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Television personalities in Japan

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referring to the self and others, and indirect and empathetic speech. These skills are viewed as unlikely and impressive in a non-native Japanese speaker. Thus the main attraction of gaijin tarento is not their talent or fame but their clown-like clumsy use of the Japanese language, which serves to further define the Japanese as 'those who can speak Japanese'. Gaijin tarento is overall an objectification of foreigners that reinforces the separateness, uniqueness, and specialness of "Japaneseness".
486: 905:, stated, " doing things like the lowest bozo, circus kind of stuff. But it doesn't bother me at all. A lot of times the foreigners on TV, models and what-not, are compared to pandas. They use that term here — pandas — because they're cuddly, you can go and have fun with them, and throw a marshmallow and that's about it. And you don't get involved any deeper than that. But...since I'm making half a million dollars a year, I'm very happy to be a panda." 73: 563: 175: 32: 893:, is a foreign celebrity active exclusively or almost exclusively in Japan. The phrase literally means "foreign talent". Having at least a conversational level Japanese, combined with foreign looks as well as a standout personality, they are often chosen because they meet the Japanese stereotypes of foreigners (for example, the notion that Americans generally look rugged and have blond hair and blue eyes). 908:
Gaijin tarento largely inspire interest in the Japanese viewer due to their use of the Japanese language, a feat considered especially remarkable by the Japanese. Native Japanese speakers consider their language to be especially difficult to learn due to the depth of ritual expressions, methods of
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These are usually former athletes who flourished as sportspeople and have retired to become a tarento in the entertainment industry. Due to their achievements as athletes in their respective sports, they garner a good deal of attention and often become successful television personalities. Athlete
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Occasionally, people will become tarento as a result of a directional shift in their career due to a loss of popularity and relevance in their original field. It is especially common for musicians to become tarento due to the tremendous turnover in acts that are featured by record labels. Some
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Owarai tarento have different genres and cast-types on television programs. In variety shows, they are generally cast to create comedic effect and to keep conversation flowing. Some owarai tarento become MCs (Masters of Ceremony) in later stages of their career, where they direct the flow of a
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Celebrities that have established themselves or are/were active in another field within the industry are considered to be multi-tarento. These people usually come from a different background within the entertainment industry than just appearing on television programs. They then transition into
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Sometimes, Tarento are given prominent air time on TV and are promoted heavily due to their association or relationship to an established celebrity or politician, and not because they possess any discernible skills for entertaining audiences. One of the bigger examples of this phenomenon is
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Additionally, Tarento, both male and female, may be discovered and be given considerable exposure due to their perceived physical beauty and endowments, but the way they are promoted is different from being strictly a fashion model. This is because they spend time making music CDs,
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is to pay for initial support the agencies gave them in terms of free housing, financial stipends, and promotion of that person. These cuts can sometimes be as much as 90%. However, their work achieves social prominence (and all the associated benefits) and a successful
760:(ネタ) that gave them notoriety and hardly ever expand on their character. It is these figures that tend to have the shortest shelf life on TV as they quickly fade into obscurity after the novelty of their act wears off. They are known in Japan as 357:, whether men or women, have notoriously short career spans (around one or two years) and their earning capabilities are not as high as popularly imagined. The vast majority make just enough to maintain a middle-class lifestyle in 755:
These are people on programs that have a "trademarked" phrase, wardrobe, or mannerism that is used to elicit laughs from the audience. Their on-TV characters tend to be very shallow as they milk the comic device or
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becoming television personalities. Multi-tarento can be actors, musical artists, models, voice actors, directors or anyone known for their work within the industry. In the United States and European countries,
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program and often the most important individuals for the show. The MCs are usually those with exceptional conversational abilities and reaction, as they hold an important role. Examples are
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or movies, they are distinguished from mainstream actors by the fact that, where an actor might go on variety television to advertise their latest venture,
313:(徹子の部屋, Tetsuko no Heya). This program, as of 2022, has been broadcast for 47 years and more than 11,000 times, repeatedly winning Guinness World Records. 321:
shows. Their participation in these programs varies greatly and includes performing, voicing opinions, mimicking fellow celebrities in a practice called
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tarento can be active athletes as well, although most often they do not enter the entertainment industry until after retirement. Examples are
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Japanese television programs often feature these media personalities. Many, sometimes dozens at a time, are called in to take part in these
990: 922:, who debuted as part of a singing trio and made a name for herself based on a rapid wit and willingness to put herself down for a laugh; 789:, and television appearances that capitalize on their physical beauty or on-screen charisma. These people are occasionally referred to as 116: 901:, and are cast differently depending on their ethnicities. In the 1991 documentary "The Japanese Version", veteran foreign personality, 637: 1212: 1186: 1160: 433:
might be widely disliked by audiences and still make a living; being disliked is a part of their character. Additional elements of a
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is recognized as a prominent director, but is still evaluated as a "multi-talent" in Japan, still appears on some
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who are unable to leverage their career into something larger sometimes slowly fade away into eventual obscurity.
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Miller, Laura (1995). "Crossing ethnolinguistic boundaries: A preliminary look at the gaijin tarento in Japan".
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often appear on variety shows with no apparent promotional agenda outside of a personal one.
429:"). The distinction between the first two terms is an important one, as celebrities such as 1208: 1182: 1156: 773: 939: 8: 1360: 740: 649: 280: 1055: 824: 669: 303: 996: 681: 665: 1302: 844: 728: 657: 532: 449: 445: 440:
s character may include their origins and other careers (e.g., author/illustrator
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or "dumb idols". Many of the men that fall into this category come from
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use their looks to this effect). The way by which a person becomes
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on the low end) or appearance (many non-Japanese talents such as
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Mass Communication in Japan – Anne Cooper-Chen – Google Books
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include the degree to which their names are publicly known
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career can be the launching point for a career as movie
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are seen as curiosities by the Japanese, just as other
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Celebrities who regularly appear in mass media in Japan
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in Japanese, are celebrities who regularly appear in
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in Japan to make people laugh. Another examples are
97:. Unsourced material may be challenged and removed. 672:, has also achieved a measure of exposure due to 1347: 1105:"Deaf Today v2.0: All about apples and oranges" 875: 860: 418: 398: 882: 867: 412: 392: 265: 1261:. New York: Westview Press. pp. 162–173. 1299:"Modern Japan – Famous Japanese – Ai Iijima" 1275:. Japundit.com. 25 June 2008. Archived from 988: 764:(一発屋), or "one trick ponies". Examples are 60:Learn how and when to remove these messages 592:are generally former comedians, often in 237:Learn how and when to remove this message 219:Learn how and when to remove this message 157:Learn how and when to remove this message 912: 636: 467:can more often than not be categorized. 405:, which is the Japanese equivalent of a 298: 1348: 1256: 1233: 1048: 1137:from the original on 31 December 2007 989:Cooper-Chen, Anne (16 January 1991). 600:programs that are comedic in nature. 1163:from the original on 28 October 2007 1030:from the original on 12 January 2009 750: 452:on the high end of the continuum to 168: 95:adding citations to reliable sources 66: 25: 1024:"Thane Camus & Talent Agencies" 106:"Television personalities in Japan" 13: 1111:from the original on 21 March 2011 1049:French, Howard W. (29 July 2001). 687: 632: 14: 1372: 1327:. alecinjapan.com. Archived from 800: 538: 41:This article has multiple issues. 1301:. Japan-zone.com. Archived from 1240:Japanese Language and Literature 1215:from the original on 7 June 2011 1189:from the original on 7 June 2011 1107:. Deaftoday.com. 14 April 2004. 1085:from the original on 19 May 2011 843: 823: 809: 710: 696: 561: 547: 498: 484: 475: 173: 71: 30: 1317: 1291: 1265: 1250: 1227: 1026:. Japan Probe. 24 August 2006. 779: 680:, son of former Prime Minister 82:needs additional citations for 49:or discuss these issues on the 1201: 1175: 1149: 1131:"Japanfile and File State Tax" 1123: 1097: 1071: 1042: 1016: 982: 1: 1081:. Biwa.ne.jp. 20 March 2007. 976: 385:Important considerations for 283:, especially as panelists on 1356:Japanese entertainment terms 338:While it is very common for 7: 1211:. Search.japantimes.co.jp. 1185:. Search.japantimes.co.jp. 949: 876: 861: 652:, the son of the legendary 419: 399: 199:the claims made and adding 10: 1377: 626:list of Japanese comedians 294: 18: 928:Japanese television drama 883: 868: 413: 393: 344:Japanese television drama 266: 1209:"The Japan Times Online" 930:since leaving; the late 797:, a male talent agency. 470: 253:Television personalities 795:Johnny & Associates 444:), intelligence (e.g., 289:Golden Age of Hollywood 1234:Miller, Laura (2015). 644: 314: 1259:Asian Popular Culture 913:Maintaining relevance 640: 614:Shōfukutei Tsurube II 555:Shōfukutei Tsurube II 342:to appear in serious 302: 774:Razor Ramon Hard Gay 272:derived from English 91:improve this article 741:Konishiki Yasokichi 656:player and manager 650:Kazushige Nagashima 281:mass media in Japan 1279:on 7 February 2006 1056:The New York Times 895:Gaikokujin tarento 862:gaikokujin tarento 670:Yoshizumi Ishihara 645: 598:variety television 315: 304:Tetsuko Kuroyanagi 184:possibly contains 1331:on 2 October 2011 1325:"alecinjapan.com" 1133:. Japanfile.com. 940:Yūsuke Santamaria 918:examples include 751:Gimmicked tarento 682:Junichiro Koizumi 666:Shintaro Ishihara 327:, taking part in 247: 246: 239: 229: 228: 221: 186:original research 167: 166: 159: 141: 64: 1368: 1341: 1340: 1338: 1336: 1321: 1315: 1314: 1312: 1310: 1305:on 16 March 2007 1295: 1289: 1288: 1286: 1284: 1273:"18-carat Kitty" 1269: 1263: 1262: 1254: 1248: 1247: 1231: 1225: 1224: 1222: 1220: 1205: 1199: 1198: 1196: 1194: 1179: 1173: 1172: 1170: 1168: 1153: 1147: 1146: 1144: 1142: 1127: 1121: 1120: 1118: 1116: 1101: 1095: 1094: 1092: 1090: 1075: 1069: 1068: 1066: 1064: 1046: 1040: 1039: 1037: 1035: 1020: 1014: 1013: 1011: 1009: 986: 889:and abbreviated 888: 886: 885: 879: 874:, also known as 873: 871: 870: 864: 847: 827: 813: 729:Masakiyo Maezono 714: 700: 658:Shigeo Nagashima 577: 565: 551: 533:Shinobu Sakagami 502: 488: 446:Masaru Hamaguchi 439: 424: 422: 416: 415: 404: 402: 396: 395: 306:hosts a daytime 278: 269: 268: 242: 235: 224: 217: 213: 210: 204: 201:inline citations 177: 176: 169: 162: 155: 151: 148: 142: 140: 99: 75: 67: 56: 34: 33: 26: 1376: 1375: 1371: 1370: 1369: 1367: 1366: 1365: 1346: 1345: 1344: 1334: 1332: 1323: 1322: 1318: 1308: 1306: 1297: 1296: 1292: 1282: 1280: 1271: 1270: 1266: 1255: 1251: 1232: 1228: 1218: 1216: 1207: 1206: 1202: 1192: 1190: 1181: 1180: 1176: 1166: 1164: 1155: 1154: 1150: 1140: 1138: 1129: 1128: 1124: 1114: 1112: 1103: 1102: 1098: 1088: 1086: 1077: 1076: 1072: 1062: 1060: 1047: 1043: 1033: 1031: 1022: 1021: 1017: 1007: 1005: 1003: 987: 983: 979: 952: 915: 880: 865: 857: 856: 855: 854: 853: 848: 837: 836: 835: 834: 833: 828: 820: 819: 814: 803: 782: 753: 733:Karina Maruyama 724: 723: 722: 721: 720: 715: 707: 706: 701: 690: 688:Athlete tarento 635: 633:Nepotic tarento 582: 581: 580: 579: 578: 571: 566: 558: 557: 552: 541: 512: 511: 510: 509: 508: 503: 495: 494: 489: 478: 473: 437: 410: 390: 297: 263: 243: 232: 231: 230: 225: 214: 208: 205: 190: 178: 174: 163: 152: 146: 143: 100: 98: 88: 76: 35: 31: 24: 17: 12: 11: 5: 1374: 1364: 1363: 1358: 1343: 1342: 1316: 1290: 1264: 1249: 1226: 1200: 1174: 1148: 1122: 1096: 1070: 1041: 1015: 1001: 980: 978: 975: 974: 973: 968: 966:Talent manager 963: 958: 951: 948: 914: 911: 877:gaijin tarento 851:Marty Friedman 849: 842: 841: 840: 839: 838: 831:Patrick Harlan 829: 822: 821: 815: 808: 807: 806: 805: 804: 802: 801:Gaijin tarento 799: 781: 778: 752: 749: 716: 709: 708: 702: 695: 694: 693: 692: 691: 689: 686: 678:Kotaro Koizumi 654:Yomiuri Giants 642:Kotaro Koizumi 634: 631: 630: 629: 610:Sanma Akashiya 590:Owarai tarento 567: 560: 559: 553: 546: 545: 544: 543: 542: 540: 539:Owarai tarento 537: 529:Shoko Nakagawa 517:Takeshi Kitano 506:Shoko Nakagawa 504: 497: 496: 492:Takeshi Kitano 490: 483: 482: 481: 480: 479: 477: 474: 472: 469: 311:Tetsuko's Room 296: 293: 245: 244: 227: 226: 181: 179: 172: 165: 164: 79: 77: 70: 65: 39: 38: 36: 29: 15: 9: 6: 4: 3: 2: 1373: 1362: 1359: 1357: 1354: 1353: 1351: 1330: 1326: 1320: 1304: 1300: 1294: 1278: 1274: 1268: 1260: 1253: 1246:(2): 405–425. 1245: 1241: 1237: 1230: 1214: 1210: 1204: 1188: 1184: 1178: 1162: 1158: 1152: 1136: 1132: 1126: 1110: 1106: 1100: 1084: 1080: 1074: 1058: 1057: 1052: 1045: 1029: 1025: 1019: 1004: 1002:9780813827100 998: 994: 993: 985: 981: 972: 969: 967: 964: 962: 959: 957: 954: 953: 947: 945: 941: 937: 933: 929: 925: 921: 910: 906: 904: 900: 896: 892: 878: 863: 852: 846: 832: 826: 818: 812: 798: 796: 792: 788: 787:star vehicles 777: 775: 771: 767: 766:Yoshio Kojima 763: 759: 748: 746: 745:Saori Yoshida 742: 738: 734: 730: 719: 713: 705: 699: 685: 683: 679: 675: 671: 667: 663: 659: 655: 651: 643: 639: 627: 623: 622: 621: 619: 618:George Tokoro 615: 611: 607: 601: 599: 595: 591: 587: 575: 570: 564: 556: 550: 536: 534: 530: 526: 522: 518: 507: 501: 493: 487: 476:Multi-tarento 468: 466: 462: 458: 455: 451: 447: 443: 436: 432: 431:Egashira 2:50 428: 421: 408: 401: 388: 383: 381: 377: 373: 369: 364: 360: 356: 351: 349: 345: 341: 336: 334: 330: 326: 325: 320: 312: 309: 305: 301: 292: 290: 287:. 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Television personalities
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mass media in Japan
variety shows
Golden Age of Hollywood

Tetsuko Kuroyanagi
talk show
prime time

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