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particularly the series "Live
Yankees" (March–June 1828), "New England As It Was" (March–November 1828), and "New England As It Is" (March–November 1828). He juxtaposed articles by separate authors with conflicting views and inserted his own editorial footnotes into others' essays to encourage discourse over the region's identity. Nineteenth-century
506:(1843) by distinguishing between "things seen by the artist" and "things as they are", as Ruskin put it more famously fourteen years later. In Neal's words in 1829, "There is not a landscape nor a portrait painter alive who dares to paint what he sees as he sees it; nor probably a dozen with power to see things as they are."
463:
shortly afterward – a relationship that may have been orchestrated by Neal. Whittier sought Neal's opinion in the magazine at a turning point in the poet's career, saying when he submitted a poem that "if you don't like it, say so privately; and 'I will quit poetry, and everything also of a literary
322:
The idea came from a local bookseller who urged Neal shortly after his return to
Portland to establish a new magazine or newspaper. Neal initially refused, not wanting to be the financial backer of his literary undertaking. The bookseller then offered to publish the periodical if Neal would serve as
679:
as "accessible here to every body, without distinction of age or color", but when he sponsored six Black men to join, only two other members of three hundred voted to accept them. In May, Neal used his magazine to call out his fellow gymnasts' racial prejudice. He ended his involvement with the gym
371:
movement, provided a forum for new writers, and promoted Neal's own accomplishments. Because Neal included a high proportion of his own work, self-promotion, and details of feuds with other public figures, "no magazine ever bore more fully the stamp of a personality", according to scholar Irving T.
837:
that
Garrison was fired from his editorial position for attacking Neal in the paper. Journalist and historian Edward H. Elwell characterized Neal's willingness to publish these inflammatory back-and-forth letters and essays as the embodiment of "impulsive honesty and fair play". Neal stopped after
796:
claimed: "Her magnitude, her resources, and her character, we believe, are neither appreciated nor understood by the chief men" and the "great mass of the
American people." To correct this, he published articles written by himself and others detailing the region's customs, traditions, and speech,
697:
are treated unfairly "as if it were better for a woman to marry anybody than not to marry at all; or even to marry one that was not her selected and preferred of all than to go unmarried to her grave." The article "Rights of Women" (March 5, 1829) includes some of the "angriest and most assertive
315:, though he had been a practicing lawyer in Baltimore (1820–1823). In the second half of 1827, he pursued several projects to further his personal goals and to vindicate himself to his local community. He joined the bar despite opposition, founded Maine's first athletic program, and established
333:
and one of
America's first cultural publications. Controversial at the time for its lack of association with any political party or interest group, it was a precursor for the independent American press that was established later in the century. When asked why he would establish such a magazine
585:
standards and outlined a prophecy for the future
American drama that largely played out by the end of the century. Neal predicted that characters would become more relatable by expressing feelings "in common language" because "when a person talks beautifully in his sorrow, it shows both great
474:
as "powerful and pathetic" and said that the author "should be encouraged to persevering efforts by a fair prospect of future success". An 1828 review of
Longfellow noted "a fine genius and a pure and safe taste" but also cited the need for "a little more energy, and a little more stoutness".
860:
published regularly from the beginning of 1828 through the end of 1829, during which time the magazine changed its name, printing format, frequency, and volume numbering system. Volumes 1 and 2 (January 1, 1828, through July 3, 1829) are composed of eight-page weekly issues in
310:
calling Neal "a panderer for scandal against the country that nourished him" and a "renegado" who "basely traduced his native town and country for hire". Neal experienced verbal taunting and physical violence in the streets and an attempt to block his admission to the local
653:
between the United States and the United
Kingdom. He published a "vigorous campaign" of seventeen articles against lotteries over the course of 1828, claiming they encourage idle and reckless behavior among patrons, an argument he first conveyed in his novel
590:...; for it is there, and there only, that we can judge of a hero, or of a nation, or sympathize with either." This "thorough revolution in plays and players, authors and actors" called for in "The Drama" was still in process 60 years later when
279:
Upon returning to his native
Portland in 1827, Neal was confronted by community members who were offended by his literary work in the preceding years: the unsympathetic depiction of his hometown in his semi-autobiographical novel
495:
to be the most historically important, in which he discussed leading
American artists and their work "with unprecedented acumen and enthusiasm". The essay "Landscape and Portrait-Painting" (September 1829) anticipated
738:
The solution, which he offered in "Woman" (March 26, 1828), was female solidarity and organizing to secure economic and political rights: "If woman would act with woman, there would be a stop to our tyranny".
427:
s greatest impact was encouraging new authors through publication and criticism of their early works. For this, literature scholar John A. Pollard dubbed Neal "doctor of American literature". Poe, Whittier,
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show his focus moving beyond inter-gender social manners and female educational opportunities and toward women's economic and political rights. In the first issue of the second volume, he asserted that
172:
as a weekly periodical and later converted to a longer, monthly format. Its two-year run concluded at the end of 1829. The magazine is considered unique for its independent journalism at the time.
195:, and social issues. Essays by Neal on American art and theater anticipated major changes and movements in those fields realized in the following decades. Conflicting opinions published in
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outside a major city, Neal said, "We mean to publish in Portland. Whatever the people of New-York, or Boston or Philadelphia or Baltimore might say, Portland is the place for us."
751:, and proclaimed the example of economic freedom these women provided: "We hope to see the day when she-editors will be as common as he-editors; and when our women of all ages
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carry a "a pungency rare in nineteenth century criticism", according to art scholar John W. McCoubrey. Fellow art scholar Harold E. Dickson said they "to a remarkable degree
1877:
453:
is credited with having "discovered" Poe, and influenced the young writer's style with the magazine's essays. Poe considered Neal's September 1829 review of the poem "
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preparation and insincerity." Instead of relying on highly cultivated circumstances in the plot, "The incidents will be such as every man may hope or dread to see
762:
affirmed intellectual equality between men and women, opining that "When minds meet, all distinctions of sex are abolished" and "women are not
385:
2160:
730:...; they are not eligible to office; and they are not, nor is their property protected at law. So much for the equality of the sexes here
214:
Many new, predominantly female, writers and editors started their careers with contributions and criticism of their work published in
2442:
2024:. Vol. 11, no. 1833–1834. New York City, New York: G.P. Morris. pp. 69–70, 76–77, 84–85, 92–93, 100–101, 109, 117–118.
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essay "The Drama" (July–December 1829) elaborates upon opinions on theater originally published in the prefaces to his first play,
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2437:
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2003:
833:(1824–1825) as a "renegade's base attempt to assassinate the reputation of this country" and continued with Neal's claim in
412:
2467:
2462:
2222:(2002). "'The Real Pioneer of Art in this City': Charles Codman and the Rise of Landscape Painting in Portland, Maine".
2109:
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presented the country's regions in a state of constant cultural evolution that beckons but thwarts characterization.
611:
454:
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ideas affirmed intellectual equality between men and women and demanded political and economic rights for women.
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documented and offered commentary upon the period's nationally relevant social and political topics, such as the
360:
323:
editor, which Neal accepted. Subscription to the new weekly magazine cost $ 3 a year, or $ 2.50 paid in advance.
188:
1112:
638:
457:" to be "the very first words of encouragement I ever remember to have heard". Poe became a contributor to the
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nature, for I am sick at heart of the business'." In what may be the first review of Hawthorne's first novel,
234:
846:
822:
817:(January 1 – December 24, 1828) documents literary feuds between Neal and other New England journalists like
798:
646:
180:
96:
1805:
1413:
2247:
Orestano, Francesca (2012). "Chapter 6: John Neal, the Rise of the Critick, and the Rise of American Art".
401:
364:
192:
829:. Tensions between Neal and Garrison started with Garrison's denunciation of Neal's literary criticism in
801:
are known for sentimentally posing rural traditions in conflict with America's urbanization. In contrast,
1314:
433:
223:
2394:
2374:
Weyler, Karen A. (2012). "Chapter 11: John Neal and the Early Discourse of American Women's Rights".
2013:
175:
Neal used creative control of the magazine to improve his social status, help establish the American
19:
This article is about a literary magazine published 1828–1829. For the magazine founded in 1935, see
2086:
Holt, Kerin (2012). "Chapter 9: Here, There, and Everywhere: The Elusive Regionalism of John Neal".
1705:
290:
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business in 1816. After gaining national recognition as a critic, poet, and novelist, he sailed to
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1324:
1286:
865:. New series volume 1 (July through December 1829) is composed of six, 56-page monthly issues in
522:
373:
302:
2229:
2100:
Kayorie, James Stephen Merritt (2019). "John Neal (1793–1876)". In Baumgartner, Jody C. (ed.).
1887:
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contributed toward municipal funding being designated for the construction of Portland's first
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1342:
2050:
Fourteenth Annual Report of the Proceedings of the Maine Press Association, for the Year 1877
444:
397:
343:
40:
2314:
2047:
Elwell, Edward H. (1877). "Historical Sketches: Cumberland County". In Wood, Joseph (ed.).
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770:
men. They cannot do all that men may do – any more than men may do all that women may do."
622:
591:
307:
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Price, H. H.; Talbot, Gerald E. (2006). "Sports". In Price, H. H.; Talbot, Gerald (eds.).
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A Right View of the Subject: Feminism in the Works of Charles Brockden Brown and John Neal
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8:
582:
570:
518:
459:
429:
356:
285:
184:
164:) was one of the first cultural publications in the United States, founded and edited by
2182:
Heralds of Promise: The Drama of the American People During the Age of Jackson 1829-1849
1996:
The Making of an Abolitionist: William Lloyd Garrison's Path to Publishing the Liberator
1985:
Barry, William D. (May 20, 1979). "State's Father of Athletics a Multi-Faceted Figure".
710:
The truth is, that women are not citizens here; they pay taxes without being represented
2320:
2282:
2199:
2102:
American Political Humor: Masters of Satire and Their Impact on U.S. Policy and Culture
1892:
744:
526:
514:
264:, where he pursued a dual career in law and literature following the bankruptcy of his
245:
238:
165:
54:
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was in circulation, Neal was one of the most important critics of American drama. His
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1999:
1774:, p. 176, quoting Neal's April 30, 1829 editorial comment on a submitted letter.
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330:
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219:
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20:
2142:. Sources and Documents in the History of Art Series. Englewood Cliffs, New Jersey:
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and its potential role in America's artistic renaissance anticipate the rise of the
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2032:
Observations on American Art: Selections from the Writings of John Neal (1793–1876)
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470:
389:
296:
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2017:
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1354:
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755:... will be able to maintain herself, without being obliged to marry for bread."
533:. These essays also offer unprecedented coverage of reproduction technology like
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249:
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receiving complaints from subscribers, which he also published in the magazine.
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s pages. Most of the new authors whose careers it started were women, including
2219:
1789:
851:
630:
352:
273:
92:
367:, politics, and social issues. The magazine also aided in establishing the US
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functioned to educate Americans about England, spread Jeremy Bentham-inspired
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650:
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states. Holding his native state in high regard, Neal in the third issue of
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Neal was the first American art critic. Scholars find his work in the novel
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1784:
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and American portrait painters trained in the "humbler contingencies" of
538:
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208:
72:
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176:
68:
64:
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Charles Codman: The Landscape of Art and Culture in 19th-Century Maine
919:
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is based on a misinterpretation of a passage in Neal's autobiography.
649:, and the Maine-New Brunswick border issues that led to the 1838–1839
372:
Richards. Around fifty authors contributed to the magazine, including
699:
534:
393:
265:
261:
218:, including many who are familiar to modern readers. The articles on
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Source URL includes multiple separate publications bundled together.
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88:
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84:
76:
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John Neal and Nineteenth Century American Literature and Culture
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John Neal and Nineteenth Century American Literature and Culture
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Maine's Visible Black History: The First Chronicle of Its People
2249:
John Neal and Nineteenth Century American Literature and Culture
2088:
John Neal and Nineteenth Century American Literature and Culture
1829:
1121:, p. 188, quoting "North American Stories" (March 5, 1828).
2163:
That Wild Fellow John Neal and the American Literary Revolution
2121:
That Wild Fellow John Neal and the American Literary Revolution
1762:, pp. 177–179, quoting "Female Education" (June 18, 1829).
1750:, p. 168, quoting "Mrs. Sarah J. Hale" (January 16, 1828).
1729:
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269:
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1940:
1938:
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1814:, p. 188, quoting "Affairs of Maine" (January 16, 1828).
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represented, it is by those whose interest, instead of being
204:
2053:. Portland, Maine: Brown Thurston & Co. pp. 22–31.
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1437:
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Described by one scholar as "vinegary", the first volume of
2034:. State College, Pennsylvania: Pennsylvania State College.
1935:
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ceased publication at the end of 1829, it merged with the
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was considered innovative for issuing the same criticism.
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presented readers with a complex portrait of the region.
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Defunct literary magazines published in the United States
1422:, p. 601, quoting "Landscape and Portrait-Painting".
1302:
1008:
1006:
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philosophy, publish literary contributions, and critique
80:
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2104:. Santa Barbara, California: ABC-CLIO. pp. 86–91.
1962:
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1201:
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2359:. Lewisburg, Pennsylvania: Bucknell University Press.
2071:. Erlangen, Germany: Verlag Palm & Enke Erlangen.
1853:
1374:
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597:
1693:
1638:, p. 2D, quoting Neal's article (March 9, 1828).
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1386:
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272:, where he wrote for British magazines and served as
2298:. Gardiner, Maine: Tilbury House. pp. 190–192.
1911:
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all received their first impactful encouragement in
319:. The first issue was published on January 1, 1828.
16:
1820s American literary magazine edited by John Neal
1950:
1841:
1136:
888:. The common misconception that it merged with the
521:and provide early coverage (1828) of its founders,
2123:. Chicago, Illinois: University of Chicago Press.
1088:
1018:
877:, starting August 20, 1828 (volume 1, number 34).
416:The first issue with the new name: August 20, 1828
2206:. Vol. 1. Portland, Maine: James Adams, Jr.
1049:
873:with a Boston periodical and changed the name to
788:used to refer to people from Maine and the other
2453:Monthly magazines published in the United States
2424:
2458:Weekly magazines published in the United States
2355:Watts, Edward; Carlson, David J., eds. (2012).
850:Frontispiece of new series volume 1, depicting
688:Neal's writing on gender and women's rights in
386:associate justice of the Arkansas Supreme Court
1714:, pp. 174–175, quoting "Rights of Women".
1351:, p. 134, quoting "More Portland Poetry".
45:First page of the first issue: January 1, 1828
660:(1822). On a local level, Neal's advocacy in
2381:
2354:
2340:. Boston, Massachusetts: Twayne Publishers.
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2184:. New York City, New York: Greenwood Press.
2093:
2293:
2066:
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1735:
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1711:
1690:, p. 174, quoting "To Correspondents".
1687:
1675:
1659:
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306:(1824–1825). Residents posted inflammatory
2267:Bulletin of Friends Historical Association
2263:"John Neal, Doctor of American Literature"
698:feminist claims" of his career, saying of
581:(1819). The essay dismissed well-accepted
420:Neal biographer Donald A. Sears felt that
39:
2137:
1998:. Jefferson, North Carolina: MacFarland.
1479:
1368:
577:(1819) and his second poetry collection,
557:... have stood the trying test of time."
2414:new series volume 1 (July–December 1829)
2319:(PhD thesis). Cambridge, Massachusetts:
2312:
2246:
2158:
1968:
1944:
1929:
1905:
1871:
1859:
1623:
1611:
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1566:, pp. 627–628, quoting "The Drama".
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2412:The Yankee and Boston Literary Gazette
2401:The Yankee and Boston Literary Gazette
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2218:
2046:
2012:
1917:
1699:
1671:
1339:, p. 133, quoting an 1828 review.
1106:
1094:
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913:
875:The Yankee and Boston Literary Gazette
161:The Yankee and Boston Literary Gazette
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2118:
1984:
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1336:
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976:, p. 124, illustrations 6 and 7.
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869:. For financial reasons, Neal merged
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579:The Battle of Niagara: Second Edition
407:
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2085:
1956:
1847:
1835:
1823:
1811:
1118:
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447:and others lesser known to history.
1542:, p. 628, quoting "The Drama".
671:In March 1828, Neal advertised his
614:was Maine's first athletic program.
598:Political, social, and civic issues
13:
2169:Maine Historical Society Quarterly
1989:. Portland, Maine. pp. 1D–2D.
1578:, p. 25, quoting "The Drama".
1554:, p. 24, quoting "The Drama".
743:also promoted female editors like
14:
2479:
2388:
2018:"Letters from the East—John Neal"
1614:, pp. 630–631, quoting Neal.
294:(1825), and the criticism in his
2443:Magazines disestablished in 1829
478:
2316:The Life and Works of John Neal
2030:Dickson, Harold Edward (1943).
1777:
1726:, p. 168, quoting "Woman".
396:, and early published works by
773:
168:(1793–1876), and published in
1:
2438:Magazines established in 1828
895:
823:Francis Ormand Jonathan Smith
229:
2448:Magazines published in Maine
2313:Richards, Irving T. (1933).
2202:, ed. (1828). "The Yankee".
1838:, pp. 185–187, 196–199.
1407:, pp. 137–138, quoting
900:
549:. Neal's opinions on art in
284:(1823), the way he depicted
112:Monthly (July–December 1829)
7:
2180:Meserve, Walter J. (1986).
2138:McCoubrey, John W. (1965).
2067:Fleischmann, Fritz (1983).
2026:A serial biography of Neal.
778:The magazine's title word,
683:
610:in Portland's town hall at
10:
2484:
2468:Advertising-free magazines
2463:English-language magazines
2382:Watts & Carlson (2012)
2255:Watts & Carlson (2012)
2094:Watts & Carlson (2012)
1978:
434:Henry Wadsworth Longfellow
341:
337:
18:
2336:Sears, Donald A. (1978).
2261:Pollard, John A. (1943).
1790:Dictionary.com Unabridged
288:and customs in his novel
140:
132:
124:
116:
102:
60:
50:
38:
2279:10.1353/qkh.1943.a395387
2159:McNallie, Robin (1973).
2119:Lease, Benjamin (1972).
1994:Brennan, Dennis (2014).
916:, pp. 76–77, 84–85.
808:
1660:Price & Talbot 2006
1325:John Greenleaf Whittier
1323:, p. 113, quoting
1295:, p. 114, quoting
749:Frances Harriet Whipple
722:in theirs, is directly
374:John Greenleaf Whittier
106:Weekly (January 1, 1828
2230:Portland Museum of Art
2140:American Art 1700–1960
1888:William Lloyd Garrison
1886:, p. 50, quoting
854:
819:William Lloyd Garrison
736:
627:Tariff of Abominations
615:
417:
402:chief justice of Maine
256:), and later lived in
242:
1987:Maine Sunday Telegram
928:, pp. 184, 187;
849:
799:American regionalists
708:
605:
445:Elizabeth Oakes Smith
415:
344:Articles by John Neal
237:
2165:, by Benjamin Lease"
1738:, pp. 168, 177.
1674:, pp. 236–237;
1470:, pp. 133, 139.
1446:, pp. 135, 141.
944:, pp. 50, 192;
831:Blackwood's Magazine
827:Joseph T. Buckingham
680:shortly thereafter.
623:nullification crisis
592:William Dean Howells
561:Theatrical criticism
489:Blackwood's Magazine
303:Blackwood's Magazine
2378:. pp. 227–246.
2251:. pp. 123–144.
2228:. Portland, Maine:
2090:. pp. 185–208.
2016:(August 31, 1833).
1947:, pp. 581–582.
1932:, pp. 588–591.
1874:, pp. 584–590.
1826:, pp. 190–192.
1662:, pp. 190–192.
1602:, pp. 629–630.
1530:, pp. 627–628.
1434:, pp. 135–136.
1283:, pp. 131–132.
1232:, pp. 605–606.
1220:, pp. 608–609.
1157:, pp. 111–112.
1070:, pp. 576–577.
1000:, pp. 573–574.
988:, pp. 572–573.
964:, pp. 123–124.
948:, pp. 71, 76;
758:In other articles,
519:Hudson River School
430:Nathaniel Hawthorne
357:American literature
331:literary periodical
286:New England dialect
185:American literature
35:
2416:available through
2321:Harvard University
1893:Newburyport Herald
890:New England Galaxy
855:
842:Run of publication
745:Sarah Josepha Hale
616:
527:Asher Brown Durand
515:landscape painting
500:'s groundbreaking
418:
408:Literary criticism
329:was Maine's first
243:
31:
2366:978-1-61148-420-5
2347:978-0-8057-7230-2
2305:978-0-88448-275-8
2239:978-0-916857-32-5
2191:978-0-313-25015-6
2130:978-0-226-46969-0
2078:978-3-7896-0147-7
2005:978-1-4766-1535-6
1590:, pp. 24–25.
766:to men; they are
509:Neal's essays in
254:District of Maine
201:cultural identity
181:national politics
151:
150:
2475:
2406:Internet Archive
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886:Ladies' Magazine
754:
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460:Ladies' Magazine
442:
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390:Grenville Mellen
297:American Writers
291:Brother Jonathan
179:movement, cover
158:(later retitled
109:
43:
36:
30:
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2006:
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1297:Edgar Allan Poe
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503:Modern Painters
481:
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378:Edgar Allan Poe
346:
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313:bar association
276:'s secretary.
250:Portland, Maine
232:
183:, and critique
170:Portland, Maine
145:Portland, Maine
128:January 1, 1828
111:
110:– July 3, 1829)
107:
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1480:McCoubrey 1965
1472:
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1458:, p. 133.
1448:
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1412:
1397:
1385:
1383:, p. iii.
1373:
1371:, p. 125.
1369:McCoubrey 1965
1367:, p. ix;
1353:
1341:
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647:women's rights
631:Andrew Jackson
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274:Jeremy Bentham
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93:utilitarianism
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2019:
2015:
2014:Brooks, James
2011:
2007:
2001:
1997:
1992:
1988:
1983:
1982:
1970:
1969:Richards 1933
1965:
1958:
1953:
1946:
1945:Richards 1933
1941:
1939:
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1930:Richards 1933
1926:
1920:, p. 28.
1919:
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1906:Richards 1933
1902:
1895:
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1880:
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1872:Richards 1933
1868:
1862:, p. 57.
1861:
1860:McNallie 1973
1856:
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1793:(Online). n.d
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1516:Richards 1933
1512:
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1505:
1500:
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1468:Orestano 2012
1464:
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1456:Orestano 2012
1452:
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1444:Orestano 2012
1440:
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1432:Orestano 2012
1428:
1421:
1420:Richards 1933
1416:
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1405:Orestano 2012
1401:
1395:, p. ix.
1394:
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1255:
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1170:Richards 1933
1166:
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1151:
1145:, p. 2D.
1144:
1139:
1132:
1131:Richards 1933
1127:
1120:
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1109:, p. 29.
1108:
1103:
1096:
1091:
1085:, p. 26.
1084:
1079:
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1069:
1068:Richards 1933
1064:
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1052:
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1044:Richards 1933
1041:
1036:
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1029:
1024:
1022:
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1013:Richards 1933
1009:
1007:
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998:Richards 1933
994:
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986:Richards 1933
982:
975:
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963:
958:
952:, p. 87.
951:
947:
943:
938:
932:, p. 39.
931:
927:
926:Richards 1933
922:
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714:...; if they
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669:
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651:Aroostook War
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635:spoils system
632:
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612:Market Square
609:
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583:Shakespearean
580:
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543:sign painting
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479:Art criticism
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136:December 1829
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2031:
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1995:
1986:
1964:
1952:
1925:
1913:
1901:
1891:
1884:Brennan 2014
1879:
1867:
1855:
1843:
1831:
1819:
1807:
1795:. Retrieved
1788:
1779:
1767:
1755:
1743:
1731:
1719:
1707:
1695:
1683:
1667:
1655:
1643:
1631:
1619:
1607:
1595:
1588:Meserve 1986
1583:
1576:Meserve 1986
1571:
1559:
1552:Meserve 1986
1547:
1535:
1523:
1511:
1504:Meserve 1986
1499:
1492:Dickson 1943
1487:
1475:
1463:
1451:
1439:
1427:
1415:
1400:
1393:Dickson 1943
1388:
1381:Dickson 1943
1376:
1365:Dickson 1943
1356:
1344:
1332:
1316:
1304:
1288:
1276:
1254:Pollard 1943
1249:
1237:
1225:
1213:
1193:, p. 6.
1191:Pollard 1943
1150:
1138:
1126:
1114:
1102:
1090:
1063:
1058:, p. 1.
1051:
1035:
993:
981:
969:
957:
950:Kayorie 2019
937:
921:
909:
889:
885:
881:
879:
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834:
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709:
689:
687:
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670:
661:
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618:
617:
578:
574:
566:
565:At the time
564:
550:
547:applied arts
510:
508:
501:
492:
491:(1824), and
488:
484:
482:
469:
468:referred to
465:
458:
450:
449:
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421:
419:
361:American art
348:
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244:
215:
213:
196:
174:
160:
159:
154:
153:
152:
32:
28:
21:
2273:(1): 5–12.
2175:(1): 55–60.
1918:Elwell 1877
1797:January 18,
1700:Weyler 2012
1672:Weyler 2012
1409:John Ruskin
1107:Elwell 1877
1095:Nicoll 2002
1083:Elwell 1877
914:Brooks 1833
790:New England
774:New England
539:lithography
531:Thomas Cole
498:John Ruskin
382:Albert Pike
353:utilitarian
248:grew up in
209:New England
133:Final issue
125:First issue
73:New England
2427:Categories
2418:HathiTrust
2397:The Yankee
2204:The Yankee
2200:Neal, John
1648:Sears 1978
1636:Barry 1979
1361:Sears 1978
1349:Lease 1972
1337:Lease 1972
1321:Sears 1978
1293:Sears 1978
1281:Lease 1972
1242:Sears 1978
1206:Lease 1972
1155:Sears 1978
1143:Barry 1979
1040:Sears 1978
1028:Barry 1979
974:Lease 1972
962:Lease 1972
946:Sears 1978
942:Lease 1972
930:Lease 1972
896:References
882:The Yankee
871:The Yankee
858:The Yankee
835:The Yankee
815:The Yankee
803:The Yankee
794:The Yankee
760:The Yankee
741:The Yankee
690:The Yankee
677:The Yankee
662:The Yankee
643:temperance
619:The Yankee
567:The Yankee
551:The Yankee
511:The Yankee
493:The Yankee
466:The Yankee
455:Fairy-Land
451:The Yankee
438:The Yankee
422:The Yankee
369:gymnastics
349:The Yankee
342:See also:
327:The Yankee
317:The Yankee
308:broadsides
300:series in
252:(then the
230:Background
222:and early
216:The Yankee
197:The Yankee
177:gymnastics
155:The Yankee
69:gymnastics
65:Literature
61:Categories
33:The Yankee
24:(magazine)
2338:John Neal
1957:Holt 2012
1848:Holt 2012
1836:Holt 2012
1824:Holt 2012
1812:Holt 2012
1119:Holt 2012
1056:Neal 1828
901:Citations
726:to theirs
700:coverture
673:gymnasium
666:sidewalks
639:lotteries
608:gymnasium
535:engraving
394:Isaac Ray
266:dry goods
262:Baltimore
246:John Neal
239:John Neal
166:John Neal
120:John Neal
103:Frequency
55:John Neal
2287:41944216
2212:10256341
1785:"Yankee"
764:inferior
720:included
704:suffrage
684:Feminism
487:(1823),
485:Randolph
471:Fanshawe
224:feminist
141:Based in
89:politics
2329:7588473
2059:7158022
1979:Sources
1890:in the
786:demonym
784:, is a
724:opposed
606:Neal's
400:(later
384:(later
365:theater
338:Content
260:, then
241:in 1823
199:on the
193:theater
117:Founder
85:theater
77:England
2363:
2344:
2327:
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