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386:(1928 & 1946). Also released on CD are extracts from a performance of Aida from 1937; unfortunately, all of Act IV is missing. Also available on CD is a recording of Verdi's Requiem from December 1940, but again only in extracts. During the 1920s, '30s and '40s, he also made many impressive recordings of individual arias from operas by Verdi, Bellini,
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and several French composers. Made originally for the
Fonotipia, Columbia, Cetra and HMV labels, many of these 78-rpm discs have been re-released on CD in recent times by Preiser and other firms.
272:. A performance of Don Giovanni with Pasero singing Leporello and Ezio Pinza singing the Don was broadcast in 1932. Unfortunately, no recording exists of this performance.
244:, Milan, where he made his debut in 1926, would become his main artistic home, but American audiences did get to hear him from 1929 until 1933, when he sang at the
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Pasero was widely regarded as having one of the finest basso voices of his era, ranking on a par with those of his acclaimed compatriots
Fernando Autori,
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Pasero's reputation for high-quality singing is borne out by his recorded legacy, which includes recordings of five complete works, available on CDs:
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347:. Indeed, the voice of Pasero closely resembled that of Pinza in terms of its range, size and exceedingly vibrant tonal qualities.
238:, Pasero went on to make guest appearances in London, Paris, Barcelona, Berlin, Hamburg, Brussels, Buenos Aires and New York City.
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Roland
Mancini and Jean-Jacques Rouveroux, (orig. H. Rosenthal and J. Warrack, French edition),
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After retiring from the stage, Pasero dedicated his time to teaching. Among his pupils was
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who enjoyed a long and distinguished singing career in his native country and abroad.
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Arturo
Pessina in Turin, Pasero made his debut there, during 1917, as Ramphis in
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and participated in the first performances of several other operas, notably,
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on 12 January 1929 at La Scala. He also enjoyed considerable success in such
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The
Metropolitan Opera Encyclopedia: A Complete Guide to the World of Opera
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Pasero notably sang the role The Miller in the world premiere of
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432:, Les indispensables de la musique (Fayard, 1995).
336:In 1950, when only 58, Pasero abandoned the stage.
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46:but its sources remain unclear because it lacks
483:Burials at the Cimitero Monumentale di Milano
309:. Pasero appeared, too, in the title part in
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77:Learn how and when to remove this message
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478:20th-century Italian male opera singers
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236:The Concise Oxford Dictionary of Opera
418:(Simon and Schuster, New York 1987).
221:, on 15 December 1918, as Rodolfo in
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248:. His roles at the Met included
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356:Monumental Cemetery of Milan
187:– 17 February 1983 in
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203:After studying with the
32:This article includes a
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199:Career & recordings
61:more precise citations.
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354:Pasero's grave at the
108:Background information
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458:Musicians from Turin
377:Un ballo in maschera
371:La forza del destino
368:(recorded in 1937),
341:Nazzareno De Angelis
183:(11 January 1893 in
16:Italian opera singer
403:Monumental Cemetery
414:D. Hamilton (ed.),
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246:Metropolitan Opera
34:list of references
311:Modest Mussorgsky
191:) was an Italian
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430:Guide de l’opéra
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277:Umberto Giordano
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141:17 February 1983
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167:Years active
143:(1983-02-17)
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67:October 2009
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53:Please help
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468:1983 deaths
463:1893 births
380:(1943) and
59:introducing
447:Categories
392:Ponchielli
345:Ezio Pinza
158:Occupation
129:1893-01-11
114:Birth name
388:Donizetti
307:Gurnemanz
171:1917–1950
374:(1941),
327:Pizzetti
319:Mascagni
291:Heinrich
258:Ferrando
254:Raimondo
242:La Scala
205:baritone
409:Sources
358:in 2015
331:Orseolo
250:Oroveso
219:Vicenza
55:improve
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323:Nerone
299:Pogner
287:Wagner
270:Alvise
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161:Singer
150:Genres
365:Norma
315:Boris
303:Hagen
295:Marke
282:Il re
209:Verdi
189:Milan
185:Turin
153:Opera
40:, or
434:ISBN
420:ISBN
383:Aida
343:and
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214:Aida
193:bass
138:Died
123:Born
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