163:—pamphlets describing stereotyped social groupings in Paris—and how Baudelaire's poems complement this genre, even as they transcend it. In a summary of the section, Michael Jennings writes: "For Benjamin, the bohemians were not primarily artistes starving in garrets-think of Rodolfo and Mimi in Puccini's La Boheme-but a motley collection of amateur and professional conspirators who imagined the overthrow of the regime of Napoleon III, France's self-elected emperor. In the opening pages of the essay, Benjamin establishes relays between the tactics employed by these figures and the aesthetic strategies that characterize Baudelaire's poetic production."
119:, Benjamin reconceptualized the Arcades Project as a study of Baudelaire that would draw on the central concerns of the project as a whole. The reconceptualized project would have had three parts: (1) "Baudelaire as Allegorist"; (2) "The Paris of the Second Empire in Baudelaire"; (3) "The Commodity as Poetic Object." Michael Jennings describes the process of composition, "Working feverishly through the summer and fall of 1938 in Denmark, where he was the guest of his friend the great German dramatist
20:
134:
Instead of simply editing the original essay, he wrote an entirely new work for resubmission entitled "On Some Motifs in
Baudelaire" which examines Baudelaire's work from the perspective of the 20th century. The cycle of reflections collected as "Central Park" was also written during the period that
186:
strolls through the urban crowd as prosthetic vehicle of a new vision; the department store as phantasmagoric space of display and consumption; the commercialization and final alienation of the intelligentsia; the prostitute as concatenated image--of death and woman, 'seller and sold in one'; the
95:
poetry in 1914 or 1915 when he was twenty-two years of age, and his work on these translations became intensive in the early 1920s. These translations, introduced by his essay "The Task of the
Translator", were published in 1923. In the late twenties, he began to collect material and ideas for a
191:
The final movement of the essay, "Modernity" marshalls and deploys the conceptual terminology that
Benjamin has developed in the first two sections to make an argument that the cultivation of personal "taste" and the romanticization of "art for art's sake" are, in fact, a forms of
166:
In "The Flâneur" examines the relationship between the isolated urban individual and the crowd, looking at the ways in which the architectural changes and shifts in urban planning in Paris during the 19th century interact with and reflect the evolution of
158:
In "La Bohème", Benjamin looks at the relationship between "professional conspirators" or "professional revolutionists" and the social milieu of Bohèmian circles in Paris. The first section begins with a meditation on the genre of
40:
135:
Benjamin was working on "The Paris of the Second Empire in
Baudelaire" and amounts to a series of tertiary meditations on the subject that didn't make it into the final draft.
196:
wherein individuals sacrifice personal wisdom or experience and in exchange are able to navigate and to 'enjoy' the process of shopping for mass-produced commodity products.
69:" is its sister essay. The major themes of The Arcades Project—the construction of the Parisian arcades in the early 19th century, their blossoming as a habitat for the
123:, Benjamin completed the middle third of the Baudelaire book and submitted this text as an essay entitled 'The Paris of the Second Empire in Baudelaire' to the
105:
187:
gradual denaturing of art as it is subsumed by commodification and fashion, and the replacement of experience by the new concept of information."
365:
127:(Journal for Social Research) in New York." The institute rejected Benjamin's manuscript and told him to rework its central section ("
370:
155:. Each section is devoted to a large scale historical phenomenon of which Baudelaire plays the part of the exemplar or specimen.
355:
109:
76:
66:
360:
325:
292:
252:
320:. Bullock, Marcus Paul; Jennings, Michael William; Eiland, Howard; Smith, Gary. Cambridge, Mass.: Belknap Press.
96:
history of the emergence of urban commodity capitalism in Paris around 1850 (this study eventually evolved into
108:, suggested that Benjamin produce an exposé of the project, which came out in the form of the essay "
19:
247:. Jennings, Michael William. Cambridge, Mass.: Harvard University Press. pp. 2, 8, 9, 10, 18.
193:
55:
of completed essays that was composed during the preparatory outlining and drafting phase of
210:
8:
92:
331:
321:
298:
288:
258:
248:
143:"The Paris of the Second Empire in Baudelaire" is organized into three sections: (1)
101:
205:
97:
61:
56:
44:
28:
120:
116:
349:
335:
302:
262:
172:
128:
71:
168:
80:
52:
285:
Charles
Baudelaire: a lyric poet in the era of high capitalism
100:). In 1935, while Benjamin was living in exile in France,
245:
The writer of modern life: essays on
Charles Baudelaire
347:
171:and begin to crystallize into a new paradigm of
315:
36:The Paris of the Second Empire in Baudelaire
49:Das Paris des Second Empire bei Baudelaire
282:
242:
18:
348:
366:Contemporary philosophical literature
278:
276:
274:
272:
238:
236:
234:
232:
230:
228:
226:
13:
110:Paris, Capital of the 19th Century
59:'s uncompleted composition of the
14:
382:
269:
223:
125:Zeitschrift fĂĽr Sozialforschung
371:Works about Charles Baudelaire
316:Benjamin, Walter (1996–2003).
309:
67:Paris, Capital of 19th Century
1:
216:
131:") and then to resubmit it.
106:Institut fĂĽr Sozialforschung
7:
199:
91:Benjamin began translating
10:
387:
138:
115:In 1937, at the urging of
86:
75:, their demolition during
356:German literary criticism
283:Benjamin, Walter (1997).
243:Benjamin, Walter (2006).
48:
361:Works by Walter Benjamin
194:repressive desublimation
16:Essay by Walter Benjamin
189:
178:Per Michael Jennings:
31:
180:
169:modernist perceptions
104:, co-director of the
22:
211:Marxist hermeneutics
206:The Frankfurt School
51:; 1938) is one of a
98:The Arcades Project
32:
25:Charles Baudelaire
318:Selected writings
287:. London: Verso.
378:
340:
339:
313:
307:
306:
280:
267:
266:
240:
83:in both essays.
50:
43:
386:
385:
381:
380:
379:
377:
376:
375:
346:
345:
344:
343:
328:
314:
310:
295:
281:
270:
255:
241:
224:
219:
202:
141:
89:
77:Haussmanization
62:Arcades Project
57:Walter Benjamin
39:
29:Walter Benjamin
17:
12:
11:
5:
384:
374:
373:
368:
363:
358:
342:
341:
326:
308:
293:
268:
253:
221:
220:
218:
215:
214:
213:
208:
201:
198:
140:
137:
121:Bertolt Brecht
117:Max Horkheimer
88:
85:
15:
9:
6:
4:
3:
2:
383:
372:
369:
367:
364:
362:
359:
357:
354:
353:
351:
337:
333:
329:
327:0-674-94585-9
323:
319:
312:
304:
300:
296:
294:1-85984-192-9
290:
286:
279:
277:
275:
273:
264:
260:
256:
254:0-674-02287-4
250:
246:
239:
237:
235:
233:
231:
229:
227:
222:
212:
209:
207:
204:
203:
197:
195:
188:
185:
179:
176:
175:sensibility.
174:
170:
164:
162:
161:physiognomies
156:
154:
150:
146:
136:
132:
130:
126:
122:
118:
113:
111:
107:
103:
102:Fritz Pollock
99:
94:
84:
82:
78:
74:
73:
68:
64:
63:
58:
54:
46:
42:
37:
30:
26:
21:
317:
311:
284:
244:
190:
183:
181:
177:
165:
160:
157:
152:
148:
144:
142:
133:
124:
114:
93:Baudelaire's
90:
70:
60:
35:
33:
24:
173:consumerist
149:The Flâneur
129:The Flâneur
79:—appear as
350:Categories
217:References
81:leitmotifs
153:Modernity
145:La Bohème
41:‹See Tfd›
23:Cover of
336:34705134
303:37242943
263:67922600
200:See also
184:flâneur
139:Summary
87:History
72:flâneur
53:diptych
334:
324:
301:
291:
261:
251:
45:German
182:"The
332:OCLC
322:ISBN
299:OCLC
289:ISBN
259:OCLC
249:ISBN
151:(3)
147:(2)
112:."
65:. "
38:" (
27:by
352::
330:.
297:.
271:^
257:.
225:^
47::
338:.
305:.
265:.
34:"
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.