Knowledge

The Book of Five Rings

Source 📝

615:"Flowing Water Cut" technique is relevant to a fight with an enemy of a similar level in swordsmanship. When attacking fast, Musashi notes that one will always be at stalemate, so like stagnant water, one must cut as slowly as possible with the long sword. At the beginning of this technique, both combatants will be searching for an opening within each other's defense. When the opponent either tries to push off the sword, or to hasten back as to disengage it, you must first expand your whole body and your mind. By moving your body first and then that of your sword, you will be able to strike powerfully and broadly with a movement that seems to reflect the natural flow of water. Ease and confidence will be attained when this technique is continuously practiced upon. 420:
warrior, in his thriving and declining, in his harmony and discord. Similarly, there is timing in the Way of the merchant, in the rise and fall of capital. All things entail rising and falling timing. You must be able to discern this. In strategy there are various timing considerations. From the outset you must know the applicable timing and the inapplicable timing, and from among the large and small things and the fast and slow timings find the relevant timing, first seeing the distance timing and the background timing. This is the main thing in strategy. It is especially important to know the background timing, otherwise your strategy will become uncertain.
1368: 274: 192:, contrary to the more traditional method of wielding the katana two-handed. However, he only explicitly describes wielding two swords in a section on fighting against many adversaries. The stories of his many duels rarely refer to Musashi himself wielding two swords, although, since they are mostly oral traditions, their details may be inaccurate. Musashi states within the volume that one should train with a long sword in each hand, thereby training the body and improving one's ability to use two blades simultaneously. 863: 835: 582:"In-One Timing" refers to the technique of biding one's time until a suitable gap can be found in the enemies' defense, to which one will deliver one fatal blow to the enemy. Although this is said to be difficult, Musashi notes that masters of this technique are usually masters of the five attitudes because they must be perceptive of weaknesses. It is rumored that Musashi disgraced a former sword master by using such a technique with a 206: 495:. Water demonstrates natural flexibility as it changes to conform with the boundaries which contain it, seeking the most efficient and productive path. So also should one possess the ability to change in accordance with one's own situation to easily shift between disciplines, methods, and options when presented with new information. A person should master many aspects of life allowing them to possess both balance and flexibility. 158: 849: 704:, in the opposing force, and then regrouping to exploit such a hole by attacking deep within the enemy's party. Although it is not mentioned, this would most likely be to kill the officer of the highest rank as an attempt to remove the tactical centre of a group of soldiers. A method particularly useful for Musashi or others, if attacking a general directly would signal the end of the battle upon his defeat. 693:(Attacking) is the most obvious method of forestalling an enemy because a head-on collision forces both parties to a standstill. Although it is not mentioned, Musashi must have been well aware that this method would also be the most likely to have a higher death count than the others due to the sheer mass of enemies because more than one enemy could then attack a single soldier or trooper. 575:"No Attitude" refers to those strategists who do not go with the use of the "Five Attitudes" and prefer to simply go without the attitudes of the long sword to focus entirely on technique, as opposed to focusing on both technique and the five attitudes. This is similar to taking chances as opposed to making chances. 762:
Musashi notes that although most schools have secret and ancient strategies, most forms are derivative of other martial arts. Their similarities and differences evolved through situational factors, such as indoor or outdoor dueling, and the style adapted to the school. He indicates that his appraisal
566:
Your attitude should be large or small according to the situation. Upper, Lower and Middle attitudes are decisive. Left Side and Right Side attitudes are fluid. Left and Right attitudes should be used if there is an obstruction overhead or to one side. The decision to use Left or Right depends on the
400:
One of the principles of the Niten Ichi-ryū is that one should be versed in many weaponry skills. Musashi indicates that during battle one should not overuse one weapon—this is as bad as using the weapon poorly, since it becomes easy for an enemy to find a weakness in one's style after countless uses
685:
These things cannot be clearly explained in words. You must research what is written here. In these three ways of forestalling, you must judge the situation. This does not mean that you always attack first; but if the enemy attacks first you can lead him around. In strategy, you have effectively won
680:
Other kinds of tactics which of Musashi tells are way of ensuring that the enemy is at a disadvantage. Forcing yourself on the non-dominant side of a trooper is one way because the left side is difficult for a right-handed soldier. Other disadvantages, such as forcing enemies into footholds, swamps,
667:
is crucial. You must be in a place where man-made objects such as buildings, towers, castles, and such do not obstruct your view, as well as facing or standing in a position where the sun or moon does not affect your vision. This is purely so that your vision is focused on nothing but the enemy, and
511:
within one person. The over-familiarity or over-use of one weapon is discouraged by Musashi, as it would be seen to reveal one's spirituality to one's enemy. The idea is that a perfectly balanced spirit is also a perfectly balanced physical presence, and neither creates weakness nor reveals it to an
498:
The spiritual bearing in strategy, which Musashi writes about concerns your temperament and spirituality whilst in the midst of, or in formulation of a battle. Being a Buddhist, most of what is written in the section concerning spirituality refers to principles of calmness, tranquility and spiritual
822:
Since Musashi is drawing upon classical Buddhist Five Element theory, Void in this case refers to Sunyata (in Pali), sometimes translated as "Emptiness", or "ether". Void, as such, is also empty of the sense of self (anatta), good and evil, wanting and non-wanting, and is the spiritual dynamic that
561:
are referred to as the five classifications of areas for attack on the human body. These are areas which are noted for their advantages when striking at an enemy, and the strategist is said to think of them when in situations where, for any reason, they should not be able to strike them, and adjust
531:
In regards to the gaze of someone, he notes that a person must be able to perceive that which is all around him without moving their eyeballs noticeably, which is said to be a skill which takes an enormous amount of practice to perfect. He notes that this is again one of the most important parts of
515:
During battle, the spirituality and balance is something of which Musashi notes that one should take advantage. Since small people know the spirituality of big people, they can thus note differences and weaknesses between each other. This is something which seems easy, but it is said to change when
145:
Musashi establishes a "no-nonsense" theme throughout the text. For instance, he repeatedly remarks that technical flourishes are excessive, and contrasts worrying about such things with the principle that all technique is simply a method of cutting down one's opponent. He also continually makes the
396:
as having no equal on the battlefield, until swords clash, when it becomes useless. He does note that the gun had the disadvantage of being unable to see a bullet and adjust aim as one would with a bow. He writes: "The bow is tactically strong at the commencement of battle, especially battles on a
658:
As one man can defeat ten men, so can one thousand men defeat ten thousand. However, you can become a master of strategy by training alone with a sword, so that you can understand the enemy's stratagems, his strength and resources, and come to appreciate how to apply strategy to beat ten thousand
1177:
has been published in English multiple times. The Thomas Cleary translation is the most widely available and has been reprinted multiple times. A translation by William Scott Wilson is aimed towards practitioners of Japanese classical swordsmanship. A translation by D. E. Tarver is marketed as a
368:
Know the smallest things and the biggest things, the shallowest things and the deepest things. As if it were a straight road mapped out on the ground... These things cannot be explained in detail. From one thing, know ten thousand things. When you attain the Way of Strategy there will not be one
309:
refers to "Niten No Ichi Ryu" or "Ni-Ten Ichi Ryu", which literally translates to "Two Heavens, One School". Alternative translations include: "Two Swords, One Spirit", and "Two Swords, One Entity". The translation, "Two Swords, One Dragon" was thought to be a misinterpretation of the Kanji word
774:
The main difference that Musashi notes between the Ichi School and other strategists and schools is that other schools do not teach the "broader" meaning of strategy. There is a strategy above sword-fencing: "Some of the world's strategists are concerned only with sword-fencing, and limit their
758:
Whereas most of the information given in the previous books is useful in such a way that it could still be applicable today, this book is primarily concerned with the specific details about other strategies that existed at the time. The broader lesson from this book is that an important part of
419:
Timing is important in dancing and pipe or string music, for they are in rhythm only if timing is good. Timing and rhythm are also involved in the military arts, shooting bows and guns, and riding horses. In all skills and abilities there is timing.... There is timing in the whole life of the
363:
The Earth book, according to "Go Rin No Sho", refers expressly to the strategy taught by Musashi at the Ichi School. It is said to be how to distinguish the Way through "Sword-Fencing", or "Swordsmanship". The idea of strategy would be encouraged to be very astute in their study and strategy:
424:
The Book of Earth ends with nine basic principles – the "ground" upon which the samurai must rely. These are "practical" or "worldly," each intended to help develop an understanding of strategy (while the other books focus on tactics and movement). These rules are for his students, and are
714:
Although there are other methods, they are mostly situational methods relating to the crossing of rough terrain, and battling within such rough terrain. Although it spreads over two or more paragraphs, most information is common sense, relating to caution and avoidance of such situations.
124: 595:
an attack, then striking an enemy as they are retreating from the attack, hitting them in the abdomen with the correct timing of either two moves or two seconds. Although the technique seems relatively simple, Musashi lists this as one of the hardest techniques to time correctly.
532:
strategy, as well as being able to see things which are close, such as the technique of an enemy. It is also used to perceive things far away, such as arriving troops or enemies, as that is the precursor to battle. One can then change one's actions according to what one sees.
803:. It seems very esoteric in nature because he emphasizes that people must learn to perceive that which they cannot understand or comprehend. He notes that in this Void, what can be comprehended are things which we do and see, such as the way of the warrior, martial arts, and 397:
moor, as it is possible to shoot quickly from among the spearmen. However, it is unsatisfactory in sieges, or when the enemy is more than forty yards away. For this reason there are nowadays few traditional schools of archery. There is little use for this kind of skill."
811:) are part of the information which we perceive on a conscious level, but with which we have no physical relationship. It is arguable whether Musashi is referring to religious spirituality or if he is actually explaining a way to live a life and to process thoughts. 763:
may be one sided because the only school he had interest for was his own, and, in a way, he does not see parallels to his own creation and work. However, he still admits that without basic understanding of these alternate techniques, one will not be able to learn
775:
training to flourishing the long sword and carriage of the body." The book has many paragraphs on the subject of other schools' techniques, and much of the text lists the ways that other schools do not conform to the ideals which he himself writes about in the
711:(Accompanying and Forestalling). Albeit very confusing, the idea of Tai Tai No Sen is circumventing an ambush or quick attack from the enemy by taking the initiative and attacking in full force. Musashi admits himself that this is a difficult thing to explain. 730:
smoke, and arrow fire, the initial attacks used when starting battles can be highly effective. Individually, it refers to attacking the enemy's sword, breaking it, removing it from play, and a technique of controlling it through direct blade on blade contact.
738:
He notes that an enemy's formation can fall if they lose rhythm. It was known that in such battles, drummers drummed a tune for their other fellow soldiers to march to; and, if the rhythm was lost, it led to a "collapse when their rhythm becomes deranged".
618:"Continuous Cut" refers to when you are again faced with stalemate within a duel, where your swords are clasped together. In one motion, when your sword springs away from theirs, Musashi says to use a continuous motion to slash their head, body, and legs. 373:
Upon their mastery of the strategy and timing listed in the five books, Musashi states that people will be able to defeat ten men as easily as they could defeat one, and asks: "When you have reached this point, will it not mean that you are invincible?"
603:. Aside from this philosophical approach to the meaning, the technique is relatively simple to explain: if you are in a deadlock with the enemy, using the force from the cut, you push with your body and use the disciplines outlined in the 571:
As each is thought of as an attitude, it could be thought of that Musashi means to practice with each "attitude" so that you do not become over-reliant upon one, something which Musashi repeatedly notes as being worse than bad technique.
519:
Just as one's spirit should be balanced, one's various techniques be honed to a perfectly balanced demeanor. In terms of stance, much like balance within the trooper, Musashi notes that stance is an important part of strategy, or battle:
331:
The Book of Wind chapter is something of a pun, since the Japanese character for "wind" can also mean "style" (such as, of martial arts). It discusses what Musashi considers to be the failings of various contemporary schools of sword
294:. Though ideas are taken from other sources, the text is predominantly seminal. The five "books" refer to the idea that there are different elements of battle, just as there are different physical elements in life, as described by 734:
Just as Musashi mentions in his philosophical style, there is a cause for a collapse. As there is collapse within an enemy, such as waning in his numbers, Musashi notes that one must observe such events and use them to advantage.
823:
forms the jumping off point to satori, enlightenment. Emptiness, and the establishing of the conditions that allow it to arise, is a common theme in Zen Buddhist meditation practice, which informed the perspective of the author.
578:
The attitude of "Existing – Non Existing", mixes the Five Attitudes with the Attitude of "No Attitude", meaning that the user of the longsword uses the techniques and principles of both at whichever moment is most opportune.
718:
The idea of timing, as with singular battles, is known as the most important part of attacking next to the skill of participants. However, the type of timing in this instance is somewhat different from the timing noted in
516:
one is on the battlefield, as then one must know to both adjust one's spiritual balance according to the surrounding environment, and to perceive the balance of others to take advantage accordingly.
819:
In the above quote, Musashi speaks of "virtue and no evil". This may mean "goodness and banishment of evil" or "purpose and non-existence of good and evil", and the exact meaning is open to debate.
723:
since this variety of timing requires looking at the various physical factors which affect an enemy during battle, such as determining if strength is waning or rising within a group of troopers.
408:. The idea of timing as explained within the book is that one must be able to adapt one's strategy to timing with your skill, in that one must know when to attack and when not to attack. 726:
The idea of treading down the sword is a very simple technique. Squashing an enemy's attack before it starts by using a form of charging and then attacking under the veil of
267: 621:"Fire and Stone's Cut" refers to when swords clash together. Without raising the sword, cut as strongly as possible. This means cutting quickly with hands, body, and legs. 787:
Although short, the void book lists, philosophically, the nature of both human knowledge and other things. The void book expressly deals with "That which cannot be seen".
700:(Waiting for the Initiative) is invented for very opportunistic and decided battles between parties. The main idea being to feign weakness as to open a weak spot, or 377:
The strategies listed in this discipline or book relate to situations requiring different weapons and tactics, such as indoor weapons. Musashi states that the use of
154:. Descriptions of principles are often followed by admonitions to "investigate this thoroughly" through practice rather than trying to learn them by merely reading. 1247: 1870: 1679: 389:
are purely for the field, whereas the longsword and accompanying short-sword can be used in most environments, such as on horseback or in fierce battle.
302:, and other Eastern religions. The five books below are Musashi's descriptions of the exact methods or techniques which are described by such elements. 1769: 503:
In strategy your spiritual bearing must not be any different from normal. Both in fighting and in everyday life you should be determined though calm.
1774: 1918: 1204:
and Japanese artist Chie Kutsuwada, 2012, Shambhala Publications, Boston, USA. A graphic novel based on the translations of William Scott Wilson.
1809: 1837: 318:
The Book of Earth chapter serves as an introduction, and metaphorically discusses martial arts, leadership, and training as building a house.
2017: 1283: 2040: 1624: 227: 1178:
motivational book with a commercial bias. Additional published translators include Stephen F. Kaufman and Kenji Tokistu (2010).
815:
In the void is virtue, and no evil. Wisdom has existence, principle has existence, the Way has existence, spirit is nothingness.
1852: 1789: 1191: 1142: 1123: 1104: 1085: 1066: 1047: 1519: 647:. It goes into a broader scope in terms of hints as to assess a situation, as well as specific situational instructions. 469: 1814: 1953: 1209: 1832: 1724: 668:
thus there is more concentration upon the enemy's stratagems. Musashi also seems to note the age old strategy of the
624:"Red Leaves Cut" refers to knocking down the enemy's long sword in the spirit of the "No Design, No Conception" cut. 253: 235: 2066: 2030: 1890: 1699: 1549: 1524: 904: 1910: 1276: 146:
point that the understandings expressed in the book are important for combat on any scale, whether a one-on-one
1963: 1900: 1875: 1761: 1514: 955: 328:
The Book of Fire chapter refers to the heat of battle, and discusses matters such as different types of timing.
231: 2086: 1948: 1885: 1732: 1664: 1639: 1536: 1300: 112:
and throughout the world. For instance, some foreign business leaders find its discussion of conflict to be
1971: 1694: 1484: 977: 335:
The Book of the Void chapter is a short epilogue, describing, in more esoteric terms, Musashi's (probably)
1862: 1659: 1609: 2035: 2025: 1933: 1928: 1269: 767:, probably for reasons of finding the wrongs in other techniques, and righting them within yourself in 2091: 2071: 1804: 1689: 1579: 611:
This is the most important method of hitting. It is often used. You must train hard to understand it.
1709: 1544: 962: 937: 932: 927: 216: 1654: 1241: 2076: 1742: 759:
understanding one's own way is to understand the way of one's opponent as precisely as possible.
220: 1629: 1895: 1747: 1644: 1589: 2096: 1842: 1704: 1649: 1394: 899: 325:, or "Two Heavens, One Style". It describes some basic technique and fundamental principles. 1938: 1824: 1794: 1757: 1674: 968: 654:
and preparedness before a duel or battle as it applies to one man or a whole group of men:
138: 117: 8: 2061: 1584: 1248:"Ancient Wisdom for Modern Life: Five Lessons from Miyamoto Musashi's 'Way of the Warrior 1201: 840: 681:
ditches, and other difficult terrain, force the enemy to be uncertain of his situation.
425:
complemented by the 21 "spiritual principles" for all to follow, which are found in the
1943: 1737: 1669: 1634: 1599: 1160: 1156: 990: 273: 113: 522:
Adopt a stance with the head erect, neither hanging down, nor looking up, nor twisted.
404:
Timing, as explained by Musashi, is the core principle in strategy which is listed in
108:
around 1645. Many translations have been made, and it has garnered broad attention in
1799: 1594: 1376: 1205: 1187: 1138: 1119: 1100: 1081: 1062: 1043: 1020: 949: 701: 676:
You must look down on the enemy, and take up your attitude on slightly higher places.
393: 353: 349: 996: 1983: 1880: 1784: 1779: 1684: 1614: 1460: 1450: 1433: 1428: 1423: 633: 277: 161: 105: 30: 1479: 1465: 1406: 748: 643:
refers to fighting methods unlike the specific fighting techniques listed in the
473: 357: 1977: 885: 779:, such as footwork, sight, and over-reliance or over-familiarity with a weapon. 2081: 1994: 1714: 1619: 1489: 1335: 1323: 915: 2055: 1847: 1572: 1509: 1440: 1411: 752: 558: 807:. At the same time, in the Void, things we do not do or see (which he calls 1562: 1494: 1474: 892: 878: 868: 854: 508: 484: 427: 54: 1019:
by Miyamoto Musashi (translation from Japanese by Victor Harris), London:
176: 1557: 1445: 1389: 1384: 1352: 1347: 669: 130: 101: 2007: 1604: 1567: 1401: 1184:
The Book of Five Rings: A Classic Text on the Japanese Way of the Sword
862: 1923: 1504: 1367: 1313: 1292: 1236: 791:
By knowing things that exist, you can know that which does not exist.
727: 291: 188: 109: 686:
when you forestall the enemy, so you must train well to attain this.
290:
are the teachings which Musashi preached to his students in his own
205: 1342: 921: 480: 382: 295: 96: 50: 450:"Develop an intuitive judgement and understanding for everything." 1988: 1499: 1455: 1418: 910: 157: 123: 1357: 943: 799:, according to Musashi, is the true meaning of the strategy of 584: 378: 299: 182: 166: 151: 339:-influenced thoughts on consciousness and the correct mindset. 1330: 1318: 1308: 651: 592: 266: 134: 1261: 588:, but there are no descriptions mentioning "In one" timing. 632:"The Book of Fire" redirects here. Not to be confused with 386: 174:
Musashi describes and advocates a two-sword fencing style (
147: 1237:
Miyamoto Musashi; his Swordsmanship and Book of Five Rings
336: 1223: 447:"Distinguish between gain and loss in worldly matters." 321:
The Book of Water chapter describes Musashi's style,
830: 120:
employs it as a manual of technique and philosophy.
507:This balance refers to what could be thought of as 1030: 2053: 1775:Comprehensive Economic Partnership for East Asia 601:When word and actions are spontaneously the same 18:Text on kenjutsu and the martial arts in general 1919:Association of East Asian Research Universities 85: 104:in general, written by the Japanese swordsman 79: 1871:China–Japan–Korea Friendship Athletic Meeting 1277: 1182:Miyamoto Musashi (translator Thomas Cleary), 707:Only a small amount of text is written about 535: 453:"Perceive those things which cannot be seen." 663:The dependence of location according to the 431:(Musashi's final work). The principles are: 137:. Musashi strove to be as great a master in 234:. Unsourced material may be challenged and 1284: 1270: 369:thing you cannot see. You must study hard. 1770:China–Japan–South Korea trilateral summit 1116:Under the Sun: The Miyamoto Musashi Story 987:The Book of Feats of Arms and of Chivalry 254:Learn how and when to remove this message 1186:, 2005, Boston: Shambhala Publications. 1094: 1075: 1056: 1037: 272: 156: 141:just as much as he did in swordsmanship. 122: 1198:The Book of Five Rings: a graphic novel 1168:Miyamoto Musashi: His Life and Writings 1155:, translated by Victor Harris. London: 1135:Miyamoto Musashi: His Life and Writings 1132: 2054: 1790:East Asian Bureau of Economic Research 524:This is part of what Musashi notes as 1265: 1170:. Boston: Shambhala Publications Inc. 1113: 599:"No Design, No Conception" refers to 1059:The Real Musashi: The Bushu denraiki 463: 343: 232:adding citations to reliable sources 199: 782: 742: 627: 470:Dream Chronicles: The Book of Water 444:"Know the Ways of all professions." 441:"Become acquainted with every art." 13: 591:"Abdomen Timing of Two" refers to 265: 14: 2108: 1228:by Imai Masayuki Nobukatsu, 10th 1217: 195: 1954:Ludwigshafen East Asia Institute 1366: 1040:Miyamoto Musashi: A Life in Arms 905:Publius Flavius Vegetius Renatus 861: 847: 833: 459:"Do nothing which is of no use." 456:"Pay attention even to trifles." 204: 1137:. Shambhala Publications, Inc. 650:He notes obvious advantages of 487:and philosophy. The meaning of 280:killing a giant creature, from 1901:EAFF E-1 Football Championship 1876:East Asian Football Federation 1118:. Understanding Apples Press. 1097:The Real Musashi: A Miscellany 1031:References and further reading 1010: 956:Records of the Grand Historian 1: 1949:Journal of East Asian Studies 1886:East Asian Judo Championships 1733:East Asia Climate Partnership 1291: 1224:Information on understanding 1078:The Real Musashi: The Bukoden 1972:Horses in East Asian warfare 1515:other ethnic groups in China 392:Musashi also remarks on the 7: 1099:. Floating World Editions. 1080:. Floating World Editions. 1061:. Floating World Editions. 1042:. Floating World Editions. 826: 435:"Do not think dishonestly." 164:in his prime, wielding two 86: 10: 2113: 2026:Needham Research Institute 1934:East Asia Image Collection 1929:East Asian Economic Review 1364: 1151:Miyamoto, Musashi (1974). 1095:De Lange, William (2016). 1076:De Lange, William (2011). 1057:De Lange, William (2010). 1038:De Lange, William (2014). 746: 631: 536:Attitudes of swordsmanship 467: 347: 180:): that is, wielding both 2016: 1962: 1909: 1861: 1823: 1805:Human rights in East Asia 1756: 1723: 1690:Sino-Xenic pronunciations 1535: 1375: 1299: 607:to knock the enemy over. 438:"The Way is in training." 80: 60: 46: 36: 26: 1003: 963:The 33 Strategies of War 938:Miyamoto Musashi Station 933:List of military writers 928:Legend of the Five Rings 747:Not to be confused with 479:The water book concerns 468:Not to be confused with 348:Not to be confused with 2067:Allison and Busby books 1891:East Asian martial arts 1838:Archaeological cultures 1232:of Hyōhō Niten Ichi-ryū 1166:Tokitsu, Kenji (2004). 1159:; Woodstock, New York: 1133:Tokitsu, Kenji (2004). 491:in relation to life is 22:The Book of Five Rings 2018:Science and technology 2002:The Book of Five Rings 1896:East Asian Youth Games 1256:The Objective Standard 1175:The Book of Five Rings 817: 793: 696:As the name suggests, 688: 678: 661: 613: 569: 557:The five attitudes of 505: 422: 413:The Book of Five Rings 371: 284: 282:The Book of Five Rings 270: 171: 142: 114:relevant to their work 74:The Book of Five Rings 1301:Countries and regions 900:Epitoma rei militaris 813: 789: 683: 674: 656: 609: 564: 501: 417: 415:he writes on timing: 366: 276: 269: 160: 126: 2087:Martial arts manuals 2041:Traditional medicine 1939:East Asia Law Review 1795:East Asian Community 1485:Indigenous Taiwanese 1153:A Book of Five Rings 1017:A Book of Five Rings 401:of the same weapon. 228:improve this section 139:Japanese calligraphy 118:Hyōhō Niten Ichi-ryū 1466:Khalkha in Mongolia 1242:Summary of the book 1202:Sean Michael Wilson 1157:Allison & Busby 841:Martial Arts portal 37:Original title 23: 1944:East Asian studies 1640:Hip-and-gable roof 1635:Chinese characters 1200:, by manga writer 1161:The Overlook Press 1114:Moore, JS (2014). 991:Christine de Pizan 777:Book of Five Rings 285: 271: 172: 143: 21: 2049: 2048: 1800:Four Asian Tigers 1192:978-1-59030-248-4 1144:978-1-59030-045-9 1125:978-1-5028-0491-4 1106:978-1-891640-86-5 1087:978-1-891640-60-5 1068:978-1-891640-56-8 1021:Allison and Busby 950:Philosophy of war 464:The Book of Water 354:The Book of Earth 350:Book of the Earth 344:The Book of Earth 264: 263: 256: 116:. The modern-day 70: 69: 2104: 2092:Miyamoto Musashi 2072:Edo-period works 1984:Miyamoto Musashi 1881:East Asian Games 1853:Former countries 1785:East Asia Summit 1615:Chinese knotting 1370: 1286: 1279: 1272: 1263: 1262: 1251: 1148: 1129: 1110: 1091: 1072: 1053: 1049:978-1-891640-629 1024: 1014: 871: 866: 865: 857: 852: 851: 850: 843: 838: 837: 836: 783:The Book of Void 743:The Book of Wind 634:Book Three: Fire 628:The Book of Fire 278:Miyamoto Musashi 259: 252: 248: 245: 239: 208: 200: 162:Miyamoto Musashi 106:Miyamoto Musashi 93: 91: 83: 82: 62:Publication date 31:Miyamoto Musashi 24: 20: 2112: 2111: 2107: 2106: 2105: 2103: 2102: 2101: 2052: 2051: 2050: 2045: 2012: 1958: 1905: 1857: 1819: 1815:Stock exchanges 1752: 1719: 1531: 1371: 1362: 1295: 1290: 1249: 1220: 1215: 1145: 1126: 1107: 1088: 1069: 1050: 1033: 1028: 1027: 1015: 1011: 1006: 1001: 867: 860: 853: 848: 846: 839: 834: 832: 829: 805:Ni Ten Ichi Ryu 801:Ni Ten Ichi Ryu 797:Book of Nothing 785: 769:Ni Ten Ichi Ryu 765:Ni Ten Ichi Ryu 756: 749:The Book of Air 745: 721:The Ground Book 637: 630: 538: 477: 474:Book One: Water 466: 361: 358:Book Two: Earth 346: 323:Ni-ten ichi-ryu 260: 249: 243: 240: 225: 209: 198: 77: 63: 19: 12: 11: 5: 2110: 2100: 2099: 2094: 2089: 2084: 2079: 2077:Japanese books 2074: 2069: 2064: 2047: 2046: 2044: 2043: 2038: 2033: 2028: 2022: 2020: 2014: 2013: 2011: 2010: 2005: 1998: 1995:The Art of War 1991: 1986: 1981: 1974: 1968: 1966: 1960: 1959: 1957: 1956: 1951: 1946: 1941: 1936: 1931: 1926: 1921: 1915: 1913: 1907: 1906: 1904: 1903: 1898: 1893: 1888: 1883: 1878: 1873: 1867: 1865: 1859: 1858: 1856: 1855: 1850: 1845: 1840: 1835: 1829: 1827: 1821: 1820: 1818: 1817: 1812: 1807: 1802: 1797: 1792: 1787: 1782: 1777: 1772: 1766: 1764: 1754: 1753: 1751: 1750: 1745: 1740: 1735: 1729: 1727: 1721: 1720: 1718: 1717: 1715:Chinese zodiac 1712: 1707: 1702: 1697: 1692: 1687: 1682: 1677: 1672: 1667: 1662: 1657: 1652: 1647: 1642: 1637: 1632: 1627: 1622: 1620:Chinese dragon 1617: 1612: 1607: 1602: 1597: 1592: 1587: 1582: 1580:Blepharoplasty 1577: 1576: 1575: 1570: 1565: 1560: 1552: 1547: 1541: 1539: 1533: 1532: 1530: 1529: 1528: 1527: 1522: 1512: 1507: 1502: 1497: 1492: 1487: 1482: 1477: 1472: 1471: 1470: 1469: 1468: 1463: 1448: 1443: 1438: 1437: 1436: 1431: 1426: 1416: 1415: 1414: 1404: 1399: 1398: 1397: 1387: 1381: 1379: 1373: 1372: 1365: 1363: 1361: 1360: 1355: 1350: 1345: 1340: 1339: 1338: 1328: 1327: 1326: 1321: 1316: 1305: 1303: 1297: 1296: 1289: 1288: 1281: 1274: 1266: 1260: 1259: 1244: 1239: 1234: 1219: 1218:External links 1216: 1214: 1213: 1210:978-1611800128 1195: 1172: 1171: 1164: 1149: 1143: 1130: 1124: 1111: 1105: 1092: 1086: 1073: 1067: 1054: 1048: 1034: 1032: 1029: 1026: 1025: 1008: 1007: 1005: 1002: 1000: 999: 997:Yagyū Munenori 994: 984: 979:The Art of War 974: 970:The Art of War 966: 959: 952: 947: 940: 935: 930: 925: 918: 916:Gosho Motoharu 913: 908: 896: 889: 882: 874: 873: 872: 858: 844: 828: 825: 784: 781: 744: 741: 709:Tai Tai No Sen 702:Achilles' heel 629: 626: 555: 554: 551: 548: 545: 542: 537: 534: 465: 462: 461: 460: 457: 454: 451: 448: 445: 442: 439: 436: 345: 342: 341: 340: 333: 329: 326: 319: 262: 261: 212: 210: 203: 197: 196:The five books 194: 68: 67: 64: 61: 58: 57: 48: 44: 43: 38: 34: 33: 28: 17: 9: 6: 4: 3: 2: 2109: 2098: 2095: 2093: 2090: 2088: 2085: 2083: 2080: 2078: 2075: 2073: 2070: 2068: 2065: 2063: 2060: 2059: 2057: 2042: 2039: 2037: 2034: 2032: 2029: 2027: 2024: 2023: 2021: 2019: 2015: 2009: 2006: 2004: 2003: 1999: 1997: 1996: 1992: 1990: 1987: 1985: 1982: 1980: 1979: 1975: 1973: 1970: 1969: 1967: 1965: 1961: 1955: 1952: 1950: 1947: 1945: 1942: 1940: 1937: 1935: 1932: 1930: 1927: 1925: 1922: 1920: 1917: 1916: 1914: 1912: 1908: 1902: 1899: 1897: 1894: 1892: 1889: 1887: 1884: 1882: 1879: 1877: 1874: 1872: 1869: 1868: 1866: 1864: 1860: 1854: 1851: 1849: 1846: 1844: 1841: 1839: 1836: 1834: 1831: 1830: 1828: 1826: 1822: 1816: 1813: 1811: 1808: 1806: 1803: 1801: 1798: 1796: 1793: 1791: 1788: 1786: 1783: 1781: 1778: 1776: 1773: 1771: 1768: 1767: 1765: 1763: 1759: 1755: 1749: 1746: 1744: 1741: 1739: 1736: 1734: 1731: 1730: 1728: 1726: 1722: 1716: 1713: 1711: 1708: 1706: 1703: 1701: 1698: 1696: 1693: 1691: 1688: 1686: 1683: 1681: 1678: 1676: 1673: 1671: 1668: 1666: 1663: 1661: 1658: 1656: 1653: 1651: 1648: 1646: 1643: 1641: 1638: 1636: 1633: 1631: 1628: 1626: 1623: 1621: 1618: 1616: 1613: 1611: 1608: 1606: 1603: 1601: 1598: 1596: 1593: 1591: 1588: 1586: 1583: 1581: 1578: 1574: 1571: 1569: 1566: 1564: 1561: 1559: 1556: 1555: 1553: 1551: 1550:Architecture‎ 1548: 1546: 1545:Age reckoning 1543: 1542: 1540: 1538: 1534: 1526: 1523: 1521: 1518: 1517: 1516: 1513: 1511: 1508: 1506: 1503: 1501: 1498: 1496: 1493: 1491: 1488: 1486: 1483: 1481: 1478: 1476: 1473: 1467: 1464: 1462: 1459: 1458: 1457: 1454: 1453: 1452: 1449: 1447: 1444: 1442: 1439: 1435: 1432: 1430: 1427: 1425: 1422: 1421: 1420: 1417: 1413: 1410: 1409: 1408: 1405: 1403: 1400: 1396: 1393: 1392: 1391: 1388: 1386: 1383: 1382: 1380: 1378: 1377:Ethnic groups 1374: 1369: 1359: 1356: 1354: 1351: 1349: 1346: 1344: 1341: 1337: 1334: 1333: 1332: 1329: 1325: 1322: 1320: 1317: 1315: 1312: 1311: 1310: 1307: 1306: 1304: 1302: 1298: 1294: 1287: 1282: 1280: 1275: 1273: 1268: 1267: 1264: 1257: 1253: 1245: 1243: 1240: 1238: 1235: 1233: 1231: 1227: 1226:Go Rin No Sho 1222: 1221: 1211: 1207: 1203: 1199: 1196: 1193: 1189: 1185: 1181: 1180: 1179: 1176: 1169: 1165: 1162: 1158: 1154: 1150: 1146: 1140: 1136: 1131: 1127: 1121: 1117: 1112: 1108: 1102: 1098: 1093: 1089: 1083: 1079: 1074: 1070: 1064: 1060: 1055: 1051: 1045: 1041: 1036: 1035: 1022: 1018: 1013: 1009: 998: 995: 992: 988: 985: 983: 982: 981:(Machiavelli) 980: 975: 973: 971: 967: 965: 964: 960: 958: 957: 953: 951: 948: 946: 945: 941: 939: 936: 934: 931: 929: 926: 924: 923: 919: 917: 914: 912: 909: 906: 902: 901: 897: 895: 894: 890: 888: 887: 883: 881: 880: 876: 875: 870: 864: 859: 856: 845: 842: 831: 824: 820: 816: 812: 810: 806: 802: 798: 792: 788: 780: 778: 772: 770: 766: 760: 754: 753:Book One: Air 750: 740: 736: 732: 729: 724: 722: 716: 712: 710: 705: 703: 699: 694: 692: 687: 682: 677: 673: 671: 666: 665:Go Rin No Sho 660: 655: 653: 648: 646: 642: 635: 625: 622: 619: 616: 612: 608: 606: 602: 597: 594: 589: 587: 586: 580: 576: 573: 568: 563: 562:accordingly. 560: 559:swordsmanship 552: 549: 546: 543: 540: 539: 533: 529: 527: 523: 517: 513: 510: 504: 500: 496: 494: 490: 486: 482: 475: 471: 458: 455: 452: 449: 446: 443: 440: 437: 434: 433: 432: 430: 429: 421: 416: 414: 409: 407: 402: 398: 395: 390: 388: 384: 380: 375: 370: 365: 359: 355: 351: 338: 334: 330: 327: 324: 320: 317: 316: 315: 313: 308: 303: 301: 297: 293: 289: 288:Go Rin No Sho 283: 279: 275: 268: 258: 255: 247: 237: 233: 229: 223: 222: 218: 213:This section 211: 207: 202: 201: 193: 191: 190: 185: 184: 179: 178: 169: 168: 163: 159: 155: 153: 150:or a massive 149: 140: 136: 132: 129: 128:Go Rin no Sho 125: 121: 119: 115: 111: 107: 103: 99: 98: 94:is a text on 90: 89: 88:Go Rin no Sho 76: 75: 65: 59: 56: 52: 49: 45: 42: 39: 35: 32: 29: 25: 16: 2097:Warrior code 2001: 2000: 1993: 1978:Bansenshūkai 1976: 1743:Rainy season 1520:unrecognized 1258:, Fall 2020. 1255: 1229: 1225: 1197: 1183: 1174: 1173: 1167: 1152: 1134: 1115: 1096: 1077: 1058: 1039: 1016: 1012: 986: 978: 976: 969: 961: 954: 942: 920: 898: 891: 886:Bansenshūkai 884: 879:Arthashastra 877: 869:Books portal 855:Japan portal 821: 818: 814: 808: 804: 800: 796: 794: 790: 786: 776: 773: 768: 764: 761: 757: 737: 733: 725: 720: 717: 713: 708: 706: 697: 695: 690: 689: 684: 679: 675: 664: 662: 657: 649: 644: 640: 638: 623: 620: 617: 614: 610: 604: 600: 598: 590: 583: 581: 577: 574: 570: 565: 556: 530: 525: 521: 518: 514: 509:yin and yang 506: 502: 497: 492: 488: 485:spirituality 478: 426: 423: 418: 412: 410: 405: 403: 399: 391: 376: 372: 367: 362: 322: 311: 306: 304: 287: 286: 281: 250: 241: 226:Please help 214: 187: 181: 175: 173: 165: 144: 131:calligraphed 127: 102:martial arts 95: 87: 73: 72: 71: 55:martial arts 40: 15: 1833:Archaeology 1725:Environment 1590:Calligraphy 1434:in Sakhalin 1390:Han Chinese 1353:South Korea 1348:North Korea 1246:Tim White, 972:(de Jomini) 670:High Ground 493:flexibility 307:Ichi School 2062:1645 books 2056:Categories 2008:Yi Sun-sin 1843:Bronze Age 1780:Capitalism 1705:Typography 1700:Television 1670:Philosophy 1655:Mādhyamaka 1650:Literature 1605:Sinosphere 1525:historical 698:Tai No Sen 691:Ken No Sen 645:Water Book 550:Right Side 526:wedging in 244:April 2021 1924:CrossAsia 1911:Education 1665:Mythology 1645:Languages 1625:Festivals 1573:Taiwanese 1480:Ryukyuans 1395:subgroups 1314:Hong Kong 1293:East Asia 728:gunpowder 641:Fire Book 605:Void Book 553:Left Side 499:balance: 332:fighting. 305:The term 215:does not 189:wakizashi 177:nitōjutsu 110:East Asia 2031:Printing 1964:Military 1848:Iron Age 1762:Politics 1710:Yogācāra 1695:Surnames 1675:Religion 1585:Buddhism 1563:Japanese 1490:Tibetans 1461:in China 1451:Mongolic 1429:in Japan 1424:in China 1407:Japanese 1343:Mongolia 1324:Mainland 922:Hagakure 827:See also 659:enemies. 593:feinting 481:strategy 383:naginata 296:Buddhism 100:and the 97:kenjutsu 53:and the 51:Kenjutsu 1989:Sun Tzu 1825:History 1758:Economy 1738:Monsoon 1680:Scripts 1630:Gardens 1600:Cuisine 1558:Chinese 1537:Culture 1500:Uyghurs 1456:Mongols 1419:Koreans 1023:, 1974. 911:Ganbaru 893:Dokkōdō 512:enemy. 428:Dokkōdō 236:removed 221:sources 2036:Swords 1863:Sports 1595:Cinema 1568:Korean 1510:Zhuang 1441:Manchu 1412:Yamato 1358:Taiwan 1336:Ryukyu 1208:  1190:  1141:  1122:  1103:  1084:  1065:  1046:  944:On War 809:Spirit 585:bokken 567:place. 544:Middle 387:spears 381:-like 379:glaive 300:Shinto 183:katana 167:bokken 152:battle 27:Author 2082:Kendo 1810:Ports 1748:Flora 1660:Music 1610:Dance 1495:Tujia 1475:Qiang 1331:Japan 1319:Macau 1309:China 1004:Notes 652:armor 547:Lower 541:Upper 489:water 406:Earth 356:, or 135:Kanji 47:Genre 1760:and 1685:Seal 1554:Art 1446:Miao 1385:Ainu 1230:sōke 1206:ISBN 1188:ISBN 1139:ISBN 1120:ISBN 1101:ISBN 1082:ISBN 1063:ISBN 1044:ISBN 795:The 639:The 385:and 292:dōjō 219:any 217:cite 186:and 148:duel 66:1645 1402:Hui 751:or 472:or 411:In 394:gun 337:Zen 312:Ryu 230:by 133:in 81:五輪書 41:五輪書 2058:: 1505:Yi 1254:, 771:. 672:: 528:. 483:, 352:, 314:. 298:, 84:, 1285:e 1278:t 1271:v 1252:" 1250:' 1212:. 1194:. 1163:. 1147:. 1128:. 1109:. 1090:. 1071:. 1052:. 993:) 989:( 907:) 903:( 755:. 636:. 476:. 360:. 257:) 251:( 246:) 242:( 238:. 224:. 170:. 92:) 78:(

Index

Miyamoto Musashi
Kenjutsu
martial arts
kenjutsu
martial arts
Miyamoto Musashi
East Asia
relevant to their work
Hyōhō Niten Ichi-ryū

calligraphed
Kanji
Japanese calligraphy
duel
battle

Miyamoto Musashi
bokken
nitōjutsu
katana
wakizashi

cite
sources
improve this section
adding citations to reliable sources
removed
Learn how and when to remove this message

Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.