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the police about the man claiming to be the executed murderer and the blackmail money. It turns out that the man is actually a con man named Nera who is well known to police. Orlac's maid tells the police that Nera was a friend of
Vasseur and that he made a set of rubber gloves with Vasseur's fingerprints. The gloves were used during the murders. They all conclude that Vasseur was innocent of the murder he was convicted of, which means that Orlac's new hands are the hands of an innocent rather than a murderer.
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same knife like
Vasseur's. He starts to think he himself committed the murder and goes to a café for a drink. There he meets a man who claims he is Vasseur. The man tells Orlac that the assistant of the surgeon who did the hand transplant reattached his – Vasseur's – head to his body. As proof, he shows Orlac what looks to be a scar on his neck from the surgery. The man then tells Orlac he wants money to keep quiet about the murder.
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of a knife he finds at his house, just like that used by
Vasseur, and the desire to kill. He believes that along with the hands he has acquired the murderer's predisposition to violence. He confronts the surgeon, telling him to remove the hands, but the surgeon tries to convince him that a person's acts are not governed by hands but by the head and heart.
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prints by the use of wax impressions or similar techniques, leaving aside any other methods of falsifying prints. The
Inspectorate did concede that if the film had shown a realistic method of forging fingerprints, if any existed, then it would have raised issues of public security, but concluded that what was shown in the film was pure fantasy.
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In the meantime, police find
Vasseur's fingerprints at the scene of the crime, causing confusion. Paul and Yvonne Orlac go to the police and try to explain that while Vasseur's hands are on Paul's arms and may have caused the death of his father, Paul has no recollection of killing him. He also tells
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Concert pianist Paul Orlac loses his hands in a horrible railway accident. His wife Yvonne pleads with a surgeon to try and save Orlac's hands. The surgeon transplants the hands of a recently executed murderer named
Vasseur. When Orlac learns this, horror obsesses him. He is tortured by the presence
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the
Government of Saxony does not think it appropriate to make publicly known the internal arrangements and tools of the criminal police, particularly in connection with the taking of finger prints, as this would make the fighting of crime more difficult. Further, the representation of means which
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The application for censorship was refused by the Higher
Inspectorate, as an expert from the police headquarters in Berlin, when questioned by them about it, described the specialist content as unrealistic. There were so far no experiences across the whole of Europe of the falsification of finger
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Orlac's new hands are unable to play the piano, and in time he and his wife run out of money. Creditors give them one more day to pay their bills. Yvonne goes to Paul's father for money, but she is refused. Orlac himself then goes to see his father, but finds he has been stabbed to death with the
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specifically spoke about Wiene's direction, stating that "that one has found the right director for the rendering of the mysterious psychology and the suspense-ladne story of this film. The enigma of man's fate is a subject that Robert Wiene knows how to deal with." A review in
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dated 10 January 1925, urging that the film should be censored, because it "is likely to endanger public safety and order Based on an assessment by the
Provincial Criminal Office at
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was produced by the
Austrian Pan-Film company in association with the German distribution company Berolina Film and shot at the studios of Listo Film in
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The film was approved for German release on 25 September 1924, but for adults only. An application was made by the Ministry of the Interior of
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opined "Although it is raw, hardly the sort of thing some people want to look at after the evening demi-tasse or just before retiring.
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Monströse Moderne. Zur Funktionsstelle der manus loquens in Robert Wienes ORLACS HÄNDE (Österreich 1924)
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Following World War II, retrospective reception of the film has varied. Reviews of the film by
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enable the criminal to obliterate his prints and deceive the police, is highly unsuitable."
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The Nosferatu Story. The Seminal Horror Film, Its Predecessors and Its Enduring Legacy
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Contemporary film critics in Germany praised the film, specifically noting Wiene's
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that the film belonged closer to the wave of pulp-thrillers such as those by
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only gave the film brief mentions in their overview of cinema of the era.
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and that he had the actors work well together that was last best seen in
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would be an absurd fantasy in the old-time mystery-thriller class"; and
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stated that Wiene was on par with other directors of the era such as
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Not identical with the German post-war era company of the same name.
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Dumont Literatur und Kunst Verlag, Cologne 2003, pp. 243–305:
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argued it did not belong in that category. Rayns wrote in
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wrote "ere it not for Veidt's masterly characterization,
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Matthias Bickenbach, Annina Klappert, Hedwig Pompe:
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Manus Loquens. Medium der Geste - Geste der Medien.
49:. Unsourced material may be challenged and removed.
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1101:is available for free viewing and download at the
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929:"The Hands of Orlac (1925) - Articles - TCM.com"
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1051:. Berlin: Lexikon Interprint Verlag, 2002.
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1170:English Translation of the original novel
1017:Beyond Caligari: The Film of Robert Wiene
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707:Learn how and when to remove this message
470:which had been translated into German by
109:Learn how and when to remove this message
1165:PelĂcula en lĂnea en inglĂ©s y en español
1043:. Vol. 31, no. 6. p. 135.
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949:. 5 June 1928 – via NYTimes.com.
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740:Renard's novel was also adapted as
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526:, Nerz's script, and the acting of
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1626:Films about organ transplantation
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1338:The Three Dances of Mary Wilford
1049:Das neue Lexikon des Horrorfilms
1047:Roland M. Hahn und Rolf Giesen:
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1616:Films about pianos and pianists
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632:needs additional citations for
407:Fritz Strassny as Paul's father
34:needs additional citations for
1621:Films directed by Robert Wiene
1606:Austrian black-and-white films
1037:(2021). "The Hands of Orlac".
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321:. It is based on the novel
254:24 September 1924
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907:. McFarland. p. 204.
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1490:The Great Adventuress
1474:The Woman on the Rack
1287:The Man in the Mirror
1255:The Queen's Secretary
1131:Hands of Orlac (1924)
933:Turner Classic Movies
903:Giesen, Rolf (2019).
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301:) is a 1924 Austrian
1631:Films shot in Vienna
973:"The Hands of Orlac"
641:improve this article
43:improve this article
1482:Leontine's Husbands
1279:Lehmann's Honeymoon
1263:The Wandering Light
589:The Hands of Orlacc
1418:The Hands of Orlac
1386:The Infernal Power
1303:Steadfast Benjamin
1206:Films directed by
1172:by D. H. Bernhardt
1125:TCM Movie Database
1120:The Hands of Orlac
1098:The Hands of Orlac
1019:. Berghahn Books.
763:Edmond T. Gréville
761:(GB/FR 1960, dir.
758:The Hands of Orlac
613:Censor's decisions
596:Siegfried Kracauer
584:The New York Times
579:The Hands of Orlac
566:Husbands or Lovers
506:The Hands of Orlac
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975:. Rotten Tomatoes
947:"A Gruesomo Tale"
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1464:
1458:The Mistress
1456:
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1432:
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1417:
1416:
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1376:
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1352:
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1309:
1301:
1293:
1285:
1277:
1269:
1261:
1253:
1245:
1237:
1229:
1221:
1208:Robert Wiene
1157:Zelluloid.de
1141:Stummfilm.at
1130:
1119:
1109:Orlacs Hände
1108:
1096:
1087:Orlacs Hände
1086:
1066:
1062:
1048:
1038:
1016:
989:
977:. Retrieved
967:
955:
941:
932:
923:
904:
862:
850:. Retrieved
845:
836:
824:. Retrieved
818:
778:
756:
744:
739:
730:
718:
703:
694:
684:
677:
670:
663:
651:
639:Please help
634:verification
631:
604:
600:Lotte Eisner
593:
588:
582:
578:
572:
571:
564:
557:F. W. Murnau
544:
539:
528:Conrad Veidt
521:
519:
505:
501:
495:
477:
476:
465:
457:
456:
446:
432:
421:Lotte Eisner
418:
404:as Dr. Serra
378:Conrad Veidt
366:
362:
358:
352:
322:
311:Conrad Veidt
307:Robert Wiene
298:Orlacs Hände
297:
296:
291:
290:
289:
273: (Viena)
203:Paul Askonas
181:Conrad Veidt
161:
144:Robert Wiene
120:
105:
96:
86:
79:
72:
65:
53:
41:Please help
36:verification
33:
1394:Raskolnikow
1160:(in German)
1152:(in German)
1144:(in German)
1035:Rayns, Tony
852:28 December
848:(in German)
751:Karl Freund
540:Film-Kurier
140:Directed by
1596:1924 films
1590:Categories
867:Rayns 2021
846:Filmdienst
826:5 November
790:References
667:newspapers
561:Karl Grune
553:Fritz Lang
453:Production
447:Dr. Mabuse
443:Fritz Lang
429:Tony Rayns
402:Hans Homma
269:1925-03-06
258:1924-09-24
233:Production
153:Louis Nerz
69:newspapers
1573:Ultimatum
1517:The Other
1239:Frau Eva
516:Reception
486:Hans Rouc
474:in 1922.
464:'s novel
398:as Regine
295:(German:
1410:I.N.R.I.
1149:Arcor.de
1114:AllMovie
746:Mad Love
736:See also
569:(1924).
240:Pan-Film
174:Starring
158:Based on
1557:Typhoon
1346:Genuine
1123:at the
1009:Sources
979:25 June
725:Dresden
681:scholar
574:Variety
492:Release
449:films.
392:as Nera
284:Austria
281:Country
267: (
256: (
235:company
83:scholar
1576:(1938)
1568:(1934)
1560:(1933)
1552:(1931)
1544:(1931)
1536:(1931)
1528:(1930)
1520:(1930)
1501:(1928)
1493:(1928)
1485:(1928)
1477:(1928)
1469:(1927)
1461:(1927)
1453:(1926)
1445:(1926)
1437:(1925)
1429:(1925)
1421:(1924)
1413:(1923)
1405:(1923)
1397:(1923)
1389:(1922)
1381:(1921)
1373:(1921)
1365:(1920)
1357:(1920)
1349:(1920)
1341:(1920)
1333:(1920)
1314:(1917)
1306:(1917)
1298:(1917)
1290:(1917)
1282:(1916)
1274:(1916)
1266:(1916)
1258:(1916)
1250:(1916)
1242:(1916)
1234:(1915)
1226:(1914)
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721:Saxony
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534:, and
498:Berlin
482:Vienna
355:(1924)
303:silent
85:
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56:
1509:1930s
1322:1920s
1215:1910s
998:(PDF)
770:Notes
688:JSTOR
674:books
415:Style
90:JSTOR
76:books
1311:Fear
1092:IMDb
1070:ISBN
1053:ISBN
1021:ISBN
981:2022
909:ISBN
854:2022
828:2023
660:news
598:and
559:and
372:Cast
335:Plot
317:and
62:news
1134:at
1112:at
1090:at
643:by
605:On
445:'s
441:or
327:by
166:by
45:by
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