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is regarded as the last major work Luna did during his post-academic and life in Paris because from 1894 Luna travelled frequently that he was only able to paint a few number of landscapes in the
Philippines. When Luna returned to France in 1898, he was an appointed member of the delegation in Paris
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in the United States, where it won as a silver medalist. Apart from being accompanied by a Saint Louis
Exposition certificate, Christie’s Hong Kong gave it an estimated price tag of HK$ 1,800,000 - HK$ 2,000,000, an equivalent of $ 231,921 - $ 257,690. Despite this price estimate, the GSIS Museum,
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while remaining (...) Filipino at heart.” In the painting Rizal was with a half-turned back, Luna was at the center seated in a cheerful mood, and Lin was sitting closest to the lady in the portrait and characterized to be the person with the “most vivid expression” among the three gentlemen
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throwing an inquisitive glance toward the woman. The evident intimate mood of the painting was further enhanced by Luna by placing the details of the deserted hat and cape, the pulled-out chair, and the coat on the sofa. According to Eric
Zerrudo, the director of the Museum of the
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from
October 1884 to February 1893. His own personal “Parisian life” was a total of eight years. This period in Luna's career in painting is known as the post-academic or the Parisian period, a time when his style moved away from having “dark colors of the academic
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likeness" to the mirror-image of the archipelago of the
Philippines. Furthermore, Zerrudo mentioned that the woman has a dark neck, the woman was placed with her head in a window joint resulting to having the effect of a sort of
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has a “playful” and “relaxed mood” that does not provide “the slightest hint of the tumultuous happenings to come” in Luna's personal life. It portrayed a scene inside a café in Paris with a woman identified as a
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overshadowing three men placed at the far left corner of the painting. Apart from the prominent figure of the female wearing a pale lavender frock and a hat embellished with flowers, fronted by two glasses of
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published in 1980. Pilar's book was published by the
Eugenio Lopez Foundation. Pilar reproduced the copy of the painting from the Luis Araneta collection. After Luna completed
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and coats – at the left of the image are Luna himself, José Rizal, and
Ariston Bautista Lin, who were on an “expedition” during a casual evening in a café believed to be named as
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jutting out" of the head. The dark neck and the window joint line showed that as if the woman was being strangled, conveying the message that the
Philippines was under stress.
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further proved that Luna was sensitive and skillful in capturing a fleeting moment of ordinary life that he could imbue with “personality and universal emotions”.
405:’s Museum of Arts and Sciences (the oldest museum in the Philippines), where other two Luna paintings are parts of the university’s art collection, namely the
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having a discussion about the
Philippines “on the eve of momentous events” during the springtime in Paris. The three gentlemen dressed in European garb –
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royal courts”. During the period, apart from his heightening artistry Luna was also participating in the
Philippine propaganda movement together with
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470:, Vol. LXXV, No. 8, The Varsitarian, The Official Publication of the University of Santo Tomas, Manila, Philippines, January 15, 2004, varsitarian.net
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a Philippine-government owned and controlled corporation, bought the painting from Christie's Hong Kong in October 2002 for the price of $ 870,000 (
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representing the Philippine revolutionary government tasked to work for the diplomatic recognition of the Philippines as an independent
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Painted a few months prior to September 1892, a time when Luna would be “caught up in dramatic events” that lead to a “heroic path”,
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painting proves that Luna is an “indefatigable painter of women”. It also proves that Luna was an “enthusiastic observer of the
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During this time, Luna also had to deal with the death of an infant daughter and the alleged extra-marital affair of his wife
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does not solely embody the “intangible ideas of the Filipino national consciousness” but also Luna's talent as an artist.
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The original owner of the painting was Ariston Bautista Lin and his family. Before its modern-day exhibition at
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after the state pension fund transferred management of its collection to the National Museum in March 2012.
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portrayed a glimpse of Luna's own life in the capital of France while accompanied by two close friends.
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from Christie’s, the GSIS Museum toured the painting around the Philippines. In January 2004,
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The painted illustration captured the gathering of three significant personas and heroes in
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it was exhibited only once for public viewing, an exhibition held in 1904 at the
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573:"Juan Luna's 150th Birth Anniversary | Official Blog of the Lopez Museum"
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57 cm Ă— 79 cm (22 in Ă— 31 in)
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was featured on page 147 of Santiago Albano Pilar's book entitled
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is one of the masterpieces that Luna created when he stayed in
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Juan Luna's Parisian Life and the Production of Property
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433:. Government Service Insurance System. 13 March 2012.
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Collection of the National Museum of the Philippines
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231:. A French court charged Luna for committing a "
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990:El asesinato del Gobernador Bustamante
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340:As a cultural and historical artwork,
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219:with a French physician. Because of
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318:Government Service Insurance System
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133:painter and revolutionary activist
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953:National Museum of Natural History
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374:Juan Luna, The Filipino as Painter
227:. Luna also attempted to kill his
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579:. 16 October 2007. Archived from
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212:and war of independence in 1896.
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622:"The Parisian Life" by Juan Luna
320:during a lecture at a week-long
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239:and murder on February 7, 1893.
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223:, Luna killed his wife and his
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172:and became “a familiar of the
141:is currently exhibited at the
118:, literally meaning "Inside a
16:1892 oil painting by Juan Luna
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948:National Museum of Fine Arts
528:“Parisian Life” by Juan Luna
368:auction house in Hong Kong,
360:Documentation and exhibition
292:belying a "company of men",
143:National Museum of Fine Arts
81:National Museum of Fine Arts
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967:(Region 6 satellite office)
739:La Madrileña (En el Balcón)
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867:Andrés Luna de San Pedro
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938:National Museum Complex
645:Other paintings by Luna
235:" but was acquitted of
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1099:Alfredo E. Evangelista
1048:Philippine shell tools
711:La Muerte de Cleopatra
386:Saint Louis Exposition
324:exhibit, the woman in
718:La Batalla de Lepanto
409:(“Kamakura Bay”) and
275:representing "fallen
210:Philippine Revolution
958:National Planetarium
206:Ariston Bautista Lin
19:For other uses, see
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861:Paz Pardo de Tavera
608:Flores, Patrick D.
583:on 20 February 2008
492:Ellorin, Bencyrus.
411:The Italian Soldier
217:Paz Pardo de Tavera
1114:Eduardo Quisumbing
1094:Gemma Cruz-Araneta
836:España y Filipinas
795:Hymen, oh Hyménée!
704:El Pacto de Sangre
627:2008-10-02 at the
533:2012-04-04 at the
499:2008-06-07 at the
466:2011-07-04 at the
301:Philippine History
288:and an empty beer
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115:Interior d’Un Café
109:Interior d'un Cafi
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1119:Galo Ocampo
975:Collections
587:25 February
258:Description
94:GSIS Museum
1139:Categories
1004:Spoliarium
845:(Sketches)
697:Spoliarium
558:2012-10-29
417:References
366:Christie's
350:fairer sex
273:prostitute
182:José Rizal
122:"), is an
69:Dimensions
982:Fine arts
881:(brother)
875:(brother)
802:Odalisque
767:Ecce Homo
682:Juan Luna
277:womanhood
269:courtesan
252:Hong Kong
237:parricide
170:continent
135:Juan Luna
92:formerly
55:Juan Luna
753:Tampuhan
746:Mi Novia
625:Archived
552:Archived
531:Archived
497:Archived
464:Archived
435:Archived
305:top hats
248:Republic
221:jealousy
200:then to
167:European
131:Filipino
77:Location
34:French:
854:Related
441:28 July
335:antenna
328:has a "
322:SM Mall
309:Maxim’s
178:Spanish
163:palette
1087:People
1074:Lolong
863:(wife)
821:Series
202:Manila
194:Madrid
184:, the
174:French
158:France
51:Artist
931:Sites
869:(son)
689:Works
286:beers
271:or a
198:Spain
154:Paris
589:2022
443:2015
281:sofa
176:and
120:Café
64:1892
61:Year
384:’s
290:mug
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