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to
American billionaire Breckenridge Bender. Hugh Crimble, a young art critic, argues against the sale, saying that Britain's art treasures should stay in the country. He is supported by Theign's perceptive daughter, Lady Grace. When the newspapers get wind of the potential sale of the Reynolds, they
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While the controversy in this novel might seem hopelessly remote and trivial, it's seemingly similar to the furor that erupted during the 1980s in the United States, when
Japanese buyers were snapping up "trophy acquisitions" in America. American newspapers at the time created much the same stink as
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published in 1911. It was originally conceived as a play. James cast the material in a three-act drama in 1909, but like many of his plays, it failed to be produced. (There were two posthumous performances in 1917.) In 1911 James converted the play into a novel, which was successful with the public.
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Meanwhile, Crimble has found another painting in Theign's collection that he suspects is a rarity by
Mantovano. (James thought this artist was a fiction, but it later turned out that there really was an obscure painter of that name.) Eventually, Crimble's hunch about the Mantovano turns out to be
353:, a sore subject to this day. The novel maintains a sprightly pace and features many appealing characters, especially the high-tempered but basically good-hearted Theign. The conventional happy ending may seem rather insipid, but a book like this could hardly end unhappily.
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Although James did not like his adopted country selling out its art treasures to foreign bidders, he was well aware that
Britain's hands were far from clean in this regard. He has Lady Grace make a pointed reference to the
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as a pleasant trifle turned out in James' declining years. There have been criticisms of the novel's sometimes artificial dialogue and the stage business inherited from the dramatic version.
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To cover the gambling debts of his daughter Kitty Imber, the widowed Lord Theign is planning to sell his beautiful painting
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the
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was the last novel he was able to complete before his death in 1916. The storyline concerns the buying up of
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and not to sell the
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that such a light, half-length novel was the most he could manage in his late sixties.
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correct. Theign decides to donate the
Mantovano to the
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painting to the
Gallery, which unites her and Theign.
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416:(New York: Frederick Ungar Publishing Co., 1983)
262:raise a patriotic outcry, which delights Bender.
19:For the stock exchange communication system, see
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406:by Oscar Cargill (New York: Macmillan Co., 1961)
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433:(New York: Oxford University Press 1990)
332:Learn how and when to remove this message
126:Learn how and when to remove this message
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179:Charles Scribner's Sons, New York City
872:William Wetmore Story and His Friends
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64:adding citations to reliable sources
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427:The Complete Plays of Henry James
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762:The Turn of the Screw
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679:The Wings of the Dove
647:The Spoils of Poynton
465:Introductory note on
394:. Newark Sunday Call.
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116:February 2024
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25:Outcry (game)
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75:"The Outcry"
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53:verification
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527:Henry James
230:Henry James
160:Henry James
139:The Outcry
21:Open outcry
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583:Confidence
486:The Outcry
467:The Outcry
458:The Outcry
429:edited by
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363:The Outcry
306:improve it
278:Key themes
235:The Outcry
225:The Outcry
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310:verifying
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