, 1911)
408:, Op. 34 (Mainz: B. Schott's Söhne, 1911)
396:, Op. 28 (Mainz: B. Schott's Söhne, 1908)
1013:Bird of Time. The Music of Swan Hennessy
692:Bird of Time. The Music of Swan Hennessy
468:, Op. 55 (London: Evans & Co., 1924)
271:, Op. 49 (1920) (Paris: E. Demets, 1920)
237:. Dates below are years of publication.
963:Hinson, Maurice & Roberts, Wesley:
577:) (Paris: Éditions Max Eschig, 1925–32)
462:, Op. 53 (London: Evans & Co. 1924)
1213:
824:En passant ... (Études d'aprés nature)
418:En passant ... (Études d'aprés nature)
394:Variations sur un air irlandais ancien
247:Lieder an den Mond. Romantische StĂĽcke
82:that he studied "general subjects" in
657:Die Musik in Geschichte und Gegenwart
655:Guy Ferchault: "Hennessy, Swan", in:
235:List of compositions by Swan Hennessy
233:For a full list of compositions, see
1236:20th-century American male musicians
621:) (Paris: Éditions Max Eschig, 1934)
597:) (Paris: Éditions Max Eschig, 1927)
589:, Op. 72 (Charles Leconte de Lisle,
293:Variations sur un thème de six notes
725:no. 36 (April 2021), pp. 8–16.
169:, Paris, division 28, section III.
123:Association des Compositeurs Breton
13:
1175:See entry in Bielefelder Katalog:
502:
378:, Op. 21 (Paris: E. Demets, n.d. )
14:
1317:
1291:Musicians from Rockford, Illinois
1271:Classical musicians from Illinois
1261:American male classical composers
1186:
965:Guide to the Pianist's Repertoire
806:, performed by Moritz Ernst, on:
474:, Op. 57 (Paris: E. Demets, 1922)
456:, Op. 48 (Paris: E. Demets, 1913)
450:, Op. 47 (Paris: E. Demets, 1913)
444:, Op. 45 (Paris: E. Demets, 1912)
438:, Op. 44 (Paris: E. Demets, 1912)
432:, Op. 43 (Paris: E. Demets, 1912)
426:, Op. 41 (Paris: E. Demets, 1912)
420:, Op. 40 (Paris: E. Demets, 1912)
390:, Op. 27 (Paris: E. Demets, 1908)
384:, Op. 25 (Paris: E. Demets, 1907)
265:, Op. 46 (Paris: E. Demets, 1913)
259:: Mainz: B. Schott's Söhne, 1905)
228:
1266:American people of Irish descent
1241:20th-century classical composers
912:Acte Préalable AP 524 (CD, 2021)
874:Acte Préalable AP 490 (CD, 2020)
808:Perfect Noise PN 2006, CD (2020)
490:Banlieues ... Six Petites pieces
412:FĂŞtes. Deux Morceaux descriptifs
240:
152:World Congress of the Irish Race
16:Irish-American composer in Paris
1231:20th-century American composers
1169:
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1129:
1117:
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944:À la manière de Frédéric Chopin
625:
543:) (Paris: Julien Hamelle, 1908)
529:) (Paris: Julien Hamelle, 1908)
1281:American expatriates in France
1091:
1078:
1065:
1052:
1039:
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978:
957:
790:RTÉ lyric fm CD 159, CD (2019)
772:Wirripang Wirr 018, CD (2008).
569:, Op. 56 (Charles Baudelaire,
359:
257:Sonate en Fa (style irlandais)
70:-born former President of the
26:who lived much of his life in
1:
950:
846:, Op. 69; four excerpts from
746:
694:(Mainz: Schott Music, 2019);
638:, 5 December 1921, p. 4.
1256:American emigrants to France
1251:American classical composers
1246:20th-century Irish composers
1193:Free scores by Swan Hennessy
786:Complete String Quartets 1–4
763:Rainbow RW 98107, CD (1999).
72:Chicago City Railway Company
57:
7:
652:(accessed 13 January 2020).
10:
1322:
1296:Pupils of Percy Goetschius
563:) (Paris: E. Demets, 1921)
388:Nouvelles feuilles d'album
372:, Augener & Co., 1903)
341:Quatrième Quatuor à cordes
305:Troisième Quatuor à cordes
62:Swan Hennessy was born in
1286:Irish classical composers
1166:, 12 February 1930, p. 3.
916:Sonate en style irlandais
553:Trois Chansons espagnoles
547:Trois Chansons Ă©cossaises
466:Épigrammes d'un solitaire
454:Impressions humoristiques
253:Sonate en style irlandais
1306:String quartet composers
1126:, 28 October 1929, p. 3.
804:Selected Works for Piano
677:(accessed 30 July 2018).
587:Trois Chansons celtiques
513:Charles Leconte de Lisle
172:
1101:, chapter 8, pp. 249ff.
908:Viola and Piano Works 2
870:Viola and Piano Works 1
768:Quatre Pièces celtiques
753:Quatre Pièces celtiques
299:Quatre Pièces celtiques
263:Prémier Quatuor (Suite)
104:Stanisław Przybyszewski
994:; for Vuillermoz, see
472:Trois Pièces exotiques
88:Stuttgart Conservatory
527:José-Maria de Heredia
167:Montparnasse Cemetery
110:and an expert on the
1002:, 9 March 1925, etc.
920:Mazurka et Polonaise
76:Joseph Rockwell Swan
20:Edward Swan Hennessy
1276:Composers for piano
848:À la manière de ...
812:Au bord de la forĂŞt
798:Petit trio celtique
646:Le Guide du concert
619:Prosper Blanchemain
557:Emmanuel von Geibel
496:À la manière de ...
484:Rapsodie irlandaise
376:Au bord de la forĂŞt
281:Petit trio celtique
1204:Meet Swan Hennessy
1136:Journal des débats
1030:Baker's Dictionary
642:Lucien Chevaillier
541:Charles Baudelaire
117:Although not from
80:Baker's Dictionary
64:Rockford, Illinois
48:Lucien Chevaillier
32:programmatic music
1024:Guy Ferchault in
973:978-0-253-01022-3
936:Deuxième Sonatine
928:Rapsodie gaélique
894:Sonatine celtique
890:Rapsodie celtique
840:Croquis parisiens
816:Croquis de femmes
712:978-3-95983-594-7
700:978-3-95983-593-0
460:Sonatine celtique
448:Croquis parisiens
400:Croquis de femmes
347:Deuxième Sonatine
317:Rapsodie gaélique
311:Sonatine celtique
275:Rapsodie celtique
213:and from 1923 by
156:Terence MacSwiney
112:French Revolution
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279:
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248:
245:
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241:Chamber music
238:
236:
226:
224:
221:(London) and
220:
216:
212:
207:
203:
199:
197:
192:
191:Impressionist
188:
184:
180:
170:
168:
164:
163:Georges Migot
159:
157:
153:
150:January 1922
148:
144:
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136:
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109:
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55:
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45:
41:
37:
33:
29:
25:
21:
1203:
1171:
1163:
1159:
1151:
1147:
1140:Bird of Time
1139:
1135:
1131:
1123:
1119:
1112:Bird of Time
1111:
1106:
1099:Bird of Time
1098:
1093:
1086:Bird of Time
1085:
1080:
1073:Bird of Time
1072:
1067:
1060:Bird of Time
1059:
1054:
1047:Bird of Time
1046:
1041:
1034:Bird of Time
1033:
1020:
1012:
1011:Axel Klein:
1007:
999:
995:
985:
980:
964:
959:
943:
939:
935:
931:
927:
923:
919:
915:
914:. Contains:
907:
901:
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893:
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885:
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877:
876:. Contains:
869:
863:
859:
855:
851:
847:
843:
839:
835:
831:
827:
823:
819:
815:
811:
810:. Contains:
803:
797:
793:
785:
776:
767:
758:
752:
739:
729:
722:
691:
690:Axel Klein:
682:
670:
656:
645:
635:
632:Henri Collet
626:Bibliography
610:
605:Paul GĂ©raldy
600:
595:Pierre Scize
586:
580:
566:
552:
546:
532:
522:
508:
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176:
160:
139:Louis Aubert
127:Paul Le Flem
116:
96:
61:
36:Henri Collet
19:
18:
1226:1929 deaths
1221:1866 births
1154:, as above.
1142:, p. 415–6.
1114:, p. 261–9.
1062:, p. 29–33.
736:Harry White
360:Piano music
1215:Categories
1164:L'Européen
1152:L'Européen
1049:, p. 23–4.
951:References
942:, Op. 81;
938:, Op. 80;
934:, Op. 71;
930:, Op. 63;
926:, Op. 25;
922:, Op. 17;
918:, Op. 14;
900:, Op. 68;
896:, Op. 62;
892:, Op. 50;
888:, Op. 41;
884:, Op. 22;
882:Au village
880:, Op. 13;
842:, Op. 47;
838:, Op. 45;
834:, Op. 43;
830:, Op. 41;
826:, Op. 40;
822:, Op. 36;
818:, Op. 33;
814:, Op. 21;
796:, Op. 65;
747:Recordings
730:Piano News
613:, Op. 79 (
603:, Op. 73 (
535:, Op. 30 (
525:, Op. 26 (
515:) (Paris:
511:, Op. 23 (
215:Max Eschig
1088:, p. 195.
1000:Excelsior
904:, Op. 74.
800:, Op. 52.
716:paperback
704:hardcover
523:Epiphanie
225:(Mainz).
211:E. Demets
187:Romantics
183:Max Reger
100:Symbolist
58:Biography
1124:Comoedia
1075:, p. 61.
1036:, p. 21.
996:Comoedia
987:Comoedia
940:Sonatine
878:Berceuse
856:Chabrier
852:Borodine
832:Sonatine
794:Sérénade
430:Sonatine
353:Sonatine
119:Brittany
1199:(IMSLP)
1195:at the
1110:Klein,
1097:Klein,
1084:Klein,
1071:Klein,
1058:Klein,
1045:Klein,
992:Gallica
723:Euterpe
636:Comœdia
519:, 1908)
219:Augener
102:writer
52:Les Six
24:pianist
971:
710:
698:
223:Schott
84:Oxford
924:Étude
864:Ravel
820:FĂŞtes
509:Lydia
382:Étude
196:Satie
173:Music
28:Paris
969:ISBN
777:Trio
759:Trio
708:ISBN
696:ISBN
675:here
664:here
650:here
329:Trio
287:Trio
68:Cork
46:and
1026:MGG
706:),
54:".
1217::
862:,
858:,
854:,
850::
718:).
617:,
593:,
573:,
559:,
539:,
158:.
145:,
141:,
137:,
133:,
129:,
114:.
42:,
38:,
1179:.
975:.
946:.
866:.
714:(
702:(
687:.
666:.
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