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as one might expect. Subtle brush strokes are evident throughout. The artist appears to have used different techniques for the various elements. The black lines are the flattest elements, with the least depth. The colored forms have the most obvious brush strokes, all running in one direction. Most interesting, however, are the white forms, which clearly have been painted in layers, using brush strokes running in different directions. This generates a greater sense of depth in the white forms so that they appear to overwhelm the lines and the colors, which indeed they were doing, as
Mondrian's paintings of this period came to be increasingly dominated by white space.
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1174:(1943), he appears to have taken unfinished black-line paintings from Paris and completed them in New York by adding short perpendicular lines of different colors, running between the longer black lines, or from a black line to the edge of the canvas. The newly colored areas are thick, almost bridging the gap between lines and forms, and it is startling to see color in a Mondrian painting that is unbounded by black. Other works mix long lines of red amidst the familiar black lines, creating a new sense of depth by the addition of a colored layer on top of the black one. His painting
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period of painting. Again he addressed the walls, repositioning the colored cutouts, adding to their number, altering the dynamics of color and space, producing new tensions and equilibrium. Before long, he had established a creative schedule in which a period of painting took turns with a period of experimentally regrouping the smaller papers on the walls, a process that directly fed the next period of painting. It was a pattern he followed for the rest of his life, through wartime moves from Paris to London's
Hampstead in 1938 and 1940, across the Atlantic to Manhattan.
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1421:, carefully documented the studio on film and in still photographs before opening it to the public for a six-week exhibition. Before dismantling the studio, Holtzman (who was also Mondrian's heir) traced the wall compositions precisely, prepared exact portable facsimiles of the space each had occupied, and affixed to each the original surviving cut-out components. These portable Mondrian compositions have become known as "The Wall Works". Since Mondrian's death, they have been exhibited twice at Manhattan's Museum of Modern Art (1983 and 1995–96), once in
1258:(1942–1944), Mondrian replaced former solid lines with lines created from small adjoining rectangles of color, created in part by using small pieces of paper tape in various colors. Larger unbounded rectangles of color punctuate the design, some with smaller concentric rectangles inside them. While Mondrian's works of the 1920s and 1930s tend to have an almost scientific austerity about them, these are bright, lively paintings, reflecting the upbeat music that inspired them and the city in which they were made.
1405:, and set about to recreate the environment he had learned over the years was most congenial to his modest way of life and most stimulating to his art. He painted the high walls the same off-white he used on his easel and on the seats, tables and storage cases he designed and fashioned meticulously from discarded orange and apple-crates. He glossed the top of a white metal stool in the same brilliant primary red he applied to the cardboard sheath he made for the radio-phonograph that spilled forth his beloved
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yearnings. Mondrian continued to paint flowers in a secretive manner into the 1920s, claiming to friends that he did so for commercial reasons alone. The flower paintings were created under the taboo that was cast upon traditional genre and representational painting by an entire age swept up by the triumph of abstraction. Nevertheless, the
Mondrian flowers contribute to a broader view of the life and work of Mondrian – a view that diverges sharply from the traditional reading of his artistic evolution.
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possible to the truth and abstract everything from that, until I reach the foundation (still just an external foundation!) of things… I believe it is possible that, through horizontal and vertical lines constructed with awareness, but not with calculation, led by high intuition, and brought to harmony and rhythm, these basic forms of beauty, supplemented if necessary by other direct lines or curves, can become a work of art, as strong as it is true.
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728:(1912) and his various studies of trees from that year still contain a measure of representation, but, increasingly, they are dominated by geometric shapes and interlocking planes. While Mondrian was eager to absorb the Cubist influence into his work, it seems clear that he saw Cubism as a "port of call" on his artistic journey, rather than as a destination. Piet Mondrian's Cubist period lasted from 1912 to 1917.
753:, who were both undergoing their own personal journeys toward abstraction. Van der Leck's use of only primary colors in his art greatly influenced Mondrian. After a meeting with Van der Leck in 1916, Mondrian wrote, "My technique which was more or less Cubist, and therefore more or less pictorial, came under the influence of his precise method." With Van Doesburg, Mondrian founded
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Although one's view of the painting is hampered by the glass protecting it, and by the toll that age and handling have obviously taken on the canvas, a close examination of this painting begins to reveal something of the artist's method. The painting is not composed of perfectly flat planes of color,
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In the 1921 paintings, many, though not all, of the black lines stop short at a seemingly arbitrary distance from the edge of the canvas, although the divisions between the rectangular forms remain intact. Here, too, the rectangular forms remain mostly colored. As the years passed and
Mondrian's work
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As the years progressed, lines began to take precedence over forms in
Mondrian's paintings. In the 1930s, he began to use thinner lines and double lines more frequently, punctuated with a few small colored forms, if any at all. Double lines particularly excited Mondrian, for he believed they offered
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in New York City, where he would remain until his death. Some of
Mondrian's later works are difficult to place in terms of his artistic development because there were quite a few canvases that he began in Paris or London and only completed months or years later in Manhattan. The finished works from
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While
Mondrian's theories of abstraction have been his enduring legacy, he was also a painter of flowers. He began to paint flowers at the turn of the century, creating portraits of individual blooms that blended his strict artistic training and powers of observation to his spiritual and romantic
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about which he had been writing for two years. To hide the studio's structural flaws quickly and inexpensively, he tacked up large rectangular placards, each in a single color or neutral hue. Smaller colored paper squares and rectangles, composed together, accented the walls. Then came an intense
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means, and much of
Mondrian's work for the rest of his life was inspired by his search for that spiritual knowledge. In 1918, he wrote "I got everything from the Secret Doctrine", referring to a book written by Blavatsky. In 1921, in a letter to Steiner, Mondrian argued that his neoplasticism was
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Mondrian's art was highly utopian and was concerned with a search for universal values and aesthetics. He proclaimed in 1914: "Art is higher than reality and has no direct relation to reality. To approach the spiritual in art, one will make as little use as possible of reality, because reality is
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In the early paintings of this style, the lines delineating the rectangular forms are relatively thin, and they are gray, not black. The lines also tend to fade as they approach the edge of the painting, rather than stopping abruptly. The forms themselves, smaller and more numerous than in later
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Mondrian's earliest paintings showing a degree of abstraction are a series of canvases from 1905 to 1908 that depict dim scenes of indistinct trees and houses reflected in still water. Although the result leads the viewer to begin focusing on the forms over the content, these paintings are still
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I construct lines and color combinations on a flat surface, in order to express general beauty with the utmost awareness. Nature (or, that which I see) inspires me, puts me, as with any painter, in an emotional state so that an urge comes about to make something, but I want to come as close as
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Unlike the
Cubists, Mondrian still attempted to reconcile his painting with his spiritual pursuits, and in 1913 he began to fuse his art and his theosophical studies into a theory that signaled his final break from representational painting. While Mondrian was visiting the Netherlands in 1914,
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from well-traveled records. Visitors to this last studio seldom saw more than one or two new canvases, but found, often to their astonishment, that eight large compositions of colored bits of paper he had tacked and re-tacked to the walls in ever-changing relationships constituted together an
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During late 1920 and 1921, Mondrian's paintings arrive at what is to casual observers their definitive and mature form. Thick black lines now separate the forms, which are larger and fewer in number, and more of the forms are left white. This was not the culmination of his artistic evolution,
1166:(1933), a simple painting that innovated thick, colored lines instead of black ones. After that one painting, this practice remained dormant in Mondrian's work until he arrived in Manhattan, at which time he began to embrace it with abandon. In some examples of this new direction, such as
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this later period are visually busy, with more lines than any of his work since the 1920s, placed in an overlapping arrangement that is almost cartographical in appearance. He spent many long hours painting on his own until his hands blistered, and he sometimes cried or made himself sick.
1977:, wrote: "With its black floor and white walls hung with moveable panels of red, yellow and blue, the studio at Rue du Départ was not just a place for making Mondrians. It was a Mondrian – and a generator of Mondrians." He has been described as "the world's greatest abstract geometrist".
963:(1926). One of the most minimal of Mondrian's canvases, this painting consists only of two black, perpendicular lines and a small blue triangular form. The lines extend all the way to the edges of the canvas, almost giving the impression that the painting is a fragment of a larger work.
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cycling team's bicycles and clothing designs were inspired by
Mondrian's work throughout the 1980s. The French ski and bicycle equipment manufacturer Look, which also sponsored the team, used a Mondrian-inspired logo for a while. The style was revived in 2008 for a limited edition
654:"the art of the foreseeable future for all true Anthroposophists and Theosophists". He remained a committed Theosophist in subsequent years, although he also believed that his own artistic current, neoplasticism, would eventually become part of a larger, ecumenical spirituality.
339:(red, blue, and yellow), the three primary values (black, white, and gray), and the two primary directions (horizontal and vertical). Mondrian's arrival in Paris from the Netherlands in 1911 marked the beginning of a period of profound change. He encountered experiments in
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Over the next two decades, Mondrian methodically developed his signature style embracing the Classical, Platonic, Euclidean worldview where he simply focused on his, now iconic, horizontal and vertical black lines forming squares and rectangles filled with primary hues.
774:" ("The New Visualisation in Painting"), in twelve installments during 1917 and 1918. This was his first major attempt to express his artistic theory in writing. Mondrian's best and most-often quoted expression of this theory, however, comes from a letter he wrote to
1278:. The research found that the painting was in very good condition and that Mondrian painted the composition in one session. It also was found that the composition was changed radically by Mondrian shortly before his death by using small pieces of colored tape.
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Mondrian believed that "pure abstract art becomes completely emancipated, free of naturalistic appearances. It is no longer natural harmony but creates equivalent relationships. The realization of equivalent relationships is of the highest importance for life.
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These tendencies are particularly obvious in the "lozenge" works that Mondrian began producing with regularity in the mid-1920s. The "lozenge" paintings are square canvases tilted 45 degrees, so that they have a diamond shape. Typical of these is
1521:, Hughes referred to Mondrian considered again as "one of the greatest artists of the 20th century (...) who was one of the last painters who believed that the conditions of human life could be changed by making pictures". Dutch art historian
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when his father, Pieter Cornelius Mondriaan, was appointed head teacher at a local primary school. Mondrian was introduced to art from an early age. His father was a qualified drawing teacher, and, with his uncle, Frits Mondriaan (a pupil of
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environment that, paradoxically and simultaneously, was both kinetic and serene, stimulating and restful. It was the best space, Mondrian said, that he had inhabited. He was there for only a few months, as he died in February 1944.
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created a watch called the "Red Shiny Line (SUOZ297)" which pays tribute to Mondrian's "New York City, 3". This was followed in 2022 by the watch "RED, BLUE AND WHITE, BY PIET MONDRIAN (SUOZ344)" which celebrates the painting
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Series 6800 school bus for use as their tour bus, and then repaint it in a colored geometric pattern heavily inspired by Mondrian's grid-based paintings. The reason for this choice of pattern is never discussed in the TV
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painting. The piece is made up of a number of shimmering squares of bright color that leap from the canvas, then appear to shimmer, drawing the viewer into those neon lights. In this painting and the unfinished
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featured shift dresses in blocks of primary color with black bordering, inspired by Mondrian. The collection proved so popular that it inspired a range of imitations that encompassed garments from coats to
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City Council honored Mondrian by adorning walls of City Hall with reproductions of his works and describing it as "the largest Mondrian painting in the world." The event celebrated the 100th year of the
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for unfettered Paris for the second and last time in 1919, he set about at once to make his studio a nurturing environment for paintings he had in mind that would increasingly express the principles of
495:, fields, and rivers, initially in the Dutch Impressionist manner of the Hague School and then in a variety of styles and techniques that attest to his search for a personal style. These paintings are
994:. She stated in the catalog that "Holland has produced three great painters who, though a logical expression of their own country, rose above it through the vigor of their personality – the first was
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paintings were clearly more of a revolutionary change than an evolutionary one, representing the most profound development in Mondrian's work since his abandonment of representational art in 1913.
986:), visited Piet Mondrian's studio in Paris and acquired one of his diamond compositions, Painting I. This was then shown during an exhibition organized by the Society of Independent Artists in the
1437:(Academy of The Arts), in Berlin (22 February – 22 April 2007). His work was also shown in a retrospective exhibition at the Whitechapel Gallery in London, which ran from August – September 1955.
1216:, uses strips of painted paper tape, which the artist could rearrange at will to experiment with different designs. In October 2022 it was revealed that the work, which was first displayed at the
308:, as he changed his artistic direction from figurative painting to an increasingly abstract style, until he reached a point where his artistic vocabulary was reduced to simple geometric elements.
1212:(1942) is a complex lattice of red, blue, and yellow lines, occasionally interlacing to create a greater sense of depth than his previous works. An unfinished 1941 version of this work, titled
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1206:, departing from Liverpool. The new canvases that Mondrian began in Manhattan are even more startling, and indicate the beginning of a new idiom that was cut short by the artist's death.
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features a 20-inch by 20-inch canvas with a large red square in the upper right corner, a small blue square in the bottom left corner, and a yellow block with all outlined by black.
1540:. His name and his work sum up the High Modernist ideal. I don't like the word 'iconic', so let's say that he's become totemic – a totem for everything Modernism set out to be."
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In 1911, Mondrian moved to Paris and changed his name, dropping an "a" from "Mondriaan", to emphasize his departure from the Netherlands, and his integration within the Parisian
382:. His name and his work sum up the High Modernist ideal. I don't like the word 'iconic', so let's say that he's become totemic – a totem for everything Modernism set out to be."
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Introvigne, Massimo (2014). "From Mondrian to Charmion von Wiegand: Neoplasticism, Theosophy and Buddhism". In Noble, Judith; Shepherd, Dominic; Ansell, Robert (eds.).
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firmly rooted in nature, and it is only the knowledge of Mondrian's later achievements that leads one to search in these works for the roots of his future abstraction.
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The Mondrian / Holtzman Trust functions as Mondrian's official estate, and "aims to promote awareness of Mondrian's artwork and to ensure the integrity of his work".
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his paintings a new dynamism which he was eager to explore. The introduction of the double line in his work was influenced by the work of his friend and contemporary
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In 2022, Tecno, in Partnership with Museum of Fine Arts, released a Special Edition of their Camon 19 Pro smartphone, incorporating his paintings into its design.
590:) (1908), depicting a tree in a field at dusk, even augurs future developments by using a palette consisting almost entirely of red, yellow, and blue. Although
1178:, 1939–1942, characterized by primary colors, white ground and black grid lines clearly defined Mondrian's radical but classical approach to the rectangle.
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evolved further, he began extending all of the lines to the edges of the canvas, and he began to use fewer and fewer colored forms, favoring white instead.
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In these final works, the forms have indeed usurped the role of the lines, opening another new door for Mondrian's development as an abstractionist. The
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opposed to the spiritual. We find ourselves in the presence of an abstract art. Art should be above reality, otherwise it would have no value for man."
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From 1934 to 1935, three of Mondrian's paintings were exhibited as part of the "Abstract and Concrete" exhibitions in the UK at Oxford, London, and
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found the only known movie footage with Mondrian. The discovery of the film footage was announced at the end of a two-year research program on the
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and with the intent of integrating himself within the Parisian avant-garde removed an 'a' from the Dutch spelling of his name (Mondriaan).
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entitled "Picture Perfect" is about the team attempting to create and sell a Mondrian forgery. To do so, they must steal a real Mondrian (
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in Paris, designed a range of luggage and bags inspired by the latest works of Mondrian: inlays of red, blue, and yellow leather squares.
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in Germany, where it is now held. The gallery explained that it would continue to display it the wrong way up to avoid damaging it.
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Sellon, Emily B.; Weber, Renee (1992). "Theosophy and the Theosophical Society". In Faivre, Antoine; Needleman, Jacob (eds.).
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paintings, are filled with primary colors, black, or gray, and nearly all of them are colored; only a few are left white.
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in the Netherlands, the second of his parents' children. He was descended from Christian Dirkzoon Monderyan who lived in
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The Evening is Over, the Beauty Remains: A Semiotic Study of Piet Mondrian's Text "Natural Reality and Abstract Reality"
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at the Carpenter + Hochman Gallery (1984), once each at the Galerie Tokoro in Tokyo, Japan (1993), the XXII Biennial of
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for their hit "Love is a House", superimposing themselves performing inside of digitally drawn squares inspired by
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however. Although the refinements became subtler, Mondrian's work continued to evolve during his years in Paris.
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displayed the largest UK collection of Mondrian's works, in commemoration of the 70th anniversary of his death.
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The Jersey Surf Drum & Bugle Corps performed a show based on Piet Mondrian in their 2018 production titled .
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called the Mondrian process for its cover, which is named because of its resemblance to Piet Mondrian artworks.
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who is regarded as one of the greatest artists of the 20th century. He was one of the pioneers of 20th-century
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At the age of 71 in the fall of 1943, Mondrian moved into his second and final Manhattan studio at 15 East
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began, forcing him to remain there for the duration of the conflict. During this period, he stayed at the
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2700:"Dutch painter Piet Mondrian's Composition No. II sells for more than $ 75 million at Sotheby's auction"
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3969:(8 (Autumn, 1943)). Blackwell Publishing on behalf of The American Society for Aesthetics: 62–70.
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and moved to London. After the Netherlands was invaded and Paris fell in 1940, he left London for
3491:(1976). Mondrian, Piet. In Dictionary of Painters (p. 285). New York: Larousse and Co., Inc.
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On 23 September 1940 Mondrian left Europe for New York aboard the Cunard White Star Line ship
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Marwick, Arthur (2000). "The Art of Total War". In Chickering, Roger; Förster, Stig (eds.).
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2944:"Look! It's 1986! The French frame maker offers a limited edition Mondrian paint scheme"
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was the first museum to include one of Mondrian's paintings in its permanent exhibition.
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Exploring the Invisible: Art, Science, and the Spiritual – Revised and Expanded Edition
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released a pair of Dunk Low SB shoes inspired by Mondrian's neo-plastic paintings.
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General Collection, Beinecke Rare Book and Manuscript Library, Yale University.
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and Martin S. James. Documents of 20th-Century Art. Boston: G. K. Hall and Co.
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On 3 February 1944 a memorial was held for Mondrian at the Universal Chapel on
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In October 2020, Mondrian's heirs filed a lawsuit in a U.S. court against the
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Great War, Total War: Combat and Mobilization on the Western Front, 1914-1918
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included a life-size reconstruction of his Paris studio. Charles Darwent, in
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of artists), the younger Piet often painted and drew along the river Gein.
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Utopian Reality: Reconstructing Culture in Revolutionary Russia and Beyond
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Mondrian: The Life and Work of the Artist, Illustrated by 80 Colour Plates
3270:"Technology Meets Artistry in the New TECNO CAMON 19 Pro Mondrian Edition"
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featured a musical family who purchase an (already-old at the time) 1957
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in the late 19th century, and in 1909 he joined the Dutch branch of the
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1316: in this section. Unsourced material may be challenged and removed.
1055: in this section. Unsourced material may be challenged and removed.
826: in this section. Unsourced material may be challenged and removed.
428:
400:
359:
78:
3982:
4160:
3407:
3220:"SUOZ344 - RED, BLUE AND WHITE, BY PIET MONDRIAN - Swatch® Australia"
1937:
1890:
1690:
1671:
1631:
1619:
1537:
1474:
1455:
1426:
1155:
1014:
995:
700:
684:
668:
650:
464:
436:
379:
138:
4025:
3925:
2758:"Heirs Sue to Claim Mondrian Painting in Philadelphia Museum of Art"
1646:
1567:
in Krefeld, Germany, for the return of four paintings by Mondrian.
1413:
After his death, Mondrian's friend and sponsor in Manhattan, artist
1291:
1030:
801:
184:
4268:
3974:
3797:
The New Art – The New Life: The Collected Writings of Piet Mondrian
3306:"How Piet Mondrian became the world's greatest abstract geometrist"
3132:"Dutch city celebrates Mondrian with sky-high replica on city hall"
2792:"Heirs Sue Philadelphia Museum of Art for a Piet Mondrian Painting"
2719:"Mondrian's Heirs Stake Claim to Four Paintings in a German Museum"
1895:
1711:
named after Piet Mondrian in which programs look like abstract art.
1526:
1135:
755:
680:
492:
488:
472:
317:
297:
167:
119:
3350:. Aldershot (Hampshire) and Burlington (Vermont): Lund Humphries.
3086:
2890:
2383:
724:
appeared almost immediately in Mondrian's work. Paintings such as
2974:
1880:
1717:
is a software for interactive data visualization named after him.
1151:
983:
504:
371:
50:
4074:
3952:, translated by Jacques Bosser. Blaricum: V+K Publishing/Inmerc.
3948:
Welsh, Robert P., Joop J. Joosten, and Henk Scheepmaker (1998).
1150:
In September 1938, Mondrian left Paris in the face of advancing
990:– the first major exhibition of modern art in America since the
629:
and philosophical studies. In 1908, he became interested in the
4034:
2970:"Force M.D.s video "Love Is A House" made available on youtube"
2551:(1st ed.). New York: Harry N. Abrams, Inc. pp. 9–10.
1933:
1913:
1909:
1750:
922:
664:
657:
Mondrian and his later work were deeply influenced by the 1911
559:, c. late 1909 – early 1910, oil on masonite, 62 × 72 cm,
363:
340:
4185:
Composition with Large Red Plane, Yellow, Black, Grey and Blue
3108:
218:
2467:"Mondrian painting has been hanging upside down for 75 years"
276:
247:
4052:
Many sourced quotes of Piet Mondrian and biography-facts in
3560:(12 ed.). Belmont, CA: Thomson/Wadsworth. p. 780.
2523:"Museum of Modern Art, New York, Press release, August 1995"
671:. His search for simplification is shown in two versions of
1763:
1422:
1406:
641:. The work of Blavatsky and a parallel spiritual movement,
570:
are a number of paintings from this period, including such
362:), but also fields outside the domain of painting, such as
244:
3723:
Lodder, Christina; Kokkori, Maria; Mileeva, Maria (2013).
3462:
Dialectics of Painting: Mondrian's Diamond Series, 1918-44
2878:
2441:"Piet Mondrian artwork displayed upside down for 75 years"
2111:
1887:
features visual elements inspired by Mondrian's paintings.
1855:
The cover art of American psychedelic pop indie rock band
1477:. The service was attended by nearly 200 people including
232:
4055:
De Stijl 1917–1931 – The Dutch Contribution to Modern Art
3710:
Piet Mondrian: Colour, Structure, and Symbolism: An Essay
2403:"Liverpool Tate to host 'largest' UK Mondrian exhibition"
2242:. New York, NY: Larousse and Co., Inc. 1976. p. 285.
2099:
1626:, Mondrian was one of the main inspirations to the early
2922:"Yves Saint Laurent: 'Mondriawen' day dress (C.I.69.23)"
4037:– the holder of reproduction rights to Mondrian's works
3557:
Gardner's art through the ages: the Western perspective
3433:. Translated by Beamish, Caroline. Thames & Hudson.
1134:(1939–1942), oil on canvas, private collection. Fellow
716:. While in Paris, the influence of the Cubist style of
205:; 7 March 1872 – 1 February 1944), known after 1906 as
3110:
The largest Mondrian painting in the world – The Hague
2902:
2421:
2272:
2220:
1433:(1995), and – the first time shown in Europe – at the
2654:
2623:
2065:
2053:
2043:
2041:
921:
When World War I ended in 1918, Mondrian returned to
279:
250:
235:
3722:
3608:
Souvenirs cousus sellier: un demi-siècle chez Hermès
3129:
2389:
2013:
1872:
by M. Unser and P. Tafti uses a representation of a
598:, it is the earliest Mondrian painting to emphasize
241:
238:
221:
215:
2349:
273:
270:
229:
226:
3907:
3612:Saddle stitched memories: half a century at Hermès
3195:"THE RED SHINY LINE - SUOZ297 - Swatch® Australia"
2866:
2038:
1806:made a series of paintings based on the so-called
1146:works of art and ideals of peace and spirituality.
1020:
611:View from the Dunes with Beach and Piers, Domburg,
3444:. Washington, D.C.: German Historical Institute.
3294:https://mathcommunities.org/mondrian-art-puzzles/
1997:List of claims for restitution of Nazi-looted art
961:Schilderij No. 1: Lozenge With Two Lines and Blue
321:art movement and group, which he co-founded with
4281:
3087:"An introduction to sparse stochastic processes"
2992:
2597:LLC, Giancarlo Colfer, for Enterprise Computer.
3861:. World Spirituality. Vol. 21. Crossroad.
3074:"Piet Mondrian – Nike Dunk Low SB – Available!"
110:Rijksakademie (Academy of Fine Arts), Amsterdam
32:"Mondrian" redirects here. For other uses, see
3835:Mondrian: On the Humanity of Abstract Painting
3539:. United Kingdom: Princeton University Press.
2335:. London: Grange books. 2004. pp. 26–29.
1921:as part of a collaboration between Swatch and
1870:An Introduction to Sparse Stochastic Processes
545:), 1908–1910, oil on canvas, 70 × 99 cm,
4090:
3997:
3811:. Reprinted 1987, London: Thames and Hudson.
3472:Piet Mondrian, 1872–1944: Structures in Space
3076:, KicksOnFire.com. Retrieved 10 October 2017.
1796:Composition with Red, Yellow, Blue, and Black
1558:
625:Mondrian's art was intimately related to his
557:Spring Sun (Lentezon): Castle Ruin: Brederode
346:Mondrian's work had an enormous influence on
3388:(1. ed.). Cambridge, Mass.: MIT Press.
2615:: CS1 maint: multiple names: authors list (
2035:(New York: Harry N. Abrams), pp. 44 and 407.
1954:problem has been inspired by Mondrian's art.
1570:In December 2021, Mondrian's heirs sued the
1388:When the 47-year-old Piet Mondrian left the
515:Willow Grove: Impression of Light and Shadow
3962:The Journal of Aesthetics and Art Criticism
3856:
3819:. Reprinted 1993, New York: Da Capo Press.
2210:"Pieter Cornelis (Piet Mondrian) Mondriaan"
2105:
2083:
1928:The building facades and design details of
1458:on 1 February 1944 and was interred at the
415:Piet Mondrian lived in this house, now the
4097:
4083:
4063:Piet Mondrian: The Transatlantic Paintings
3747:: CS1 maint: location missing publisher (
3685:
3677:: CS1 maint: location missing publisher (
3402:
2946:. velonews.com. 8 May 2008. Archived from
2896:
2117:
1641:In the 1930s, the French fashion designer
1164:Lozenge Composition With Four Yellow Lines
731:
459:upbringing, in 1892, Mondrian entered the
390:
49:
3909:"Review of Boulez and the Modern Concept"
3891:. Lincoln: University of Nebraska Press.
3428:
1664:The 1970–1974 American television serial
1376:Learn how and when to remove this message
1115:Learn how and when to remove this message
886:Learn how and when to remove this message
4004:(Ph.D. thesis). University of Helsinki.
3712:. Bern: Verlag Gachnang & Springer.
3696:Mondriaan in het Gemeentemuseum Den Haag
3605:
3369:
3165:"[mondo mondrian] – Jersey Surf"
3130:Agence France-Presse (3 February 2017).
2908:
2660:
2305:
2290:
1898:movement which Mondrian helped to found.
1838:The front cover to Australian rock band
1597:
1593:
1226:
1180:
1126:
935:
908:
897:
694:
604:
551:
530:
509:
410:
394:
3955:
3905:
3875:
3652:
3553:
3534:
3469:
3437:
2884:
2756:Hickley, Catherine (13 December 2021).
2755:
2716:
2543:
2355:
2278:
2226:
2182:
2180:
2071:
2019:
1850:Composition II in Red, Blue, and Yellow
1848:(2007) is a tribute to Piet Mondrian's
1606:shown with a Mondrian painting in 1966.
941:Composition II in Red, Blue, and Yellow
507:. In 1893 he had his first exhibition.
475:. Most of his work from this period is
14:
4345:Deaths from pneumonia in New York City
4320:Dutch expatriates in the United States
4282:
3886:
3882:. New York: H. N. Abrams. p. 117.
3774:
3755:
3628:
3519:Great Modern Masters. New York: Cameo/
3458:
3107:Haag, Gemeente Den (7 February 2017),
2872:
2629:
2059:
2047:
2025:
1865:(1997), was inspired by Piet Mondrian.
772:De Nieuwe Beelding in de schilderkunst
708:, an early experimentation with Cubism
439:as early as 1670. The family moved to
4193:Composition with Red, Blue and Yellow
4078:
3501:. Pantheon. Budapest: Corvina Kiadó.
3410:(1993). Nattiez, Jean-Jacques (ed.).
2982:from the original on 3 November 2021.
2539:
2537:
2535:
2153:The Guggenheim Museums and Foundation
2135:The Guggenheim Museums and Foundation
1919:Composition in Red, Blue and White II
1586:before being gifted to the museum by
1440:
1268:In 2008 the Dutch television program
291:
202:[ˈpitərkɔrˈneːlɪsˈmɔndrijaːn]
200:
4047:RKD and Kunstmuseum Den Haag website
3638:. British Broadcasting Corporation.
3381:
3106:
2993:David Morgan-Mar (25 January 2008).
2645:in: "Episode 4, Trouble in Utopia".
2427:
2295:. Taylor & Francis. p. 207.
2177:
1879:The music video for English pop duo
1314:adding citations to reliable sources
1285:
1053:adding citations to reliable sources
1024:
824:adding citations to reliable sources
795:
791:
690:
491:images of his native country depict
145:Composition with Red Blue and Yellow
3959:(1943). "The Meaning of Mondrian".
3237:
2789:
2717:Hickley, Catherine (4 March 2018).
2573:"Piet Mondrian [1872–1944]"
1963:From 6 June to 5 October 2014, the
1449:
613:1909, oil and pencil on cardboard,
24:
3991:
2532:
2390:Lodder, Kokkori & Mileeva 2013
1536:wrote: "Mondrian has come to mean
524:, oil on canvas, 35 × 45 cm,
25:
4376:
4340:Burials at Cypress Hills Cemetery
4104:
4059:J. M. Meulenhoff, Amsterdam 1956.
4019:
3950:Piet Mondrian: Catalogue Raisonné
3515:Faerna, José María (ed.) (1997).
2926:Heilbrunn Timeline of Art History
2790:Liu, Jasmine (14 December 2021).
1507:Mondrian was described by critic
1222:Kunstsammlung Nordrhein-Westfalen
378:said: "Mondrian has come to mean
3781:(1. ed.). London: Phaidon.
3375:Mondrian: The Art of Destruction
2512:, 28 August 2008, visited: idem)
2308:"Piet Mondrian – Line over Form"
1958:
1543:On 14 November 2022, Mondrian's
1290:
1029:
974:, co-founder of New York City's
917:in Mondrian's Paris studio, 1923
800:
266:
211:
183:
3298:
3287:
3262:
3249:Information Services Department
3212:
3187:
3157:
3123:
3100:
3079:
3066:
3040:
3008:
2986:
2962:
2936:
2914:
2844:
2814:
2783:
2749:
2710:
2692:
2674:"Mondrian and the Contemporary"
2666:
2635:
2596:
2590:
2565:
2515:
2485:
2459:
2433:
2395:
2361:
2325:
2306:Thatcher, Lisa (30 June 2012).
2299:
2284:
2255:
2246:
2232:
2202:
2159:
2141:
1816:is a 20-story high-rise in the
1787:An episode of the BBC TV drama
1766:(online analytical processing)
1301:needs additional citations for
1040:needs additional citations for
1021:London and New York (1938–1944)
811:needs additional citations for
3837:. New York: George Braziller.
3412:The Boulez-Cage Correspondence
3072:Khan, Furqan (26 April 2008).
2371:. snap-dragon.com. 10 May 1994
2214:www.newnetherlandinstitute.org
2149:"Still Life with Gingerpot II"
2123:
2077:
1944:'s architectural project team.
1645:, who worked at that time for
1417:, and another painter friend,
1002:, and the third is Mondrian."
976:Society of Independent Artists
745:artists' colony, where he met
13:
1:
4201:Composition with Yellow Lines
4145:The Lighthouse in Westkapelle
3889:Boulez and the modern concept
3698:. : Gemeentemuseum Den Haag.
3632:(1980). "Trouble in Utopia".
3474:. Cologne: Benedikt Taschen.
3377:. London: Reaction Books Ltd.
3329:
3050:. Keith Milow. Archived from
2263:"Van Doesburg at Tate Modern"
2131:"Still Life with Gingerpot I"
1932:, a public housing estate in
1709:esoteric programming language
1658:Fall 1965 Mondrian collection
1574:for the return of Mondrian's
1281:
518:
3879:Piet Mondrian: Life and Work
3859:Modern Esoteric Spirituality
3614:]. Paris: Oliver Orban.
3048:"Keith Milow – Paintings II"
2497:Eerste filmbeelden Mondriaan
2033:Piet Mondrian: Life and Work
1802:In 2001–2003 British artist
1799:, 1921) from an art gallery.
315:He was a contributor to the
7:
4360:20th-century Dutch painters
4355:19th-century Dutch painters
4315:Dutch expatriates in France
4177:Composition with Grid No. 1
3906:Strauss, Walter A. (1989).
3429:Busignani, Alberto (1968).
1980:
1784:machine learning framework.
10:
4381:
4350:20th-century Dutch artists
4121:A Farmhouse Behind A Fence
3606:Guerrand, Jean R. (1988).
2930:Metropolitan Museum of Art
2240:The Dictionary of Painters
2188:"Mondrian and his Studios"
1904:In collaboration with the
1572:Philadelphia Museum of Art
1559:Claims for Nazi looted art
915:Pétro (Nelly) van Doesburg
673:Still Life with Ginger Pot
31:
4251:
4235:
4112:
3887:Stacey, Peter F. (1987).
3688:Black Mirror 0: Territory
3470:Deicher, Susanne (1995).
3336:Apollonio, Umbro (1970).
2504:26 September 2008 at the
1906:Thyssen-Bornemisza Museum
1842:'s fifth and final album
1613:National Museum of Serbia
1532:In 2022 design historian
1142:suggested a link between
635:Helena Petrovna Blavatsky
399:Mondrian's birthplace in
194:Pieter Cornelis Mondriaan
182:
177:
163:
125:
115:
105:
86:
65:Pieter Cornelis Mondriaan
60:
48:
41:
34:Mondrian (disambiguation)
27:Dutch painter (1872–1944)
4065:at harvardartmuseums.org
3876:Seuphor, Michel (1956).
3382:Bois, Yve-Alain (1993).
2899:, pp. 103, 116–117.
2854:. Anothertravelguide.com
2577:New Netherland Institute
2291:Galenson, David (2006).
2007:
1969:Mondrian and his Studios
1810:(1935–1940) by Mondrian.
503:and the vivid colors of
483:, consisting largely of
471:, but he also practiced
4305:Dutch abstract painters
4071:at Guggenheim, New York
3795:Mondrian, Piet (1986).
3554:Gardner, Helen (2006).
2822:"Composition with Blue"
2106:Sellon & Weber 1992
1987:Fourth dimension in art
1808:Transatlantic Paintings
1780:is an extension of the
732:Netherlands (1914–1918)
677:Stilleven met Gemberpot
547:Gemeentemuseum Den Haag
391:Netherlands (1872–1911)
385:
293:[pitˈmɔndrijɑn]
4330:People from Amersfoort
4217:Broadway Boogie Woogie
3998:Pääsky, Jaana (2019).
3694:Janssen, Hans (2008).
3653:Howarth, Lucy (2019).
3489:Larousse and Co., Inc.
3459:Cooper, Harry (1997).
3340:, Milano: Fabri 1976.
2897:Boulez & Cage 1993
2641:Hughes, Robert (1980)
2002:Mondrian and Theosophy
1607:
1460:Cypress Hills Cemetery
1454:Piet Mondrian died of
1431:University of Michigan
1244:Broadway Boogie-Woogie
1238:
1195:
1147:
947:
918:
906:
785:
709:
618:
563:
549:
528:
424:
408:
356:Abstract Expressionism
151:Broadway Boogie Woogie
4225:Victory Boogie Woogie
4041:Piet Mondrian Papers.
3775:Milner, John (1995).
3756:Milner, John (1992).
3574:Gooding, Mel (2001).
2261:Jackie Wullschlager,
2252:Mondrian 1986, 18–74.
1868:The mathematics book
1630:musical aesthetic of
1601:
1594:References in culture
1576:Composition with Blue
1565:Kaiser Wilhelm Museum
1276:Victory Boogie Woogie
1255:Victory Boogie Woogie
1232:Victory Boogie Woogie
1230:
1184:
1130:
939:
912:
901:
780:
698:
631:theosophical movement
608:
555:
534:
513:
427:Mondrian was born in
414:
398:
329:form which he termed
157:Victory Boogie Woogie
4057:, by H. L. C. Jaffé.
4030:Museum of Modern Art
3708:Locher, Hans (1994)
3635:The Shock of the New
3594:(Cambridge, cloth);
3535:Gamwell, L. (2020).
2648:The Shock of the New
2643:The Shock of the New
2171:Kunstmuseum Den Haag
1857:The Apples in Stereo
1782:Conformal Prediction
1689:1980s R&B group
1667:The Partridge Family
1602:Mondrian dresses by
1518:The Shock of the New
1513:The Shock of the New
1479:Alexander Archipenko
1310:improve this article
1236:Kunstmuseum Den Haag
1218:Museum of Modern Art
1172:Place de la Concorde
1144:non-representational
1049:improve this article
904:Kunstmuseum Den Haag
820:improve this article
770:Mondrian published "
763:), a journal of the
706:Kunstmuseum Den Haag
639:Theosophical Society
615:Museum of Modern Art
582:. Another painting,
568:Kunstmuseum Den Haag
561:Dallas Museum of Art
526:Dallas Museum of Art
461:Academy for Fine Art
423:, from 1880 to 1892.
327:non-representational
4325:Dutch male painters
4264:Mondrian Collection
4069:Mondrian collection
3760:. London: Phaidon.
3690:. Fulgur Esoterica.
3346:Bax, Marty (2001).
2950:on 10 December 2008
2887:, pp. 133–134.
2802:on 12 February 2022
2706:. 15 November 2022.
2173:. 15 November 2016.
1862:Tone Soul Evolution
1511:, in his 1980 book
1473:and 52nd Street in
1435:Akademie der Künste
543:Avond; De rode boom
405:The Mondriaan House
403:, Netherlands, now
374:. Design historian
4365:Dutch Theosophists
3465:(Thesis). Harvard.
3175:on 16 January 2018
2762:The New York Times
2723:The New York Times
2430:, pp. 157–86.
1942:Housing Department
1874:stochastic process
1745:system written in
1729:Microsoft Research
1725:scripting language
1654:Yves Saint Laurent
1608:
1604:Yves Saint Laurent
1588:Albert E. Gallatin
1553:Composition No. II
1545:Composition No. II
1525:, an authority on
1464:Brooklyn, New York
1441:Mondrian's flowers
1249:abstract geometric
1239:
1196:
1176:Composition No. 10
1162:Mondrian produced
1148:
1132:Composition No. 10
948:
919:
913:Piet Mondrian and
907:
776:H. P. Bremmer
710:
660:Moderne Kunstkring
619:
594:is only limitedly
572:Post-Impressionist
566:On display in the
564:
550:
529:
425:
409:
4277:
4276:
4137:Evening; Red Tree
4011:978-951-51-4875-9
3957:Wiegand, Charmion
3734:978-90-04-26322-2
3718:978-3-906127-44-6
3704:978-90-400-8443-0
3664:978-1-9160416-2-2
3602:(Cambridge, pbk).
3385:Painting as model
3348:Complete Mondrian
3054:on 7 October 2011
2680:. 28 October 2022
2603:MondrianTrust.com
2549:Mondrian: Flowers
2473:. 28 October 2022
2447:. 28 October 2022
2120:, pp. 49–61.
2084:Hans L.C. Jaffé.
1952:recreational math
1930:Chun Yeung Estate
1859:'s second album,
1652:Fashion designer
1499:Robert Motherwell
1386:
1385:
1378:
1360:
1140:Theo van Doesburg
1125:
1124:
1117:
1099:
998:, the second was
902:Tableau I, 1921,
896:
895:
888:
870:
792:Paris (1918–1938)
751:Theo van Doesburg
747:Bart van der Leck
691:Paris (1911–1914)
580:Trees in Moonrise
538:Evening; Red Tree
469:primary education
323:Theo van Doesburg
191:
190:
133:Evening; Red Tree
16:(Redirected from
4372:
4099:
4092:
4085:
4076:
4075:
4015:
3986:
3945:
3911:
3902:
3883:
3872:
3792:
3771:
3752:
3746:
3738:
3691:
3682:
3676:
3668:
3649:
3625:
3571:
3550:
3546:978-06-911910-58
3512:
3485:
3466:
3455:
3434:
3425:
3399:
3378:
3343:
3324:
3323:
3321:
3319:
3302:
3296:
3291:
3285:
3284:
3282:
3280:
3266:
3260:
3259:
3257:
3255:
3241:
3235:
3234:
3232:
3230:
3216:
3210:
3209:
3207:
3205:
3191:
3185:
3184:
3182:
3180:
3171:. Archived from
3161:
3155:
3154:
3152:
3150:
3127:
3121:
3120:
3119:
3117:
3104:
3098:
3097:
3095:
3093:
3083:
3077:
3070:
3064:
3063:
3061:
3059:
3044:
3038:
3037:
3035:
3033:
3028:on 19 April 2012
3027:
3021:. Archived from
3020:
3012:
3006:
3005:
3003:
3001:
2990:
2984:
2983:
2978:. 10 June 2010.
2966:
2960:
2959:
2957:
2955:
2940:
2934:
2933:
2918:
2912:
2906:
2900:
2894:
2888:
2882:
2876:
2870:
2864:
2863:
2861:
2859:
2848:
2842:
2841:
2839:
2837:
2828:. Archived from
2818:
2812:
2811:
2809:
2807:
2798:. Archived from
2787:
2781:
2780:
2778:
2776:
2753:
2747:
2746:
2744:
2742:
2733:. Archived from
2714:
2708:
2707:
2696:
2690:
2689:
2687:
2685:
2670:
2664:
2658:
2652:
2639:
2633:
2627:
2621:
2620:
2614:
2606:
2594:
2588:
2587:
2585:
2583:
2569:
2563:
2562:
2541:
2530:
2529:
2527:
2519:
2513:
2493:
2489:
2483:
2482:
2480:
2478:
2463:
2457:
2456:
2454:
2452:
2437:
2431:
2425:
2419:
2418:
2416:
2414:
2399:
2393:
2387:
2381:
2380:
2378:
2376:
2369:"Mondrian 1930s"
2365:
2359:
2353:
2347:
2346:
2329:
2323:
2322:
2320:
2318:
2312:lisathatcher.com
2303:
2297:
2296:
2293:Artistic Capital
2288:
2282:
2276:
2270:
2259:
2253:
2250:
2244:
2243:
2236:
2230:
2224:
2218:
2217:
2206:
2200:
2199:
2197:
2195:
2184:
2175:
2174:
2167:"De grijze boom"
2163:
2157:
2156:
2145:
2139:
2138:
2127:
2121:
2115:
2109:
2103:
2097:
2096:
2094:
2092:
2081:
2075:
2069:
2063:
2062:, pp. 9–10.
2057:
2051:
2045:
2036:
2031:Michel Seuphor,
2029:
2023:
2017:
1992:List of refugees
1820:neighborhood of
1749:and used within
1495:Alexander Calder
1471:Lexington Avenue
1450:Death and legacy
1381:
1374:
1370:
1367:
1361:
1359:
1318:
1294:
1286:
1120:
1113:
1109:
1106:
1100:
1098:
1057:
1033:
1025:
972:Katherine Dreier
945:Kunsthaus Zürich
891:
884:
880:
877:
871:
869:
828:
804:
796:
523:
520:
497:representational
348:20th-century art
302:art theoretician
295:
290:
286:
285:
282:
281:
278:
275:
272:
265:
257:
256:
253:
252:
249:
246:
243:
240:
237:
234:
231:
228:
224:
223:
220:
217:
204:
199:
187:
128:
93:
74:
72:
55:Mondrian in 1899
53:
39:
38:
21:
4380:
4379:
4375:
4374:
4373:
4371:
4370:
4369:
4335:School of Paris
4280:
4279:
4278:
4273:
4247:
4243:Mondriaan House
4231:
4108:
4103:
4022:
4012:
3994:
3992:Further reading
3989:
3926:10.2307/3685321
3899:
3869:
3831:Schapiro, Meyer
3789:
3768:
3740:
3739:
3735:
3670:
3669:
3665:
3646:
3622:
3568:
3547:
3510:
3482:
3452:
3422:
3396:
3371:Blotkamp, Carel
3341:
3332:
3327:
3317:
3315:
3304:
3303:
3299:
3292:
3288:
3278:
3276:
3268:
3267:
3263:
3253:
3251:
3243:
3242:
3238:
3228:
3226:
3218:
3217:
3213:
3203:
3201:
3193:
3192:
3188:
3178:
3176:
3163:
3162:
3158:
3148:
3146:
3128:
3124:
3115:
3113:
3105:
3101:
3091:
3089:
3085:
3084:
3080:
3071:
3067:
3057:
3055:
3046:
3045:
3041:
3031:
3029:
3025:
3018:
3014:
3013:
3009:
2999:
2997:
2991:
2987:
2968:
2967:
2963:
2953:
2951:
2942:
2941:
2937:
2932:. October 2006.
2920:
2919:
2915:
2907:
2903:
2895:
2891:
2883:
2879:
2871:
2867:
2857:
2855:
2850:
2849:
2845:
2835:
2833:
2826:philamuseum.org
2820:
2819:
2815:
2805:
2803:
2788:
2784:
2774:
2772:
2754:
2750:
2740:
2738:
2737:on 7 March 2018
2715:
2711:
2698:
2697:
2693:
2683:
2681:
2672:
2671:
2667:
2659:
2655:
2640:
2636:
2628:
2624:
2608:
2607:
2595:
2591:
2581:
2579:
2571:
2570:
2566:
2559:
2542:
2533:
2525:
2521:
2520:
2516:
2506:Wayback Machine
2491:
2490:
2486:
2476:
2474:
2465:
2464:
2460:
2450:
2448:
2439:
2438:
2434:
2426:
2422:
2412:
2410:
2409:. 19 April 2013
2401:
2400:
2396:
2388:
2384:
2374:
2372:
2367:
2366:
2362:
2354:
2350:
2343:
2331:
2330:
2326:
2316:
2314:
2304:
2300:
2289:
2285:
2277:
2273:
2267:Financial Times
2260:
2256:
2251:
2247:
2238:
2237:
2233:
2225:
2221:
2208:
2207:
2203:
2193:
2191:
2186:
2185:
2178:
2165:
2164:
2160:
2147:
2146:
2142:
2129:
2128:
2124:
2118:Introvigne 2014
2116:
2112:
2104:
2100:
2090:
2088:
2086:"Piet Mondrian"
2082:
2078:
2074:, pp. 7–8.
2070:
2066:
2058:
2054:
2046:
2039:
2030:
2026:
2018:
2014:
2010:
1983:
1961:
1923:Centre Pompidou
1741:is a web-based
1596:
1561:
1452:
1443:
1382:
1371:
1365:
1362:
1325:"Piet Mondrian"
1319:
1317:
1307:
1295:
1284:
1214:New York City I
1192:Centre Pompidou
1190:(1942), Paris,
1121:
1110:
1104:
1101:
1064:"Piet Mondrian"
1058:
1056:
1046:
1034:
1023:
988:Brooklyn Museum
892:
881:
875:
872:
835:"Piet Mondrian"
829:
827:
817:
805:
794:
734:
693:
609:Piet Mondrian,
535:Piet Mondrian,
521:
481:Impressionistic
455:After a strict
417:Villa Mondriaan
393:
388:
325:. He evolved a
296:), was a Dutch
288:
269:
260:
259:
225:
214:
210:
197:
126:
101:
95:
91:
90:1 February 1944
82:
76:
70:
68:
67:
66:
56:
44:
37:
28:
23:
22:
15:
12:
11:
5:
4378:
4368:
4367:
4362:
4357:
4352:
4347:
4342:
4337:
4332:
4327:
4322:
4317:
4312:
4307:
4302:
4297:
4292:
4275:
4274:
4272:
4271:
4266:
4261:
4255:
4253:
4249:
4248:
4246:
4245:
4239:
4237:
4233:
4232:
4230:
4229:
4221:
4213:
4205:
4197:
4189:
4181:
4173:
4165:
4157:
4149:
4141:
4133:
4125:
4116:
4114:
4110:
4109:
4102:
4101:
4094:
4087:
4079:
4073:
4072:
4066:
4060:
4050:
4044:
4038:
4035:Mondrian Trust
4032:
4021:
4020:External links
4018:
4017:
4016:
4010:
3993:
3990:
3988:
3987:
3975:10.2307/425946
3953:
3946:
3903:
3897:
3884:
3873:
3867:
3854:
3828:
3801:Harry Holtzman
3793:
3787:
3772:
3766:
3753:
3733:
3720:
3706:
3692:
3683:
3663:
3650:
3644:
3630:Hughes, Robert
3626:
3620:
3603:
3572:
3566:
3551:
3545:
3532:
3513:
3511:(in Hungarian)
3492:
3486:
3480:
3467:
3456:
3450:
3435:
3426:
3420:
3404:Boulez, Pierre
3400:
3394:
3379:
3367:
3344:
3333:
3331:
3328:
3326:
3325:
3297:
3286:
3261:
3236:
3224:www.swatch.com
3211:
3199:www.swatch.com
3186:
3156:
3122:
3099:
3078:
3065:
3039:
3007:
2985:
2961:
2935:
2913:
2901:
2889:
2877:
2865:
2843:
2813:
2782:
2748:
2709:
2691:
2665:
2653:
2634:
2632:, p. 200.
2622:
2589:
2564:
2557:
2545:Shapiro, David
2531:
2514:
2484:
2458:
2432:
2420:
2394:
2382:
2360:
2348:
2341:
2324:
2298:
2283:
2281:, p. 287.
2271:
2254:
2245:
2231:
2229:, p. 504.
2219:
2201:
2176:
2158:
2140:
2122:
2110:
2108:, p. 327.
2098:
2076:
2064:
2052:
2037:
2024:
2011:
2009:
2006:
2005:
2004:
1999:
1994:
1989:
1982:
1979:
1965:Tate Liverpool
1960:
1957:
1956:
1955:
1948:
1945:
1926:
1902:
1899:
1888:
1877:
1866:
1853:
1836:
1829:
1811:
1800:
1785:
1775:
1754:
1736:
1720:Mondrian is a
1718:
1712:
1702:
1699:Composition II
1687:
1679:
1675:Superior Coach
1662:
1650:
1639:
1616:
1595:
1592:
1560:
1557:
1534:Stephen Bayley
1523:Carel Blotkamp
1487:Marcel Duchamp
1451:
1448:
1442:
1439:
1415:Harry Holtzman
1384:
1383:
1298:
1296:
1289:
1283:
1280:
1123:
1122:
1037:
1035:
1028:
1022:
1019:
980:Marcel Duchamp
894:
893:
808:
806:
799:
793:
790:
765:De Stijl Group
733:
730:
722:Georges Braque
692:
689:
663:exhibition of
643:Rudolf Steiner
600:primary colors
431:, province of
392:
389:
387:
384:
376:Stephen Bayley
337:primary colors
189:
188:
180:
179:
175:
174:
165:
161:
160:
129:
123:
122:
117:
116:Known for
113:
112:
107:
103:
102:
96:
94:(aged 71)
88:
84:
83:
77:
64:
62:
58:
57:
54:
46:
45:
42:
26:
9:
6:
4:
3:
2:
4377:
4366:
4363:
4361:
4358:
4356:
4353:
4351:
4348:
4346:
4343:
4341:
4338:
4336:
4333:
4331:
4328:
4326:
4323:
4321:
4318:
4316:
4313:
4311:
4308:
4306:
4303:
4301:
4298:
4296:
4293:
4291:
4290:Piet Mondrian
4288:
4287:
4285:
4270:
4267:
4265:
4262:
4260:
4259:Neoplasticism
4257:
4256:
4254:
4250:
4244:
4241:
4240:
4238:
4234:
4227:
4226:
4222:
4219:
4218:
4214:
4211:
4210:
4209:New York City
4206:
4203:
4202:
4198:
4195:
4194:
4190:
4187:
4186:
4182:
4179:
4178:
4174:
4171:
4170:
4166:
4163:
4162:
4158:
4155:
4154:
4150:
4147:
4146:
4142:
4139:
4138:
4134:
4131:
4130:
4129:The Red Cloud
4126:
4123:
4122:
4118:
4117:
4115:
4111:
4107:
4106:Piet Mondrian
4100:
4095:
4093:
4088:
4086:
4081:
4080:
4077:
4070:
4067:
4064:
4061:
4058:
4056:
4051:
4048:
4045:
4042:
4039:
4036:
4033:
4031:
4027:
4026:Piet Mondrian
4024:
4023:
4013:
4007:
4003:
4002:
3996:
3995:
3984:
3980:
3976:
3972:
3968:
3964:
3963:
3958:
3954:
3951:
3947:
3943:
3939:
3935:
3931:
3927:
3923:
3919:
3915:
3910:
3904:
3900:
3898:0-8032-4183-6
3894:
3890:
3885:
3881:
3880:
3874:
3870:
3868:0-824-51444-0
3864:
3860:
3855:
3852:
3851:0-8076-1370-3
3848:
3844:
3843:0-8076-1369-X
3840:
3836:
3832:
3829:
3826:
3825:0-306-80508-1
3822:
3818:
3817:0-500-60011-2
3814:
3810:
3809:0-8057-9957-5
3806:
3802:
3798:
3794:
3790:
3788:0-7148-3167-0
3784:
3780:
3779:
3773:
3769:
3767:0-7148-2659-6
3763:
3759:
3754:
3750:
3744:
3736:
3730:
3726:
3721:
3719:
3715:
3711:
3707:
3705:
3701:
3697:
3693:
3689:
3684:
3680:
3674:
3666:
3660:
3656:
3651:
3647:
3645:0-563-17780-2
3641:
3637:
3636:
3631:
3627:
3623:
3621:2-85565-377-0
3617:
3613:
3609:
3604:
3601:
3600:0-521-00631-7
3597:
3593:
3592:0-521-80928-2
3589:
3585:
3584:1-85437-302-1
3581:
3577:
3573:
3569:
3567:0-495-00479-0
3563:
3559:
3558:
3552:
3548:
3542:
3538:
3533:
3530:
3529:0-8109-4687-4
3526:
3522:
3518:
3514:
3508:
3507:963-13-2265-3
3504:
3500:
3499:Piet Mondrian
3496:
3495:Hajdu, István
3493:
3490:
3487:
3483:
3481:3-8228-8885-0
3477:
3473:
3468:
3464:
3463:
3457:
3453:
3451:0-521-77352-0
3447:
3443:
3442:
3436:
3432:
3427:
3423:
3421:0-521-40144-5
3417:
3413:
3409:
3405:
3401:
3397:
3395:0-262-52180-6
3391:
3387:
3386:
3380:
3376:
3372:
3368:
3365:
3364:0-85331-822-0
3361:
3357:
3356:0-85331-803-4
3353:
3349:
3345:
3339:
3338:Piet Mondrian
3335:
3334:
3314:. 8 June 2017
3313:
3312:
3311:The Economist
3307:
3301:
3295:
3290:
3275:
3271:
3265:
3250:
3246:
3240:
3225:
3221:
3215:
3200:
3196:
3190:
3174:
3170:
3166:
3160:
3145:
3141:
3137:
3133:
3126:
3112:
3111:
3103:
3088:
3082:
3075:
3069:
3053:
3049:
3043:
3024:
3017:
3011:
2996:
2989:
2981:
2977:
2976:
2971:
2965:
2949:
2945:
2939:
2931:
2927:
2923:
2917:
2911:, p. 57.
2910:
2909:Guerrand 1988
2905:
2898:
2893:
2886:
2881:
2874:
2869:
2853:
2847:
2832:on 5 May 2021
2831:
2827:
2823:
2817:
2801:
2797:
2796:Hyperallergic
2793:
2786:
2771:
2767:
2763:
2759:
2752:
2736:
2732:
2728:
2724:
2720:
2713:
2705:
2701:
2695:
2679:
2675:
2669:
2662:
2661:Blotkamp 1994
2657:
2651:
2649:
2644:
2638:
2631:
2626:
2618:
2612:
2604:
2600:
2593:
2578:
2574:
2568:
2560:
2558:0-8109-3615-1
2554:
2550:
2546:
2540:
2538:
2536:
2524:
2518:
2511:
2507:
2503:
2500:
2498:
2488:
2472:
2468:
2462:
2446:
2442:
2436:
2429:
2424:
2408:
2404:
2398:
2392:, p. 57.
2391:
2386:
2370:
2364:
2357:
2352:
2344:
2342:9781840136562
2338:
2334:
2328:
2313:
2309:
2302:
2294:
2287:
2280:
2275:
2268:
2264:
2258:
2249:
2241:
2235:
2228:
2223:
2215:
2211:
2205:
2189:
2183:
2181:
2172:
2168:
2162:
2154:
2150:
2144:
2136:
2132:
2126:
2119:
2114:
2107:
2102:
2087:
2080:
2073:
2068:
2061:
2056:
2049:
2044:
2042:
2034:
2028:
2022:, p. 93.
2021:
2016:
2012:
2003:
2000:
1998:
1995:
1993:
1990:
1988:
1985:
1984:
1978:
1976:
1975:
1970:
1966:
1959:Commemoration
1953:
1949:
1946:
1943:
1939:
1935:
1931:
1927:
1924:
1920:
1915:
1911:
1907:
1903:
1900:
1897:
1892:
1889:
1886:
1882:
1878:
1875:
1871:
1867:
1864:
1863:
1858:
1854:
1851:
1847:
1846:
1841:
1837:
1834:
1830:
1827:
1826:Dallas, Texas
1823:
1819:
1815:
1812:
1809:
1805:
1801:
1798:
1797:
1792:
1791:
1786:
1783:
1779:
1776:
1773:
1769:
1765:
1762:
1758:
1755:
1752:
1748:
1744:
1740:
1737:
1734:
1730:
1726:
1723:
1719:
1716:
1713:
1710:
1706:
1703:
1700:
1696:
1692:
1688:
1684:
1683:La Vie Claire
1680:
1676:
1673:
1669:
1668:
1663:
1659:
1655:
1651:
1648:
1644:
1640:
1637:
1636:Pierre Boulez
1633:
1629:
1625:
1621:
1617:
1614:
1610:
1609:
1605:
1600:
1591:
1589:
1585:
1584:Curt Valentin
1581:
1580:Karl Buchholz
1577:
1573:
1568:
1566:
1556:
1554:
1550:
1546:
1541:
1539:
1535:
1530:
1528:
1524:
1520:
1519:
1514:
1510:
1509:Robert Hughes
1505:
1502:
1500:
1496:
1492:
1491:Fernand Léger
1488:
1484:
1480:
1476:
1472:
1467:
1465:
1461:
1457:
1447:
1438:
1436:
1432:
1428:
1424:
1420:
1419:Fritz Glarner
1416:
1411:
1408:
1404:
1399:
1396:
1395:neoplasticism
1391:
1380:
1377:
1369:
1358:
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1344:
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1337:
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1330:
1327: –
1326:
1322:
1321:Find sources:
1315:
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1305:
1304:
1299:This section
1297:
1293:
1288:
1287:
1279:
1277:
1273:
1272:
1271:Andere Tijden
1266:
1264:
1263:Boogie-Woogie
1259:
1257:
1256:
1250:
1246:
1245:
1241:His painting
1237:
1234:(1942–1944),
1233:
1229:
1225:
1223:
1219:
1215:
1211:
1210:
1209:New York City
1205:
1203:
1193:
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1188:
1187:New York City
1183:
1179:
1177:
1173:
1169:
1165:
1160:
1157:
1153:
1145:
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1129:
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1080:
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1066: –
1065:
1061:
1060:Find sources:
1054:
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807:
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718:Pablo Picasso
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702:
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686:
682:
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661:
655:
652:
648:
647:Anthroposophy
644:
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612:
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332:Neoplasticism
328:
324:
320:
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207:Piet Mondrian
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89:
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40:
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3337:
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3173:the original
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3136:The Guardian
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3052:the original
3042:
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2988:
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2954:22 September
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2938:
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2880:
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2830:the original
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2785:
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2735:the original
2722:
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2682:. Retrieved
2677:
2668:
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2656:
2647:
2642:
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2580:. Retrieved
2576:
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2510:NOS Journaal
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2475:. Retrieved
2471:the Guardian
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2373:. Retrieved
2363:
2356:Howarth 2019
2351:
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2311:
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2279:Gamwell 2020
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2227:Marwick 2000
2222:
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2170:
2161:
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2101:
2089:. Retrieved
2079:
2072:Deicher 1995
2067:
2055:
2050:, p. 9.
2032:
2027:
2020:Deicher 1995
2015:
1974:The Guardian
1972:
1968:
1962:
1918:
1884:
1869:
1860:
1849:
1845:Young Modern
1843:
1814:The Mondrian
1807:
1794:
1788:
1727:designed by
1698:
1665:
1575:
1569:
1562:
1552:
1547:was sold at
1544:
1542:
1531:
1516:
1512:
1506:
1503:
1483:Marc Chagall
1468:
1453:
1444:
1429:(1994), the
1412:
1400:
1387:
1372:
1366:October 2022
1363:
1353:
1346:
1339:
1332:
1320:
1308:Please help
1303:verification
1300:
1275:
1269:
1267:
1262:
1260:
1253:
1242:
1240:
1231:
1213:
1207:
1204: (1920)
1201:
1197:
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1171:
1167:
1163:
1161:
1149:
1131:
1111:
1105:October 2022
1102:
1092:
1085:
1078:
1071:
1059:
1047:Please help
1042:verification
1039:
1012:
1004:
978:(along with
969:
965:
960:
957:
953:
949:
940:
931:
927:
920:
882:
876:January 2018
873:
863:
856:
849:
842:
830:
818:Please help
813:verification
810:
786:
781:
771:
769:
760:
754:
735:
725:
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699:
676:
672:
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656:
633:launched by
624:
620:
610:
591:
587:
583:
579:
576:The Red Mill
575:
565:
556:
542:
536:
514:
477:naturalistic
454:
450:Hague School
446:Willem Maris
426:
416:
368:architecture
345:
330:
316:
314:
310:
306:abstract art
206:
193:
192:
172:abstract art
155:
149:
143:
137:
131:
127:Notable work
92:(1944-02-01)
75:7 March 1872
29:
4300:1944 deaths
4295:1872 births
4220:(1942–1943)
4140:(1908–1910)
3655:Marlow Moss
3169:Jersey Surf
3058:18 February
3032:18 November
3000:18 February
2873:Stacey 1987
2836:12 February
2806:12 February
2650:on Youtube.
2630:Hughes 1980
2477:11 November
2060:Milner 1995
2048:Milner 1992
1950:In 2024, a
1885:Bulletproof
1840:Silverchair
1804:Keith Milow
1770:written in
1761:open source
1743:code review
1695:music video
1643:Lola Prusac
1628:pointillist
1618:Along with
1403:59th Street
1390:Netherlands
1168:Composition
1008:Marlow Moss
992:Armory Show
739:World War I
714:avant-garde
522: 1905
501:pointillism
441:Winterswijk
421:Winterswijk
407:, a museum.
352:Color Field
4284:Categories
4153:By The Sea
3727:. Leiden.
3657:. London.
3408:Cage, John
3330:References
3204:1 February
3179:15 January
3092:3 February
3016:"Mondrian"
2775:27 January
2741:27 January
2582:28 October
2492:(in Dutch)
2451:28 October
2269:, 2010/6/2
1722:functional
1693:created a
1336:newspapers
1282:Wall works
1075:newspapers
846:newspapers
685:rectangles
617:, New York
485:landscapes
457:Protestant
429:Amersfoort
401:Amersfoort
360:Minimalism
354:painting,
79:Amersfoort
71:1872-03-07
4169:Evolution
4161:Gray Tree
4124:(c. 1904)
4113:Paintings
3934:0049-2426
3914:SubStance
3743:cite book
3673:cite book
3144:0261-3077
2770:0362-4331
2731:0362-4331
2678:Sotheby's
2599:"Mission"
2428:Bois 1993
2317:16 August
1938:Hong Kong
1891:The Hague
1831:In 2008,
1818:Cityplace
1735:platform.
1691:Force MDs
1672:Chevrolet
1634:composer
1632:serialist
1624:Kandinsky
1538:Modernism
1475:Manhattan
1456:pneumonia
1427:Sao Paulo
1200:RMS
1170:(1938) /
1156:Manhattan
1015:Liverpool
996:Rembrandt
970:In 1926,
778:in 1914:
761:The Style
701:Gray Tree
681:triangles
669:Amsterdam
651:empirical
627:spiritual
574:works as
493:windmills
465:Amsterdam
437:The Hague
380:Modernism
178:Signature
139:Gray Tree
106:Education
18:Tableau I
4310:De Stijl
4269:De Stijl
3845:(cloth)
3833:(1995).
3778:Mondrian
3758:Mondrian
3586:(Tate);
3517:Mondrian
3497:(1987).
3373:(1994).
3358:(cloth)
3229:29 March
3149:23 March
3116:23 March
2980:Archived
2704:ABC News
2611:cite web
2547:(1991).
2502:Archived
2445:BBC News
2407:BBC News
2333:Mondrian
1981:See also
1883:'s song
1822:Oak Lawn
1778:Mondrian
1757:Mondrian
1739:Mondrian
1731:for the
1715:Mondrian
1527:De Stijl
1136:De Stijl
1000:Van Gogh
943:, 1930,
756:De Stijl
704:, 1911,
596:abstract
489:pastoral
487:. These
473:painting
318:De Stijl
168:De Stijl
164:Movement
120:Painting
4252:Related
4236:Museums
4028:at the
3942:3685321
3254:6 March
2975:YouTube
2091:16 July
1881:La Roux
1678:series.
1549:Sotheby
1350:scholar
1202:Samaria
1152:fascism
1138:artist
1089:scholar
984:Man Ray
860:scholar
726:The Sea
584:Evening
505:Fauvism
448:of the
433:Utrecht
372:fashion
298:painter
4228:(1944)
4212:(1942)
4204:(1933)
4196:(1930)
4188:(1921)
4180:(1918)
4172:(1911)
4164:(1911)
4156:(1909)
4148:(1908)
4132:(1907)
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2858:4 June
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2555:
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2375:4 June
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1934:Fo Tan
1914:Swatch
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923:France
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341:Cubism
289:Dutch:
198:Dutch:
100:, U.S.
3979:JSTOR
3938:JSTOR
3920:(2).
3610:[
3274:Tecno
3026:(PDF)
3019:(PDF)
2526:(PDF)
2008:Notes
1896:Stijl
1357:JSTOR
1343:books
1096:JSTOR
1082:books
867:JSTOR
853:books
743:Laren
592:Avond
588:Avond
419:, in
264:also
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3360:ISBN
3352:ISBN
3320:2017
3281:2023
3256:2021
3231:2022
3206:2022
3181:2018
3151:2017
3140:ISSN
3118:2017
3094:2017
3060:2010
3034:2012
3002:2010
2956:2008
2860:2014
2838:2022
2808:2022
2777:2022
2766:ISSN
2743:2022
2727:ISSN
2686:2024
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