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Germaine Tailleferre

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104: 36: 1123: 380:, New York. Barton, like Tailleferre's father, did not support her musical pursuits. In her memoir, Tailleferre mentioned she barely did any composing during the 2 ½ years they were married. She remained in the United States until 1927, when she and her husband returned to France. They divorced shortly thereafter. 852:
Samuel Anthony Silva: "In Her Own Voice: Exploring the Role of the Piano in the Deuxième Sonate pour Violine et Piano by Germaine Taillferre," Doctoral Dissertation, 2008, University of Memphis Rudi E. Scheidt School of
646: 578:, a private school in Paris. During the last period of her life, she concentrated mainly on smaller forms due to increasing problems with arthritis in her hands. She nevertheless produced the 1435: 426:
In 1931 she gave birth to her only child, daughter Françoise Lageat, with lawyer Jean Lageat. The couple married one year later and would later divorce in 1955 after years of separation.
1564: 282:, France, but as a young woman she changed her last name from "Taillefesse" to "Tailleferre" to spite her father, who had refused to support her musical studies. She studied 856:
Genevieve McGahey: "Is life not an eternal new beginning?':Uncovering Germaine Tailleferre's Marchand d'oiseaux", Undergraduate Music Honors Thesis, 2012, Swarthmore College
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Janelle Gelfand: "Germaine Tailleferre (1892-1983) Piano and Chamber works," Doctoral Dissertation, 1999, University of Cincinnati College Conservatory of Music
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At the outbreak of World War II, she was forced to leave the majority of her scores at her home in Grasse, with the exception of her recently completed
334: 1235: 995: 310:. At the Paris Conservatory her skills were rewarded with prizes in several categories. Most notably, Tailleferre wrote 18 short works in the 1126: 1701: 1721: 1013: 627: 1676: 1039: 477:. Escaping across Spain to Portugal, she found passage on a boat that took her to the United States, where she lived the war years in 1666: 1641: 1045: 967: 603:
Germaine Tailleferre continued to compose right up until a few weeks before her death, on 7 November 1983 in Paris. She is buried in
571:, as well as an impressive number of film and television scores. The majority of this music was not published until after her death. 1551: 337:
who later married her sister Jeanne. It was in the Montparnasse atelier of one of her painter friends where the initial idea for
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In Britain, BBC Radio 3 broadcast five hours of biography and critique of Tailleferre's works, in one of its series
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Essential Dictionary of Music: The Most Practical and Useful Music Dictionary for Students and Professionals
1651: 1441: 355:'s media articles that led to instant fame for the group, of which Tailleferre was the only female member. 1716: 1496: 1486: 710: 17: 600:
for coloratura soprano and orchestra, which was premièred at the Paris Opera the year before her death.
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With her new friends, she soon was associating with the artistic crowd in the Paris districts of
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with her mother at home, composing short works of her own, after which she began studying at the
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In 1976, she accepted the post of accompanist for a children's music and movement class at the
287: 61: 1404: 1244: 1150: 618:, including recordings of her works (available as podcasts), in the final week of July 2023. 1636: 1631: 1578: 831:
Caroline Potter/Robert Orledge: "Germaine Tailleferre (1892-1983): A Centenary Appraisal",
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Tailleferre wrote many of her most important works during the 1920s, including her
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After the war, in 1946, she returned to her home in France, where she composed
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Les Six: the French composers and their mentors, Jean Cocteau and Erik Satie
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Laura Mitgang: "Germaine Tailleferre: Before, During and After Les Six" in
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Divertimento for chamber orchestra after keyboard pieces by Couperin
254: 1166: 1110: 339: 259: 395:(the most frequently performed ballet in the repertoire of the 253:; 19 April 1892 – 7 November 1983) was a French 828:, Vol. 11, Judith Lang Zaimont, editor (Greenwood Press, 1987) 596:); and pieces for young pianists. Her last major work was the 358:
In 1923, Tailleferre began to spend a great deal of time with
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and the only female member of the group of composers known as
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Concerto for Two Pianos, Chorus, Saxophones, and Orchestra
419:, as well as several pioneering film scores, including 930:Classical Music Now- Musik Fabrik Musik Publishing 1565:Tanzsuite aus Klavierstücken von François Couperin 895: 765:. Los Angeles: Alfred Publishing Co. p. 260. 590:Chorale and Variations for Two Pianos or Orchestra 492:, plus numerous other works including the ballets 711:"Gérard Billaudot Éditeur | Germaine Tailleferre" 500:(for the Royal Ballet of Copenhagen), the operas 1623: 677:Women and Music: A Journal of Gender and Culture 547:for baritone voice, piano, and orchestra, the 1229: 1151: 989: 628:List of compositions by Germaine Tailleferre 592:; a series of children's songs (on texts by 584:for oboe, clarinet, bassoon, and piano; the 429:The 1930s were even more fruitful, with the 407:for the ill-fated 1929 season of the famous 318:, the Conservatory's Assistant Professor of 932:Germaine Tailleferre at Classical Music Now 893: 760: 737:Germaine Tailleferre : La Dame des Six 1236: 1222: 1158: 1144: 996: 982: 553:Concertino for Flute, Piano, and Orchestra 102: 968:International Music Score Library Project 376:, an American caricaturist, and moved to 80:Learn how and when to remove this message 1003: 840:Germaine Tailleferre: a Bio-Bibliography 733: 43:This article includes a list of general 898:Les Mémoires de G. Tailleferre: dossier 866: 804: 108:Germaine Tailleferre and Mario Hacquard 14: 1624: 1243: 561:Concerto for Two Guitars and Orchestra 312:Petit livre de harpe de Madame Tardieu 1217: 1139: 977: 945:Suite Burlesque for piano duet (1981) 244: 670: 475:Three Études for Piano and Orchestra 423:, in which she used African themes. 366:. Ravel encouraged her to enter the 29: 1722:20th-century French women composers 1430:Concerto in E-flat (Dumbarton Oaks) 964:Free scores by Germaine Tailleferre 24: 860: 565:Second Sonata for Violin and Piano 549:Concerto for Soprano and Orchestra 462:. Her work in film music included 372:Competition. In 1926, she married 49:it lacks sufficient corresponding 25: 1733: 1702:People from Saint-Maur-des-Fossés 1677:French women film score composers 937: 1667:French women classical composers 1642:20th-century classical composers 1122: 1121: 1075:Pancarte pour une porte d'entrée 1063:Du style galant au style méchant 807:"One of 'Les Six' Still at Work" 761:Harnsberger, Lindsey C. (1997). 443:Du style galant au style méchant 216: 189: 34: 835:(Summer 1992), pp. 109–130 805:Mitgang, Laura (May 23, 1982). 470:and a series of documentaries. 212: 185: 894:Tailleferre, Germaine (1986). 779: 754: 727: 703: 664: 639: 13: 1: 1712:20th-century French composers 1647:Conservatoire de Paris alumni 632: 272:Marcelle Germaine Taillefesse 251:Marcelle Germaine Taillefesse 118:Marcelle Germaine Taillefesse 403:, which was commissioned by 266: 7: 1672:French film score composers 1552:Symphony in Three Movements 1497:Piano Sonata No. 3 (Enescu) 1492:Piano Sonata No. 3 (Chávez) 1487:Piano Sonata No. 1 (Enescu) 1165: 1046:Intermezzo pour deux pianos 545:Concerto des vaines paroles 413:Sous les ramparts d'Athènes 27:French composer (1892–1983) 10: 1738: 1662:French classical composers 1502:Piano Suite No. 2 (Enescu) 795: 734:Hacquard, Georges (1999). 625: 479:Philadelphia, Pennsylvania 343:began. The publication of 1588: 1529:El retablo de maese Pedro 1382: 1251: 1173: 1119: 1103: 1040:Deux poèmes de Lord Byron 1020: 1011: 788:, week of 22-27 July 2023 333:, including the sculptor 227: 162: 143: 113: 101: 94: 1412:Le bourgeois gentilhomme 867:Shapiro, Robert (2011). 842:(Greenwood Press, 1994) 833:Muziek & Wetenshap 2 621: 502:Il était un petit navire 496:(with Lise Delarme) and 458:, in collaboration with 1707:French ballet composers 1682:Impressionist composers 1536:Sonatine bureaucratique 902:(in French). Champion. 598:Concerto de la fidelité 522:Hans Christian Andersen 64:more precise citations. 1697:French opera composers 1692:Neoclassical composers 1657:Concert band composers 1601:Neoromanticism (music) 1572:Le Tombeau de Couperin 1069:Toccata for Two Pianos 1056:La guirlande de Campra 871:. London: Peter Owen. 740:. Paris: L'Harmattan. 671:Heel, Kiri L. (2011). 456:La cantate de Narcisse 454:, and her masterwork, 415:in collaboration with 246:[ʒɛʁmɛntɑjfɛʁ] 1095:Sonata for Two Pianos 689:10.1353/wam.2011.0001 586:Sonata for Two Pianos 557:Second Piano Concerto 393:Le marchand d'oiseaux 276:Saint-Maur-des-Fossés 132:Saint-Maur-des-Fossés 1442:Harpsichord Concerto 1391:Antiche arie e danze 1369:Germaine Tailleferre 1203:Germaine Tailleferre 1014:List of compositions 1005:Germaine Tailleferre 955:Germaine Tailleferre 616:Composer of the Week 385:First Piano Concerto 349:Le coq et l'Arlequin 238:Germaine Tailleferre 215: 1932; 188: 1926; 96:Germaine Tailleferre 1652:Composers for piano 1596:Neoclassical ballet 1522:The Rake's Progress 1405:Le baiser de la fée 1082:L'adieu du cavalier 452:Le marin de Bolivar 401:La nouvelle Cythère 399:during the 1920s), 1717:Composers for harp 1558:Symphony of Psalms 1374:Heitor Villa-Lobos 1245:Neoclassical music 926:womenofnote.co.uk/ 811:The New York Times 532:(to a libretto by 526:The Little Mermaid 288:Paris Conservatory 1619: 1618: 1611:Modernism (music) 1419:Concert champêtre 1304:Camargo Guarnieri 1211: 1210: 1133: 1132: 826:The Musical Woman 772:978-0-88284-728-3 747:978-2-7384-7102-4 715:www.billaudot.com 518:Philippe Soupault 364:Montfort-l'Amaury 235: 234: 90: 89: 82: 16:(Redirected from 1729: 1455:Mathis der Maler 1344:Sergei Prokofiev 1329:Bohuslav Martinů 1299:Radamés Gnattali 1238: 1231: 1224: 1215: 1214: 1160: 1153: 1146: 1137: 1136: 1125: 1124: 1089:Sonate champêtre 998: 991: 984: 975: 974: 946: 921: 901: 890: 838:Robert Shapiro: 821: 819: 817: 789: 783: 777: 776: 758: 752: 751: 731: 725: 724: 722: 721: 707: 701: 700: 668: 662: 661: 659: 658: 643: 581:Sonate champêtre 576:École alsacienne 514:La petite sirène 405:Sergei Diaghilev 335:Emmanuel Centore 316:Caroline Luigini 248: 243: 220: 218: 214: 193: 191: 187: 150: 127: 125: 106: 92: 91: 85: 78: 74: 71: 65: 60:this article by 51:inline citations 38: 37: 30: 21: 1737: 1736: 1732: 1731: 1730: 1728: 1727: 1726: 1622: 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Retrieved 653:. 2022-04-09 651:the Guardian 650: 641: 613: 602: 597: 594:Jean Tardieu 589: 585: 579: 575: 573: 568: 564: 560: 556: 552: 548: 544: 540: 529: 513: 509: 501: 497: 493: 483: 474: 472: 463: 455: 451: 447: 441: 434: 430: 428: 425: 420: 417:Paul Claudel 412: 400: 392: 388: 384: 382: 374:Ralph Barton 369:Prix de Rome 367: 357: 353:Henri Collet 351:resulted in 348: 345:Jean Cocteau 338: 331:Montparnasse 324: 311: 280:Val-de-Marne 274:was born at 271: 270: 258: 250: 237: 236: 174:Ralph Barton 149:(1983-11-07) 136:Val-de-Marne 76: 67: 48: 1637:1983 deaths 1632:1892 births 1606:Neotonality 1579:Gli uccelli 1474:Oedipus rex 1284:Louis Durey 1264:Béla Bartók 1183:Louis Durey 786:Radio Times 520:, based on 494:Paris-Magie 460:Paul Valéry 439:opera cycle 292:Louis Durey 202:Jean Lageat 62:introducing 18:Tailleferre 1626:Categories 1515:Pulcinella 1354:Erik Satie 909:2852030128 720:2021-02-23 657:2022-11-21 633:References 611:, France. 567:, and the 524:'s story " 486:orchestral 327:Montmartre 124:1892-04-19 45:references 1252:Composers 1051:Sarabande 1028:Pastorale 887:743140202 697:1553-0612 530:Le maître 498:Parisiana 378:Manhattan 267:Biography 1127:Category 918:15103703 528:"), and 448:Zoulaïna 255:composer 228:Children 157:, France 138:, France 70:May 2010 1687:Les Six 1481:Orpheus 1167:Les Six 1111:Les Six 1104:Related 970:(IMSLP) 966:at the 950:YouTube 816:May 15, 796:Sources 541:Parfums 536:), the 534:Ionesco 510:Dolores 437:, the 340:Les Six 260:Les Six 249:; born 242:French: 221:​ 209:​ 205:​ 194:​ 182:​ 178:​ 163:Spouses 58:improve 1398:Apollo 916:  906:  885:  875:  846:  769:  744:  695:  563:, her 559:, the 555:, the 551:, the 543:, the 516:(with 504:(with 433:, the 421:B'anda 411:, and 387:, the 306:, and 47:, but 1462:Mavra 1053:from 1030:from 853:Music 622:Works 284:piano 211:( 207: 184:( 180: 155:Paris 959:IMDb 914:OCLC 904:ISBN 883:OCLC 873:ISBN 844:ISBN 818:2019 767:ISBN 742:ISBN 693:ISSN 488:and 450:and 329:and 320:harp 314:for 217:div. 190:div. 144:Died 114:Born 957:at 948:on 685:doi 508:), 466:by 1628:: 912:. 881:. 809:. 713:. 691:. 681:15 679:. 675:. 649:. 607:, 588:; 512:, 481:. 322:. 302:, 298:, 294:, 278:, 263:. 213:m. 186:m. 134:, 1237:e 1230:t 1223:v 1159:e 1152:t 1145:v 1084:" 1080:" 997:e 990:t 983:v 920:. 889:. 820:. 775:. 750:. 723:. 699:. 687:: 660:. 240:( 231:1 126:) 122:( 83:) 77:( 72:) 68:( 54:. 20:)

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Tailleferre
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Saint-Maur-des-Fossés
Val-de-Marne
Paris
Ralph Barton
[ʒɛʁmɛntɑjfɛʁ]
composer
Les Six
Saint-Maur-des-Fossés
Val-de-Marne
piano
Paris Conservatory
Louis Durey
Francis Poulenc
Darius Milhaud
Georges Auric
Arthur Honegger
Caroline Luigini
harp
Montmartre
Montparnasse
Emmanuel Centore
Les Six
Jean Cocteau

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